Archive for December, 2013

And who is surprised? Well, i guess esteemed members of the FFI jury who selected it as India’s entry for the Foreign Language Oscar and some other gyaani journalists who were fighting for it. This blog has always been critical about the film’s selection as a wrong choice. So i guess we are not surprised here at least.

So who all made it to the shortlist? The following 9 films.

– Belgium, “The Broken Circle Breakdown,” Felix van Groeningen, director;

– Bosnia and Herzegovina, “An Episode in the Life of an Iron Picker,” Danis Tanovic, director;

– Cambodia, “The Missing Picture,” Rithy Panh, director;

– Denmark, “The Hunt,” Thomas Vinterberg, director;

– Germany, “Two Lives,” Georg Maas, director;

– Hong Kong, “The Grandmaster,” Wong Kar-wai, director;

– Hungary, “The Notebook,” Janos Szasz, director;

– Italy, “The Great Beauty,” Paolo Sorrentino, director;

– Palestine, “Omar,” Hany Abu-Assad, director.

And do you guys spot a familiar name there? Danis Tanovic. He is one of the co-producers of The Lunchbox who had proudly said that if I could give my place to The Lunchbox, I would give it. His film was selected as Bosnian entry for the same.

I guess FFI Jury members and some of the journalists understand the Oscar game plan better than Oscar winner Tanovic.

To quote a report, “You just blew it,” he said about India’s chance at the Oscar.

Continuing with our Rewind series which looks back at the best of the year. Our earlier post (20 Things We Learnt At The Movies and 13 Unanswered Questions) is here. This post is all about the musical discoveries we made in 2013. And mostly non-bollywood. We will cover Bollywood in a separate post. If you are regular reader of the blog, you probably know that if it’s music, it’s over to Rohit. The songs may or may not have been released in this year. Hope you have fun going through all the links. Here are the top ten music gems in no particular order.

1. AWAAM – So this is nothing new. A song comes out in Pakistan, and since it doesn’t belong to Atif Aslam or Shafqat Amanat Ali Khan, dies its natural death. This one came out in 2012 but we discovered it when one of you left a link somewhere in the social media. Hear it. See it too. The song is called Awaam. Artist – Faris Shafi feat. Mooroo. Apart from taking a not-so-tongue-in-cheek look at the way things are in our neighbouring state, there is a message for everyone. Check it out! Why did we feature it here? Only to neutralize that silly feeling that ‘Pakistan music is all Sufi’.

2. HARAVALI PAKHARE (Balak Palak) – Not all Marathi songs go ‘dhinchak dhichak’ as aptly demonstrated by Shekhar Ravjiani. The sheer simplicity of the composition and easy singing by Shekhar is sure to catch your attention even if you (like me) doesn’t understand the language. Have a listen, you won’t be disappointed. Also, watch the film. You won’t be disappointed there as well.

3. HAMZA EL DIN – “The celebrated Nubian musician whose rich fusion of Arabic and Nubian sounds entranced audiences worldwide and inspired colleagues like the Grateful Dead and Kronos Quartet, died Monday, May 22nd, at a Berkeley hospital from a gall bladder infection. He was 76.” That was 2006. From here. I came across his work thanks to an email from a friend in Africa. Went and searched his album Escalay and was blown away by the sheer tranquility it brings to the soul. You know how much it costs to buy it on iTunes? 9 Indian rupees. Yes. Do give it a listen and thank me later. More about Sir Hamza el din can be found here.

4. GHAZAL, the band – A fantastic band formed by Kurdish-Iranian kamencheh player Kayhan Kalhor, Indian sitarist Shujaat Khan, and Indian tabla player Swapan Chaudhuri blew me over many times round. It was formed in 1997. The attempt was (to quote the band itself) ‘to merge Persian and Hindustani concert music into a new stream of classical balladry and improvisation’. Oh yes, they were also nominated for a Grammy in 2004. iTunes is full of their music and it is best if you do buy it. This is what we stand for in music, in art as a whole. Wander around, meet people, collaborate and then present! Here is the link of one of their finest performance.

