It’s that time of the year again. And like ever year, we are starting our Rewind (year end post) series. So we (the usual suspects who contribute here) sat together, poured some drinks, discussed, poured some more, fought, pondered, poured some more, looked back, debated, poured some more, and concluded the 20 things which we learnt at the movies this year. Also, 13 questions that baffled us all through the year.

This was our 2012 list. At first glance, Deepika Padukone and Tigmanshu Dhulia have made it to the list again.

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1. Deepika is Padu-Khan – 4 blockbusters. From just a beautiful face with weird ghataan accent and shaky acting chops to commanding the screen with her presence and talent, this has been quite a marathon.

2. Vacuous Versova – The film filmmaker made Versova world famous on FB and Twitter. It started here, and made headlines here.

3. Kahe ki tu hi hauw…..Hum tohre bin ab rah na sakiley….Jaani tui soodhuyee…saathi tui soodhuyee….Confused? Here.

4. Nawazuddin might be the flavour of the season, but Irrfan Khan is still the baap. Saajan Fernandes of The Lunchbox, Wali Khan of D-Day and Umber Singh of Qissa – those eyes that stare blankly into space should be counted as a school of acting. If he is pledging his eyes to be donated after death, they should go to a film/acting school for further research.

5. The password for script of Matru Ki Bijlee Ka Mandola was the colourful abuse used in the film. GUESS.

6. Tigmanshu Dhulia is the most unreliable director. He swings from one extreme to other. On the scale of burn-the-reels-of-Shagird to awe-fucking-some-terrific-Paan- Singh-Tomar, he can fluctuate anywhere.

7. To be completely politically incorrect and if you can pardon this look-ist tweet, the rickshaw-walla-dikhne-wala-south-ka-hero can deliver a hit in Bollywood- Raanjhanaa.

8. Sonakshi Sinha CAN act. Lootera. Now, if only someone tells this girl that life and cinema exists beyond filthy remakes of South films or regressive masala overdose. Dabangg, Rowdy Rathore, Joker, Son Of Sardar, Dabangg2, Once Upon A Time In Mumbai Dobara, Bullett Raja, R…Rajkumar – nobody has ever been so consistent in picking up the same desi buxom bimbo roles again and again.

9. Aaloo bhaath, moordi bhaath in Badtameez Dil. Thanks to Amitabh Bhattacharya for getting these in Bollywood dictionary. Ask your bengali friends to explain.

10. Shah Rukh Khan needed a Rohit Shetty film. The theatrical trailer had the full filmography of Shetty.

11. “Sex and Shah Rukh Khan always sells” is passe. Sex with Shilpa Shukla sold. B.A Pass.

12. Northern-isation of Prakash Raj is complete. He played the villain opposite Deol paaji in Singh Saab Sunny Paaji The Great.

13. Motormouth Sajid Khan finally fell flat on his face. And has gone into hiding since Himmatwala crashed faster than the rate at which he abuses critics.

14. Uday Chopra says good bye to (his non existing) acting career. At least as a profession.

15. You can convert Chetan Bhagat’s unreadable book into a good film. Kai Po Che!

16. ABCD – Any Body Can Dance. AFCBH – Any Film Can Become Hit. Latest one : ABCD – A for Aao re aao, B for Bhaao na khaao, C se Chilla ke gaao, D se Daaru peete jaao. AACSKMP – Aao And Can Someone Kill Me Please.

17. Aftab Shivdasani, Vivek Oberoi and Ritesh Deshmukh have delivered one of the biggest hits of the year. DIGEST.

18. Milap Zaveri saved all his money on rent because he spent the entire year at Gaiety-Galaxy getting hard on watching audience’s reaction to Grand Masti and Shootout At Wadala. Also, every show was house full, on every show people danced, threw coins, and left cum on the seats. (courtesy – Milap’s live tweeting)

19. Tagore + Acid = Tasher Desh. Who would have thought? Q is the A.

20. Sona Spa is Inception redux. No, we are not joking. It’s the definitive cult film of this generation. If you haven’t seen it yet, WATCH.

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13 Unanswered Questions

1. Where is Rajeev Khandelwal?

2. What was Hansal Mehta smoking post Dil Pe Mat Le Yaar and pre-Shahid?

3. What’s the final box office collection of Chennai Express and Krrish 3?

4. Who earned the real Jackpot – Kaizad Gustad, Naseeruddin Shah or Sunny Leone? This is the only good thing about acting aspirations of rich kids.

