Archive for the ‘cast & crew’ Category

Best Foreign Language Film – This is one category which is getting tougher every year. Because an Oscar Award easily turns into big bucks for any film from any country. And this year 65 countries have submitted films for consideration.

Harishchandrachi FactoryMarathi film Harishchandrachi Factory is India’s official entry to this year’s Oscars in the Best Foreign Language Film Category. The film is directed by Paresh Mokashi who has been doing theatre since last twenty years. Harishchandrachi Factory is Mokashi’s debut film. The film traces the obstacles and hurdles faced by Dhundiraj Phalke ( or Dada Saheb Phalke, also known as the father of Indian cinema) while he was making the first Indian film Raja Harishchandra in 1913. So,  Harishchandrachi Factory will compete with films from 64 countries!

And here is the complete list of films from 65 countries, in alphabetical order….

Albania, “Alive!,” Artan Minarolli, director;
Argentina, “El Secreto de Sus Ojos,” Juan Jose Campanella, director;
Armenia, “Autumn of the Magician,” Rouben Kevorkov and Vaheh Kevorkov, directors;
Australia, “Samson & Delilah,” Warwick Thornton, director;
Austria, “For a Moment Freedom,” Arash T. Riahi, director;
Bangladesh, “Beyond the Circle,” Golam Rabbany Biplob, director;
Belgium, “The Misfortunates,” Felix van Groeningen, director;
Bolivia, “Zona Sur,” Juan Carlos Valdivia, director;
Bosnia and Herzegovina, “Nightguards,” Namik Kabil, director;
Brazil, “Time of Fear,” Sergio Rezende, director;
Bulgaria, “The World Is Big and Salvation Lurks around the Corner,” Stephan Komandarev, director;
Canada, “I Killed My Mother,” Xavier Dolan, director;
Chile, “Dawson, Isla 10,” Miguel Littin, director;
China, “Forever Enthralled,” Chen Kaige, director;
Colombia, “The Wind Journeys,” Ciro Guerra, director;
Croatia, “Donkey,” Antonio Nuic, director;
Cuba, “Fallen Gods,” Ernesto Daranas, director;
Czech Republic, “Protektor,” Marek Najbrt, director;
Denmark, “Terribly Happy,” Henrik Ruben Genz, director;
Estonia, “December Heat,” Asko Kase, director;
Finland, “Letters to Father Jacob,” Klaus Haro, director;
France, “Un Prophete,” Jacques Audiard, director;
Georgia, “The Other Bank,” George Ovashvili, director;
Germany, “The White Ribbon,” Michael Haneke, director;
Greece, “Slaves in Their Bonds,” Tony Lykouressis, director;
Hong Kong, “Prince of Tears,” Yonfan, director;
Hungary, “Chameleon,” Krisztina Goda, director;
Iceland, “Reykjavik-Rotterdam,” Oskar Jonasson, director;
India, “Harishchandrachi Factory,” Paresh Mokashi, director;
Indonesia, “Jamila and the President,” Ratna Sarumpaet;
Iran, “About Elly,” Asghar Farhadi, director;
Israel, “Ajami,” Scandar Copti and Yaron Shani, director;
Italy, “Baaria,” Giuseppe Tornatore, director;
Japan, “Nobody to Watch over Me,” Ryoichi Kimizuka, director;
Kazakhstan, “Kelin,” Ermek Tursunov, director;
Korea, “Mother,” Joon-ho Bong, director;
Lithuania, “Vortex,” Gytis Luksas, director;
Luxembourg, “Refractaire,” Nicolas Steil, director;
Macedonia, “Wingless,” Ivo Trajkov, director;
Mexico, “Backyard,” Carlos Carrera, director;
Morocco, “Casanegra,” Nour-Eddine Lakhmari, director;
The Netherlands, “Winter in Wartime,” Martin Koolhoven, director;
Norway, “Max Manus,” Espen Sandberg and Joachim Roenning, directors;
Peru, “The Milk of Sorrow,” Claudia Llosa, director;
Philippines, “Grandpa Is Dead,” Soxie H. Topacio, director;
Poland, “Reverse,” Borys Lankosz, director;
Portugal, “Doomed Love,” Mario Barroso, director;
Puerto Rico, “Kabo and Platon,” Edmundo H. Rodriguez, director;
Romania, “Police, Adjective,” Corneliu Porumboiu, director;
Russia, “Ward No. 6,” Karen Shakhnazarov, director;
Serbia, “St. George Shoots the Dragon,” Srdjan Dragojevic, director;
Slovakia, “Broken Promise,” Jiri Chlumsky, director;
Slovenia, “Landscape No. 2,” Vinko Moderndorfer, director;
South Africa, “White Wedding,” Jann Turner, director;
Spain, “The Dancer and the Thief,” Fernando Trueba, director;
Sri Lanka, “The Road from Elephant Pass,” Chandran Rutnam;
Sweden, “Involuntary,” Ruben Ostlund, director;
Switzerland, “Home,” Ursula Meier, director;
Taiwan, “No Puedo Vivir sin Ti,” Leon Dai, director;
Thailand, “Best of Times,” Yongyoot Thongkongtoon, director;
Turkey, “I Saw the Sun,” Mahsun Kirmizigul, director;
United Kingdom, “Afghan Star,” Havana Marking, director;
Uruguay, “Bad Day for Fishing,” Alvaro Brechner, director;
Venezuela, “Libertador Morales, El Justiciero,” Efterpi Charalambidis, director;
Vietnam, “Don’t Burn It,” Dang Nhat Minh. 

