Archive for the ‘film’ Category

Mumbai Film Festival has unveiled an impressive line-up of some 200 films this year. And we are trying to make your life little bit easier with the help of google, wiki, imdb and that DNA which has some cinema in it. The films which are making noise all over and the filmmakers you shouldn’t miss. Read on…


Moneyball  : Its the opening film of the festival. Screenwriter Aaron Sorkin. Brad Pitt. Dir : Bennett Miller (directed Capote). Ebert loved it too. Go for it.

Sleeping Beauty (D – Julia Leigh. Debut film) : The film was in Cannes competition section this year. According to Peter Bradshaw, Julia Leigh’s adaptation of her novel about a student drawn to prostitution is an elegant, if occasionally preposterous, debut.

Michael ( D – Markus Schleinzer ) :  Premiered in Cannes competition section this year. A drama focused on five months in the life of pedophile who keeps a 10-year-old boy locked in his basement (IMDB Synopsis). It’s the Uneasy cinema of the fest.

She Monkeys (D – Lisa Aschan ) : Won the Best Narrative Feature at Tribeca Fest and Special Mention at Berlin Fest. The film focuses on psychological power struggles between two teenage girls engaged in equestrian vaulting (via Wiki).

Melancholia (D – Lars Von Trier) : Lars Von Trier. That should be enough. Though this  time LVT made much more news than the film since it premiered at Cannes.

– George Harrison: Living in the Material World (D – Martin Scorsese) : One reason – Scorsese. Another reason? George Harrison. Enough?

Pina (D – Wim Wenders) : WW goes 3D with this dance film. Homage to German dancer/choreographer Pina Bausch. It’s gorgeous but you will Need Some Patience (NSP). Mark this NSP, we are going to use it again and again.

Turrin Horse ( D – Bela Tarr) : Tarr’s latest which won the Silver Bear at Berlin Fest. It recalls the whipping of a horse in the Italian city Turin which is rumoured to have caused the mental breakdown of philosopher Friedrich Nietzsche. The film is in black-and-white, shot in only 30 long takes by Tarr’s regular cameraman Fred Kelemen, and depicts the repetitive daily lives of the horse and its owner (Via Wiki). If you are not aware of Tarr’s cinema, it NSP.

Dad Made Dirty Movies – Because the trailer looks super and the title is delicious! But the bad news is can’t find it in the schedule. It was there in the list earlier. Do watch the trailer anyway.

The Artist (D : Michel Hazanavicius ) – It’s the film that everyone loved at Cannes. It was also nominated for Palme d’ Or and the lead actor Jean Dujardin bagged the Best Actor Award. The story takes place in Hollywood between 1927 and 1931 and focuses on a declining male film star and a rising actress, as silent cinema grows out of fashion and is replaced by the talkies. The film is itself a silent film and in black-and-white (via Wiki).

Once Upon A Town In Anatloia (D – Nuri Bilge Ceylan) : Premiered at Cannes Fest (Competition) where it was co-winner of the Grand Prix. Like other films by NBC, this one also has lot of moods, melancholy and atmosphere.  Again, if you are new to NBC, beware. NSP.

 – Restless (D – Gus Vant Sant) : It premiered in Un Certain Regard section at Cannes. No great reviews so far but when it’s a master like GVS, you can’t miss it.

The Yellow Sea (D – Na Hong-Jin ) : From the director of The Chaser – that should be enough. Premiered at Cannes (Un Certain Regard). Also, NSP.

Ides Of March (D – George Clooney) : Clooney’s latest directorial venture which opened the Venice Film Festival. Has talents like Ryan Gosling, Philip Seymour Hoffman and Paul Giamatti.

The Forgiveness Of Blood (D : Joshua Martson) : From the director of Maria Full Of Grace.  It won the Silver Berlin Bear for best screenplay.

Red State (D – Kevin Smith) : Not much encouraging reviews but KS created much hullabaloo  and headlines  at the Sundance fest with this one. Watch it if you can or it’s out you-know-where.

–  Adaminte Makan Abu ( D – Salim Ahamed) : The Malayalam film which bagged 4 National Awards this year – Best Actor/Film/Cinematography/Background Score. Click here for our separate recco post on the film.

