Archive for the ‘Indie’ Category

Blame it on that thing called life, we have been bit irregular with that other thing called cinema, and so the updates have been missing. Here’s a fresh start with a new film called Prague.

Prague is the directorial debut of Ashish Shukla. And since Ashish is a good friend, we might be bit biased. But that doesn’t take away anything from his talent and his previous works which we have seen and loved. And hopefully you all will agree soon. Here’s the first look of Prague – an interesting poster and some stills from the film.

This slideshow requires JavaScript.

And here’s the official synopsis….

A city with a history of heritage, myth and superstition. A passionate architect with hang ups and delusions about love and life. A Czech gypsy girl looking for her identity and love. Add to that a mean friend you can’t get away with and can’t trust. And a left out- left over of someone who isn’t really there but doesn’t leave you alone. All of them come together, interfering, manipulating, coaxing and torturing each other as their search for peace, freedom and love continues.

This film is a psychological thrilling ride which takes you to the darkest corners of your mind, the shut down alleys of your soul and the graveyard of your heart.

– It stars Chandan Roy Sanyal, Arfi Lamba, Mayank Kumar, Sonia Bindra, Elena Kazan, Lucien Zell & Vaibhav Suman.

– Interestingly, it’s the debut feature for most of them which includes the Producer, Director, DP, Composer, Cast (Arfi Lamba, Sonia Bindra, Mayank Kumar), Costume Designer, Production designer.

Other credits and details are as follows….

Title : PRAGUE

Language : Hindi/ Czech/ English

Duration : 105mins

Genre : Psychological Drama, Romance

Songs : Background Scores/ OST

Shooting Locales : Prague/ Mumbai/ New Delhi

Produced by : Rohit Khaitan, Sunil Pathare

Executive Producer : Bombay Berlin Film Production

Cinematographer : Udaysingh Mohite

Editor : Meghna Manchanda Sen

Sound : Sanjay Chaturvedi

Music : Atif Afzal, Daniela Fojtu (Czech original Score)

Lyrics : Varun Grover

Concept : Rohit Khaitan

Story  : Ashish R. Shukla

Screenplay & Dialogues : Sumit Saxena & Ashish R. Shukla

Additional Screenplay : Akshendra Mishra & Vijay Verma

Director : Ashish R. Shukla

– The film will have its world premiere in the “Indian Competition” section of the Osian’s Cinefan Film Festival. For more details, click here and here.

Indian cinema turns 100 this year. And there’s a great film currently playing in the theatres which celebrates this magic of cinema. It’s a small film which you might not have heard about because it has no ads on tv, no chartbuster songs on radio and no hoardings to boast about. The film is Supermen Of Malegaon (SoM). And indian cinema can’t get a better homage than this documentary made by Faiza Ahmad Khan.

The film has been doing the festival rounds since last few years. But good or bad, we don’t watch docus in theatres. We don’t even release them to give it a chance. Thanks to PVR Directors Rare, SoM has got a limited release across few PVR properties. Make sure you watch it. And if you have any doubts, we are giving you not one or two, but 50 reasons to watch it. And since “crowd-funding” for indie films is in vogue these days, we crowd-funded this post to go with the same spirit.

Do watch and do contribute your reason in the comments section. Will start with mine.

1. Because Vijay and Ravi can finally move on. Mere paas ma nahi, cinema hai! It has one of the best, unrehearsed and unscripted scene between two brothers – one consumed by the addiction called cinema and the other……well, watch it. Poignant.

2. If you watch or love or make cinema and you miss SoM in theatres, you’d miss the cinema equivalent of finding the G-spot – @varungrover

3. Because 1hr of supermen of malegaon is more fun than 2hrs of Spiderman – @ronyd

4. Because even Brando would be appreciative of Jor-El and the ‘method’ here – @krnx

5. Because it blurs the line between fiction & docu. It was more entertaining than a commercial Hindi feature –  @ghaywan

6. Because SoM doesn’t sell itself on sympathy like the recent “indie” filmmaking fad – @auteurmark

7. Because these people have not collaborated on the film : Samir, Sajid, Bhansali, Shetty, Bellary, Ekta, RGV, Bhatts, Kohlis, Kapoors – @mihirfadnavis

8. Because it’s a better (hate the term but…) Love Letter to Cinema than ‘The Artist’ or ‘Hugo’ could ever be… @jahanbakshi

9. You’ll laugh a lot, being fully aware that there’s a lot of grimness in the tale as well. Its a unique feeling   @RangbadluGirgit

10. ‘Pairon ki bediyaa khwabo ko bandhe nahi re..’ Madhyam ki garibi sabse badi prerna kaise banti hai @koripaati

11. See Pic

12. Why else do we watch films ? To get entertained ! And entertained you shall be !! – @z_maahir

13. Location is not Switzerland and the lead would not look like a million bucks even with plastic surgeries STILL SoM is Beautiful – @humHeroine

14. Superman with a 24″ waist. A costume that involves rubber chappals. A film that is inspired and inspiring – @ashish_mehta_