For more details about the Harishchandrachi Factory (film/director/promos), click on the website link http://harishchandrachifactory.com/ .

anurag kashyapWe know its the year of 9! Tim Burton produced Shane Acker’s 9! Peter Jackson gave us Neil Blomkamp’s District Nine. And we are waiting eagerly for Rob Marshall’s musical Nine! 

And here in bollywood, filmmaker Anurag Kashyap has also scored 9! Believe it or not, he has signed a nine film deal with UTV Motion Pictures, to be made in the next three years! Woohoo! All it takes is just one hit film, Dev D! Though not much details is out yet but it seems Anurag will direct 4-5 films and will be involved as Creative Producer for the rest 4-5. Well, we have never believed in quantifying cinema but then, if someone like Anurag Kashyap is getting the money to make the kind of films he wants to do, we are waiting and how!

And according to TOI, the next film of Anurag Kashyap which is soon going into production is a smart edgy thriller titled Happy Ending. Anurag denies the title, and says its called Yellow Boots. The script has been co-written by his girlfreind Kalki Koechlin,who also stars in it alongwith Naseeruddin Shah. You can read the full report on their first labour of love here.

Aladin - Ritesh Deshmukh, Jacqueline Fernandez & Amitabh BachchanAladin is Sujoy Ghosh’s new film starring Amitabh Bachchan, Sanjay Dutt, Ritesh Deshmukh and Jacqueline Fernandes. In an interview to CNN IBN’s Rajeev Masand, Amitabh Bachchan has spoken about the story of Aladin where the lead character is called Aladin Chatterjee (Ritesh Deshmukh). And here is the story according to Big B…..

I must say that the facts of the old story are just there in few places — there is the lamp, there is Aladin and there is the genie, and that’s it. The location is interesting because it’s a make believe though it is contemporary.  

The lamp has been integrated in a peculiar way. Aladin’s parents were looking out for something, which would bring world peace and then it gets lost and they get demolished. He (Aladin) is a weak and timid person in college. He keeps getting bullied by his seniors who are tougher and stronger than him.

He has always led a very reticent and reserved, exclusive life. And he sees a girl in college whom he falls in love with at first sight and needs to communicate with her but he doesn’t have enough courage and energy. The gang that teases him in college is always teasing him because his name is ‘Aladin’and they keep referring to the lamp in a sort of funny and sarcastic manner.

Every opportunity that they get, they either bring a lamp in his face and say, ‘Come on rub it, some genie will come’ or make fun of him. And they (the gang) convince the girl to give him a lamp as a present albeit in a joke but it turns out that the lamp indeed is the ‘magic lamp’and he has to rub it in front of them because they are making fun of him and suddenly a man appears who is a genie and says — I am genie and I have three wishes and I am 5000 years old and due for retirement and these are my last three wishes, so would you hurry and ask them because I need to get back.

And he can’t believe what’s happening to him because all kinds of strange magical things start happening. And eventually he confides that he loves the girl and that he wants her.

The genie says — Ah! that’s the wish. So very tactfully all these two wishes come true and Aladin being sort of a moral person says that he didn’t want it this way and says that if he wanted to win this girl, he would win her through what he was and asks the genie could he make that wish come true for him.

So the genie does that. And through the last wish, Aladin becomes a normal person and through normal means he is able to pursue the girl that he is in love with and how they come together. There is the villianous angle of Sanjay Dutt, who is an ex-genie who is desparate to get the lamp and he knows where it is.