5. what’s R…..?

6. What did the FFI committee see in The Good Road?

7. How did Ramaiyya Vastavaiyya make more money than D-Day and better TRP than most films? And it seems to be true.

8. What’s the real Milkha Singh story? Here

9. Why KRK is the last man standing with balls of steel giving out the right box office numbers?

10. Why is Raj Kumar Yadav (Rajkummar Rao or whatever he has become now) not a bigger star? who else can match up to his acting chops in the new generation?

11. Who directed Dabangg? Yes, that was 2010. But Besharam is 2013.

12. What murabba has Kashyap fed to Bachchan and KJo?

13. Were they really spoofing Bachchan as a chimpanzee in Yamla Pagla Deewana 2? Why Dharam paaji with Chimpanzee?

What have you learnt or discovered at the movies this year, do let us know in the comments. Also, if you have more questions or answer to any of our questions.

I saw Coen Brothers’ new film Inside Llewyn Davis at Mumbai Film Festival in October. And i have been looping its soundtrack since then.  The film has released in US now. i saw Noah Baumbach’s Frances Ha recently (Yes, yes, i know am late). And strangely, i have been connecting the dots between the two since that day. This is a perfect double bill. I was shouting out how come nobody was talking about this connect, and so this post. Though recently a friend pointed out a similar tweet by a film magazine editor too.

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His name begins on strange note L-L. Her ends on funny note – Ha. He wants to sing. She wants to dance. Both have cat issues which starts their story. Both are in New York. And both have the same problem which they are struggling with – to find a roof above the head, and a bed to sleep.

Inside Llewyn Davis is a grim portrayal of a week in the folk singer’s life. His life is fucked up in more ways than one – career going nowhere, a pregnancy to deal with, family members who don’t mean much, a cat to take care of, and worst, not even a bed to fall asleep and forget all these worries. Is there anything worse than that? The world is hazy, and the weather is cold, gloomy, and depressing. It’s a heartbreaking story of an artist where music is the only comforting factor. In Bollywood dictionary, it’s the story of a struggler – a strange term to define any writer, director, actor, or anyone else who is trying his luck but still haven’t got the big break in the industry. As A O Scott wrote in this absolutely brilliant and spot on review of the film (and read the Coens like nobody has done in any ILD review) – “One of the insights of “Inside Llewyn Davis” is that hard work and talent do not always triumph in the end……We are, as a species, ridiculous: vain, ugly, selfish and self-deluding. But somehow, some of our attempts to take stock of this condition — our songs and stories and moving pictures, old and new — manage to be beautiful, even sublime” This city is full of such bleak stories. Yet that has never stopped anyone from becoming another Llewyn Davis, another eternal struggler. Ha!

Frances Ha film is warmer, lighter and funnier than Llewyn Davis. But her life is no better. She is looking for the same comforts – a roof and a bed. Her dancing career is going nowhere, she has no job, no money, her best friend has moved on, she has just separated from her boyfriend, she is very “undateable”, and her family members are far away from her. Frances doesn’t know what to do with her life, and most importantly, how to do it.

Thanks to Coens’ taste for strange black humour, Llewyn’s life seems to be in never ending loop. Frances is lucky that way. Baumbach is not that cold. In a gorgeous climax which turns this film into one of the greatest films on friendship, Frances at least achieves little bit of happiness (not describing it to keep it spoiler free). And Llewyn just gets another hard punch on his face.

If you are an outsider living and “struggling” in Bombay to find an entry point in Bollywood, you will laugh and cry with this double bill. Too many similarities, and the big picture is too scary at times. A hassle free roof and a comforting bed are the most expensive and elusive things in this city. Just another day, a friend landed up in Bombay. And as it always happens, the first call was about good brokers who can help find that roof and bed.  Or you point them to the Flats Without Brokers FB group. Just two days later, she decided to pack her bags and went back to the city from where she came. i don’t know the reasons yet, didn’t bother to ask too. But it made me ponder over many such friends who have come to this city, struggled their way, and have found थोड़ा सा आसमान and a small corner for their bed. If i call it the “Llewyn Davis Condition”, then the comfort syrup can be called “Frances Ha” – strangers who are in similar situation like yours, who have left their roots for similar dreams, who become your family soon, and with whom you develop a bond so strong that it’s impossible to believe that you never grew up with these friends. Where were they all this while? How did you survive without them for so long?

