Archive for the ‘Thoughts’ Category

Amitabh BachchanEnough to make an explosive headline ? Here’s more –

I feel that Amitabh has never been a loyal friend. Loyalty has never been his characteristic trait.

And some more –

 But slowly as Amitabh got involved in his career, he himself became the centre of all attention which was very difficult for Jaya to swallow. After all, at the time of their marriage she was the star and he the also-ran. The change in the power position within the marriage as Amitabh became successful also changed the soft, intense and emotional romance which Jaya and Amitabh had.

Dont know who is this Susmita Dasgupta but feel like giving her a bear hug! Because finally someone has dared to speak up on BIG B. She has written a book on Bachchan, who is also the subject of her PhD.

Have always felt that Bachchan is damn fake and manipulative, on every aspect of his life, much like his fake wig which is on 24 X7! He just pretends to be holier-than-thou. Scratch the surface and you see a completely different person. Dont get me wrong. Am not talking about the actor, just the man called Amitabh Bachchan. Wish Khalid Mohamed would write a book on his Dadduji someday. I would be the first one too book a copy! Anyway, back to the topic. Click here (or scroll down) to read the full TOI interview of Susmita Dasgupta. On Amitabh Bachchan, Jaya Bachchan, Rekha, Abhishek Bachchan and more! 

Is there an Amitabh ‘before’ and ‘after’ ABCL?
There is definitely a before and after ABCL Amitabh. The ABCL tragedy, like all stupendous failures have split Amitabh into a before and after image. The trauma of having failed appears to have drastically changed the person whose image was that of the invincible.

What is Amitabh, the husband, like?
As I could observe, and at that point of time I was nearly 20 years younger, that Amitabh and Jaya were ideologically apart. For Jaya, there was a distress about why Amitabh did the films that he did. Jaya would have loved it were Amitabh to remain in the Hrishikesh Mukherjee camp and graduated later to Satyajit Ray (Manik Kaku for her; Jaya is exceptionally well-connected). But Amitabh went into rather “cheap stuff” with which she was not comfortable. To the best of my mind, this was the basic reason for a kind of stand-off. Jaya and Amitabh were dutifully husband and wife but I felt that the romance in the marriage was lacking. Also Jaya is a ‘Bong’ woman, the oldest among three sisters, and most probably the brightest, daughter to a doting father and that too an important one. She is Bhaduri, an upper caste Barendri Brahmin, who are very proud people. But slowly as Amitabh got involved in his career, he himself became the centre of all attention which was very difficult for Jaya to swallow. After all, at the time of their marriage she was the star and he the also-ran. The change in the power position within the marriage as Amitabh became successful also changed the soft, intense and emotional romance which Jaya and Amitabh had.

How is the superstar with his kids? Is his rapport different with Abhishek and Shweta?
With his children, Amitabh is doting, pampering, blind with affection and only pretending to be firm, but very interested to be a part of their lives and eager to go to any lengths for their well-being. The daughter is interesting, I am not so sure that she feels the same way towards her parents as they feel towards her. I get this strange feeling that Shweta is seeking to move out of her parents’ very doting shadow and that marriage helped her have some independence that her extra protective parents robbed her of. Abhishek loves and would love to continue to be under the parents’ protection.

What about the Rekha episode? Is there reason to believe the affair happened, despite Amitabh’s denials?
Yes, it is a matter of great speculation for me as well. I always sided with Amitabh when he denied all on Rekha. But, only recently, I saw this television footage in which Amitabh suddenly got up and moved away as Rekha came near where he was seated. This makes me believe that yes, they did have an affair. The sudden getting up and moving away was a giveaway. It was almost a pose of fleeing from Rekha… why would a man want to do that if he is not guilty of something? I believe Amitabh knew from day one that he wasn’t serious about Rekha. Also, he’s very, very class conscious… Rekha was perhaps an ego trip.

