Archive for January, 2012

The trailer of Ali Zafar and Aditi Rao Hydari’s film London Paris New York is just out. Have a look.

The film is written and directed by debutant Anu Menon and produced by Shrishti Arya and Goldie Behl along with Fox Star Studios.

A new couple, shot well and looks fresh. Just wish that they had paused a bit on those sketches that appear and disappear even before you can blink. More so when the film’s title is on the names of the cities. Who doesn’t like cities as characters in films? Ali Zafar and Aditi Rao are pleasing to eyes, and as a couple, there’s some kind of charming and cool comfort onscreen. Only issue – her babytalk in the last shot.

And here’s the official synopsis…

London Paris New York is a film that captures the angst of the twenties, the most dramatic period of one’s life – when you have to find a career, you have your first significant relationship and most importantly form your identity in this world.

This is story about Lalitha, a middle class south Indian girl from Chembur(an eastern suburb in Mumbai) who is on her way to New York to study politics with full scholarship, and Nikhil, a Punjabi, rich kid from Bandra (a posh western suburb of Mumbai )who is going to study Film Making in London on 100% dad’s money. They decide to hangout together one evening in London and find that they are completely drawn to each other even as their future lies on separate continents.The film follows their personal journey and their love story as they meet in London, Paris and New York for a night each over eight years. The film is in three chapters and each chapter is shot in a manner that mirrors the mental state of Nikhil and Lalitha.

 

VOTD : Mansoor Khan’s The Third Curve

Posted: January 11, 2012 by moifightclub in life, video, VOTD
Tags: , , ,

We are a strange industry. We rarely get to hear filmmakers, producers or actors talking about anything else other than their films. And when most films are nothing to talk about, it’s the worst place to be in. Sometimes it feels like we are an industry ruled by bunch of philistines – no art, culture, or political interest. Only endorsement they understand is the money making mantra.  Only chicken soup for soul they know is Paulo Coelho’s The Alchemist. And so this video came as a refreshing change. Filmmaker Mansoor Khan at TedxTalks – trying to make sense of this insane world.

Tip – Rohan Sippy

Speaking Of Films – Part 1

Posted: January 10, 2012 by moifightclub in bollywood, cinema, film, Hollywood, Movie Recco
Tags: ,

Unlike journalism, which thrives on 5 Ws and 1H, we think blogging is all about the distinct blogger’s voice. And so three questions should define you – 1. Who you are 2. What crimes you commit? 3. Define your kink. This is Manish Gaekward‘s first post here. And before you read this interesting post, here’s his reply to those three important questions – 1.  someone who tries to speak less and less within the ambit of alcohol, otherwise, even lesser. Love films for what they are – they say more and more of what i feel i cannot express. 2.  Content writing for a website, will remain unnamed till i make it as a screenplay writer (will mention it in my struggling period). 3.  Chorus girls, love them – for instance – when Lata tai sings dilbar dil se pyaare (caravan) – i wait for the chorus girls to join in – so here is how it goes – Lata – dilbar dil se pyaare. Chorus girls – dilbar. Lata – dil ki sunta ja re. Chorus girls – haan haan dilbar – i tend to accentuate on ‘haan-haan‘ – the part that i get pat. In other kinks – pause and help myself whenever the girls yelp ‘oui maa‘ on the oh la la track from The Dirty Picture.

Like his blogging bio, the post is bit long but quite exhaustive and interesting recco post. Read on.

What have film critics Andre Bazin, Pauline Kael, Satyajit Ray and Francois Truffaut taught me about films?

Bhai, let the films do the talking.

Here’s a list of some that spoke to me.

1. When women walk

Malena – The whole town comes to a standstill when Monica Belluci walks. Hell, why not? Everyone wanted to know when those legs open for business

Volver – Almodovar pours into petite Penelope Cruz the voluptuousness of Sophia Loren

Pakeezah – Meena Kumari does the gajgamini

Gajagamini – Madhuri Dixit becomes the gamine gamini

Daud – Urmila Matondkar runs, walks, struts, halts, gyrates, even lifts her legs up in the air..er..she kicks butt – it is from Daud that Ramu learnt to fix the camera in Jiah Khan’s crotch and shoot the whole of Nishabd through the vaginal eye

2. Where men strut like they have more meat in their balls

Pulp Fiction – John Travolta did not resurrect his career with disco moves, he had to show he could do more than swish his butt

Reservoir Dogs – Tarantino guides this pack of 14 talking testicles

The Good, The Bad, And The Ugly – Tarantino’s favourite film

Kagemusha – Japanese people have balls too!