Deool ( D : Umesh Kulkrani) : Two reasons – Valu and Vihir. If you haven’t seen the movies by one of the best desi directors, you surely are missing something.

Painted Rainbow (D : Geetanjali rao) : India’s best animation filmmaker that most don’t know about.The film opens the Cannes Critics Week segment at the fest as it was in Cannes Critics Week 1996. Don’t miss this one. Click here to know more about the film.

Mushrooms (Chatrak. D – Vimukthi Jayasundara) – This Indo-Sri Lankan co-production was screened at Cannes and Toronto Fest. Later on it made headlines for frontal nudity and sex scenes which got leaked out on the net.

Yeh Woh Manzil Toh Nahi ( D – Sudhir Mishra) : Someone finally found a copy of the film! Last time we tried to find a copy, even Sudhir Mishra had no clue about it. A film that most of us have heard about but haven’t seen yet.

Dekh Indian Circus – Mangesh Hadwale’s debut film in Hindi after his marathi film Tingya.

Love Wrinkle Free (D- Sandeep Mohan) : For some of us who have been following Sandeep’s quirky short films for some time, this one looks quirky enough. From the synopsis here, it looks like desi woody allen film set in Goa. A full independent production, should be an interesting watch.

Some more fests favourites:

Historias que so existem quando lembradas  (Or Historias. D – Julia Murat ) : Premiered at Venice fest. Had screening at Toronto fest.

Le Vendeur (The Salesman) : Nominated for Best jury Prize at Sundance Fest

Another Earth (D: Mike Cahill) : Won the Special Jury prize at Sundance.

My Little Princess : Premiered at the Cannes 2011

The Mountain ( Ole Giæver’s ) : Premiered at Berlin Fest, 2011

Out Of Bounds ( D : Frederikke Aspock) Screened at Cannes 2011. Director is 2004 Cannes Cinefondation short film winner.

The Slut (Dir. – Hagar Ben Asher) : Screened at Cannes. Cine Foundation winner.

My Best Enemy (Mein Bester Feind. D : Wolfgang Murnberger) Out Of Competition at Berlin Film festival

–  Life Without Principle ( D : Johnnie To ) : Nominated for Golden lion at Venice Fest, 2011

Azhagarsami’s Horse – The Tamil film which screened at Toronto and Tribeca Fest recently

Indian Retrosepctive includes some classic like Shaji Karun’s Piravi, Pather Panchali, Ghatashraddha, Jaane Bhi Do Yaaron, Jahnu Barua’s Aparoopa, Unishe April, Ankur, Seeta Raati, 36 Chowringhee Lane, Swayamvaram and others.

Dimensions Mumbai – Will have 20 films including our AuterMark & Reel Reptile‘s latest short Aakra-Man.

– Click here to download the (day wise) schedule that makes it easy to pick the film. And say thanks to Kartik Krishnan. This one is only for Cinemax Versova.

If you want more film reccos, click here to read Mihir Fadnavis‘ list, here for Aseem Chhabra‘s list, Rahul Desai‘s recco list is here and Time Out Mumbai’s list is here.

For more info and official website, click here.

( PS – Am sure we are missing many other great films, do keep the recco going)

If I ever convert to Islam, put the blame on A R Rahman. Aha, that’s rhyme too. Piya Haji Ali, Maula maula and Khwaja mere khwaja – can play these three songs in non-stop loop.  And Rahman is going in similar territory again, with a new track in Imtiaz Ali’ Rockstar – Kun faaya kun.

Click on the play button and enjoy! It’s sung by Rahman, Mohit Chauhan and Javed Ali.

And here’s the making of the song/video…

Tip : DaMovieManiac

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We are bit late on this news. But if you still haven’t read enough, here it is – Deepa Mehta has completed the shooting of Midnight’s Children, the film based on Salman Rushdie’s novel by the same name. Some clips from the film were shown at the recently concluded Toronto International Film Festival.

The adaptation has also been written by Rushdie.  The film stars Satya Bhabha, Siddharth, Shriya Saran, Shahana Goswami,  Rajat Kapoor, Shabana Azmi, Ronit Roy, Darsheel Safary, Rahul Bose, and Samrat Chakrabarti.

