Posts Tagged ‘Rajat Barmecha’

A new music video for Indian ocean’s popular song bula raha hai koi is out and it features actor Rajat Barmecha.

And this one comes from far east. Or you can say far North, North of Bengal. Jahan Bakshi, a member of U-25 gang, is currently stuck in the tea gardens of Dooars. Bored with the smell of tea and too much green all around, he traveled to Siliguri (some 95kms) to watch Udaan. And thinks it was worth every penny. Since he was non-stop tweeting about the film after he saw it (No, he wasn’t paid to do so), we asked him if he can go beyond 140 characters and write a post for us. So, here it is…read on…

(And a clarification…No, he was never thrown out of Mayo College, Ajmer or Calcutta’s St Xaviers  College from where he graduated in Mass Communication. Current Status – Still flying high!)

Okay. Have been tweeting since the screening like a man possessed. Not, however out of bored frustration like @moifightclub during #Lamhaa screening. But because I take Anton Ego’s monologue in Ratatouille rather seriously. You see, unlike Mr. Amitabh Bachchan, I don’t think a critic is someone ‘who knows the way but can’t drive the car’, but someone who encourages the new, because the new needs friends. The new needs US – you & me. And hence before I talk about the film, I urge you to please (get over/ delay watching Inception and) go and watch this film. You’ll do yourself and good cinema a favour.

I genuinely haven’t felt the way I felt after watching Udaan this afternoon seeing any Hindi film. Forget about the emotional richness of the film- I’ll probably see the film again to absorb it fully. I was stunned by the maturity and delicateness with which Motwane crafts this film. As treatment goes, this is as un-Bollywood as it gets. As opposed to the Bollywood hammer and tongs approach, here is a film that feels like it’s been created with forceps. Nothing goes overboard or out of hand, thanks to the amazingly controlled direction. Each character and emotion has nuance and heart, thanks to some of the most sharp, sensitive writing I’ve seen in some time. Each frame breathes with life, and Jamshedpur becomes a character in the film, thanks to the wonderful cinematography. And each frame is allowed to speak, thanks to the absolutely exquisite pacing. This is a film with a texture (yes, Kartik Krishnan you can laugh) that truly echoes international cinema.

Rohan Singh (Rajat Barmecha, whose eyes speak volumes, and who I described earlier in the day as ‘twice as cute as Imran Khan and a 1000 times more talented’ and his ‘despotic’ Bhairon Singh (Ronit Roy, mind-blowingly brilliant, who knew he had this in him?) are both men with scarred souls. No one really understands them, and they certainly don’t understand each other. Rohan, however distills his pain into his writing and poetry (watch out for the hauntingly beautiful poems recited through the film), while his father chooses to drown it in, well, distilled spirits. He may be a well built monster on the outside, but inside, he is a lonely, pathetic figure, swallowed by his hopelessness and personal demons- a fact that comes through brilliantly in the end.

Troubled growing years are something that inevitably change you. Even if you come out of it as a healthy, ‘functional’ human being, you bear scars that people mostly can’t see or imagine. And even when those wounds occasionally surface to fester, you can’t expect other people to understand. But the amazing thing is- you feel you’re cursed, but what you may not realize is that it is the reason you can feel things and sense emotions no one else can feel. And in that sense, you’ve been blessed with something beautiful- the ability to appreciate beauty all the more. In my many moments of self-pity, I’ve often wished I wasn’t the mind-fucked creature I am, only to realize how all my bad experiences have only enriched me as a human being, and frankly I wouldn’t trade that for anything.

Udaan is also such a magnificent story about fathers and sons. I wondered what Rohan actually felt more- the real absence of his mother, or the virtual absence of his father. I empathized with his feeling of being trapped, of having to bear the consequences of things that you have no hand in, and which you can do absolutely nothing about. I felt his humiliation, his helplessness, his anger. And I was touched by the power of his undying hope and spirit to overcome in the midst of this unending cycle of despair.

Udaan is truly a little film that says so much, that moves you on so many levels, that inspires you like nothing I’ve seen in a long time- and not in the ‘light a candle today, and piss on it tomorrow’ way. I said it before and will say it again: Red Bull doesn’t give you wings, but Udaan will.

P.S: I also must say that the film is pure poetry, not just in metaphor, but literally. The haunting pieces of poetry recited by Rohan through the film are so good, they’re worth the price of admission by themselves.