How do you think Abhishek fares, being Amitabh and Jaya’s son, and now Aishwarya’s husband?
Abhishek reminds me of Prince Salim and he has the Prince Salim syndrome. In today’s world, Abhishek’s appeal lies in a certain sense of being chaperoned, someone who seeks and has security and, on the basis of an assured lifestyle, can afford to be nice to one and all. Just as Amitabh’s image crashed with failure, Abhishek’s image can crash if the shadows of persons chaperoning him are taken away. The image contains the shadows of the biggies that he nests among.

Was he behind Abhishek joining films?
Yes, he was totally behind Abhishek’s joining films and if I were to have my opinion, then to push him to cinema. That’s why I say that Abhishek is prince Salim, the reluctant heir of Akbar when his heart was away in Venice, Rome and even Spain.

Amitabh is projected today as the loyal friend… what drives his friendships with the Anil Ambani and Amar Singh?
I feel that Amitabh has never been a loyal friend. Loyalty has never been his characteristic trait. Anwar Ali and Amjad Khan are at least two who Amitabh never even acknowledged. I have seen him rather stand-offish with Javed, Salim, Prakash Mehra, the persons who made him. Amitabh never attended Hrishida’s funeral. He refuses to acknowledge Desh Mukherjee or Tinnu Anand. So, he looks for friends as far as he has something to gain from them.

The Amar Singh episode is strange. He must be really gaining something out of Anil Ambani and Amar Singh and that “gain” has some connection with the “loss” in terms of money.

Why do you think he is still working? Is it insecurity, to consolidate a space for Abhishek or love of acting?
Amitabh is still working, yes, what you suggest to consolidate Abhishek’s career, but to the best of my understanding, Amitabh is Bhishma, he wishes to prove that he is immortal as a star. I think that Amitabh is seeking immortality by constantly reinventing his image to suit each new age that he lives in. 

DD@50 : Those were the days!

Posted: September 16, 2009 by moifightclub in life, News, songs & videos, television, Thoughts
Tags: ,

doordarshanNow it seems impossible. At a time when we have more than 100 channels, to imagine a world with only one channel and that too in B&W! Transmission would start only by 7 am and then the Doordarshan logo will slowly unfold in its own lazy pace. The only pause button was “Rukawat ke liye khed hai” We all loved the line, but hated it whenever it would appear on screen. Am still not sure who wrote the copy.

Chitrahar, Chanakya, Yeh Jo Hai Zindagi, Buniyaad, Circus, Intezaar, Vikram Betaal, Faster Fene, Nukkad, Fauji, Flop Show, Ramayan, Mahabhaat, Alif Laila, Spiderman, Discovery Of India (Bharat Ek Khoj), Karamchand, Surabhi, Mungerilal Ke Haseen Sapne, Mirza Ghalib, Rangoli…the list is too long! The faces are still fresh. Growing up was so much fun!

We were a generation DD-addict! Saw everything that was shown on DD except late night “vyaskoon ke liye” movies. That wasnt allowed at home. Managed to catch it few times at a friends place when his family members were out on vacation. I even used to watch “muk-badheroon ke liye samachar” on sunday afternoons, with an excuse to learn sign language. The obsession was so much that at a point I used to remember the day of the week by the name of the show/soap. If last night Chitrahar was on air, then it must be thursday today. Rangoli used to be the only reason to wake up early on sundays. Still remains the best show on musical countdown. One topic, and songs from almost every era!

And then one day, the Raj Kapoor’s hit song came on air…pyaar hua ikraar hua, pyaar se phir kyun darta hai dil! Liziye Deluxe Nirodh! The word wasnt in our dictionary then. What was it ? The ever curious mind fuelled by the raging hormones tried hard to figure that out and finally it did. The song never remained the same. Doordarshan wasnt just a channel then, it was a way of life. A member of family, almost every family. Too many stories, nostalgia never ends.

The money is here, techonology all around but where is Mirza Ghalib ? Will we ever get another Naseeruddin Shah on tv ? The Big B’s and the Small D’s would come and go, get the eye balls and make bank balance. Thats it. But there is some hope, thank god for  youtube! Everything is not lost.  