Click on the play button to check out Salman Rushdie talking about the adaptation. TIFF’s Cameron Bailey moderated the session.

Sir,

I am Pawan Kumar, the director of the Kannada film Lifeu Ishtene. On the 30th of August, you watched my film and you passed your views about it, and gave us a U/A certificate with a forced ‘voluntary’ cut. I’d like to bring it to your notice that if I had the luxury to fight for my right I’d not have accepted to cut what you insisted.

I am a first time director in a industry which is struggling to survive. Fighting for the cut meant you forwarding our film for further reviewing and that would take couple of weeks more, that would put a lot people involved in making of this movie in a very difficult position. Hence for their sake I simply shut up and bowed to your very tyrant behaviour. This letter is simply me putting out my thoughts, I am not challenging your decision through this. I want the people to know the truth, so that they can decide who was right and who was wrong. Am hoping that you will read this till the end and be convinced that you erred, that’s all I want, I don’t want you to change the decision or apologize, the damage you wanted to do is already done. The letter might seem long but I made it as entertaining as my film was, you will have a good laugh by the end of it.

This being an open letter, I guess the public should know what I am talking about. Here is a picture of the document that Mr. Nagaraj wrote down after seeing the film. He has listed his thoughts point wise, but before I dwell into those, I’d like to mention that I respect the man and his position. He is an IAS officer and I am sure it is pretty tough to be on the chair where he sits, I cant get there for my IQ levels. I like the man for the way he appears, he comes across as a through gentleman and has an aura of being smart, composed and intelligent. I was really hurt and shocked when he listed out his objections for my film. Something that I really didn’t foresee, especially by this person, whom I had met during the censoring of Manasaare and Pancharangi. I did and I still have high regards for him.

Mr. Nagaraj in the above document states “Remove the word sucker from the tag line of the movie, wherever visible in, Move on Sucker”. For those who don’t know, ‘Move on Sucker’ is the tagline of my movie title. Mr. Nagaraj had a problem with the word sucker. He simply said that I must remove that word. I tried arguing with him that it is not a bad word, that it is simply a slang term for someone considered gullible enough to fall for a very obvious prank or con and go about unaware of it. We all know what the word sucker is, we all have used it in phrases like ‘I am sucker for Chinese food’ or ‘I suck in maths’ or ‘the movie sucks’ etc etc. But he just didn’t want to listen to me. He said that he is not interested in the parliamentary meaning of a word, he is interested in how the word could be perceived by the masses and therefore I should cut it out from the film. There was no point arguing further because he was a man sitting there controlling the future of my film and I could see it in his eyes that he just didn’t want to understand even if I tried to explain. I said “ok I will remove it”. The word comes 3 times on the screen in the film, to remove that the producer has shelled out 45k till now. 45k is not a small amount, with that money I could have put an Ad in the papers and promoted the film more, get more people to watch the film and try to save our sinking industry, or I could have simply paid it to someone in the team who has been working day and night to offer something new to the people, but instead we had to waste it on a stubborn man with a lot of power. Look at the visual below, tell me how is removing of that word changed anything?

If sucker is such a bad influence on the society, what about the words ‘BoseDK’, ‘Ass Hole’, ‘Fucker’, ‘BlowJob’, all these words were featured in Delhi Belly. The same CBFC (Central Board Of Film Certification) passed it and the movie made pot loads of money!! I am not someone who encourages those words. I am a very clean guy, I don’t speak or promote bad language, you wont find it in my movie too. Before coming up with the tag ‘Move on sucker’ I did look through the internet to make sure the word Sucker didn’t mean anything wrong. Its only after I gathered enough information that I put it up. We are a small industry and we have very small budgets to make films. We are pitted against movies from Hindi, Tamil, Telugu and English; all these industries have huge budgets to take the audience away from us. If we have to get them to watch our movies we need to sound contemporary, talk to them in a language they understand. A line like ‘move on sucker’ would make the people in their 20’s connect to the movie, and they’d make an effort to watch it. Why is it that when Aamir Khan does it, its alright? He did way too much and it was still alright!!! By asking me to remove the word ‘sucker’ from my movie tagline, the Censor Board has been impartial to me. Mr. Nagaraj is aware of the financial state of the Kannada industry. He very well knows how much we are struggling to make people trust us. And he has seen my movie and he also said ‘your movie is 99% qualified for U certificate but sprinkled with some objectionable matter’. The word sucker was one of them. And the word was not simply a publicity gimmick, after you watch the movie you’d understand how that word makes sense in the movie. The guidelines by the censor board of India states – A film is judged in its entirety from the point of view of its overall impact and is examined in the light of the period depicted in the film and the contemporary standards of the country and the people to whom the film relates, provided that the film does not deprave the morality of the audience. Guidelines are applied to the titles of the films also.