 But he also knows that the genie that has come out, who is oddly named ‘Genious’ is protecting Aladin. There is a little twist there where Sanjay Dutt, who is playing as a ringmaster of a circus has a small element of the lamp with him which is almost like the Superman’s kryptonic, where he would lose all his powers once he sees that. And he (Sanjay Dutt) uses that very tactfully to get to the lamp and steal it and then the climax of how Aladin and genie saves it and eliminates the other.

Hmm. So , its a romantic film with a hero, heroine and villain. The new addition is the Genie! BTW, you can read the full interview here

Zoya AkhtarIts confirmed! And it cant get better!

Her debut film Luck By Chance made more headlines for casting than for anything else. After almost every actor turned down the role, she had no option but to settle for her brother Farhan Akhtar. But what a debut it was! One of the best in recent times! And finally someone put some creative thought and effort in designing the opening credits of the film. We fell in love as soon as the film started.

But it seems its the same story for her new untitled film. Ranbir Kapoor & Imran Khan intially agreed but later on backed out of it. And now Hrithik Roshan and Abhay Deol have agreed to star in her film. Ofcourse, Farhan Akhtar will also be part of it. We are waiting and how!

Actor director Rajat Kapoor (Mithya, Mixed Doubles, Ragu Romeo) is ready with his new film Fatso. The film stars Ranvir Shorey in XXXL size alongwith Gul Panag and Purab Kohli. And as the name indicates, its a high calorie love story.

BTW, what happened to Rajat’s A Rectangular Love Story ? Heard its ready for release or is it the same film with a new name ?

Fatso

Click  here to read how Ranvir Shorey put on extra 15 kgs for the role!

Nehru and EdwinaJust a few days back we wrote about the film here , when the news came out that Irrfan Khan is going to play Jawaharlal Nehru in the Cate Blanchett starrer Indian Summer to be directed by Joe Wright (The Soloist, Atonement). The film is an adaptation of the book Indian Summer : The Secret Historty Of The End by London based writer and historian Alex Von Tunzelmann.

We also wrote how the I & B Ministry wants the love/sex scenes to be toned down. Outlook magazine has got exclusive details on the same.  The five specific objections raised are as follows…

  • The film is not based on recorded facts, say the officials. So, from the outset, it should be declared as a work of fiction.
  • No scenes showing physical intimacy should be filmed between Nehru and Edwina Mountbatten.
  • No gestures or actions, or words of love or affection, should be filmed.
  • No kissing scenes should be included.
  • The word “love” has to be struck off from six dialogues in the submitted script.

To read the full article click here or it follows here.

“I have often been asked whether I think Nehru and my mother were in love. The answer undoubtedly is, yes, they were.”

—Pamela Mountbatten Hicks, daughter of Lord Louis Mountbatten, the last viceroy of India

Jawaharlal Nehru, the statesman/visionary. Chacha Nehru, the man who doted on children. A loving father, who wrote letters to his daughter while in prison. Pandit Nehru, committed socialist, architect of modern India, dashing and intelligent public figure. India’s first prime minister was all this and more. But Nehru, the handsome lover, lonesome widower, the man who penned eloquent letters to the woman he loved—wife of India’s last viceroy, Edwina….That is one side of Nehru the Congress would rather keep under wraps. Which is why when British filmmaker Joe Wright—who also directed Ian McEwan’s Atonement and Jane Austen’s Pride and Prejudice—wanted to capture the last gasp of the British empire in India in the backdrop of a romantic relationship between the first prime minister of India and the last viceroy’s wife, he ran into trouble. It was pretty predictable. The Union information and broadcasting ministry in India told his producers—Working Title—not to cross the line and serve up Nehru’s private life for public consumption on the big screen.

Ironically, the relationship between Edwina and Nehru was never really a secret. The film is, in fact, based on a book by historian Alex von Tunzelmann. Titled Indian Summer: The Secret History of the End of an Empire, the tome did not scorch the Indian bookshelves when it was launched here two years ago, despite its compelling and often controversial narrative. Its proposed celluloid version, however, has the government scurrying to put a freeze on any filmic Indian Summer.

Sources in the I&B ministry revealed to Outlook the exact nature of the five objections the ministry detailed in its July 27, 2009, letter to the film’s producers. The film’s script had been submitted to the ministry four months earlier and it had been sent to a panel of experts (read serving and retired I&B ministry officials) for vetting. It was they who passed the verdict that the script had ‘objectionable’ amorous references which could well hurt the sentiments of the Indian public. The five objections run something like this:

Objection 1. The film’s not based on fact, so call it a work of fiction. 