The Battle of Algeirs – behind every agitated man is a woman cupping his cojones, ‘I’m with you’

Taxidriver – Puny man De Niro, but what gigantic gonads

The Godfather Trilogy – less said, better viewed

The Hurt Locker – defusing bombs, dude you need more than balls!

3. Five Meryl Streep movies that you should be embarrassed to recommend

Lemony Snicket’s A Series of Unfortunate Events – Meryl and Jim Carrey in the same film? No!

The River Wild – Meryl and Kevin Bacon in the same film? Worse!

Death Becomes Her – Meryl and Bruce Willis in the same film? When her boobs ‘magically’ swelled in her shirt, my mother gasped it was unreal…uhh yeah!

Mama Mia – she’s having fun, but Meryl singing and dancing – some other day please

Dark Matter – Meryl and who? Fuh-get it!

4. Five Meryl Streep movies even the blind would recommend:

Angels In America – 4 Meryl for the price of one ticket!

She-Devil – she’s funny funny funny when she is furious, pure trash fun

Kramer Vs Kramer – spot on

Silkwood – never seen her this resilient

Sophie’s Choice – queen of accents

5. Five Meryl Streep high octane performances:

Doubt

Adaptation

The Hours

The Devil Wears Prada – though you must watch the real Anna Wintour in The September Issue

Out Of Africa – the Oscars seem to think she hit a note

6. Films that Shabana Azmi was smug in (inadequate script could be the reason):

Loins of Punjab – she seemed to be powdering her nose throughout for the next shot

Honeymoon Travels – there was promise of Goa, she did need a vacation, didn’t she?

Umrao Jaan – Allah tauba, did she really think she could be her mother Shaukat?

The Immaculate Conception – Shabana Azmi as Samira…is that even a name worthy of her persona?

Rakhwala – isn’t this the film where she is Anil Kapoor’s schizo sista? She drove the filmmaker up the wall asking what method to madness he wanted!

7. Shabana Azmi’s rage as we know:

Ankur

Arth – the confrontation scene with Smita Patil where her pallu slips and she wants to cover her modesty while she’s fuming but ab kya faiyda? She gives all

In Custody‘Main shayara hoon‘ she rebels, and damn you know whose daughter she is

Mandi – she can be loved when she is pissed

Paar or Godmother – the former is a helpless rage, the latter high-strung – which is the better?

8. Jungle mein Mangal films

Aguirre, The Wrath of God – Herzog’s mercurial venture into the Middle ages

Apocalypto – again, Tarantino hefts for Gibson’s vision

Apocalypse Now – Marlon Brando is the human stain on your soul no detergent powder can erase

9. Karaoke out loud musicals

Cabaret – can Liza Minelli ever keep a straight face? She cracks me up when she wants to be earnest

Chicago – Catherine Zeta Jones

West Side Story

Carmen – hell hot in here, both the Rosi and Saura version – robust, feisty, and passionate – I hope Shyam Benegal makes Chamki Chameli as pulsating

Grease – ridiculous and fun

10. Comic as it should be (Buster Keaton, Monty Python, Groucho Marx – too broad for me, mea culpa)

Dr. Strangelove or How I Learned to Stop Worrying and Love the Bomb – I’ve no stomach for any other Peter Sellers comedy

Some Like It Hot – Monroe in the middle, perfect tuna sandwich, and ukulele

Andaz Apna Apna

Jaane Bhi Do Yaaron

The Birdcage – prefer it over the french original

As Good As It Gets – Jack Nicholson makes me want to be a better man

City Lights – Chaplin makes us laugh, but in the end he makes you cry in the final scene

Alice Doesn’t Live Here Anymore – it might not look funny in the beginning, but once the actors get in the car, it’s a fun ride – who could have thought Scorsese could give this?

11. Gay characters humanised by straight filmmakers

Happy Together – Wong Kar Wai – lyrical work

The Talented Mr Ripley – Anthony Minghella is deeply missed for more than this

Infamous – this version of Truman Capote over In Cold Blood any day, it’s warmer

Gods and Monsters – Ian McKellen is a monster, albeit, a human one

Before Night Falls – Javier Bardem in this – then tell me he’s married to Penelope Cruz

My Beautiful Laundrette – Daniel Day-Lewis is gay, enough said

Basic Instinct – Sharon Stone could be gay, she could be straight, who cares as long as she uncrosses her legs, she’s humanised!