15. Because it celebrates the simple human notion that if you are passionate about something then no one can stop you. There is always a way around. Always. Equipments, technology, know-how, resources etc just don’t matter. As long as you want it badly enough – @ghantaguy

16. You should watch SOM because it will make you pick up a camera and shoot – @varunvarghese

17. Bolchaal mein itne achhey Urdu shabd bahut dinon baad sun-ne ko miley – Rakhi (on FB)

18. That cinema by all other names would still be magical! – Suhel Banerjee (on FB)

19. Kyuki bhai ise ‘naa dekhne ka’ ek bhi reason nahi hai ! Puneet Sharma (on FB)

20. Which was the last film you saw that you wished you could see more of? – @gyandeep4a

21. For one poem Chand. Just that is worth the ticket money – @shubhas

22. Because it gets over in about an hour and you won’t get bored. Forget all the irony and the film about a film business blah blah – Swati Trivedi

23. Kyuki aisi filme dekhkar khud se ye sawaal poochhne ka man karta hai…. Ab to bahana banaane chhod de, ja aur kuch man ka bana !!!! Puneet Sharma (on FB)

24. It makes us feel that good filmmakers still exist. Faisal Numan (FB)

25. See pic

26. The one reason that counts – it is paisaa vasool – Vinay Jain (FB)

27. Simple. Because its one of the best films you will see this year –  Anant Raina (FB)

28. Because it makes you smile. The passion for Cinema in India is equivalent to religion. This 60 minute beauty inspires everyone to do something even if you cannot afford it – Abhinav Bhatt (on FB)

29. kyonki yehi Cine-Maa hai!! – Nitin Baid (FB)

30. “Life is full of sorrow, so it is very important to dream. No one should ever stop dreaming,” says the narrator of #Supermen of Malegaon, the funniest, sweetest movie I have seen in a long time. The writer in the movie says things like “Most of the films you see is only 20% output. Imagine being a writer and having to live with 80% of the angst. It’s hard. But it doesn’t stop you.” In an age of multi-crore promotion budgets for glitz, here is an honest movie with a soul, a story of dreams and passion, a movie that you won’t see ads and promos of, as they have no money for them. It’s playing at PVR Juhu at 6.20 pm. I am going back for the lines. Who is coming? – Lalita Iyer (FB)

31. Because tragedy brings out the best comedy – @ronyd 

32. Because it completes the Unique distinction of having watched Superman, Spiderman and Batman in the same year – @nitinnair81

33. Because its a RICH film made by POOR people which you get to see in a POSH theater for CHEAP price. Rs 110. Pvr Juhu. 6.20pm – @navjotalive

34. Because despite it being a documentary avoids all the docu cliches and still becomes accessible for just about every man jack who likes movies – @mihirfadnavis

35. See pic

36. Have you ever seen a superman wearing naadewala kachha and slippers, and ppl wiping their face with his red cape? @thepuccacritic

37. Because, in fact more than Hazanavicius’ film, Supermen Of Malegaon could actually be called ‘The Artist’ and *earn* that title – @jahanbakshi

38. As a filmmaker, it made me want to get out and start shooting my first. Thoroughly inspiring! @ghaywan

39. Not everyday you see a film where the hero is flying on one hand and paddling on a float in the river the next min @HumHeroine

40. FUN ke beyond, sach aur jhoot se pare , ek khula maidan hai.. Superman Of Malegaon tumhe waha milega @AmritaThavrani

41. Well, one reason is definitely that writer, Farokh. He had more personality than half the film industry combined –  @pradeep_smenon

42. Because it really does take supermen only to make films – Malhar Salil (on FB)

43. Because if you believe in your dreams, it can happen. Passion for cinema = SoM = Simply Superb!!  – Himanshu Vora

44. Without a VO, the film is spoken from the residents’ pov which makes it experiential than being a hawk eyed narrative – @ghaywan

45. Because some guy in a small town made his film Undaunted by BO, ratings, festivals,100crs or twitter trends. And that’s rare – Vasan Bala

46. Because it’s the best rated film of the year. See pic

47. The writter in Supermen ka Malegaon, Hamid Faroghi – Kya bhaari awaaz aur kya personality, jab bhi koi baat kehte the toh har baat me ek gehri baat hoti thi! – Yogesh Dube (on FB)

48. It just made me extremely happy and uplifted. Not even hint of manipulation, morality or design. They just let it be..the protagonists just do their thing only because they love doing it, not to prove anything. Only complain was it ended too soon – Apan Singhal

49. Because it celebrates that aspect of a film which most of the people have just a surface-level idea of – filmmaking itself. – Gyandeep Pattnayak (on FB)

And here’s the most important reason…

50. To support PVR director’s Rare so that it can continue to bring more such quality cinema to you – @ShiladityaBora

So what’s your reason for not watching it?

In her twitter bio, Svetlana Naudiyal describes herself as Murphy’s favourite child. So over to the child who is just back from a country where there is almost no cinema culture and she was trying to make them understand what is the point of a film festival. Back to India and here’s her recco of the film Kshay, which has been doing the rounds of film festivals since quite sometime.

