Archive for August, 2009

love-aaj-kal new posterBollywood’s new age Love-guru is back! And with a heavy adjective like that, its difficult to live up to the expectation. Yashraj romance is so passe. After Socha Na Tha and Jab We Met, Imtiaz Ali is cool, hep and happening.

Read all the reviews. Thought will catch on sunday morning. Tickets will be cheap and easy to get. How many people wake up and reach the theatre by 11 am. I was wrong. Fame Adlabs – 11:30 am show. Houseful. I thought I will wait, will manage a ticket from someone. It has never happened with me, that i have returned home without watching a film. No luck. I moved to Cinemax Versova. Believe it or not, Cinemax has 24 shows daily! One show every half hour. Cinemax – 12 noon show – Houseful. Again I decided to wait. No luck. 12:30 – Is also houseful. Only red lounge availabe. Huh! Whats the point of waking up and coming early if I am going to watch it in red lounge, which is too expensive. Finally bought the ticket for 13:00 pm show and moved to my fav place (Landmark) to kill time. Now if this is any indication of the box office report, Love Aaj Kal is heading for big numbers. And a real one, unlike Kambakkht Ishq’s pumped up numbers. Next week there is only Agyaat, so Love Aaj Kal will have two weeks time till Kaminey releases.  

Does Imtiaz Ali delivers ? And if so, what ? Well, he tries atleast. Some ten great scenes, smart dialogues but too much of deja vu! Give me one more punjabi family that wants to sing nagada nagada..nagada baja, and I will take out my gun and blow someone’s head! Seriously! Imtiaz’s characters still prefer to run away and get married. They are still confused about their choices. Here, they are just a step ahead, more confused, and realise it all after marriage. They still talk in the same tone. 

Comparing notes of three films, Imtiaz and his love mantra has changed a lot with time, as it happens with us when we grow up and see the same world in a different way at different age. First one (Socha Na Tha) was naive, tender, natural. Second (Jab We Met) was smart, mature, understanding. This one (Love Aaj Kal) is clever, trying to be too smart and calculative.

And when you have two tracks in a love story, the craftsmanship is easy to spot, which makes it look unnatural. Have always felt that. The criss-crossing makes it look all intentional, to mix and match this scene here with that scene there.  The intention is still honest but then the baggage becomes too heavy.

 After a friend’s recco, recently saw a film titled 5 X 2 (Five times two). Five chapters of a couple’s romantic story which starts with their divorce and moves in reverse. So, a story with a sad end has a happy cinematic ending. The first time when the boy meets the girl. Love Aaj Kal too starts with a break up, and you know, its a hindi film, so the couple will get together for sure. How ? Thats the question.

They break up. They find new boyfreind/girlfriend. They pretend to be cool about it but realise soon that its the wrong choice baby! Much like Abbas Tyrewala’s Jaane Tu Ya Jaane Na. And as a friend asked me, so what new can you do in a romcom ? New ? Well, add a old track then. And thats where Rishi Kapoor fits in with his Harleen Kaur. The villain in the story is distance. Yesterday, they went all out to cover that distance. Today, we have too many choices close to us, why bother to go for the long distance ! Thats the central theme of Love Aaj Kal.

Saif Ali Khan is not new to being the cool n confused lover, having done similar acts in Dil Chahta Hai, Hum Tum and other films. Deepika Padukone is unbelievably inconsistent. In some scenes, she cracks the code perfectly and in some, she is horrible. Harleen Kaur (Giselle Monteiro) must be the subtle-est character in the history of hindi cinema. Blame it on Brazil! But it works.

They poke. But they dont make out. They talk and go yap yap. But they dont do anything. You only hear the “khula saand“, the “kuch bhi” talks. The intention must have been to score U/A certificate, so that it becomes family viewing. Was surprised to see so many kids in the theatre. What kind of parents take their kids to the theatre to watch Love Aaj Kal ? Its not for kiddies, by any logic and reason. Its a mature story and God only knows, what the kids will make out of it. Am scared for the next generation. Poking friends on Facebook and in Love Aaj Kal is not the same.