BTW, if you are wondering why this rewind button all of a sudden, here is the info that triggered it…

On September 15,1959, the Delhi Television Centre went on air for half an hour, three days a week and inaugurated by Sh. Rajendra Prasad, President of India from Vigyan Bhawan. It’s 50 years of Doordarshan!

Saw Salma Sultan (without the rose though) on CNN IBN and NDTV today at prime time bulletin. Aha…pure magic! Remember DD news ? She still has that calmness on her face. And that charm! No shouting, no barking like today’s news anchors!

Here are the two of my all time favourite songs from good old DD days.

Dil Bole Hadippa – Not sure how many of you are interested in knowing more about the film, but if you are, do read on.

In short, DBH = Chak De India + Rab Ne Bana Di Jodi! Thats what it looks like from this post. Produced by Aditya Chopra (Yashraj Films), its directed by Anurag Singh and stars Rani Mukherjee and Shahid Kapoor.

The film had its premiere at the ongoing Toronto International Film Festival. And a blogger Wasabigirl, who saw the film at TIFF has given out all the details about the film on her blog. Every small twist and every plot point of the story. Am sure Yashraj guys will not be too happy to read it. You can read the full post here (including premiere details) or scroll down, after the pics.

Complete story of Dil Bole Hadippa

The film starts out with Veera Kaur (Rani Mukherjee), a hardcore typical Punjabi kudi who is completely obsessed with cricket. She’s so confident of her abilities that she boldly claims that she can hit six sixers in a row, even when a pro pitcher takes her up on the bet. Not only does she succeed in putting the big strong man in his place by hitting all six sixers in a row, she even does so while switching from right-handed batting to left-handed batting! Clearly she is skilled, and as the first song montage Dil Bole Hadippa shows, she is a carefree spirit with very big dreams.

Veera also works alongside Shanno (Rakhi Sawant) and others in a dance troupe that performs regularly. Of course, while they perform, she’s backstage playing cricket with the kids, which is extremely endearing. Most of the time her elders tell her she’s dreaming way too big, but she doesn’t seem to care. She knows that dreams can come true, and for her, they will!

Enter into the story Rohan Kapoor (Shahid Kapoor) and his father Vikram Kapoor (Anupam Kher). Rohan is an accomplished cricket player in England who has lived there for many many years. His mother (Rati Agnihotri) stayed in England while Rohan’s father chose to stay in India and they have remained estranged for all of these years. In this way, Rohan has not returned to India. To get his son back to the land of Punjab, Vikram pretends he’s had a heart attack. Rohan rushes to India, but realizes that his father just wants to spend time with him, since they have been apart for so long. And besides spending quality time, Vikram also has other plans…

You see, Vikram’s close childhood friend, Liyaqat Ali Khan (Dilip Tahil) is from Lahore, Pakistan. To foster peace between the two nations, the friends have set up an annual Peace Cup where a team from Amritsar plays a team from Lahore in a cricket match. It’s all in the spirit of camaraderie, but Vikram and Amritsar have lost 9 times in a row! And now Vikram’s dream is to finally see the Indian team beat the Pakistani team, once and for all. He wants to feel proud again. That’s where Rohan comes in. Vikram asks Rohan to captain the Amritsar team and lead them to victory.

Rohan’s return to India leaves him mostly amused. When he comes across Veera for the first time, her adorably bad English and her defensive patriotism catch him completely off guard. She’s most definitely like no one he’s met before. The scenes between Rani and Shahid are amazing. These two have GREAT chemistry together. I could go ahead and describe their first meeting in more detail, but it’s something you have to see to really appreciate. 🙂

So, as time goes on, Veera finds out that the Amritsar cricket team is holding tryouts for selection. She gets EXTREMELY EXCITED and runs off to become the town’s new batting star. Unfortunately, when she goes to the tryout the security guards and the rest of the men in line scoff at the notion that a woman could play cricket with them. Rani is heartbroken and chastises them for their hypocrisy of revering Goddess Durga yet being unable to respect the women around them.