There is no local popular cinema in the theaters. The only theaters are the ones in the malls. From malls to pirated dvd stores – all you’d prominently see is Hollywood. I’ve just returned from Cebu City, so to say, the second largest city in Philippines. The townesque city is burgeoning with Malls, Multiplexes, BPOs and all possible American Chains. The city glistens, roads are well done, cab drivers never say no and their peso is better placed against dollar than the rupee. In this seemingly ‘developing’ state of affairs, local cinema has no ground beneath its feet. I get to meet a few Cebuano Filmmakers and see their films. Great work and talented, no doubt! But what do they do?

Cut to – my country, my crazy cinephile country.

Here back home, I see Kshay on the big screen, and I am moved by the mere thought that here someone can not only make the film they want to but also hope that it would see the light of theatrical release someday.

But is that why you should support it? Just because someone really struggled to make an Indie film and then eventually managed to get it to the box office?

——

Kshay, as the very poetic title suggests, corrodes.

Corrodes the being.

Chhaya, a simple housewife, becomes strangely obsessed with an unfinished idol of Goddess Lakshmi. Her husband, Arvind, works for a reckless building contractor and struggles to make ends meet while reeling under the guilt of not being able to give Chhaya the life he promised to. Their lives are thrown in a downwards spiral as Chhaya slowly becomes oblivious of their circumstance and succumbs to faith turned into obsession.

It is not often that the frames and sequences of a film hover in your mind for long after you see it. They corrode the mind, resonate with life and create a surreal-real world of obsession, hopelessness and love. It’s beautiful how the textures, lights and score accentuate the psychological corrosion of Chhaya. Together with Arvind’s frustrations and the hopelessness a viewer sees in their situation, the film builds a strange tempo as it progresses; it might not be evident in the pace but most certainly so in the feeling it leaves one with.

Shot in black and white, the cinematography by Abhinay Khoparzi, is highlight of the film. The eerie absurdity of dreams, delusions, reality and the textures, all stand out in black & white frames. The background score is by director Karan Gour himself is the perfect companion to it. Rasika is unbelievably real as Chhaya and beautifully brings out her pain, coldness, obsession; Alekh complements her as much in portraying Arvind’s frustrations, hope and hopelessness. Even the small roles of building contractor and neighbour lady, are marked by really fine performances.

To me, story apart, Kshay also questions – questions faith, questions reason and questions the merciless set up we live in. It’s a world where WTC crash becomes table-top merchandise.. Exploiters continue to have their cake and eat it too.. Exploited barely find a way.. It’s a world of faith becoming obsession and obsession ending only in….

Coming back to the question – Don’t watch it because it’s another oh-so-poor-striving-for-support indie film, watch it because it’s good cinema, that totally deserves your time and money.

———————————————————————————–

– Here’s a preview of Kshay’s hauntingly gorgeous music –

Kshay OST – Home

Kshay OST – Everywhere

– And the trailer

– To know more about the film click here. And click here for the FB page of the film.

– PVR JUHU (Mumbai) will have one show running in the next week at 6:35PM. Don’t miss this one!

– And if our recco isn’t enough to convince you, here are some more reviews – Namrata Joshi of Outlook rates it 3.5/4, Karan Anshuman (Mumbai Mirror) has rated it 3.5/5 and Aseem Chhabra (Rediff) has also given it 3.5/5.

Ashim Ahluwali’s Miss Lovely and Anurag Kashyap’s two-parter Gangs of Wasseypur premiered at Cannes Un Certain Regard and Directors Fortnight section respectively.

This post is to track all the buzz from the Cannes – reviews, interviews, videos and more. For the Cannes buzz of Vasan Bala’s Peddlers, click here.

Starting with some generic news links.

– Edouard Waintrop, Artistic Director of the Directors’ Fortnight, talks about the new wave of Indian cinema. Click here.

– VIDEO : Tom Brooks’ Cannes edition of Talking Movies starts with Indian films. Click here.

MISS LOVELY

– Review published in the Screen International is here.

– The Hollywood Reporter’s review is here, which describes it as Bollywood meets Boogie Nights in stylized retro-sleazy thriller.

– Variety’s review is here. You need account to read it. But if you are too curious, go close to the screen, squint your eyes and you will be able to read through the black screen.

– A small review in Sight and Sound is here which says the film is mesmerising for the first hour or so, during which, the echoes of Boogie Nights aside, I found myself thinking of Wong Kar-Wai, Scorsese, Matteo Garrone’s Gomorrah and even Irma Vep. Unfortunately the film then palls somewhat – director Ashim Ahluwalia can’t hold onto a story, or develop characters. But while it’s good it’s very good indeed, and had it been that touch better (and shorter) it could have been a game-changer for Indian cinema.

– A french review is here which is not too complimentary. Use Google Translate (GT).

– Ahluwalia makes ‘Lovely’ impact, says Saibal Chatterjee in The Sunday Indian. Click here.

– New York Times piece on the film is here.

– Ashim’s interview in Another mag is here.

– Ad Vitam has picked up the French rights of the film. News link is here.

– VIDEO : Anupama Chopra’s interview of Ashim Ahluwalia is here.