Inside Llewyn Davis and Frances Ha connects more strongly if you are the fringes of any artistic field, and especially if its something to do with films. As i see many such friends with similar stories, all i know is that everything is uncertain till you quit or your name appears in the credit roll one friday. A talented and now-famous lyricist once explained to me why he still prefers working with a loud and pompous producer. He asked me, do you know what an artist want basically? i said, what? To work in peace so that he doesn’t have to think about the bread-butter, bed, and roof. That producer gives me that comfort and i can focus on my art.

So thanks to my “Frances Ha” bunch who helped me survive this city for more than a decade, and if you are new, hopefully you will find your ‘FHa’ friends soon. All you, Ahoy, Sexy!

All i can think that in a parallel world, Llewyn Davis and Frances Ha will meet. He will sing, and she will dance, he will let the cat out, and she will be happy about it. She will shout out Ahoy, Sexy! and he will sing hang me, oh hang me in response. And hopefully, i will be rich enough in that world to give away one of my houses to this duo.

If you haven’t seen, watch these two films. And watch them back to back. Maybe that’s the closest we can get to that wonderful parallel world.

@NotSoSnob

(ps – If possible, do play the Inside Llewyn Davis soundtrack as you read this)

It’s not every day that a new writer gets to write a film for Sanjay Leela Bhansali, and even manages to deliver a big blockbuster hit. But exactly that’s what happened with Garima and Siddharth. In this video, the writer duo talk about the film RamLeela, their writing process and working with SLB.

POTD : Goodfellas

Posted: December 10, 2013 by moifightclub in POTD
Tags: , ,

We tried to pretend for some time that it’s completely normal to stand next to Martin Scorsese and pose exactly like him. We even controlled the fanboy BP and heartbeats for as long as we could. And as we went breathless, we shouted out it’s M-A-R-T-I-N-F-U-C-K-I-N-G-S-C-O-R-S-E-S-E.

So spare our fanboyism and so called sycophancy for this post. This is the fucking school of cool (Yes, Varun, said that school-of-cool again). Men are here, only the mean machines are missing.

As Charlie said, Twenty dollars! Let’s go da movies!

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Bet, AK must have repeated Stack Edwards – This drink is better than sex, baby.

(PS – If you have been living under some rock, this picture is from Marrakech International Film Festival where Anurag Kashyap was on the jury with Scorsese saab)

LogoWHAT : The Ministry of Information and Broadcasting has launched a short film contest on the theme of “Young and Aspiring India” under the brand name “CANVAS”.

DURATION : Films of 3-5 minutes duration can be submitted for the competition.

– Brand CANVAS is a platform for creative minds to come together, compete for excellence and showcase their talent in various aspects of creativity including film making, photography, slogan writing, symposium, poster making etc. The first edition of CANVAS is a Short Film Contest which is open to all.

DATES : The registration for the contest opens on 10th Dec, 2013 and deadline for submitting the short film is 31st Dec, 2013. The winners will be announced on 20th January, 2014.

– Videos will be rated on the basis of storytelling, creativity, originality, screenplay, performances and technical execution by an eminent jury selected by the Ministry.

PRIZE MONEY : First three winners will be awarded cash prizes of Rs 30,000, 20,000 and 10,000 respectively. Certificates of appreciation will also be given to selected entries.

RULES & REGULATION – To know more about the rules and regulation, to register and upload videos, click here to go to their official website.

 – You can also follow CANVAS on its Facebook page here for regular updates.

– The selected videos will be uploaded on Ministry’s official Youtube channel http://www.youtube.com/inbministry.

Thanks to Bejoy Nambiar, we managed to catch Lijo Jose Pellissery’s Amen at a special screening in Mumbai. If you haven’t seen it yet, do watch it. ‘Great fun’ is the only way to describe this gem. Rarely is ‘fun’ attached with Godly stuff. But this one is a madcap ride, a strange collage of things which rarely come together so well.

Here’s a small recco post on the film by Amit Sharma – on the elements that made Amen such a great joyride.

643980_416614311763753_997719716_nWhy should you watch this Malayalam comedy, err, divine comedy?