P.P.S: For those who can spare a good 15 odd minutes, do read this lecture by Orhan Pamuk, where he talks all about his father and being a writer.

‘For me, to be a writer is to acknowledge the secret wounds that we carry inside us, the wounds so secret that we ourselves are barely aware of them, and to patiently explore them, know them, illuminate them, to own these pains and wounds, and to make them a conscious part of our spirits and our writing. ‘

Makes for great reading.

Pic Courtesy – From making of Udaan

The first trailer of Vikramaditya Motwane’s Udaan is out. And its pitch perfect. The trailer exactly tells what the movie is all about.

And now the problem! Why is the text in the trailer straight lift from one of our favourite trailers of last year – Where The Wild Things Are! If you dont believe us, just play the video. Inside all of us is HOPE. Inside all of us is Fear. Even the way it comes on screen, is the same. After Cannes, we had to see this ? Can any soul enlighten us ? Who cut this trailer ? Someone surely is Un-certain of few things! Beware!

For our review of Udaan, poster, pics, synopsis and all the jazz from Cannes, click on this post and follow the links given in the post.

Aha, this seems like the perfect pitch for its theatrical release in India. We love it, except the title font and its colour, which looks little bland in the middle of all that chaos. For us, its “days of being wild & pains of growing up” and the poster seems to have captured that.

The lead actor is Rajat Barmecha, who looks a lot like Imran Khan and acts million times better than him. For our review of Udaan click here, for Vikramaditya Motwane & Anurag Kashyap’s video interviews here, for earlier poster/pics/synopsis of the film here and for all the Cannes jazz here.

Vikramaditya Motwane’s Udaan had its screening on 19th May at the Cannes Festival 2010. Here are few pics that we have managed so far.

For more pics, click here. Also thanks to Roger Ebert who tweeted a video link and we managed to grab the screenshot of Udaan.

And here is the video that Roger Ebert tweeted…

Click here to read Gerson Da Gunha’s report on Udaan’s screening and for Gautaman Bhaskaran’s pre & post-screening reports, click here & here . Also, here is one of the early reviews of the film published in Screen International.

(Report tip – Srinivas. Pic courtesy – Vishakha Singh & Sukhada Chaudhary)

Yes, we were missing in action. The excuses are many and they are all so silly. Here we are back and with an exclusive! The first look of Vikramaditya Motwane’s debut film Udaan! Plus some more! The film is in the official selection list  of Cannes Film Festival (Un Certain Regard Section) 2010. Have a look.

Also, here is the official synopsis of the film….

After being abandoned for eight straight years in boarding school, Rohan returns to the small industrial town of Jamshedpur and finds himself closeted with an authoritarian father and a younger half brother who he didn’t even know existed. Forced to work in his father’s steel factory and study engineering against his wishes, he tries to forge his own life out of his given circumstances and pursue his dream of being a writer.

The film is written by Vikramaditya Motwane & Anurag Kashyap. Its produced by Anurag Kashyap & Sanjay Singh. Strangely, UTV rejected the script twice earlier but came on board as soon as the film got the Cannes stamp! Not surprising that they produced “Chance Pe Dance”!  It has music by Amit Trivedi and lyricist is Amitabh Bhattacharya. The main cast includes Rajat Barmecha, Ronit Roy, Aayan Boradia and Ram Kapoor.

And here are some more stills from the film…

And yes, its an official selection. The film will be screened in the Un Certain Regard Section of the festival. Its NOT like flying KITES at Cannes!

Udaan is directorial debut of Vikramaditya Motwane and is produced by Sanjay Singh and Anurag Kashyap. It stars Ronit Roy, Ram Kapoor, Rajat Barmecha and Ayan Boradia. Its a coming of age story revolving around father-son relationship.

Motwane co-wrote Dev D with Anurag Kashyap and has worked in various capacity (read sound, choreography & more) before that. And he must be the only common factor between the cinema of Bhansali (sound designer n AD on Devdas) & Kashyap!

Nikhil Advani had signed him earlier and was supposed to produce Motwane’s debut film. But somehow the film never happened. Thats when Kashyap stepped in and decided to produce Udaan. Nikhil Advani went on to produce Jaane Kahan Se Aayi Hai! What a deserving tight slap!

Click here to read the complete list of films selected for Competition, Out Of Competition and in Un Certain Regard Section.