GANGS OF WASSEYPUR

– Review in Screen International is here which says, this Tarantino-tinged Bihari take on The Godfather has what it takes to cross over from the Indian domestic and Diaspora markets to reach out to action-loving, gore-tolerant theatrical and auxiliary genre audiences worldwide.

– The Hollywood Reporter review is here which calls it a dizzying explosion of an Indian gangster film, whose epic structure and colorful, immoral killers capture the imagination for over five hours..

– Review on desi site DearCinema is here.

– In Italian. click here. Use Google Translate (GT).

– Long piece in french edition of Huffington Post is here. Use GT.

– Coverage on BBC website.

– Saibal Chatterjee’s report in The Sunday Indian is here.

– VIDEO : Anupama Chopra’s interview with Kashyap and Bala is here.

– Click on the play button to watch the official video of the screening

If we have missed any links, do post it in the comments section. We will keep on updating the post with new links.

Sandeep Mohan‘s directoral debut, an indie feature titled Love, Wrinkle-free is releasing this friday.  It stars Ash Chandler, Shernaz Patel, Seema Rahmani, Sohrab Ardeshir, Ashwin Mushran, Marianne Borgo, Arika Silaichia, Giju John and Theron Carmine.

Making an independent film is a difficult task for sure. But releasing it is almost impossible. Thanks to PVR Directors Rare section, the film is getting a limited release. But what is the director thinking? Will he survive? Over to a casual conversation between his Right Brain (RB) and Left Brain (LB).

LEFT RIGHT LOVE WRINKLE FREE…

Right Brain Sandeep (RB):

Hey bugger, heard that your movie Love, Wrinkle-free is releasing today or something?

Left Brain Sandeep(LB):

Yeah man, labour of love of 2 years…

RB:

…even I have a story….you wanna listen…see it is about racism, discrimination between white dogs and black dogs…

LB:

Not today ya…you know, I worked bloody hard on Love, Wrinkle-free for 2 years..do you even know what that means…two fucking years of my youth…

RB:

ok, now you are telling me that you are in your youth?!!

LB:

See, precisely why i wanted to make Love, Wrinkle-free…how can one stay young forever…why this obsession to photoshop every damn wrinkle out of your butt..i mean why…

RB:

but why blame Adobe Photoshop bugger…they are not like some Taliban…

LB:

love, wrinkle-free is for people like you…Seriously man, Love, Wrinkle-free is the Hyderabad Blues of this generation…

RB:

it is good to be an optimist, but don’t be stupid bugger…

LB:

What stupid…If a middle class guy like me could make a movie, things are changing in india and Indian films…

RB:

Yeah but the roads to the Love, Wrinkle-free theatres are full of craters…

LB:

Fuck roads ya…roads will soon be obsolete…helicopters will be the norm…people will go to watch movies in helicopters soon…

RB thinks about it…

RB:

Are you planning to make a Love, Wrinkle-free part 2

LB gives him a cold stare…

LB:

i hate sequels…the only sequel i liked was Waisa Bhi hota hai part 2! in any case, does life have a sequel?

RB:

deepak chopra thinks so…

LB (ignoring him):

…the reviews have just started coming in yaar…

RB:

Does it matter if they say good or bad…you still have to take care of your 2 year old daughter when your wife goes to work tomorrow no?

LB (ignoring it again):

The initial reviews have been pretty good…

RB:

Come bugger, don’t stress yourself, let’s go and have a fruit salad now

LB:

Here I am talking of my dreams, and you are thinking of Fruit Salad?!!!

RB:

…why can’t you dream of Angelica Jolie’s bee stung lips instead?!

LB:

Movies are my passion idiot…passion…you know what that word means?!!! Bee stung lips it seems?!

RB:

Eating fruit salad is my passion…what is wrong?!

LB:

…my movie, I am setting her free today to be judged by the world….i feel naked…

RB:

Put on some edible lingerie….

LB smacks RB on his head.

LB: i hope…Word of mouth is going to take Love, Wrinkle-free to a lot of people. It is a fun film man…and there have been so few fun films in the indie space…

RB(Moaning):

Who do you think you are…some kinda indie-saint to spread happiness all around…anyways, don’t worry, not many know about your movie? There is not even a bloody hoarding…even underwear companies have hoardings these days

LB:

Love, Wrinkle-free is not an underwear…it is my movie…my dream can’t be hung up there in some bloody hoarding for all and sundry to stare at…

RB:

You are losing it bugger, big time you are losing it…

LB:

I can feel it…lakhs of people are waiting for the Box Office to open tomorrow, and just like when the new version of the iPhone hits the stores, there will be a stampede to buy tickets…I can feel it…there is like a love, wrinkle-free wave out there…

RB(looks around):

Where?!

LB feels the air around him. Closes his eyes

LB:

Feel it…and you can feel it only when you stop talking…

RB closes his eyes and tries hard to feel it

RB:

..ok ok…now let’s go…even your bloody uncle Woody Allen never said that you can’t have feni or fruit salad on the day of the release..