People, please tell me and Mr Nagraj, if the word ‘sucker’ has in anyway depraved the morality of you all. What censor board needs is a sense of humour. It needs to grow up and wake up to the people who live around them and not in their guidelines. Television today has become horrible, it is impossible to see and hear many of the things that is aired on many news and entertainment channels. Something that you can probably watch with your family is Discovery channel and sports channels, not even the sanskar or astha who are using the dangerous weapon against the society, the religion . But the censor board is all quite about it. Television has no censor, it doesn’t come under their jurisdiction.

Mr. Nagaraj, we are all suckers, you are one, I am one too. And the people know that. They know that they are one too. And that’s the funny thing about it. When we accept our flaws and imperfections and laugh about it, we can put our egos behind and try to progress. That’s what my movie on the whole was trying to say. For some reason you didn’t see it beyond the word ‘Sucker’ without even knowing the meaning of it.

Now coming to the other angle to the whole issue, which I hope is not true but is very possible. I think it is the ego. I very strongly feel that it is the ego of Mr. Nagaraj that makes him do what he does. He sitting in his little cabin in the govt building, enjoys seeing us film makers dance to his tunes. I am sure it must be giving him a kick that he can in 2 hours 30 mins control a film makers 10 months of hard work by just using one word. He knows how difficult it is technically to remove those words from a completed film and that’s why he does that. For people who are not aware it might seem very simple, you must be thinking how difficult it is to just delete a word. If I get into the process I can do a 6 hour workshop and probably you’d learn most of the technical aspects of film making. In simple words, it took many people and many days of work in Banaglore and Chennai to erase that word. I hope all this makes Mr. Nagaraj very satisfied and gives him a good night’s sleep. This is the story of how the word Sucker got separated from the film Lifeu Ishtene.

Now, let me introduce you to some more blunders. But I could live with these because frankly I don’t give a damn whether my movie is U or U/A, and thankfully neither people are interested in those ratings anymore. Like I said the Censor board is so stuck up with their guidelines that they don’t see how people are today. My movie got a U/A because of a scene which is got something to do with condom. The government is trying really hard to reach out to people, they even come up with jingles, in kannada there is an ad – maatadidavane mahaashoora. But Mr. Nagaraj feels that it is very uncomfortable for adults to see such content with children. That’s precisely the point sir, that’s what government is trying to say ‘don’t be shy about it, talk openly and spread awareness’. Teenagers should get aware of it, they should be bold enough to talk about a condom and not make a taboo of it. But instead Mr Nagaraj goes to the extent of writing – delete comedy episode surrounding condom for a U certificate. But I didn’t agree with him, I agreed for a U/A instead and the scene is intact. In a week you will see it and you will know that it is not in bad taste and is for sure spreading awareness.

The second one is debatable, Mr Nagaraj has pointed out a shot where a woman is smoking. His justification was that it is not right to show women smoking and therefore he writes – also delete the visual of lady smoking. I am not going to defend this much. I don’t smoke and I am for anti smoking. I had even made a short film on the anti smoking subject.

In Lifeu Ishtene, the character which the lady was playing was of the types who would smoke and therefore I hade to make her light up. Deleting this shot would not change the reality though, we see so many women smoking these days, and it is really bad. Smoking is bad for both men and women, and I sincerely hope that smoking comes to an end. And in no way is my film promoting or glamorising smoking. The Censor guideline says – scenes tending to encourage, justify or glamorise consumption of tobacco or smoking are not shown. To show the bad result of a habit, the story needs to build up and then show the effect. That’s what my shot of the lady smoking was doing. No problem here, I will gladly take a U/A for this point.