“Where has the love affair been chronicled in history?” asks a ministry official. “Has any Indian historian said it impacted events?” The panel is of the view that the “romance” between the two principal characters—Edwina and Nehru—is not borne out by historical facts. Nor was the relationship, by their reckoning, in any way central to Partition. In all fairness, therefore, they say, the filmmakers should primarily declare beforehand that the storyline is fictional.

The official discomfiture stems from the fact that Tunzelmann’s book is quite upfront and forthcoming about the Nehru-Edwina romance, and the film’s script has followed it pretty closely. An excerpt that a panel member has flagged from the book reads thus: “Meanwhile the relationship became more close. In public, Jawahar and Edwina were formal; in private, they were inseparable. Letters became fervent: ‘The more one talks, the more there is to say and there is so much that it is difficult to put into words’.”

Objection 2. This is a straight injunction: thou shalt not show any intimacy between Edwina and Nehru.

The I&B panel says that when it comes to Nehru, only recorded history can be shown. Beyond that, “everything is conjecture. And in this realm of conjecture…falls the love affair between Countess Edwina Mountbatten and the first prime minister of Independent India, Jawaharlal Nehru.” Asks a ministry official: “Where has the love affair been chronicled in history as we know it? More specifically, have Indian historians ever written about the so-called romance and have they said it impacted the course of events in history?”

Indian historians might have desisted but not Tunzelmann. Her book details, for example, the famous trip to Mashobra in Himachal Pradesh, which is also included in the script and for which the producers had sought permission to shoot in Mashobra. “Edwina and Jawahar met early every morning in the garden. They drove together along the Tibet Road stopping for picnics in the woods. They stayed up late and alone after Dickie (Lord Mountbatten) and Pamela (their daughter) had retired to bed. When Jawahar came to see Edwina in her room, he somehow upset an inkstand. ‘They were both too busy mopping it up to be abashed,’ wrote Edwina’s official biographer.” Scenes like this, say officials, when adapted on screen, could be embarrassing.

Objection 3. No ‘love’ in the script, we are Indian.

The L word figures six times in the script, but I&B ministry officials would not hear of it even once. Why, they don’t want even a hint of love by word or gesture. They object to love scenes cropping up regularly in the script, saying the film focuses more on the romance than on Partition. They would be happier if Indian Summer emerged as a sanitised docu-drama of Partition and not the great romance of the 20th century that they suspect the filmmakers will sell the movie as. But while the ministry mandarins may choose to turn a blind eye to any sign of weakness in Nehru, Tunzelmann is vivid in her description of a pining Nehru. To quote from her book: “After her return to England, Jawahar wrote to Edwina that he could still sense her ‘fragrance on the air’ and that he read and re-read her letters. ‘I lose myself in dreamland which is very unbecoming in a Prime Minister’.”

Objection 4. No gestures or words of love or affection either, please.

There is no question of the Edwina-Nehru characters holding hands or being in any romantic or intimate pose on screen. The I&B ministry officials cite Edwina’s daughter Pamela as saying that her mother’s relationship with Nehru was “more platonic” than anything else. It would be scandalous, they say, for instance, to film this from Tunzelmann’s account: “Their relationship had worked because it allowed both Jawahar and Edwina their own private space; but suddenly being together around the clock did not seem so undesirable after all. The intensity of their feelings both exhilarated and frightened them….”

Objection 5. Kissing scenes? No way

It would be sacrilege to have the screen Nehru enacting any sensual scenes. He might come across as only human but for the I&B wallahs, it would be showing him in a poor light.

The official discomfiture stems from the fact that the book on which the film script’s based is explicit about ‘romance’.

Will this mean the end of Indian Summer? Perhaps not, but not quite the start the producers might have wanted either. They had sought permission to shoot in Rashtrapati Bhavan and Teenmurti House in Delhi, and in Amritsar and Mashobra, as it is mandatory for foreign filmmakers to seek clearance from the I&B ministry before filming in India. With the I&B ministry throwing this spanner in the works, it is clear that they will be allowed to shoot in India only if they agree to the suggested cuts. They could, of course, consider filming on locations abroad. But then that won’t quite be an Indian Summer.