LB:

Watch your words!!! And don’t get Woody Allen into this mess man…

RB:

…Everyone should pick their own nose….or Everyone should wear their own underwear

LB:

What is that?!

RB:

i have quotes too…like Allen

LB:

Allen is classy man…you are cheap…

RB:

Hey how are you guys related?!

LB gives him that look….and walks away hurt

RB:

Bugger, I was just kidding of course,…chill ..where are you going?

LB:

I am going home…I think I have some edible lingerie at home…i am starving…

RB:

Got some feny?

LB nods. RB runs after him and joins him…

RB:

…you did your best bugger…put your heart, soul, brain and groin into the film, now let’s have some feni and edible…whatever that thingy is…, dig into your next script, and soon you will be into your second film mode….c’mon man…this is the 21st century, you gotta be cool..

So who will have the last laugh – Sandeep Mohan’s Right Brain or Left Brain? It all depends entirely on you.

To know more about the film, you can click here for its FB page or click here for its website.

And here’s the list of theatres and the show timings for Love,Wrinkle-free:

City Theatre Show-Timings
Mumbai PVR Juhu 8:20 PM
Mumbai PVR Phoenix Mills, Lower Parel 8:30 PM
Mumbai PVR Goregaon 8:40 PM
Mumbai PVR Mulund 8:40 PM
Mumbai Cinemax Versova 5.00 PM
Mumbai Metro Big Cinemas 2.15 PM
Mumbai Fame Malad 4.05 PM
Delhi PVR Director’s Cut, Vasat Kunj 8.30 PM
Delhi PVR Select Citywalk 8.30 PM
Goa Inox  Old GMC, DB Road 9.30 AM
4.30 PM
Pune City Pride Kothrud 10.45 PM
City Pride Abhiruch 2.00 PM

Vasan Bala’s debut feature Peddlers premiered at the ongoing Cannes Film Festival in the International Critics’ Week section. This post is to track all the buzz from the Cannes – pics, videos, interviews, reviews and more.

PICS

This slideshow requires JavaScript.

Latest REVIEWS

– An early review in French is here. Rated it 3.5/5 and to sum it up – I think this is a young director who can go very far if he continues this way.  (Thanks to Google Translate)

– Bikas Mishra of DearCinema.com has reviewed the film here. Bikas is also on the Critics Week jury this year. To quote the last line few lines, Sidharth Diwan’s restless camera adds amply in capturing the life in the megapolis. Prerna Saigal’s editing is worthy of a special mention.

Vasan Bala’s Peddlers marks a very promising debut. I would be looking forward to his next.

– Another French review is here. To quote from the review, Bombay shines here in all its ambiguous charms , angles sometimes hard, dry, and always flattering that one has rarely seen. ( Again, via Google Translate).

– The Hollywood Reporter’s review is here.

– Film critic Christain Jungen tweeted his rating 3.5 stars. And calls it an atmospheric gangster movie from Mumbai, half Hollywood halfway Bollywood.

– Saibal Chatterjee reviews the film for The Sunday Indian. Click here. To quote from the review, Vasan Bala is clearly a talent to watch. The way he handles the characters, paces the narrative, uses music and creates the dark and disturbing backdrop against which the film plays out reflect the kind of grasp that augurs well.

The deft touches that he brings to the table lift Peddlers well above the level of run-of-the-mill gangster flicks. It isn’t, to begin with, a gangster flick at all.

– Another French review is here. This one is mixed.

UPDATE – 23/05/2012

– New French review which rated it 15/20 and to quote, That said, the director shows a sense of rhythm and creativity in the staging that might interest the Jury of the Camera d’Or. Peddlers is an Indian film that has nothing in Bollywood and is the work of a director in search of gallons, but already talented.

– To quote another review, Peddlers is located in-between a relative novelty in Indian cinema, somewhere between the sweet and colorful to a Bollywood film and the roughness of a gangster movie. Efficiency is “quasi American,” but the exceptional photography and the use of music we bring in a definitely Indian.

Latest NEWS/FEATURES

– The Hollywood Reporter interview is here – on How ‘Peddlers’ Reflects the Indie Spirit (Q&A).

– In Variety’s Spotlight on India cinema. Click here.

– VIDEO – Excerpt from Rajeev Masand’s interview for CNN IBN. Click here.

– Another interview is here.

– Another report in Hollywood Reporter – Indian cinema moves beyond bollywood.

We will keep updating this post as more reviews and features come out.

Click the play button to see the video of the screening and presentation.

Pics Courtesy – Siddarth Diwan (Film’s DoP), TheLostFilmCritic, Rajeev Masand

We haven’t seen the film. Don’t have much clue about the filmmaker also. So, over to Innuendo’s director Arvind Kamath for all the details. And if you are interested, you can help him and his film.

ABOUT ME – I always wanted to be a part of films as long as I can remember, but was stuck in an IT job and after 9 years of being in IT, I finally quit to get into filmmaking fulltime in Feb 2011. Couldn’t afford a fulltime Filmmaking course, so I started my filmmaking stint in 2008 where I started with attending workshops, (cinematography, writing, Editing etc) then graduated to making a few short films – one short was among the top ten films of 2010 PFC One film festival (here) & another one which I co-wrote won the 2nd place (here), which gave me the courage to do more. So I went on to organize the 2009 Bangalore Screenwriting Workshop which was a huge learning experience and then started making documentaries, corporate films etc.