Dog Day Afternoon – Gun toting gay, Al Pacino can hold-up a bank yo bitches!

12. Straight actors immortalised by gay filmmakers:

Bad Education – Gael Garcia Bernal was the man in his Natalie Portman affair? Gosh! Pedro does it again, pours Penelope Cruz’s pout into Bernal’s blowfish lips

Milk – Sean Penn – of the Madonna ex-husband fame, could not have been any gayer

Priscilla Queen of the Desert – Guy Pearce in drag! Holy mother of Memento, rewind will ya…

Gia – Angelina Jolie can switch from straight to gay like a chameleon, who cares as long as she puckers her lips, she’s everyone in one!

The History Boys – brilliant ensemble cast, from the filmmaker who gave us Jennifer Aniston’s arguably only watchable film, The Object of My Affection

13. Movies not meant to be understood, yet marveled:

Last Year At Marienbad – critics agree

Rules Of The Game – the sort of comedy of manners film made less french in flavour by Gosford Park’s tribute years later

Memento – Ghajini was difficult made easy pudding

Mullholland Drive – as New York Times pointed out, the less sense it makes, the more you want to see it

14. 5 films Kareena Kapoor should watch to reclaim her skill

Erin Brockovich – this is the Julia Roberts she should be emulating

The Piano Teacher – Isabelle Huppert to the masterly training

Under The Sand – Charlotte Rampling towers like a lighthouse over it

A Woman Under The Influence – Gena Rowlands mad as can be

Monster – Charlize Theron – Bebo should balk at having to look ugly, gain weight, act no!

15. Horror as it should be

The Others – Nicole Kidman is terrified, and so are we

Let The Right One In – twelve year old vampire kid in love, uhh, pretty scary love story

The Shining – Jack Nicholson in anything is damn shit creepy

Rosemary’s Baby – just for the last scene, that look on Mia Farrow’s face, ever-lasting horror

Psycho – What would the genre be without you?

Carnival of Souls – low on budget, high on atmosphere

16. Romance is in this odd coupling:

The Kids Are All Right – Julianne Moore and Annette Bening make the perfect dysfunctional lesbian couple

Venus – A seventy plus Peter O Toole attracted to a girl his granddaughter’s age. Toole’s most endearing act

Brokeback Mountain – Jake wishes he knew how to quit Heath. How inconsolable we were when Heath passed away

The Graduate – Mrs Robinson has eyes only for a plucky Dustin Hoffman

Elegy – Penelope in bed with Kingsley – er Gandhi with an appetite for sex, watch

Moonstruck – Cher doing Nicohlas Cage – you got to be kidding

Vicky Cristina Barcelona – Cruz, Bardem, Johansson tripling, oh yeah, even when there is no sex in the room its one hell of a hot place to be

17. Must watch Iranian New Wave films

The Cow – Possibly one of the best films in the world, ever

Where Is The Friend’s Home? – Abbas Kairostami’s deceptively simple tale

Children of Heaven – The Majidi film Priyadarshan should not have copied, shame shame

A Time For Drunken Horses – where horses are more prized than human beings

The Circle – Jafar Panahi should be released from the circle that has presently engulfed him

The Day I Became A Woman – Makhmalbaf’s wife outshines his debut for sure in this stunning film. He has Kandahar, and daughter Samira has The Apple to bring the house down

Tip –  Afghani film, Osama from this region, is magnificent

18. What’s the best in world cinema?

Federico Fellini’s La Dolce Vita – Raj Kapoor’s predecessor

Rene Clair’s A Nous La Liberte –– Pankaj Advani would have agreed

Sergei Paranajov’s The Colour Of Pomegranates – Kiran Rao, Madonna and yours truly are the only people who might have seen this

Michelangelo Antonioni’s Blow Up – Kundan Shah knows

Ingmar Bergman’s Autumn Sonata – the film Rituparno Ghosh, Pedro Almodovar, Khalid Mohammed would perhaps fork and knife over lunch.