Meanwhile, the I&B ministry’s squeamishness has put paid to the filmmakers’ original plan to start filming in winter. Take One, the Indian first-line production company, put up a brave front when its officials said the delay in production was due to the global financial crisis. Director Joe Wright has been quoted in the British media as admitting that the script has run into problems. So even as the script is in hand and actors Cate Blanchett, Hugh Grant and Irrfan Khan shortlisted for the leads, the I&B ministry is playing spoiler. Perhaps it is reading too much into one observation Tunzelmann makes in her book. “The security of three nations—Britain, India and Pakistan—rested on this one love affair being kept quiet.” This may be the only thing they agree with Tunzelmann on.

First, few confessions!

1. I dont discuss cinema with U-25! Because i believe you dont understand cinema well if you havent lived and experienced enough. Except few, not many of us make sense of our life and the world around us by 25. Forget cinema! BTW, by U-25 i mean Under 25!

2. After reading all the reviews of Wake Up Sid (WUS), I thought it must be of, for and byU-25! And coming from Karan Johar production, where the director’s access to producer had nepotism at the core, I was more reluctant! 

3. With K Jo’s films, I had love-hate relationsip! I loved Kuch Kuch Hota Hai. Blame it on college days. I HATED Kabhi Khushi Kabhi Gham. I loved Kal Ho Na Ho. I hated Kabhi Alvida Na Kehna. Dostana – Had not much to react. And now its Wake Up Sid!

Wake Up SidThere are some million reviews already out. And I thought Baradwaj Rangan nailed it beautifully! Here is his full review if you havent read yet. But if this film is any indication of things to come from Karan Johar’s Dharma Productions, it seems K Jo is willing to wake up. Is it the koffee ? And so am willing to cheer and wait for him to wake up completely, get out of the bed and run like Lola one day!

Like YRF and their brand of cinema which still believes in doing Hadippa, K Jo also has his brand of cinema. The airbrushed designer cinema. But look at Wake Up Sid and what it offers!

SPOILER ALERT (minor)

– OMFG, the heroine and the hero sleeps on floor. And have one room kitchen to live.

– For the first time, the character actors look like characters. And they talk and behave like characters. Neither airbrushed nor designer! Is Lakshmi (Sid’s friend) Tiku Talsania’s daughter ? What a natural performance!

– There is no artificial rain. It rains because the season changes according to the flow of the story or the hero pours a bottle of water on heroine’s face!   

– There is no melodrama. Its all subtle. Amit Trivedi’s background music and iktara track fills the gap beautifully! No heavily loaded music like the one which still plays when the Dharma Productions logo come on screen.

– In the club scene, is that Agnee’s shaam tanha ? Yeah yeah, one of the best bands in recent times that I have heard!

– The hero doesnt sing a song. The heroine also doesnt sing a sog! They dont even have a dream sequence in song! Its all in montages.

– And finally we have the hindi film hero not only falling for an older woman and that too, not so good looking one! And its Karan Johar production! Wooohoo!

There is more. Felt that its a beautiful postcard for the Mumbai Bombay city too. It starts with the city and ends with it. And so, there is Mumbai Beat magazine! And am I the only one who felt this is more of Alish’s (Konkona Sen) story. Sid’s (Ranbir Kapoor) slate was clean, its easy to scribble there. But Konkona’s slate had lot of stuff, it goes through change, she learns, she re-writes, she gets confused and finally she is the one who wraps it up.

Also, Alisha was much more difficult character to potray. Think of the situations she faces, like that scene when she comes back home after the not-so-good jazz experience and she finds the house all clean! And there are so many scenes like that. Its a predictable story and has a simplistic view of the world. But the director Ayaan Mukherjee knows his world really well! Damn confident debut!

After WUS, I hope K Jo doesnt go back to good ol’ naach gaana like his good friend Aditya Chopra. He is willing to wake up. And am willing to cheer for him. And I know, I am not the only one!

Finally have just one question for K Jo – Will he now join Hansal Mehta on his Gandhigiri protest against Raj Thackeray ?

Chance Pe DanceChance Pe Dance is the new film directed by Ken Ghosh (Fida, Ishq Vishq) and produced by UTV. It stars Shahid Kapoor and Genelia D’Souza. The film was earlier titled Yahoo. Someone mailed us the story/plot/synopsis of the film, and since we never cared much about it anyway, we decided to read it, atleast once.

Chance Pe Dance is the story of a talented and passionate young struggling actor called Sameer. Positive and brimming with energy, Sameer juggles various jobs while working towards getting his big break in the industry. During his struggle he meets Tina who is a choreographer.

Just when Sameer is promised his big break, he is left without a house as he cannot pay his rent. Not one to lose heart Sam starts living in his rickety old car and starts teaching dance in a school to young kids who have never won any dance competition. He hates kids and the kids hate dancing.