In Feb 2011, when I quit my job, I setup a small edit suite and started taking post production orders which is my bread without butter today. So all these years while learning, I also wrote many concepts and scripts, some trash worthy, some forgettable and a very few that I was still excited about. I took up one such screenplay which took me 1.5 years to write and Innuendo was born. More of my self indulgent rant is here.

THE PROCESS – Initially I bounced this idea of making Innuendo to a couple of my close friends and they brushed it off thinking it’s just the initial excitement of a struggler. But I announced the project of FB and called for a script narration to people who would be interested to join me. Folks from the Bangalore Indie/aspiring film circle came down. My offer to them was “I can’t pay you any money & I want to make this film with the Rs 50,000 that I have, so join me only if you like the script or connect with my passion somewhere because it’s a lot of slogging for nothing in return really, and if at all the film makes any money in any form I shall share it with you all”. Some wonderful people started signing up, most of them were experienced. One of my closest friends & a very talented chap Bharath MC came aboard. You can see some of his work here.

He was to do the camera, background score, sound, VFX and co-edit the film with me. ADs with experience in few short films which have done the festival rounds, signed up as production controller, location Manager, art director, casting coordinator and sync sound recordist. Once the team was set, we called for an audition and got a decent response of 300 profiles on email and finally 60 people showed up at the auditions. We had our 20 actors selected from a pool of talented young TV/theatre actors active in Indie/short film circle.

ACTORS – Sanjeev & Sruthi went on to do a commercial Malayalam film called “Cinema Company” which will release this year and had done another Indie from Bangalore called “Kya Yaaron”, which will also release soon. Adithi too was a part of “Kya Yaaron” and is now in Mumbai working on a film with a very well-known and talented young director (I’m not supposed to divulge the details). Monish, Khuldeep, Naveen are some of the well known names in the Bangalore theatre circle. We had 2 days of acting workshop and 2 weeks of rehearsals along with a lot of pre-production work like location recce, art framework, shot breakdowns (3 versions of it), sourcing equipments or building them on our own, scheduling the shoot etc etc.

A team of 35 members started the shoot on September 9th and completed it in non-stop schedule of 25days with 3 more days scattered here and there. Then we started post production in the month of November and finished it in April. The film was screened on 21st & 22nd of April for a private audience on an invite only basis & a review by a Cinephile can be read here.

THE CHALLENGES – We too faced our fair share of challenges like every other Indie film. DOP calling in sick with typhoid just 2 days before the shoot, crucial locations which took time due to budget constraints, actors issues due to long hours of shoot, food issues when we were shooting in the middle of nowhere, cop issues during night shoots, health issues due to long schedules sometime 2days and nights continuously and all that jazz.

WHERE ARE WE NOW – We have completed the film and had 2 private screenings to get an initial feedback. Now aiming to send the film to a few festivals and see where it goes and also travel with the film to Chennai & Mumbai in the month of June to have a private screening for filmmakers, Bloggers, Cinephiles, Indie filmmakers circle, aspiring filmmakers and others.

WHAT SUPPORT ARE WE LOOKING FOR – I am looking for venues in Chennai & Mumbai which is cost effective so that I can bring my film there in the month of June. Anybody who could help us with venues which are cheap or free, that would be great. Also, I have created an online fund raising campaign on Indiegogo to raise money to help us send the film to festivals, which is our first benchmark and priority. If we make more money than necessary for festivals, I shall pay my cast & crew and settle the vendor bills.

DETAILS
Synopsis: – A single mother wanting to rekindle her relationship with her teenage son, trying hard to bridge the gap times have created. A failed writer trying to revive his creativity amidst external and internal conflicts. A group of friends meeting up for a celebration and end up trying to revive an unexpected situation. And how these characters cross paths willingly or unwillingly forms the storyline of the film. This film is an introspective take on life the way it is. It’s about communication issues, creative obsession & self destructive motives.

Genre – Drama

Duration – 125 minutes (festival ready cut)

Language – English & Kannada with bits of(Tamil & Hindi)

Format – Digital (HD)

Budget – Rs 44,700 (spent on production mainly, without paying anybody)

Writer, Editor, Producer & Director – Arvind Kamath

Co-Editor, Sound Designer, vfx & DOP – Bharath MC

Background Music – Bharath MC & Aveer Thakur

Crew – Madan, Kiran, Vishwesh, Prince, Poojitha, Supritha & Kempraju

Principal cast – Sanjeev Nair, Adithi Kalkunte, Kenneth Sebastian, Anjana Ajith, Monish Nagaraj, Khuldeepak & Naveen Kumar J

On IMDB.  On Facebook.

Indiegogo fund raiser campaign page is here.

OTHER LINKS

An experiment called Innuendo – Rediff

The Reel Mag interview is here.

Coverage on Madaboutmoviez, LongLiveCinema and Indieturf.