Francois Truffaut’s 400 Blows – the film Vikramaditya Motwane will accept and Aamir Khan deny – freeze frame anyone? – Satyajit Ray admitted his last shot in Charulata

Vittorio Di Sica’s Umberto D –  if you can get over The Bicycle Thief

Luis Bunuel’s Un Chien Andalou – Dali’s surrealist vision; razor slicing an eye, who can forget this indelible, hair-raising horror sequence

Jean Luc Godard’s Breathless – the ever so loveable rake Belmondo

Alain Resnais’ Hiroshima Mon Amour – I should not be surprised if Ondaatje likes this

19. Films that have been successful with ‘potato eaters’

Fried Green Tomatoes – Chop, chop, chop girls, this is it, meat-pie in the oven

Babette’s Feast – where gluttony is sin, there devout small portions is all you will need to thank the lord for

Woman On Top – f*ck the food, Penelope Cruz with a chopper headed for you meatballs, dare you move

Ratatouille – it’s animated, and yet so wonderfully glazed, you want to nosh, and the food critic in the film, is certainly Proustian in hauteur

Julie & Julia – has food ever been filmed this lovingly, Nigella Lawson, you have competition

Chocolat – Juliette Binoche grinding cocoa with her creamy hands, won’t you lick her fingers off when she is all messed up whipping a chocolate meringue?

20. Sex scenes you may have missed

Last Tango In Paris – Marlon Brando using butter – I thought butter was meant only for spreading, how naïve I was

Anatomy of Hell – A stone dildo? Only in a French film will you see a woman getting lucky with it

Sex And Lucia – Beautiful locales, gorgeous women, great music, and loads of sex – plus some festival awards. Perfect

The Ages of Lulu – Javier Bardem’s very early film, graphic sex scenes, very risqué

The Postman Always Rings Twice – not a great film but if you want to see Jack Nicholson kneading Jessica Lange covered in flour on a kitchen table, go for it

In The Realm Of The Senses – The Japanese use egg in foreplay, find out, yep

Shortbus – After Caligula, if anyone has dared to film another orgy, pop your eyes here

21. Sweet n Sour Bengali films

Meghe Dhaka TaraDada, ami baachte chai (Brother, I want to live) – isn’t that what Bhansali keeps trying to convey to us through his films

Charulata – My favourite Ray film, what I would do to get hold of that pair of binoculars

Antarmahal – Where Rituparno dares, and Rupa Ganguly seductively bares

36 Chowringhee Lane – The one time Aparna Sen was spot on with her casting of Jennifer Kendal

22. The Khans should stop wiggling their butts and watch these actors do full frontal (performance included)

Vladimir Mashkov – The Thief – passionate, volatile, hard-knuckled, a seasoned man

Klaus Maria Brandauer – Mephisto – such incredible drama off-stage, especially with his mullato

Vincent Casell – Irreversible – crazy as a nut, this man

Edgar Ramirez – Carlos – that scene where he’s feeling himself in a mirror, he’s loving it!

Alain Delon – Le Samourai – dude, this guy cools you with his point-blank shot

Birol Unel – Head-On – Drunk, uncouth, bedraggled, he gave to the role more than its demands

John Hurt – The Naked Civil Servant – hahahahaha, truly one of a kind

23. Banned films I should not be recommending

Salo – please do not watch this film, its puerile

The Last Temptation of Christ – what was the fuss about, it’s hardly spectacular

Brief Encounter – considered adulterous entertainment then, classic now, ask Anurag Basu where he borrowed Life In A Metro from

Caligula – terrible, terrible film, who wants to see Helen Mirren naked? God no!

A Dirty Shame – so gross, you don’t know whether to laugh or to wince

Zack & Miri Make A Porno – Thailand banned it because teens might learn how to make a porno, hello world!

24. Cult films you will never watch

The Holy Mountain – Director saab was on LSD while filming, and actors were fed ‘magic mushroom’ to experience their characters, roles, skin, whatever

Plan 9 From Outer Space – considered the worst film ever, but please watch Ed Wood before you watch this, you will die laughing at its incongruity

Blue Velvet, Wild At Heart, Lost Highway – strange David Lynch films that hypnotize

Man Bites Dog – biting cruel humour, this is not for the faint hearted

Showgirls – so camp, you’ll reach out for cheesecake and pour honey over it

The Rocky Horror Picture Show – the mai-baap of camp and cult, thoroughly entertaining

25. Where are the Hindi films in this list?

Apart from a gazillion films I have not spoken of (will come back with Part 2), there’s about only a handful of hindi films I love. It’s so bourgeoise to repeatedly discuss them.