5. TASHANGI KO – Many a times I have dismissed Sabri Brothers because they sang some weird song in Pyaar kiya to darna kya. It’s not my fault that I was born late. Late enough to not know THE original Sabri Brothers. While I was busy slapping myself on that fact, Varun and Krish rathore slipped this brilliant piece of work by Sabri brothers. There is Sax, electronic guitar and a tune that can make you an alcoholic and a bad one at that!  Our word – It won’t take long before a film maker laps it up or gets ‘inspired’ from this.

6. SHYE BEN TZUR – Shye Ben Tzur is an Israeli Qawwali singer who composes qawwalis in Hebrew. He was formerly part of the rock band Sword of Damocles, which he founded. After attending a concert in Jerusalem by the Indian classical musicians Hari Prasad Chaurasia and Zakir Hussain, he became interested in Indian music, which brought him into contact with qawwali. His album Shoshan features a superb song by Shubha Mudgal amongst other superb songs. Try this one and let us know what you thought?

7. CORNERSHOP – The band was formed in 1991 by Wolverhampton-born Tjinder Singh (singer, songwriter, and guitar), his brother Avtar Singh, David Chambers and Ben Ayres. The band name originated from a stereotype referring to British Asians often owning corner shops. We came across two songs from them and couldn’t stop ourselves from looping them. Hear it here

And here –

My favourite remains the studio version of we’re in yr corner and the last two words that Tjinder gives out right after he says ‘Coca cola’. 🙂

8. ALAA WARDI – While this super talented guy took the music crazy junta by surprise with his cover of Pehla nasha (here), we swayed to the simplicity of this tune right here –

9. SACHAL STUDIOS – While Asia is full of many musical collaborations, this one in particular has a very ‘finished’ feel to it. Right from the hi-tech website from where you can directly buy off the music to the music itself. Everything is in in sync and does what only music can do. For starters, please see this link

10. MASTAAN MASTAAN – The list cannot be complete without a mention of at least one song that we discovered from the movies. This relates to some movie and we need you to explore about the movie, so we are withholding the name. The tune is kashmiri, the music is infectious and the arrangement, very local (read – melodious). If only the film did well and this was promoted better! Sung by Gulzar Ganai, you can listen to the song here (check folk version).

So what have you discovered this year? Let us know in the comments section and enlighten our soul.

Or for that matter any bollywood film? Spoofing is a serious art and a good one needs much more than the combined acting talent of Uday Chopra, Abhishek Bachchan and Katrina Kaif. That’s a big problem with bolllywood – they don’t know how to take a joke. As me and many of my friends have faced similar situation many times in the past because of our tweets or blog posts, it’s hardly surprising anymore. Here’s the latest story. This one is about YRF and Dhoom3.

https://twitter.com/thetanmay/status/413237245936562176

https://twitter.com/thetanmay/status/413237520491483136

https://twitter.com/thetanmay/status/413237669561253888

https://twitter.com/thetanmay/status/413237761030623232

https://twitter.com/thetanmay/status/413238022163808258

https://twitter.com/thetanmay/status/413238228208996352

Here’s the kickass video by AIB guys which completely pwns YRF.

It’s that time of the year again. And like ever year, we are starting our Rewind (year end post) series. So we (the usual suspects who contribute here) sat together, poured some drinks, discussed, poured some more, fought, pondered, poured some more, looked back, debated, poured some more, and concluded the 20 things which we learnt at the movies this year. Also, 13 questions that baffled us all through the year.

This was our 2012 list. At first glance, Deepika Padukone and Tigmanshu Dhulia have made it to the list again.

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1. Deepika is Padu-Khan – 4 blockbusters. From just a beautiful face with weird ghataan accent and shaky acting chops to commanding the screen with her presence and talent, this has been quite a marathon.