We are premiering a short film on our blog for the first time. A short i saw during Mumbai Film Festival and liked it. It starts with an intro by its director Mihir Desai. Over to him.

It’s been a year, almost since our short film Aakra-Man first screened at Mumbai Film Festival in 2011. We’ve been dying to post it online but weren’t allowed due to its festival run. Here it is, finally the online premiere of our DIY superhero short, Aakra-Man.

I am never really keen on writing intros or ‘making – of’ posts before my film is watched. Anyone wanting to criticize my work should have the freedom to do so without thinking about how much I struggled to make a film, because frankly everyone goes through that struggle. Most importantly it’s always fun to let the film speak for itself and to see how the audience reacts and interprets my vision.  (Ed – and so i am stopping him right here. Watch the film and then read the rest.)

So I decided to write about something else. Let me jump right into it. (This may or may not be directly related to Aakra-Man so feel free to skip it)

‘Rogue methodology’ is a myth. As filmmakers we are constantly involved in the process of making films, we see our film over and over again. When I put a shot in my film, it’s there for a reason. It’s by choice I’ve added or removed something. You don’t shoot a film with multiple cameras just because you can. The format you shoot a film on is as important as the screenplay of your film. Aakra-Man is essentially a mockumentary. Shooting with a slightly faster shutter speed on digital SLRs helped me achieve what I wanted. It looks more “video” than “film” because ‘videos’ like this would usually come on television and not in theatres. From what I’ve seen, it seems like ‘rogue methodology’ has zero thought behind using a certain format or camera therefore shots end up looking like mistakes or ‘NG Takes.’ The first rule of DSLR filmmaking is, to understand the flaws of these cameras. Only then can you come up with innovative ways to adapt to this new technology. It’s really annoying when popular filmmakers make use of this technology without educating themselves. This is a big threat to smaller filmmakers because once a DSLR feature flops not a single investor will trust its potential. I’ve been working with video DSLRs for a long time and I know a lot of great independent filmmakers making such good use of these cameras. Unfortunately it’ll go unnoticed; DSLR filmmaking in India will continue to be discouraged.

Overwhelmed by the size of these cameras, followers of rogue methodology have probably forgotten that films are first and foremost an emotional experience. If the audience is only talking about how the film has been shot, the filmmaker has failed. Struggles and techniques should be invisible because all of that adds up to the story one is trying to say. That is of utmost importance. Although I agree with Mr. Rogue when he says the cameras should be invisible to the actors but in that process the director shouldn’t become invisible too!! There is only so much an actor can bring to the table. If he or she is a ‘good’ actor they’ll come prepared with the look, body language, research, back story, accent, etc but the rest is how the director moulds their performance. The “why” is the director’s job and the “how” is the actor’s job. Rogue method seems to completely disregard this fact.

If rogue methodology wasn’t enough we have studios trying to put a ban on Vimeo. The reason I make short films is because I get the freedom to experiment. I am aware that when I make a short film I’ll be distributing it online only. My investment is always very low because I won’t make any money after releasing my film online. However, what I will get instead is an audience. This audience of mine, will hopefully support me when I eventually make a feature in the future or make more shorts for the Internet. By banning a distribution site like Vimeo the studios are not only putting an end to creativity but destroying the niche we independent filmmakers have created for ourselves. I can confidently speak for a lot of my fellow indie filmmakers and say that our intent has never been to compete with studios. We just want to co-exist. Vimeo is not just a distribution website, we can use it to share footage and collaborate globally. With the consent of my filmmaker friends abroad I’ve used footage they’ve shot in my documentary Common Thread and they can do the same with mine. Collaboration without increasing production cost! Banning Vimeo is just taking all these privileges away from independent filmmakers. When I was re-cutting Aakra-Man I never thought it would end up becoming ‘just another YouTube video.’ Sadly that’ll be my primary source of distribution here. Social media is a really powerful tool, see what you can do by getting the hashtag #SaveVimeo to trend. It’s really important to the indie film community.

Aakra-Man is just a film about someone who is struggling to ‘fit in.’ Rahul Desai has written and acted this part. We hope this video is worth your time. Our plan for the future is to make a feature length version of this film so please help spread the word and share your thoughts, rate/review it on IMDb. For best quality, watch the film on Aakra-Man’s official website (this is a Vimeo embed, if your network allows it watch it here) Those in US or Canada can download a full HD version for free on iTunes. The rest can watch an embedded version below (please watch it in full HD)

Download Alex Marianyi’s soundtrack for free:

Lastly, please bookmark http://www.aakraman.com . It’s a work in progress website we will be allowing free download of the screenplay and if people are interested to know about the making of the film then a possible commentary by Rahul and me.

Mihir Desai

Finally, the official trailer of Vasan Bala‘s debut feature Peddlers is out. The film is all set to premiere at Cannes International Critics’ Week.

So what works and what doesn’t? Since he is a good friend, i might be biased. But let me try. The visuals look gorgeous, there is a sudden tension in the mood but it all looks calm on the surface. Great! And the ‘ud jayega‘ raw vocals adds to the creepiness. But the text seems to be too vague. Actually it’s the same as that cryptic synopsis of the film. Why? Who does that? Also, font is dull and boring. And it comes on the visuals. Found it too be distracting.