To see the beautiful Kerala countryside, a village called Kumaramkary, the backwaters – colourful and idyllic in the day, and dark, lonely, mystical in the night. Eye-gasm in short.

Because it’s all around a Church and a toddy-shop, the former with its brooding, ominous, built-300-years-ago-and-may-fall-down-by-spring air, where the Reverend and sexton hatch their evil plots, and the latter with its regular haunt of drunk band-members asking for more pork and beef, and lamenting over their failures in music competitions. A strange mix.

For the totally over-the-top unapologetic humour, crafted as if the writers had no other concern in the world. Even the overlay text says things like ‘long ago in some random year xyz’. The wacky humour never leaves us, even zigzagging through the love story between the spunky Sosanna (Swathi Reddy) and the meek and unsure-of-himself Solomon (Fahadh Faasil). Girl bashing up goons with vessels, Solomon’s father’s spirit making sudden appearances in smoke-filled rooms complete with two winged angels, there’s no full stop in this crazy ride.

For the antics of the sexton Ousepp, and the menacing Reverend Father Ottapplakkan.

For Sosanna, who looks beautiful & enticing, and the scenes where Solomon serenades her with his clarinet below her window is stuff right out of Romeo & Juliet.

For Prashant Pillai’s fantastic music: the peppy title track, the mellifluous love song, the energetic clarinet duels, and the background score, all of it adding that much more to the film.

Because the film is also about a unique village band, which is on its way down after the tragic death of its star performer, and has lost all competitions ever since. You haven’t seen such a desi band story on screen.

Add to all this a music-loving young junior rockstar Reverend Vattolli, played by Indrajith, who decides to support all that is good, and oppose all that is bad in the village, and brings the band back to its glory by helping Solomon conquer his inner fears, and Bombay’s very own Makarand Deshpande, playing Chevalier Pothachan (don’t miss his hilarious entry) as the opponent in the final contest, and you’ve got an entertainer which is long, but doesn’t seem to be, and manages to make you laugh, and connects you with its emotions and music all the same.

In terms of the basic story idea and elements, there’s surely some similarity between Amen and Guca!, but the local flavours are so distinct that it completely stands out on its own.

Do watch.

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And the makers of Ulidavaru Kandante (As Seen By The Rest) have been smart enough to release it with English subs. This comes out just when another Kannada film Lucia was making all the right noise. Click here to read a post on why it became a landmark Kannada film.

A friend also wrote to us and told us more about Ulidavaru Kandante (As Seen By The Rest) – This new Kannada movie looks like Tarantino movie with Rushomon twist.

“It is the first Kannada movie on sync sound, having 5 different stories that happens on Sri Krishna Janmastami day in Udupi, and it’s a story which happens in 1980s.”

Unlike 99% of the Kannada films, it’s set in coastal Karnataka. All the coastal region characters are used only as comic relief in the rest of the films. The trailer is bit long but do watch till the end.

The film is written and directed by debutant Rakshit Shetty, and stars Rakshit Shetty, Kishore, Achuth Kumar, Tara, Rishab Shetty, Sheetal Shetty, Yajna Shetty, Dinesh Mangaluru, B Suresha.

– To know more about the film, click here for its website, click here for its FB page and here is the Twitter feed.

Liar's DiceSundance Film Festival has unveiled its line-up for the next edition. Geetu Mohandas’ debut feature Liar’s Dice has been selected for the festival to premiere in “World Cinema Dramatic Competition” section.

Here’s the note on the film from the official release – “Liar’s Dice” (India) — Directed and written by Geetu Mohandas. The story of a young woman who leaves her native land with her daughter to search for her missing husband, encountering a free-spirited army deserter along the way. Cast: Nawazuddin Siddiqui, Geetanjali Thapa, Manya Gupta. International premiere.

The film has been shot by Rajeev Ravi.

And this was our snippet review from Mumbai Film Festival daily report when it screened – Liar’s Dice –   Set in difficult weather and tough terrain, Kamala (Geentajali Thapa) is looking for her missing husband. From moutains to plains, from Delhi to a single-bed room in a shady hotel, her companion is a selfish and untrustworthy stranger Nawazuddin (Siddiqui). A stark, grim and almost unsentimental portrayal of urban migration. Has a charming kid too. Looking forward to Geetu Mohandas’s next.