The third is silly actually. In the third point Mr. Nagaraj says – delete lip to lip kissing in the song. Well not much defending here, for some reason we Indians want to think that showing love on screen is more dangerous than showing violence. On a funny note may be the government has a strategy behind this, Lets not teach people to express love, there by reducing population and lets show more violence so that they could kill each other and again reduce population!!!! Am I the only one laughing at this stupid joke??? Ok Mr. Nagaraj I will accept a U/A for this too. I am sure the 15frames (less than a second) of lip to lip pecking in the mayavi mayavi song would make the adults very uncomfortable to watch it with children under the age of 18 years old. However I have one question for you – How did you pass the song ‘Padmavathi’ from the movie ‘Johny Mera Naam’ with a U certificate? That one really shocks me. Because though I am an adult and my father is an adult too, we both would be uncomfortable watching it together in theatre or on TV. Please ask yourself if the very aesthetically shot 15 frames of a small peck on the lip in my movie was worse than what you can see in a 4 min song. Here is the link to that song if you want watch it again and wonder why you gave it a ‘U’.

Your guidelines clearly states the following – human sensibilities are not offended by vulgarity, obscenity or depravity; scenes degrading or denigrating women in any manner are not presented. Isn’t this song violating all of this?????

People please note that from what I can read of Mr. Nagaraj, he is a very good person, I am not being sarcastic, I might be against his decisions but I don’t hate him. Please don’t think that he was expecting a bribe or anything like that. I can for sure say that he is NOT a corrupt govt servant. He is doing his job but he has to simply get some of the realities in the right perspective. Lets help him know what he is not aware of so that he stays with us as the regional head of Karnataka for CBFC, and make right decisions and help us all save good kannada films. If you believe in this article and you want to support me, then please mail Mr. Nagaraj your views in a few words and a few words only, lets not waste his time. I hope you will not send abuses because I am not in support for that. Mail him on robanglore@cbfcindia.gov.in or nagarajk1@yahoo.com and cc a copy to me on actorinme(at)gmail(dot)com . I guess the subject line of the mail should be with a sense of humor, keep it as – Lets grow up, suckers! 😉

(Note: I still haven’t received the final Censor Certificate from Mr. Nagaraj, he is going to give it to us after he checks the film and finds no ‘sucker’ in it. We have followed his instruction and removed it and showing the corrected film copy on monday. I could have waited till monday to get the certificate and then put this article up. But I didn’t want to be a chicken in expressing my views. I hope Mr. Nagaraj will stand up to his gentleman image and not take this article to his ego and create problems to the release of the film on the scheduled date. He is in a position to completely reject this article but he is not in a position to take this personally to take revenge.)

( PS – This letter was first posted here)

UPDATE (3rd September, 2011) : The trailer has been removed because it’s not the final one.

The trailer of Ribhu Dasgupta’s debut film Michael is out. Its produced by Anurag Kashyap and Studio18. The principal cast includes Naseeruddin Shah, Mahie Gill, Purav Bhandare, Sabyasachi Chakraborty and Irawati Harshe.

Other credits include Screenplay : Debaloy Bhattacharya and Nilendu Guha, Cinematographer : Somak Mukherjee, Editor : Lionel Fernandez, Sound : Kunal Sharma, and Music : Vinayak Netke, Aatur Soni, B. Gauri (lyrics).

The film will have its world premiere at Toronto International Film Festival. And scroll down to read TIFF Programmer Cameron Bailey’s note…

Producer/director Anurag Kashyap (who also exhibits his acting skills at this year’s Festival in Trishna) is leading a whole new wave of vibrant independent cinema in India. With Michael, Kashyap’s latest collab­orator, first-time director Ribhu Dasgupta, takes on a slow-burning, character-driven psychological drama.