Dilwale Dulhaniya Le Jayenge

Maqbool

Hazaaron Khwaishen Aisi

Boot Polish

Jaagte Raho

Awaara

Kagaz Ke Phool

Devdas

Pyaasa

Sahib Biwi Aur Ghulam

Sardari Begum

Pakeezah

Rangeela

Lamhe

And a film that will always top my best list, my heart belongs to Mughal-E-Azam (coloured version please).

VOTD : Out Of A Forest

Posted: January 8, 2012 by moifightclub in short film, video, VOTD
Tags: , ,

Click on the play button and enjoy! Or for a better view, click here and watch it on the vimeo page. You can also get more info about the film on that page.

via Ted Hope

Salik Shah on filmmaker Frank Capra’s relationship with screenwriter Robert Riskin.

The last day of December demands introspection, and I sense a now all-too-familiar pressure to choose the right words for this end note. The year on the calendar upsets my plans. These plans have now become ‘old plans’; plans that stopped my time a long ago. And to watch Frank Capra now means to freeze this time even further.

Capra’s world is the one of hope—often, the oldest hopes of man. There’s a childlike simplicity that characterizes these men. His women are strong-willed and independent. In this world the greatest villain is self-centeredness. Honesty and kindness come across as something worth striving for, and because you want to believe so. ‘Be nice.’ ‘Be good.’ That seems to be at the heart of his best-known films: It Happened One Night (1934), Mr Deeds Goes to Town (1936), Lost Horizon (1937), Mr Smith Goes to Washington (1939) and Meet John Doe (1941), among others.

It’s a shocking discovery then: the voice in these films doesn’t belong to its director Frank Capra. This voice that we admire so much belongs to the writer of his films who could sympathize with the underdogs, who sailed the boats for Columbus but never got their due share of credit or recognition. Sadly, his partnership with the writer of his best films, Robert Riskin, can be described as the relationship that D.B. Norton had with John Doe in Meet John Doe.

Even the choice of the title of Frank Capra’s autobiography, The Name Above The Title, clearly propels his reckless attitude. The star director refused to visit the lowly writer who was slowly dying in a hospital. Throughout his life, Capra attempted to shroud the genius of the great scenarist. The truth is that Capra eschewed the funeral of a man whose creative vision and distinct voice was widely mistaken to be Capra’s own. Nothing could be more ironical for the man who reaffirms the Christian doctrine of forgiveness in his works.

Robert Riskin seems to have no problem with accepting the true nature of the director-writer relationship in the studio era. Riskin helped to set up the Screen Writers’ Guild and fought as a screenwriter for the screenwriters, and the fight still continues. Riskin needed Capra as much as Capra needed him, or any writer needs a director unless they are both one. The collaboration, between the man with an idea and the man with the means to sustain it, couldn’t be less lopsided:

                         JOHN DOE

Do you mean to tell me you’d try to kill the John Doe movement if you can’t use it to get what you want?

                        D.B. NORTON

You bet your bottom dollar we would!

Such a reading of Meet John Doe’s text then adds an autobiographical quality, on Riskin’s part, to this last collaboration. And it seems Meet John Doe is nothing short of a triumph of Riskin the individual over Capra the institution. Yet it cannot be denied that the brief marriage between Riskin’s idealism and Capra’s pragmatism was responsible for the birth of some of the finest classics in Hollywood.

In the beginning of the last year or was it the year before that, I left the oblivion of a film that I had co-written to return to the oblivion of advertising. The oblivion grows on you, no matter whether you’re a director-in-the-making or a director who’s made many films.  Capra did his best films with Riskin, and Riskin did his with Capra. On the first viewing, a Capra film is a dialog film—hence a Riskin film. It’s all drama, and then when you keep playing back your favorite scenes over and again, you begin to notice the mise-en-scène. Capra clearly knew how to translate the text on to the silver screen, and all so well. Only if he were less ‘mean.’

                                                                           ***

Postscript from In Capra’s Shadow: The Life and Career of Screenwriter Robert Riskin by Ion Scott:

Jo Swerling, a mutual friend and colleague of Riskin and Capra, and himself a wonderful Hollywood screenwriter, once paced around Riskin’s wheelchair while he was ill, complaining that Capra’s reluctance to visit his old friend was just not right. In the end, however, Riskin lost his temper with Swerling and revealed a deep-seated loyalty to his former partner by dismissing what seemed to be a reasonable claim with the comment, “You’re talking about my best friend.”