– To read about the complete Sundance list, click here.

– To read an interview of Geetu Mohandas on the film, click here.

– The film’s FB page is here.

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I love Paani - PosterWHATEchoes, the annual cultural festival of IIM Kozhikode in association with filmmaker Shekhar Kapur has launched a short film making competition titled “I Love Paani”. The event has been conceptualized and will be judged by the filmmaker himself.

CONTEST – This is an online event. Teams of 3 or less will have to create a one minute video on the creative brief given below and then either mail the video or its dropbox link to culcom@iimk.ac.in before 23.59.59 PM, 24th December, 2013. Shekhar Kapur will be judging the entries and will decide on the winners for the event.

Shekhar Kapur’s Creative Brief
From a Drop to an Ocean
What does water mean to you?
And how do you imagine a world which is fast running out of water. Can you put that in a film no longer than one minute? You could shoot and edit it in any way you like. You could shoot it on your smart phone if you like.

This is about your imagination, not your resources. It does not have to be about a large scale event, a drop is as vast as an ocean. It does not have to be the future. There is enough evidence of massive shortages right now. It can be as observational as you want it to be. Or it can be as dramatic as you want it to be.

But even if you say very little, others have to see your point, your story. Of water.
Want to try?

LAST DATE : Before 23.59.59 PM, 24th December, 2013

GUIDELINES
– This event is open to all.
– A team can have a maximum of 3 members.
– Each team must register for the event at http://tinyurl.com/ILovePaani
– One person cannot be part of more than one team.
– The video length is 1 minute. Not more, not less!
– This slide must be included at the end of the movie.
– There is no bar on the language used in the movie. However, Hindi/English subtitles should be used in case of languages other than these two.
– Entries (video files or dropbox link) should be mailed before the final deadline of 23.59.59 PM, 24th December, 2013 to culcom@iimk.ac.in.
– Naming convention of the deliverable file should be Paani_<Team_Name>_<Movie_Title>
– The subject of the mail should be of the format Paani_<Team_Name>_<Movie_Title>
– The mail should also contain the following details of the team members:
Name
Email Address
Contact Number

PRIZES
First prize : INR 7500
Second prize : INR 5000
Third prize : INR 2500
Winners also get a chance to meet Shekhar Kapur in person.

Terms & Conditions
– Shekhar Kapur, “I Love Paani” and/or their associates, reserve the right to use and upload all the short film/s in a manner they deem fit on their own or their affiliates websites/platforms for various purposes and the contestants shall not have any claim or objection whatsoever regarding the same.
– Shekhar Kapur will be meeting the winners in Mumbai on a date and time convenient to him. All costs (Travel & Lodging) has to be borne by the winners. Reimbursements from our side will be restricted to INR 2500 only.

mFC Editorial – If you want to get into filmmaking and wondering where to start, here’s a great opportunity. None other than Shekhar Kapur will see your work, and am sure if you can impress him, few more things can come out of it. Generally that’s how it works. So do give it a shot. All the best.

Though we would also like to point out the weird clause put up by the organisers in their “Terms and Condition” section. It’s fine to upload it on various platforms but it’s unfair to use it for commercial purpose without the filmmaker gaining anything out of it. Hope they change it.

Debutant director Swapnil Salkar has released the teaser of his indie feature, ‘ A Night Long Nirvana’. Have a look.

More about the film in Swapnil’s words – The film tries to trace and draw parallels between the lives of a locus of population in the city of Panaji. A writer obsessed with Dostoevsky, and a Doctor battling with his divorce being the fulcrum around which other characters evolve. Like the various melodies and their harmonies in a symphony, these lives have common characters and circumstances. The movie tries to stage a day in the lives of these people when a “Metaphysical Conspiracy” tries to untangle the life of a principle character. inadvertently affecting others. Some will await their turn while others relish their ‘A Night Long Nirvana’.

anight2Written and Directed By Swapnil Salkar
Shot, Cut and scored by Ashish Prabhu Ajgaonkar
Cast :  Bhupesh Bandekar, Nitin Bhajan, Mia Maelzer, Ritu Janoti, Natali Antonowich, Saurabh Karkhanis and the city of Panaji among others

It is independently produced by Swapnil Salkar and Bhuesh Bandekar under their  production company Om Bhu Swa Haa Haa Haa Productions.