Veera returns to the dance troupe and is forced to replace the main male dancer in the show, because he’s drunk. In doing so she not only has a spiffy dance number, Bhangra Bistar, with Rakhi Sawant, but she also realizes that she can dress up as a man and possibly fool the cricketers into letting her onto the team! It’s worth a shot, na?

Rani freaks out when she sees that the same foreign jerk who annoyed her, Rohan, is the captain. He’ll figure out it’s her, won’t he?! She stumbles and lies and tells him her name is Veer Pratap Singh. She makes all sorts of bold claims and states that she has never been bowled out in her life. There’s not a man alive who can bowl her out! Vikram doesn’t like her attitude, so he challenges her, ends up bowling her out, and tells Veer to leave. She begs and pleads for a second chance, and Rohan’s father convinces him to give Veer another shot. Veer succeeds in impressing Rohan and is accepted into the team.

Meanwhile, we are introduced to Rohan’s friend from England who has a serious crush on him, Soniya (Sherlyn Chopra). She’s basically there to show off her body in short-shorts and make passes at Shahid’s character, most of which he ignores. 😛

Veer trains with the cricket team and isn’t all that great. Can you blame her? Veer aka Veera is really a girl, so of course she can’t always keep up physically. But Rohan pushes her hard. This pretty much increases Veera’s dislike for Rohan. She sees him as a bossy know-it-all. Anyway, throughout the initial training, we get to see lots of Veer-related hijinks to the song Gym Shim. Rani is pretty adorable as the bizarre Punjabi guy. You just have to see her crazy facial expressions to know what I mean. 🙂

We also get to see some cute flirting and dancing from Rani and Shahid in the song Discowale Khisko. They both can dance so well, yay! And it’s the typical fun Yash Raj number with the gorgeous outfits and tons of background dancers. Oh! And we get to see that Rohan has a thing for Veera. Veera still seems annoyed with him, but Rohan is quite fond of her.

During cricket team practice, Soniya shows up, hoping to ogle Rohan while he’s hard at work (lol, it’s what we were all doing XD). Unfortunately, due to some happenings on the field, Veer ends up tumbling over Soniya and falling on top of her. Soniya thinks that Veer’s trying to get fresh with her, but Veer scoffs at the notion that she would ever want to touch Soniya. Soniya gets pissed and throws her drink on Veer’s face. Veer runs away and Soniya complains about him to Rohan, who runs off to find Veer and talk to him.

Rohan heads off into the change room, calling for Veer. He opens the change room door only to find…a naked Veera?!! O_O (Lol, this part was SO HILARIOUS!!!) Rohan and Veera try desperately and awkwardly to salvage the situation. When Rohan asks what the hell Veera is doing there, she lies and says that Veer is her brother. More insanity and arguing ensues; Rani and Shahid perform brilliantly in a great comedic scene. Seriously, the change room scene is amazing. It’s another one that I can’t really describe, because you have to see it for yourself.

Veera quickly changes back into her Veer avatar, and when Rohan finally finds her, he is all forgiving and sweet. Of course, his reason for suddenly being so nice to Veer is because he just found out that Veera is Veer’s sister, and he wants to make amends. Naughty boy! 😉 Veer lies and says that Veera is probably back at the dance troupe, so they head off together. Veer tries to do whatever she can to get away from Rohan and change back into her regular Veera clothes. She uses the dance troupe show as a diversion and changes back into Veera.

Rohan wants badly to apologize for the things he said to Veera in the change room. She is not willing to relent. But Rohan is not one to give up! As Veera gets on stage and starts performing the show, she gets a big surprise. I don’t really think I can give it away, but suffice it to say that if you’re a fan of filmi references in movies, you’ll love this bit. Shahid and Rani are too cute together! 🙂 So, Veera finally forgives him and all is well in the world again.

The next day during cricket training, Rohan asks Veer if Veera said anything about him the night before (aww!). Veer is confused and asks why Veera would talk about Rohan. Veer then realizes that Rohan is interested in her. It doesn’t sit well with her, so she goes over to talk to Soniya and convinces her to try harder with Rohan. Veer tells Soniya to be more desi and traditional to get her man.