Gurvinder Singh’s debut feature Anhey Ghorhey Da Daan (Alms For The Blind Horse) came into the limelight when it was selected for the prestigious Venice Film Festival last year. It premiered in the Orizzonti section of the festival which is presented as an exploration of the modes of contemporary cinema.

And now, almost after a year, two trailers of the film are finally out. Have a look.

The film has been produced by National Film Development Corporation (NFDC) and is based on Gurdial Singh’s novel of the same name.

To know more about the film, click here to read an interview of Gurvinder Singh.

It’s raining trailers and how! The theatrical trailer of Sujoy Ghosh’s Kahaani is finally out. Have a look.

Balan seems to be on Bull run and in this one she doesn’t even have a hero opposite her.

The film stars Vidya Balan, Parambrata Chattopadhyay and Nawazuddin Siddiqui.  And the writing credits include Sujoy Ghosh (story/screenplay/dialogues), Advaita Kala (story), Suresh Nair/Nikhil Vyas (Additional screenplay), Ritesh Shah (Dialogues) and Sutapa Sikdar (Dialogues) . The film has music by Vishal-Shekhar.

Here’s the official synopsis..

Vidya Bagchi arrives in Kolkata from London to find her missing husband. Seven month pregnant and alone in a festive city, she begins a relentless search for her husband. With nothing to rely on except fragment from her memories about him, all clues seem to reach a dead end when everyone tries to convince Vidya that her husband does not exist. She slowly realizes that nothing is what it seems. In a city soaked in lies, Vidya is determined to unravel the truth about her husband – for herself and her unborn child even at the cost her own life.

 

Among the many love-hate mails that we get everyday, only few stand out. This one came from an anonymous account. From someone who likes to call herself Mrs Mumble Kaur Iyer (Is she watching our films?). Or simply a Madrasan from North. And this madrasan seems to be angry. Or is she drunk? Are ‘madrasans‘ allowed to drink? Ok, leave everything, drop everything, and read on. Not everyday you get to read an angry madrasan’s open letter.

Ek Deewani Thi

Dear Sir,

First and foremost, I’ve been a fan of you since the Minnale/ RHTDM days. I confess that every guy in my college hostel used to swear by your film (before Pyaar ka Punchnama swept through like a Tsunami). This despite the chubby chubby R Madhavan and woody woody Sunsilk commercial Diya Mirza. Saif Ali Khan and the music was reason enough for me and my sahelis to swoon over. Many nights have been spent looping Bombay Jayshree’s Zara Zara (and not just Vaseeghara).

Mildly curious and true to my Tamil roots, I followed up on your films – the force-ful Kaakha Kaakha, “Raghavan Instinct” Vettayiadu Villayidu (which again had you revelling in the misogynistic torture sequences that Daniel Balaji unleashed on his victims), and Varnam Aaiyaram (firmly entrenched in Tam cinema love stories, where the hero is ALWAYS a stalker, and heroine is ALWAYS someone from North – Sameera Reddy’s last name is a technical detail I deign to ignore). And I don’t even want to talk about the trying too hard to shock Nadunisi Nayagal.

But my faith in you was reassured after watching the deeply personal and meta-filmy Vinaithandi Varuvaya. I was pleasantly surprised to find a guy next door falling in love with a girl next door. And NOTHING HAPPENING. The guy and the girl meet, there are problems, and like life, love doesn’t conquer. To be or not to Be. “Of all the gin joints, in all the towns, in all the world, she walks into mine”. What a pleasure to see Simbu behave “normally”, and the gorgeous Trisha, who surely was responsible for an increased sale of cotton printed saris at the Malai Mandir Pongal Fare.

Not to say that the film is without flaws (my mention of Cascablanca might have some film buffs snigger) but let that go for some other post. This post is not just about VTV (Translation – Will you cross the skies for me?)

This post is about every guy/girl from some small town in Bihar who are embarassed to see some fake “Bhaiyya lingo” mouthing character pass off as a Bihari/UP-ite (they’re very different I assure you) in a Hindi film.

