KAUFMAN - "Or cramming in sex, or car chases, or guns. Or characters learning profound life lessons. Or characters growing or characters changing or characters learning to like each other or characters overcoming obstacles to succeed in the end. Y'know ? Movie shit."
Kaufman is sweating like crazy now. Valerie is quiet for a moment - from "Adaptation".
We are all about CINEMA. That movie shit.
NOTHING is sacred.
NOBODY is spared.
Because we talk about films, dammit.
Not your sex life.
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The first look of (new) Agneepath is finally out. Produced by Karan Johar and directed by debutant Karan Malhotra, it stars Hrithik Roshan, Sanjay Dutta, Rishi Kapoor and Priyanka Chopra. Credits include Adapted Screenplay – Ila Datta & Karan Malhotra, Music – Ajay-Atul, Dialogues – Piyush Mishra and Lyrics – Amitabh Bhattacharya.
Interestingly it’s not an exact remake but more of an adaptation. Looks like high intensity drama on big scale and full of colours. And unlike any other KJo Productions. Well, that’s a good start. The only thing not working in the trailer is the logo of Dharma Productions and that weird background music with it. Dear KJo, now get rid of it. Enough of emotional attachment.
Trishna and Michael, both the films will have its world premiere at the Toronto International Film Festival.
Michael Winterbottom’s latest film Trishna is not only set in India but it was more than one desi connect. The film’s trailer is out and according to official release, it’s an adaptation of Thomas Hardy’s Tess of the D’Urbervilles set against a contemporary Indian backdrop. Freida Pinto stars as the titular Trishna, a young woman who is seduced by the wealthy son(Riz Ahmed) of a property developer. As the romance develops, their relationship also becomes increasingly sordid and volatile.
Click on the play button to check out the trailer. what a smooth and soothing track! Wow, Amit Trivedi, scores again? Seems so, at least from the trailer.
Michael is the latest production of Anurag Kashyap films. Directed by debutant Ribhu Dasgupta, the film’s trailer or poster is not out yet. But you can check out some of the stills. It stars Naseeruddin Shah, Mahie Gill, Purav Bhandare, Sabyasachi Chakraborty and Irawati Harshe.
According to official release, it’s a character-driven psychological drama. Using intricate camerawork and intimate point of view shooting, Dasgupta tracks one man’s physical and psychological deterioration in the rainy, traffic-filled streets of Kolkata. Check out the stills.
And both the trailers of one thing in common – No respect for Fonts.
Soundtrack is directed by debutant Neerav Ghosh and stars Rajeev Khandelwal, Soha Ali Khan and Mrinalini Sharma. Saregama India Ltd., the company which delivered a dud of EPIC size last year with Jhootha Hi Sahi, has produced it. The trailer looks like Dev D meets Shaitan. Is there no other way to show drug abuse in cinema? And “what the F”? Really? That’s the best they could think of? All for adding some cool quotient.
With no other options left Mommy Hema Malini has now directed a film to save the career of daughter dearest Esha Deol with desi version of Mamma Mia. And it looks like this will be the final nail in that career coffin. Try adding one more “K” in that Kkhuda. The film also stars Dharmendra, Vinod Khanna, Rishi Kapoor, Arjan Bajwa and Chandan Roy Sanyal.
Nagesh-who-went-cuckoo with his last few films, is ready with a new film titled Mod. Starring Ayesha Takia and Rannvijay Singh in the lead, Mod is an official remake of the Taiwanese film Keeping Watch. Check out the trailer…
But why is the text font and the background so tacky? Looks like some intern made it on MS word and paint. And Ayesh Takia, can you please come back to movies. Such a natural actor with a pleasing screen presence.
Here’s the official synopsis…
Mod is a heartfelt, emotional love story between two completely mismatched people.
Aranya, a “full-of-life” 25 yr old, lives in the sleepy and idyllic hill station, Ganga. The little town is the home of many colourful characters – Ashok Mahadeo, Aranya’s whacky father who is the head of the local fan club of Kishore Kumar, the fiery Gayatri Garg, “GG”, her aunt, friend, and confidant, who runs a …restaurant and is a mother figure to Aranya, chubby Gangaram, the local shopkeeper who harbors feelings for Aranya and Ashok’s music band, the ever present Kishore Bhakts.
Aranya’s mother left to pursue bigger dreams in the city when Aranya was a little girl and both father and daughter hope that one day she will return. They wait dutifully everyday to see if the lone train that passes by their house will bring her back. Aranya runs a watch repair store, a legacy handed down by her mother to support her father and herself.