2. Vacuous Versova – The film filmmaker made Versova world famous on FB and Twitter. It started here, and made headlines here.

3. Kahe ki tu hi hauw…..Hum tohre bin ab rah na sakiley….Jaani tui soodhuyee…saathi tui soodhuyee….Confused? Here.

4. Nawazuddin might be the flavour of the season, but Irrfan Khan is still the baap. Saajan Fernandes of The Lunchbox, Wali Khan of D-Day and Umber Singh of Qissa – those eyes that stare blankly into space should be counted as a school of acting. If he is pledging his eyes to be donated after death, they should go to a film/acting school for further research.

5. The password for script of Matru Ki Bijlee Ka Mandola was the colourful abuse used in the film. GUESS.

6. Tigmanshu Dhulia is the most unreliable director. He swings from one extreme to other. On the scale of burn-the-reels-of-Shagird to awe-fucking-some-terrific-Paan- Singh-Tomar, he can fluctuate anywhere.

7. To be completely politically incorrect and if you can pardon this look-ist tweet, the rickshaw-walla-dikhne-wala-south-ka-hero can deliver a hit in Bollywood- Raanjhanaa.

8. Sonakshi Sinha CAN act. Lootera. Now, if only someone tells this girl that life and cinema exists beyond filthy remakes of South films or regressive masala overdose. Dabangg, Rowdy Rathore, Joker, Son Of Sardar, Dabangg2, Once Upon A Time In Mumbai Dobara, Bullett Raja, R…Rajkumar – nobody has ever been so consistent in picking up the same desi buxom bimbo roles again and again.

9. Aaloo bhaath, moordi bhaath in Badtameez Dil. Thanks to Amitabh Bhattacharya for getting these in Bollywood dictionary. Ask your bengali friends to explain.

10. Shah Rukh Khan needed a Rohit Shetty film. The theatrical trailer had the full filmography of Shetty.

11. “Sex and Shah Rukh Khan always sells” is passe. Sex with Shilpa Shukla sold. B.A Pass.

12. Northern-isation of Prakash Raj is complete. He played the villain opposite Deol paaji in Singh Saab Sunny Paaji The Great.

13. Motormouth Sajid Khan finally fell flat on his face. And has gone into hiding since Himmatwala crashed faster than the rate at which he abuses critics.

14. Uday Chopra says good bye to (his non existing) acting career. At least as a profession.

15. You can convert Chetan Bhagat’s unreadable book into a good film. Kai Po Che!

16. ABCD – Any Body Can Dance. AFCBH – Any Film Can Become Hit. Latest one : ABCD – A for Aao re aao, B for Bhaao na khaao, C se Chilla ke gaao, D se Daaru peete jaao. AACSKMP – Aao And Can Someone Kill Me Please.

17. Aftab Shivdasani, Vivek Oberoi and Ritesh Deshmukh have delivered one of the biggest hits of the year. DIGEST.

18. Milap Zaveri saved all his money on rent because he spent the entire year at Gaiety-Galaxy getting hard on watching audience’s reaction to Grand Masti and Shootout At Wadala. Also, every show was house full, on every show people danced, threw coins, and left cum on the seats. (courtesy – Milap’s live tweeting)

19. Tagore + Acid = Tasher Desh. Who would have thought? Q is the A.

20. Sona Spa is Inception redux. No, we are not joking. It’s the definitive cult film of this generation. If you haven’t seen it yet, WATCH.

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13 Unanswered Questions

1. Where is Rajeev Khandelwal?

2. What was Hansal Mehta smoking post Dil Pe Mat Le Yaar and pre-Shahid?

3. What’s the final box office collection of Chennai Express and Krrish 3?

4. Who earned the real Jackpot – Kaizad Gustad, Naseeruddin Shah or Sunny Leone? This is the only good thing about acting aspirations of rich kids.

5. what’s R…..?