About every Masters student studying in America, moon lighting as a McDonalds waiter to make ends meet, who sees that all NRIs lives in Hindi films are rose tinted.

About every girl who smokes a ciggerette and is offended at the potrayl of female smokers in Hindi films as either Powerful foul mouthed women or loose characters.

About every muslim who sees muslim characters in hindi films as either terrorists, or supporting character who has to give a kurbaan(i).

About every sardar who is almost always a Santa-Banta joke in a Hindi film.

About ….. you get the picture.

About why I will not watch Ek Deewana Tha having seen VTV. And I will go in true bullet point style like my compatriot Mr Rangan. I saw the trailer and was once again incensed.

At the evidence aplenty, that a nice Tamil picture has been massacred and gang raped – by the director himself.

  • By a Diya Mirza-ish Prateik Babbar, who CANNOT say a line properly. A guy who has serious diction issues, who has lost out on the naivete of Karthik.

“Mujhe lagta hai ki main tumse pyaar karta hoon”.

Oh Really, sir ? You expect me to believe you ?

Feel toh tum bhi karti ho par bolti nahi ho?”

Sir, pehle aap khud feel karke bolo na please.

  • By a firang bad actress again. (From the Kaifs, Fakhris to Sunny Leones – surely we have better actresses in India sir) who will hem, haw, pout, make faces, eat up her lines, and do anything and everything under the sun except look believable as Jessi.
  • It is telling that in the entire 2.21 min long trailer sir, there is not a single stay on either of your Romeo-Juliets. Not a single shot which lingers on them as they talk. All voice over. Or them mumbling the lines. As if they are scared their lies will be caught. Is it because you probably realised what fuck all actors they are on the edit ? That you made this wise decision ? That you will expect the audience to be drawn in, and inevitably feel cheated ? Is it a con that you are pulling off sir ? But why didn’t you notice that when you met them for the first time over that lovely Irish Coffee in Gloria Jeans? Because you were too desperate to make that film that you ignored you had to make it?
  • By another legend Javed Akhtar, who matches the poetry of the original songs with as much sincerity as he did while writing songs for Jeans. The effect is in the same ball park as a PK Mishra (“Ungli jaisi dubli ko nahi chahiye Pharmacy). How I missed Mehboob-ARR combo (Kehna hi kya, Rangeela). And, no, even a Gulzar has written a meter-less “Hansti rahe tu hansti rahe … Geeli geeli hansi” and killed Vairamuthu’s classic Pachchai Nirame. Sometimes I really wonder what happens to lyricists when they remake a superb tamil song ?

“Dost hai hum toh yeh bahana kyun ? Pyaar hai humko yeh chupana kyun?”

Seriously, sir ? Is there not a single hindi speaking AD you hired to make sure these “greats” got away with such expositional shit ? And to think Javed Akhtar criticized Kolaveri Di? A song which has more heart than surely the whole album of Ek Deewana Tha.

  • And heck heck heck. How they have raped the gem of a song called Aaromale (Click here for the full song with English lyrics)

Shubh Shubh ghadhi subah lagan…Som som hai tera darpan.. ..Shubh shubh sajni ka jeevan

WOW. Sir issey achcha toh original mallu lyrics hi daal dete. Jaisa “Maangalyam” mein already kiya tha. I thought the the word “sajni” should have been retired from hindy lyricsdom after the brilliant Ae Sajni from Hazaroon Khwashein Aisi.

  • Carter Road and Kozhikode alone don’t make an authentic film sir.
  • Did K Balachander’s open letter to you after watching the tamil version spur you to make your own version of Ek Duje ke liye. At least that film had an Agnihotri and a Kamal Hassan sir. Yours ?
  • Which is why nobody, nobody raises a finger on a poorly dubbed film like Roja in which the village is apparently set somewhere in UP. Because the performances are so effing engrossing, that we ignore the Baba Sehgalisms like “Chachi tujhe pyaar se chedha hoga chacha ne“.

And that is why I will not watch Ek Deewana Tha. Because it will embarass me as much as a Humse Hai Mukabla did. Waiting for your next and praying it doesn’t look like a bastardised “madrasi” film in hindi.

(P.S – The whole film with English Subs is on youtube here. Please do yourself a favour and watch it before you do plan to catch Ek Deewana Tha.

(P.P.S – Who is Mrs Mumble Kaur Iyer, you ask ? A. Doesn’t matter. Just a “madrasan” from the North of India.)