One day a total stranger, Andy, lands up at her doorstep to have his watch fixed. He is painfully shy, but keeps returning day after day to have his water logged watch repaired. As payment he leaves a 100 rupee note in the form of an origami swan. Aranya slowly warms up to this quirky stranger and through a series of meetings and against all odds they fall in love.
But who is Andy? Where is he from? And what is his past?
As Aranya discovers the truth about Andy, the film heads to an exciting and emotional climax in the strongest tradition of great love stories.
Lalit Marathe’s debut feature Shabri is finally going to release on 26th August. Starring Eesha Koppikhar, and produced by Ram Gopal Varma, the film was made long back, and was ready for release since last 2-3 years. But for some weird reasons it never manage to reach the theatres.
Lalit also directed the tv serial Rajuben, which seems to be similar to Shabri, at least the basic story. Haven’t seen Rajuben, so can’t comment much.
At a time when RGV’s films are all about horny camera movements and ear blasting sound, Shabri looks like it’s back to the old school of story telling. Do check it out.
And here’s the director’s note on the film…bit surprising…
DIRECTOR’S NOTE
Gangster films do not interest me including the ones Mr. Ramgopal Varma has made. I have never known a gangster in my life, man or woman. But the process of a tormented mind resorting to violence, the moral choices made in taking the first step on the path of no return have always fascinated me.
The intensity, the concentration of intent in these choices can be scorching. But if we see a ‘to be’ gangster in a room making that choice, withdraw and include his neighbour bathing her child, step further away to see a man selling his wares on the street beyond the wall, traffic piling up, kids going to school and so forth, the magnitude of that choice can be devastating. Shabri is an effort to portray a woman next door who has made this choice and where that choice leads her.
Shabri supports a family by working in a flour mill in a slum. She becomes this girl with a gun in a man’s world and ends up threatening the biggest corridors of power in the Matka gambling underworld of Mumbai. Shabri’s quest in the film is similar to a resourceful working woman rising to challenge a superior. Despite her daily struggle to survive and keep her family afloat deep within all that Shabri has desperately wanted to do is to stand up and be counted. And this is the biggest trigger for the fateful choice she makes.
Most achievements are directly proportionate to the ferocity of hunger and the finality of the pangs. Shabri feels raw hunger. She is driven as much by the passion for vengeance as the terrible desire to live her life her own way.
When inspired nothing in the world can stop what must rise. When everything is at stake there is nothing to lose. Shabri is an underdog whose stubbornness to have her way against all odds will touch a chord in all those who dream to soar.
The wait is over. The Baap is here to kick all the ass! It stars Tony Leung and Zhang Ziyi. The Grandmasters is the biopic of Yip Man, the first martial artist to teach Wing Chun, the man who trained Bruce Lee and others. Leung plays Yip Man in the film.
We are quite late on this one. Have been reading a lot about the film and have missed few screenings too. The good news is the film will again have a screening in Mumbai soon at the Naya Cinema Festival. If you haven’t seen it yet, check out the trailer of the film.
Like in Hollywood, this is the year of 2,3,4 in Bollywood too. Murder 2 is still going strong at the box office, and now the first trailer of Don 2 is out. And it seems D2 is going to be exactly like the earlier Don. The film is directed by Farhan Akhtar and stars Shah Rukh Khan, Priyanka Chopra, Lara Dutta, Kunal Kapoor and Boman Irani.
Tigmanshu Dhulia is back, again. And we are again hoping that this time he will be back as the good ol’ Dhulia. Not the one who directed Shaagird. Even as his last film Paan Singh Tomar is yet to get a theatrical release, trailer of his new film Saheb Biwi Aur Gangster is out. It stars Jimmy Shergill, Randeep Hooda and Mahie Gill.
Remember Parvin Dabas? Yes, the actor is now director. And remember Preeti Jhangiani? She is now producer, and they are married. Here’s the trailer of directorial debut of Dabas, Sahi Dhandhe Galat Bande.
The first trailer of Pankaj Kapur’s director debut Mausam is out. The film stars Shahid Kapoor and Sonam Kapoor in the lead and promises to be a “timeless journey of love”.
Yashraj Films is ready with a new film – Mere Brother Ki Dulhan. The film stars Imran Khan, Katrina Kaif, Ali Zafar and is directed by Ali Abbas Zafar. Strangely similar stories have been explored in Dan In Real Life and Onir’s Sorry Bhai.
Starring Mahie Gill and Deepak Dobriyal, the film is inspired by the Maria Susairah-Neeraj Grover case. Directed by Ram Gopal Varma, the film is “cinematographed and edited by FX School”. Can someone please explain this to us?