The struggle in life continues as the director who was to launch Sameer now decides to choose his hero through a talent hunt. Sam is shattered but he diverts his focus towards the kids. Getting over his initial dislike of children, Sam not only emotionally bonds with them, but also helps them win a prestigious inter-school dance competition and gets their confidence back – aided by the spirited and beautiful Tina.

Tina urges Sameer to enter the reality hunt, with the love and support from Tina and the kids, Sameer emerges a winner and eventually becomes what he was destined to be, a superstar.

Huh…when will we grow up ? Since ages, we have been churning out High School Musicals. The only new addition is the reality show bit. And its in Chance Pe Dance too. Bhagwaan bachaaye!

Talking of musicals, check out this promo of Rob Marshall’s Nine if you havent seen it yet. And what a cast! Loved it! Now thats what you call a musical promo!

 

UNKNOWN ??

acid-factory-cut2Acid Factory is the new film by journalist turned filmmaker Suparn Verma (Ek Khiladi Ek Haseena). In an interview to Hindustan Times, when asked about the story of Acid Factory, Suparn had to say this…

Sanjay Gupta is known to look towards foreign films for inspiration. So which one was the muse for Acid Factory?

Sanjay (Gupta) had this amazing story given to him by a writer about seven people trapped inside an acid factory. They’ve lost their memories and in the terrifying present have just realised that there’s a killer amongst them and two others are his intended victims. We wove the screenplay around it. The challenge was in shooting the film in sequence and extracting performances from the group as a whole and not simply from individual actors. Before shooting, I made my cast read out their parts in front of each other and that created a bond between them.

You can read the full interview here. For us, the most interesting part of the interview was the first line – Sanjay had this amazing story given to him by a writer. We would like to know who is the writer ? And why is the poor writer not given credit in the interview ? Strangely, even in the IMDB full credit list of Acid Factory, there is no mention of the writer, though it tells you who is the stunt double and even has 2nd AD’s name.

Coming from Sanjay Gupta’s factory, most probably the writer doesnt exist! Or its all UNKNOWN! Read Dvd, copy, plagiarism! Unknown ? Yes, thats the name of the film. We havent seen it but to quote from IMDB, here is the plot of Unknown.

UnknownFive men wake up in a locked-down warehouse with no memory of who they are. They are forced to figure out who is good and who is bad to stay alive.

OR

How would you feel if: You were tied to a chair, In a locked-down warehouse, In the middle-of-nowhere, With no recollection what-so-ever of what happened, or what didn’t. To add to it, you’re not alone. There’s 4 others in the exact same state of mind. Some responsible for putting the others there BUT no one knows who’s who. Thats how this movie starts, getting grittier with every passing minute.

Now, scroll up and read the plot in Suparn’s answer. It sounds suspiciouly similar to Unknown. And coming from sanjay Gupta, dil hai ki manta nahi!

The film stars Irrfan Khan, Manoj Bajapi, Fardeen Khan, Aftab Shivdasani, Dino Morea, Diya Mirza, and Danny Denzongpa.

If you still have some doubts, check out the trailer of Unknown..

Gawd, even the trailer looks the same! And here is the Acid Factory trailer..

Are we jumping the gun again ? With Sanjay Gupta, who loves guns and bikes and babes, its justified! What say ? Or lets wait till this friday.

Irrfan KhanIf rumour mills are to be believed, the news is true! And as they say, the only Khan they know in Hollywood is Irrfan Khan!

Irrfan Khan has been signed on to star opposite Cate Blanchett in the film Indian Summer. The film is an adaptation of the book Indian Summer : The Secret Historty Of The End by London based writer and historian Alex Von Tunzelmann.

The film is about the romance between Pandit Jawaharlal Nehru and wife of Lord Mountbatten, Edwina Mountbatten. Hugh Grant will star as Lord Mountabatten, Cate Blanchett as Edwina Mountbatten and Irfan Khan as Jawaharlal Nehru. It will be directed by Joe Wright (The Soloist, Atonement).

The buzz is that the  script of the film is currently with I & B Minstry for clearance, and the Ministry want the romance/sex scenes to be toned down. On CNBC TV18’s Karan Thapar show last night, Nayantara Sehgal, author & Nehru’s niece said that anybody who claims that they had a sexual relationship would be conjecturing. What they had was a long and lasting relationship of love and friendship. It was a rare relationship based on meeting of minds. They had respect and admiration for each other.

Cant find the video link to the interview but you can read more about it here.