Soniya tries to do just that, wearing a sari and taking Rohan and his father around Punjab for a tour. She kinda fails at being desi, though. 😛 Along the way they run across Veera and the dance troupe truck. Rohan’s father takes a liking to Veera and tells her that if she shows Rohan around Punjab that he might see just how great it really is. Veera is completely fine with showing off the nation that she loves and we are given the very sweet song Ishq Hi Hai Rab. Veera and Rohan spend a lot more time with each other and Rohan becomes more and more comfortable in India.

Veer goes back the next day and tells Soniya to find someone besides Rohan, because, obviously, Veera kinda likes Rohan now. Rohan asks to speak with Veer and says that he wants permission from Veera’s brother to ask her out on a date (double aww!). In another ridiculously hilarious and adorable scene, Veer accepts the proposition and says that Rohan is allowed to ask Veera out.

Time for a cute date with Rani Mukherjee and Shahid Kapoor! Veera shows up looking hip, modern and GORGEOUS, which Rohan loves, but he also tells her that she should just be herself. They share an Indian dinner together and they laugh and generally have a good time. Rohan even goes so far to say that he wants a girlfriend just like Veera and that he has fallen in love with her. After I melted at how freaking GUUUUHHH Shahid is and re-solidified with hearts in my eyes, I got to see Rani’s sweet expression to his confession. Rohan leans in to kiss Veera and although she’s shocked at first, she leans in too…only to be interrupted by the honking horn of the dance troupe truck. Her ride is there to pick her up and the date is over. Their romancing will have to wait until the cricket match is over!!

Now, describing the cricket match is hard for me. I understood exactly what was happening while I watched it, but I’m not so well-versed in cricket that I could explain it in retrospect. So you’re going to have to bear with my vagueness.

Rohan’s mother comes down from England to see the match. This also allows her and Vikram to reconcile a bit. You know, it’s a Yash Raj Film, tied up loose ends and all that. The game starts off with India fielding and Pakistan bowling. Rohan is an excellent bowler and the Indian team is hitting wickets left right and centre. Not to mention that Veer catches a ball before it can reach the outer field. The rest of the cricket team is rejoicing at the auspicious start that they have and the boys dog pile Veer. In the process, Rohan ends up with one of Veer’s contacts in his hand and realizes that Veer was actually Veera all along. He hands her back the contact, but the look in his eyes says it all. He’s furious.

After this point, the Indian team falls apart. They had been doing excellently, but suddenly Rohan can’t bowl at ALL anymore. He’s completely distracted and the batsmen take full advantage. Even Veer is unable to catch the balls while fielding. After 10 overs Pakistan ends with a score of 213, which is pretty un-freaking-believable. The announcers admit that, once again, India is pretty much screwed.

Back in the change room, Veer attempts to explain to Rohan why she lied, but Rohan will have none of it. He’s angry and hurt and honestly thinks that Veera used him, in the romantic sense, so that she would stay in his good graces and on the team. Veera is shocked and upset but Rohan just won’t listen. Rohan dismisses her from the team and India starts off batting without their star batsman.

The first few overs of batting are a complete mess. Rohan is basically keeping the team alive, because the rest of his team are pretty terrible at batting. The whole game seems hopeless and Veera sits solemnly, neither watching the game nor leaving the stadium. Rohan’s father, who walked in on the argument Veer and Rohan had in the change rooms, knows that Veera was actually Veer. He convinces Rohan to let her back onto the team, as she is the only hope.

Veer gets back on the field and the duo of Rohan and Veer get into the groove. Rohan claims that he only called Veer back for his father’s sake, and not for her sake. Veera understands and admits to herself that she is not batting for herself, but for Rohan’s sake. They continue on triumphantly, closing the impossible gap between India and Pakistan.

One of the Pakistan players accidentally trips Veer during a run and she ends up injuring her arm badly. Rohan rushes to her side and quickly calls the medical team. They say that her arm is broken and that she cannot bat, but Veer is adamant that she will keep going, regardless. Rohan gives her an appreciative nod.