6. What did the FFI committee see in The Good Road?

7. How did Ramaiyya Vastavaiyya make more money than D-Day and better TRP than most films? And it seems to be true.

8. What’s the real Milkha Singh story? Here

9. Why KRK is the last man standing with balls of steel giving out the right box office numbers?

10. Why is Raj Kumar Yadav (Rajkummar Rao or whatever he has become now) not a bigger star? who else can match up to his acting chops in the new generation?

11. Who directed Dabangg? Yes, that was 2010. But Besharam is 2013.

12. What murabba has Kashyap fed to Bachchan and KJo?

13. Were they really spoofing Bachchan as a chimpanzee in Yamla Pagla Deewana 2? Why Dharam paaji with Chimpanzee?

What have you learnt or discovered at the movies this year, do let us know in the comments. Also, if you have more questions or answer to any of our questions.

I saw Coen Brothers’ new film Inside Llewyn Davis at Mumbai Film Festival in October. And i have been looping its soundtrack since then.  The film has released in US now. i saw Noah Baumbach’s Frances Ha recently (Yes, yes, i know am late). And strangely, i have been connecting the dots between the two since that day. This is a perfect double bill. I was shouting out how come nobody was talking about this connect, and so this post. Though recently a friend pointed out a similar tweet by a film magazine editor too.

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His name begins on strange note L-L. Her ends on funny note – Ha. He wants to sing. She wants to dance. Both have cat issues which starts their story. Both are in New York. And both have the same problem which they are struggling with – to find a roof above the head, and a bed to sleep.

Inside Llewyn Davis is a grim portrayal of a week in the folk singer’s life. His life is fucked up in more ways than one – career going nowhere, a pregnancy to deal with, family members who don’t mean much, a cat to take care of, and worst, not even a bed to fall asleep and forget all these worries. Is there anything worse than that? The world is hazy, and the weather is cold, gloomy, and depressing. It’s a heartbreaking story of an artist where music is the only comforting factor. In Bollywood dictionary, it’s the story of a struggler – a strange term to define any writer, director, actor, or anyone else who is trying his luck but still haven’t got the big break in the industry. As A O Scott wrote in this absolutely brilliant and spot on review of the film (and read the Coens like nobody has done in any ILD review) – “One of the insights of “Inside Llewyn Davis” is that hard work and talent do not always triumph in the end……We are, as a species, ridiculous: vain, ugly, selfish and self-deluding. But somehow, some of our attempts to take stock of this condition — our songs and stories and moving pictures, old and new — manage to be beautiful, even sublime” This city is full of such bleak stories. Yet that has never stopped anyone from becoming another Llewyn Davis, another eternal struggler. Ha!

Frances Ha film is warmer, lighter and funnier than Llewyn Davis. But her life is no better. She is looking for the same comforts – a roof and a bed. Her dancing career is going nowhere, she has no job, no money, her best friend has moved on, she has just separated from her boyfriend, she is very “undateable”, and her family members are far away from her. Frances doesn’t know what to do with her life, and most importantly, how to do it.

Thanks to Coens’ taste for strange black humour, Llewyn’s life seems to be in never ending loop. Frances is lucky that way. Baumbach is not that cold. In a gorgeous climax which turns this film into one of the greatest films on friendship, Frances at least achieves little bit of happiness (not describing it to keep it spoiler free). And Llewyn just gets another hard punch on his face.

If you are an outsider living and “struggling” in Bombay to find an entry point in Bollywood, you will laugh and cry with this double bill. Too many similarities, and the big picture is too scary at times. A hassle free roof and a comforting bed are the most expensive and elusive things in this city. Just another day, a friend landed up in Bombay. And as it always happens, the first call was about good brokers who can help find that roof and bed.  Or you point them to the Flats Without Brokers FB group. Just two days later, she decided to pack her bags and went back to the city from where she came. i don’t know the reasons yet, didn’t bother to ask too. But it made me ponder over many such friends who have come to this city, struggled their way, and have found थोड़ा सा आसमान and a small corner for their bed. If i call it the “Llewyn Davis Condition”, then the comfort syrup can be called “Frances Ha” – strangers who are in similar situation like yours, who have left their roots for similar dreams, who become your family soon, and with whom you develop a bond so strong that it’s impossible to believe that you never grew up with these friends. Where were they all this while? How did you survive without them for so long?