If you still haven’t heard why this kolaveri di, am guessing you belong to a completely different planet. If you search for the song on youtube, there are some hundred versions of it – male, female, cat, mouse, chipmunks, bong, punjabi and so on. And since everyone was baffled by its instant success and nobody could explain the reason for it, now it’s the time for the bad copycats to try their luck. If only someone could explain to them that you can’t plan a viral success, it just happens because it’s so good. And if you plan a campaign, at least don’t be a copycat.

The first one is a song called Boka Chor – a desperate attempt by Bappi Lahiri and SaReGaMa. The entire video has been shot like the Kolaveri di video with some bad acting thrown in here and there. What’s worse is this info attached to the video – Bappi Lahiri is combining the Indian languages in the song Boka Chor. Enjoy this slang song in different Languages with Bappi Daa.

Combining Indian languages? Aha, where have i heard that before? Forget the video, even the idea of the song is not new. Lets’ go to the second one.

This one is by T-Series and for the promotion of Players.  With Abhishek Bachchan behind the mic, it’s again the same style, same shots, same almost everything. If you want to copy the idea, that’s fine. But why can’t you add something new to it? Why it has to be a brain-dead one? Control + C —> Control +V. Done.

And the latest one is from a film called Jodi Breakers. Strangely, the makers haven’t released a teaser or a trailer of the film but are hoping for a viral magic with this one.

Am i the only who can’t see anything magical in these three videos? If no, i hope we don’t get any more of such tacky stuff.

If yes, read on to know more about Jameson Empire’s Done In 60 seconds.

To quote from the official release, Yes, you must take a piece of cinematic genius (or not-so-genius if you prefer), distill it to its very essence and cram it all into a time frame shorter than the life expectancy of the comedy sidekick in a slasher movie. After all, 90% of most movies is just time-wasting anyway. There are easily enough seconds in a minute to defeat the bad guy, get the girl and ride off into the sunset.

To take part in this year’s competition and be in with a chance of winning a Jameson Empire Award and attending the star-studded and glittering Jameson Empire Awards ceremony in March 2012, grab some mates, blag a camera from somewhere and get shooting. To 60 seconds and not beyond!

How to be the 2012 Done in 60 Seconds Winner?

Step 1: Make a Film of a Film in 60 Seconds.

The idea is simple: take any movie of your choice, grab a bunch of friends and remake it in a form no longer than one minute!

Step 2: Check the Competition Rules and the T&C’s before you Submit your entry.

Before submitting your entry (via the upload section) make sure your entry satisfies all the competition rules and that you have read through the Terms & Conditions.

Step 3: Your Entry goes Live

Once your entry has been successfully submitted and approved it will go live on www.jamesonempirediss.com and on the Jameson Empire Done in 60 Seconds You Tube Channel. You are now officially a Done in 60 Seconds nominee!

Step 4: Get Voting!

Get your friends and family online. Once your entry is live on the Jameson Empire Done in 60 Seconds YouTube Channel it is open for votes, so get everyone to vote for your efforts!

Step 5: Nominees Chosen at Local Level

Once the closing date has passed on the 20th of January 2012, all entrants will be judged by our panel from the Film/Entertainment industry. This expert panel is composed of Jim Sheridan, John Maguire, Lisa Cannon, Gordon Hayden and Eoin Macken. A shortlist of nominees will be invited to a local final event in February where one lucky entrant will be selected to represent India at the Done in Sixty Seconds Global Final in London.

Step 6: Done in 60 Seconds Global Final

The successful nominee(s) ( plus guest) from India will jet off to London for the Done in 60 Seconds Global Final on March 23rd to compete against nominees from all over the world. An international judging panel will choose the 5 Done in 60 Seconds Nominees who will then attend the Jameson Empire Awards on Sunday March 25th 2012.

Step 7: Jameson Empire Awards

It is here, at the star-studded Awards ceremony, that the Done in 60 Seconds Winner is announced, watched and applauded by Hollywood’s finest, they’ll get to go on stage to receive their Jameson Empire Award.

Step 8: The Prize for the Done in 60 Seconds Winner

The Winner will receive a priceless and rare opportunity to spend time with an established film-maker to pick their brain on all things film! (More details to be released closer to the Awards!)

– You can see the list of previous winners and their films here.

– To know more about the contest, click here.