The Pakistani bowlers are shocked when Veer switches over from right-handed batting to left-handed batting and is still able to bat reasonably well. We are given many a dramatic moment after that (seriously how am I supposed to explain this? ;)) and finally the Indian team wins! Not that any of us was surprised.

They are all freaking ecstatic and Rohan is about to be awarded Man of the Match. He’s happy too, but he knows there’s still something left for him to do. He grabs Veer’s hand and brings her to the stage with him. Rohan announces that he was not the Man of the Match and that, really, the man of the match wasn’t a man at all! He takes off Veer’s turban, facial hair and contacts to reveal that Veer is actually Veera. People are pretty pissed off.

Veera sees that everyone is angry with her and that they can’t believe a *gasp* WOMAN has beaten them. Or played with them. Deceived them! So she steps up to the microphone to knock some sense into everyone. In the usual dramatic flair of Bollywood movies, we get an emotional speech about equality, ambitions, perseverance and dreams. The women watch with a knowing look on their faces while the men look on in shock. But Veera’s words are strong and true. By the end, they are left standing silently until the captain of the Pakistani team starts to clap. One by one the crowd begins to cheer for Veera Kaur and her amazing achievement. She not only kept up with the men, she surpassed them!

We are left with a very happy ending with the team lifting the trophy and Veera and Rohan reuniting. Your typical Yash Raj film, but just as satisfying as you would expect. To top it all off, we get to see an extremely hot Shahid and Rani in the video Hadippa The Remix as the credits roll by.

AADMI KI AURAT AUR ANYA KAHANIYAAKAAAK ? It’s  Aadmi Ki Aurat Aur Anya Kahaniyaan! In english, its The Man’s Woman and Other Stories.

Amit Datta ? Yes, the same FTII graduate who has directed films like Kra Ma Sha, Sha Tra Gya and Ma Pa. Has a distinct quirky visual signature style. If you havent seen his films, do watch. Available on FTII’s Lensight DVDs. Can get it from FTII or Rudra Media. Google, you will get it.

Kra Ma Sha also bagged two National Awards this year. One for cinematography (Savita Singh) and audiography (Ajit Singh Rathore).

His new film AKAAAK was given a special mention in the Orizzonti (New Horzons) category at the just concluded Venice Film festival. The Orizzonti Prize was given to Pepe Diokno (Philippines) for Engkwentro. And the Orizzonti Prize for Best documentary to DU Haibin (China) for 1428.

Havent seen the film but from the synopsis it looks like Amit is moving in similar domain again….

The film is a series of three episodes which explore the relationship between men, women and the physical and mental spaces they inhabit. A man lives in a rented room with tree branches by his window. He fears that birds and snakes may enter in his room through the window, but would like the squirrels to visit him. In a story narrated within ruins, a man wants to erase the name of his wife, which is tattooed on her own forearm, and in his anxiety to erase it, he even considers going so far as to cut off the arm of his wife; but his friend has better suggestions. In the dark suburbs, a woman sleeping under a glowering bulb is forcefully hired off to a young man waiting for his friend. While the young man wants to know her story, she only wishes to sleep.

But why is the video so unimganitively done! And those words on screen, kabhi hai kabhi nahi!

And here is the best thing about the album. The music is by Shankar Ehsaan Loy but the song Iktara is composed by Amit Trivedi ( Aamir and Dev D). And with just one song, Amit kills it! If you havent heard the song, click the play button. Sung by Kavita Seth and Amitabh Bhattacharya. The second video has the full song.

Full song

Chetan BhagatIf you like Chetan Bhagat or if you think he is the best thing to happen to desi writing or if you are desperately waiting for his next book Two States, then this place is injurious to you health. Kindly move on to next blog!

In Bollywood and Mumbai’s first class train compartements, people read only two authors. Chetan Bhagat and Paulo Coehlo. People have only two favourite books – The Alchemist and Five Point Someone. And I hate the smell of both the books! Chetan Bhagat is the shittiest thing to happen in desi writing in recent time. He is, what i call, potty writer! You read it while doing potty, finish it by the time your potty is over and then use it as tissue paper! Pure junk like McDonald’s and priced also at the same range! If someone is willing to sign my cousin who is in 5th standard, do let me know, he can also write the same.