Inside Llewyn Davis and Frances Ha connects more strongly if you are the fringes of any artistic field, and especially if its something to do with films. As i see many such friends with similar stories, all i know is that everything is uncertain till you quit or your name appears in the credit roll one friday. A talented and now-famous lyricist once explained to me why he still prefers working with a loud and pompous producer. He asked me, do you know what an artist want basically? i said, what? To work in peace so that he doesn’t have to think about the bread-butter, bed, and roof. That producer gives me that comfort and i can focus on my art.

So thanks to my “Frances Ha” bunch who helped me survive this city for more than a decade, and if you are new, hopefully you will find your ‘FHa’ friends soon. All you, Ahoy, Sexy!

All i can think that in a parallel world, Llewyn Davis and Frances Ha will meet. He will sing, and she will dance, he will let the cat out, and she will be happy about it. She will shout out Ahoy, Sexy! and he will sing hang me, oh hang me in response. And hopefully, i will be rich enough in that world to give away one of my houses to this duo.

If you haven’t seen, watch these two films. And watch them back to back. Maybe that’s the closest we can get to that wonderful parallel world.

@NotSoSnob

(ps – If possible, do play the Inside Llewyn Davis soundtrack as you read this)

It’s not every day that a new writer gets to write a film for Sanjay Leela Bhansali, and even manages to deliver a big blockbuster hit. But exactly that’s what happened with Garima and Siddharth. In this video, the writer duo talk about the film RamLeela, their writing process and working with SLB.

POTD : Goodfellas

Posted: December 10, 2013 by moifightclub in POTD
Tags: , ,

We tried to pretend for some time that it’s completely normal to stand next to Martin Scorsese and pose exactly like him. We even controlled the fanboy BP and heartbeats for as long as we could. And as we went breathless, we shouted out it’s M-A-R-T-I-N-F-U-C-K-I-N-G-S-C-O-R-S-E-S-E.

So spare our fanboyism and so called sycophancy for this post. This is the fucking school of cool (Yes, Varun, said that school-of-cool again). Men are here, only the mean machines are missing.

As Charlie said, Twenty dollars! Let’s go da movies!

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Bet, AK must have repeated Stack Edwards – This drink is better than sex, baby.

(PS – If you have been living under some rock, this picture is from Marrakech International Film Festival where Anurag Kashyap was on the jury with Scorsese saab)

LogoWHAT : The Ministry of Information and Broadcasting has launched a short film contest on the theme of “Young and Aspiring India” under the brand name “CANVAS”.

DURATION : Films of 3-5 minutes duration can be submitted for the competition.

– Brand CANVAS is a platform for creative minds to come together, compete for excellence and showcase their talent in various aspects of creativity including film making, photography, slogan writing, symposium, poster making etc. The first edition of CANVAS is a Short Film Contest which is open to all.

DATES : The registration for the contest opens on 10th Dec, 2013 and deadline for submitting the short film is 31st Dec, 2013. The winners will be announced on 20th January, 2014.

– Videos will be rated on the basis of storytelling, creativity, originality, screenplay, performances and technical execution by an eminent jury selected by the Ministry.

PRIZE MONEY : First three winners will be awarded cash prizes of Rs 30,000, 20,000 and 10,000 respectively. Certificates of appreciation will also be given to selected entries.

RULES & REGULATION – To know more about the rules and regulation, to register and upload videos, click here to go to their official website.

 – You can also follow CANVAS on its Facebook page here for regular updates.