In the film’s opening shots, Michael (Naseeruddin Shah) stands paralyzed as Kolkata traffic swirls around him. The film then flashes back to a younger Michael, in the days when he was a police officer. We find him nervously surveying a swell­ing crowd of protesters. When the order comes down to open fire on the peaceful demonstration, Michael shoots low to avoid causing death. Nonetheless, a ricochet strikes and kills a twelve-year-old boy. At this point Michael’s life begins to unravel. His eyesight worsens, he loses his job and he struggles to care for his son. When Michael finds work illegally pirating Bollywood films, he starts receiving phone calls from the father of the boy he accidentally killed, threatening to kill his own son when the boy turns twelve. Michael is sent into a paranoid race against the clock.

Dasgupta uses intricate camera move­ments, angular framing and hazy point-of­-view shots to explore Michael’s psychological and physical deterioration. Kolkata’s rainy, hectic streets, captured in mesmerizing detail by the late cinematographer Somak Mukherjee, provide the bleak and progres­sively nightmarish backdrop. Performing with strength and subtlety, Shah (Monsoon Wedding, The League of Extraordinary Gentlemen) carries the film. Opposite him, Mahie Gill (Dev D) delivers a gentle and sympathetic performance as the nurse who becomes Michael’s companion. As Michael’s sight weakens, so too does his grip on real­ity, resulting in a heart-wrenching tale of a father on the cusp of losing everything.

(PS : Note is from TIFF’s official website)

Rajat Kapoor’s Fatso has been ready for quite sometime and now the first trailer of the film is out. It’s produced by PNC and stars Ranvir Shorey, Purab Kohli and Gul Panag.

Check it out.

For more details about the film, click here.

Tip : DaMovieManiac

 

It’s raining trailers and how! After Agneepath and The Dirty Picture, the trailer of Imtiaz Ali’s Rockstar is finally out. The film stars Ranbir Kapoor and Nargis Fakhri. And the most interesting bit – A R Rahman’s music. And we will also get to see Shammi Kapoor one last time on the big screen. Bring it on!

So it looks like Imtiaz is recycling his old formula once again – cool and confused lovers will travel a distance (physically and emotionally) and discover true love. Socha Na Tha, Jab We Met, Love Aaj Kal, all follow the same formula. Lovers just take one more step ahead – about to marry(SNT), almost married (JWM), just married (LAK) and then they discover their true love. This one seems to be following the same route. New track – Rockstar bit and the music scene. Let’s see how it plays out.

And if sadda haq, aithye rakh is the sound of the film, gimme more!

Tip – DaMovieManiac

After OUATIM, producer Ekta Kapoor, director Milan Luthria and writer Rajat Arorra have  again come together for their next film The Dirty Pciture. The film stars Naseeruddin Shah, Vidya Balan, Emraan Hashmi and Tusshar. DoP is Bobby Singh and it has music by Vishal-Shekhar.

Looks like Vidya Balan is going full throttle with this one and without any kind of inhibitions. Plus Bappi Lahiri’s vocals and zimbly zouth kitsch all over, the trailer is exactly what one would expect from this film. It’s one film which must have been “hit” even at the idea level, all they needed was a good actress. Bring it on!

Also one good thing they have done is that they didn’t compromise on the trailer and kept Tusshar only for few seconds. Sadly we have to tolerate him in the film.

The first look of (new) Agneepath is finally out. Produced by Karan Johar and directed by debutant Karan Malhotra, it stars Hrithik Roshan, Sanjay Dutta, Rishi Kapoor and Priyanka Chopra. Credits include Adapted Screenplay – Ila Datta & Karan Malhotra, Music – Ajay-Atul, Dialogues – Piyush Mishra and Lyrics – Amitabh Bhattacharya.

Interestingly it’s not an exact remake but more of an adaptation. Looks like high intensity drama on big scale and full of colours. And unlike any other KJo Productions. Well, that’s a good start. The only thing not working in the trailer is the logo of Dharma Productions and that weird background music with it. Dear KJo, now get rid of it. Enough of emotional attachment.

Rockstar Poster – Real or fake?

Posted: August 24, 2011 by moifightclub in bollywood, film, first look, Poster
Tags: , , ,

Imtiaz Ali’s Rockstar starring Ranbir Kapoor is ready for release. The film’s theatrical trailer will come out with Salman Khan’s Bodygaurd. And the film’s first poster is just out. Some nice sketch work but a tacky font.

But is it real or fake? We are not sure yet but this one is currently online.