No imagination, no thought, bad writing. Period. But too much of publicity! The three books by him are three mistakes of his life! And according to news reports, Raj Kumari Hirani’s Three Idiots is based on Chetan Bhagat’s Five Point Someone. WTF!! How is that possible ? I could not digest the news. Spent sleepless nights. How could Hirani do it ?

Its official! Vidhu Vinod Chopra bought the rights of the book. Bus aur kya! Chetan Bhagat went on promotional over drive. Some million interviews on how the next Aamir Khan film is based on his book and blah blah blah. Pics in some million poses and more!

I was surprsied, confiirmed it and found that its just the setting and nothing beyond that. But on one side it was me and the other side it was Chetan Bhagat and his million interviews. Nobody was willing to believe me that VVC and Hirani bought the rights only to be safe, so that nobody can question them later on.

Finally, Raj Kumar Hirani has clarified in this interview (read the second last question. hav copy pasted it here also)  to Mumbai Mirror that the film and the book is only 5% similar! Yes, just five percent!

Q. How true are you keeping 3 Idiots to the book by Chetan Bhagat Five Point Someone?

A. 3 Idiots is inspired from the book but it is completely different. I would say just five per cent of it is the same. Books and films are different. So the moment you decide to pick up a book and make a film as it is, it will be a disaster. It’s a nice book, but it’s anecdotal and films can’t be anecdotal. It has to have a story. The reason I mention this is because people should not go to the theatre thinking, we are going to watch Five Point Someone and later find out that it’s a completely different film.

Game over, Mr Bhagat! Am much relieved. Now can that potty writer Chetan Bhagat just shut the fuck up! Enough of him and his mistakes!

UPDATE (1st Jan 2010) – Click here to read all the details and the dope about the credit controversy of 3 Idiots. Vidhu Vinod Chopra VS Chetan Bhagat.

Akshay Kumar & Nikhil AdvaniIts Level 2 of Khatroon Ke Khiladi. Akshay Kumar is back on tv. And Nikhil Advani is back with Akshay Kumar again.

According to Indiafm, their new film is titled Patiala House and will star Anushka Sharma and Rishi Kapoor alongwith Akshay Kumar. The name Patiala House sounds like a sequel to Singh Is King but it seems its a father-son story set in Southall, UK.

The son gives up his dream to save his father’s reputation, until he meets a girl who gives him the strength to stand up for what he believes. It’s about second chances.

Second chances ?? Yeah, pun intended ? LOL!! Nikhil really must be praying for this second chance!  Only if he can reduce his snob value a bit!

Warna we will sing again…

from chandni chowk to chai-na,

mujh-ko kuch samajh aai-na!

Whats Your Raashee ?WTF!!! Yes, that was our first reaction when we heard about it! We know that Ashutosh Gowariker cant make films less than 3 hours and he got it right in his last three films – Jodha Akbar, Swades and Lagaan. All three films were longer than 3 hours.

But, Harman Baweja is not Aamir Khan, Shah Rukh Khan or Hrithik Roshan! Also, there is no A R Rahman this time! The songs are fuckall, atleast we didnt like a single song in the What’s Your Raashee album. And this must be the longest romcom in the history of cinema! We are praying and how!

If gossipmongers are to be believed Ashutosh Gowariker is not happy with 3hrs 20 mins, he wants to keep it at 3hrs 40mins! Is he planning a filmy version of Mujhe Iss Film Se Bachao!

The promos look bad, the songs suck, Harman is horrible but we still want to see the film. Because we trust the director and 12 avtaars of Priyanka seems interesting idea! Very few actors get to do something like this! Sincerly hoping that Gowariker hasnt lost it like many others!

Prakash RajYes, its confirmed. The rumours have been floating around for since last few hours. And its all true.