I loved Socha Na Tha. I liked Jab We Met. Superbly written. And Love Aaj Kal is, well, nice. Honest but too crafty! Its all about having black tea/coffee together!

Harleen KaurWe wrote about Harleen Kaur in our last post on Love Aaj Kal. But it seems people are still googling who plays Harleen Kaur ? And almost every reviewer has mentioned her name or her character’s name. She may not have much to say but her look has worked and how!

It happens. Recently during the screening of Delhi-6, at the interval, I turned to my freind and asked, who is this Rama Bua ? Later on, got to know that all my friends and their million other friends also wanted to know the same. We googled, found out more and finally confirmed that she is happily married and is a delhi based dancer Aditi Rao Hydari!

Ok. So back to Harleen Kaur in Imtiaz Ali’s Love Aaj Kal. Believe it or not, she may look the coy desi girl with old world charm but she is not from India! Giselle Monteiro is a Brazilian model who has no clue about hindi and hindi films. She came to audition for the part of Saif’s other girlfriend. But was later on selected for the role of Harleen Kaur. Imtiaz Ali managed to make her act but her lines were dubbed. Strange are the ways of bollywood! But as long as Harleen Kaur looks Harleen Kaur, we arent complaining. Desi, firangi or from any other planet!

Three IdiotsFirst it was Shah Rukh Khan’s My Name is Khan , which Fox Star bagged for Rs 100 crore. Not sure about the exact details yet but the deal is confirmed. And now the exclusive dope on Aamir Khan’s next – we have got to know that Aamir Khan’s 3 Idiots (Three Idiots) have been bagged by Studio 18 for Rs 85 cr! Woohoo! 3 Idiots is directed by Raj Kumar Hirani, produced by Vidhu Vinod Chopra and stars Aamir Khan, Kareena Kapoor, R Madhavan and Sharman Joshi.

Except Music, Studio18 has got all the rights of 3 Idiots (Three Idiots) for Rs 85 crore. Music rights is with T-Series. So, if we add 10-15 cr more for music rights, it will be equal to 95-100 crore. Shah Rukh Khan & Aamir Khan on par! Fox Star and Sony was also interestd in it. But two factors contributed towards Studio18 bagging the rights. Aamir Khan’s personal and professional equation with Studio18.

Aamir is close to Vandana Malik, head of Studio18, whose daughter Avantika Malik is Imran Khan’s girlfriend. And professionally Aamir was happy with the box office result of Ghajini, which was distributed by Studio 18. Ghajini was sold for Rs 90 cr. And so Aamir made sure that Studio18 gets the preference for 3 Idiots.

3 Idiots will release on the last week of december as the date has proved lucky for Aamir Khan since last two years. First it was Taare Zameen Par, then Ghajini and now Aamir wants to stick to the same date. So, come what may, 3 Idiots will release on the last friday (25th december) of the year.

Coen BrothersThe Brothers are back! what a joy! Aha..we just love them. Name any film of theirs and we bet, we can  watch it one more time. And give us Miller’s Crossing some million times, we still would not get bored.

The first trailer of A Serious Man is out. Directed by Joel and Ethan Coen. This one looks like Coen Brothers’ version of Synecdoche, New York. Dark, funny, insane. And how often a film’s trailer is cut on the sound of a man’s head being slammed across a wall. We are loving it!

And here is the synopsis of the film, according to Slashfilm…

A Serious Man is the story of an ordinary man’s search for clarity in a universe where Jefferson Airplane is on the radio and “F-Troop” is on TV. It is 1967, and Larry Gopnik (Michael Stuhlbarg), a physics professor at a quiet Midwestern university, has just been informed by his wife Judith (Sari Lennick) that she is leaving him. She has fallen in love with one of his more pompous colleagues, Sy Ableman (Fred Melamed), who seems to her a more substantial person than the feckless Larry.

While his wife and Sy Ableman blithely make new domestic arrangements, and his brother becomes more and more of a burden, an anonymous hostile letter-writer is trying to sabotage Larry’s chances for tenure at the university. Struggling for equilibrium, Larry seeks advice from three different rabbis. Can anyone help him cope with his afflictions and become a righteous person – a mensch – a serious man?