– The selected videos will be uploaded on Ministry’s official Youtube channel http://www.youtube.com/inbministry.

Thanks to Bejoy Nambiar, we managed to catch Lijo Jose Pellissery’s Amen at a special screening in Mumbai. If you haven’t seen it yet, do watch it. ‘Great fun’ is the only way to describe this gem. Rarely is ‘fun’ attached with Godly stuff. But this one is a madcap ride, a strange collage of things which rarely come together so well.

Here’s a small recco post on the film by Amit Sharma – on the elements that made Amen such a great joyride.

643980_416614311763753_997719716_nWhy should you watch this Malayalam comedy, err, divine comedy?

To see the beautiful Kerala countryside, a village called Kumaramkary, the backwaters – colourful and idyllic in the day, and dark, lonely, mystical in the night. Eye-gasm in short.

Because it’s all around a Church and a toddy-shop, the former with its brooding, ominous, built-300-years-ago-and-may-fall-down-by-spring air, where the Reverend and sexton hatch their evil plots, and the latter with its regular haunt of drunk band-members asking for more pork and beef, and lamenting over their failures in music competitions. A strange mix.

For the totally over-the-top unapologetic humour, crafted as if the writers had no other concern in the world. Even the overlay text says things like ‘long ago in some random year xyz’. The wacky humour never leaves us, even zigzagging through the love story between the spunky Sosanna (Swathi Reddy) and the meek and unsure-of-himself Solomon (Fahadh Faasil). Girl bashing up goons with vessels, Solomon’s father’s spirit making sudden appearances in smoke-filled rooms complete with two winged angels, there’s no full stop in this crazy ride.

For the antics of the sexton Ousepp, and the menacing Reverend Father Ottapplakkan.

For Sosanna, who looks beautiful & enticing, and the scenes where Solomon serenades her with his clarinet below her window is stuff right out of Romeo & Juliet.

For Prashant Pillai’s fantastic music: the peppy title track, the mellifluous love song, the energetic clarinet duels, and the background score, all of it adding that much more to the film.

Because the film is also about a unique village band, which is on its way down after the tragic death of its star performer, and has lost all competitions ever since. You haven’t seen such a desi band story on screen.

Add to all this a music-loving young junior rockstar Reverend Vattolli, played by Indrajith, who decides to support all that is good, and oppose all that is bad in the village, and brings the band back to its glory by helping Solomon conquer his inner fears, and Bombay’s very own Makarand Deshpande, playing Chevalier Pothachan (don’t miss his hilarious entry) as the opponent in the final contest, and you’ve got an entertainer which is long, but doesn’t seem to be, and manages to make you laugh, and connects you with its emotions and music all the same.

In terms of the basic story idea and elements, there’s surely some similarity between Amen and Guca!, but the local flavours are so distinct that it completely stands out on its own.

Do watch.

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And the makers of Ulidavaru Kandante (As Seen By The Rest) have been smart enough to release it with English subs. This comes out just when another Kannada film Lucia was making all the right noise. Click here to read a post on why it became a landmark Kannada film.

A friend also wrote to us and told us more about Ulidavaru Kandante (As Seen By The Rest) – This new Kannada movie looks like Tarantino movie with Rushomon twist.

“It is the first Kannada movie on sync sound, having 5 different stories that happens on Sri Krishna Janmastami day in Udupi, and it’s a story which happens in 1980s.”

Unlike 99% of the Kannada films, it’s set in coastal Karnataka. All the coastal region characters are used only as comic relief in the rest of the films. The trailer is bit long but do watch till the end.

The film is written and directed by debutant Rakshit Shetty, and stars Rakshit Shetty, Kishore, Achuth Kumar, Tara, Rishab Shetty, Sheetal Shetty, Yajna Shetty, Dinesh Mangaluru, B Suresha.

– To know more about the film, click here for its website, click here for its FB page and here is the Twitter feed.