Prakash Raj has bagged the National Award for Best Actor for his performance in Priyadarshan’s film Kanchivaram. Atleast this one should be non controversial. Its a truly deserving one. I remember watching it at the Mumbai premeire of the film. And since then, I cant remember anything so powerful and so moving. Its just stunning!

In the film, Prakash Raj plays the role of a weaver who dreams about a silk saree for his daughter’s marriage.  What looks like a simple dream is much more complex than one can imagine. Money, politics, unions, the problems never end.

The acting is so powerful that the young and the old Prakash Raj seem to be two different actors. If you havent seen it yet, do watch. If for nothing else, just for the acting! Happy to hear this news about Prakash Raj, his third National Award! More power to actors like him!

BTW, rumours doing the round suggests that Priyadarshan has also bagged the National Award for Best Director and the film Kanchivaram will get it for Best Film.

Update : Gandhi My Father has also bagged three awars. Best Film ( Prdoucer – Anil Kapoor. Am guessing this one is the hindi language category), Feroze Abbas Khan ( Best Screenplay) and Darshan Zariwalla (Best Supporting Actor).

dibakarLSD ? Yes, thats Love Sex Aur Dhokha. Dibakar Banerjee’s new film. In an industry where a filmmaker’s success is measured by the budget he can manage, Dibakar is in reverse gear. After Khosla Ka Ghosla and Oye Lucky Lucky Oye, Dibakar is going digital, low budget and Adult! Just 2 crore film. We caught up with Dibakar to know more. Read on. 

Peep show : The film is about voyeurism. This film is essentially about how we have become a generation of voyeurs and flashers simulatenously. This film is about keyhole. On one side of the keyhole is a guy who is peeping in and on other side, there is a person who is hoping that someone io peeping in, and then its us, who are seeing all this. And it is adding bizzare subtext to our society. On television, newspapers, other media, we are obsessed with the most meaningless trivia of what other people are doing about their life. Thats one part of the film.

voyeurismLoveology : The other part of the film is how we see love. I fall in love with a person. And I fall in love with a person in contempoprary India. Those two situations are completely different. Because today when I fall in love with somebody I have a history of 80 years of cinematic love to tell me what love should be, how a person in love behaves, what is the outcome of love, what happens when you are in love and how love conquers all. But when we try and take that route in real life, we realise that what the film shows and what life shows us are two differnt things. And am very excited about that difference.

Mera-Camera : These are the issues that this film is trying to deal with. And the reason to take completely new people is that voyeurism is specially effective when it is not constructed, when it is not fictional, when the camera is really candid. Even when I fake the camera into movement so that it looks like candid, but if you see someone like Abhay Deol or any other actor, you will know that its not really candid.

Kamre me Camera : This film cant be done if I dont go digital. If we shoot it in film ,this film wont be there. What we are trying to do with this film is actually totally new kind of filmmaking. We are trying to change the rules. We are making the film with real people. The people are given situations in which they are free to interpret and go forward with just a symbolic guideline from me. And people will be shooting the film themsleves often. And they will be shooting each other. And we will see a film which is not seen through my eyes, we will see a film which is seen through the eyes of people who are within that frame. That is essentially what voyeurism is all about. Thats what we are trying to do. The whole cast is made of people that we have not seen before. Trying to address the issue of reality show. I find this term very interesting – reality show. This is the oxymoron of oxymoron. This is the film all about. Its about reality, its about show, its about showing and peeping.

Imran-Abhay : The kind of subjects that I tackle and the kind of liberty that I want to take with my filmmaking, its fine with me to exist in the smaller bylanes of great big industry that bollywood is. I think huge biggie would kind of take it all away all  and subvert me from what I am trying to do. So the next one is definitely not a biggie, its middly or smalley compare to other people’s budget. We are trying to address a very hard hitting social and politicallly issue that we face in our country. We are trying to bring together two actors whom we have not seen in a film yett. Its not done, we are trying. If it happens, people will see actors in that kind of role which we have not seen before.

And if you missed it last time, here is Dibakar Banerjee on love, life and cinema. Published in Outlook.