What do you guys think? Do leave your comments.

To quote the official synopsis,

Peddlers – A ghost town, Mumbai, inhabited by millions. A lady on a mission, a man living a lie, an aimless drifter. They collide. Some collisions are of consequence, some not, either ways the city moves on.

And here’s the cast and credit list..

Director : Vasan Bala
Screenplay : Vasan Bala
Cinematography : Siddharth Diwan
Editing : Prerna Saigal
Sound : Anthony B.J. Ruban
Music : Karan Kulkarni

Cast: Gulshan Devaiah, Siddharth Mennon, Kriti Malhotra, Nimrat Kaur, Murari Kumar, Sagai Raj, Megh Pant, Nishikant Kamat, Neeraj Ghaywan and Anubhuti Kashyap.

I am not sure how and where to start this post. Still too excited about the news. But let’s get the news first. Vasan Balan‘s debut feature Peddlers has been selected to premiere at Cannes International Critics’ Week. Yay! And since this is his first feature, it’s also going to compete for Camera D’Or. Every year only seven films are selected for Critics’ week and this year Peddlers is one of them.

To quote the official synopsis, Peddlers – A ghost town, Mumbai, inhabited by millions. A lady on a mission, a man living a lie, an aimless drifter. They collide. Some collisions are of consequence, some not, either ways the city moves on.

And here’s the cast and credit list..

Director : Vasan Bala
Screenplay : Vasan Bala
Cinematography : Siddharth Diwan
Editing : Prerna Saigal
Sound : Anthony B.J. Ruban
Music : Karan Kulkarni

Cast: Gulshan Devaiah, Siddharth Mennon, Kriti Malhotra, Nimrat Kaur, Murari Kumar, Sagai Raj, Megh Pant, Nishikant Kamat, Neeraj Ghaywan and Anubhuti Kashyap.

And here are some stills from the film..

This slideshow requires JavaScript.

And now the news bit is over, i am going to write and behave like Vidhu Vinod Chopra.

It seems like yesterday. Vasan pinged me on gmail and then shared some pics. I said, wow, this guy looks like Andrew Garfield. Vasan – fuck, you got it so bang on.  I have been telling all about the Garfield thing. When it comes to cinema, this wasn’t the first time we were on the same page instantly. May be that’s why we bonded so well since we first bumped into each other at a blogging site called passionforcinema. Now it’s dead. Me, him and Kartik Krishnan – it’s been quite a love-hate equation between the three of us since last few years. Except participating in an orgy, i guess we have shared everything else.

And as i sit down to write this post and look back now, i know why i feel so bloody happy for him. Not sure when was the last time i was so happy for someone else. May be because i know how his sweat smells.

By bollywood rule book, Peddlers wasn’t a dream launch. There was no fancy announcement, no articles in newspapers, no big stars to talk about. No posters were designed and no title was thought about. He had assisted Anurag Kashyap for long and was back after  assisting Michael Winterbottom on Trishna. He was getting restless to make his movie but Kashyap wasn’t exactly sure about the script. One script out, another came in, that also went out and he wrote a third one. This went on for some time and then he decided to go ahead and prove it to himself. Whatever happens, he was going to direct. It was going to be a true “indie”. On behalf of Kashyap, Guneet Monga produced it by raising funds from everyone possible. Low budget, low on resources, cast friends and family members, everything on “jugaad“. Come what may, he had to make this film. To prove it to himself, to Kashyap, to us and to people around him.

I went to meet him the day before he was starting his shoot. He looked tired, almost dead. I hugged him, and prayed that he doesn’t fall sick during the shoot. He has a record of falling sick while ADing on films and we always used to joke about it. I had read the script and really liked it too. Was confident about his direction after seeing the two shorts he had directed. Not saying this because he is dear friend. Harsh truth has never been a barrier between our friendship. We have ripped apart each others work many a times in the past. As always, me and KK argued with Kashyap too. Why can’t he see what we are seeing? As always, he also argued, gave his reasons and it was a dead end.

The shooting got over and we saw the rough cut. I wasn’t expecting something like this. This was a new language – minimal approach to filmmaking, if i can call it so. Hadn’t seen something like this in any desi debut film. Everything was pitch perfect except his jeera rice indulgence. I thought if nothing happens, at least this is a great CV to have. Kashyap saw the film and he loved it. And to give credit where it’s due – he publicly announced on twitter that Vasan has proved him wrong. We were relieved. As the inside joke goes, Rahul aur Anjali me phir dosti ho gayee.

By that time we all were getting too excited about it – what can be done to this, where should he send it, the usual gyaan gurus that we all are. Kashyap assured everyone that he really loved it, he means it and he is hoping for the best for this one. He told us to wait, the best will happen soon.

And then, it did happen.

CANNES!

For so much blood, sweat and tears, what else does a filmmaker want?

And once you look at the names in the Critics’ Weeks archives, you realise what it means. Bernardo Bertolucci, Jean Eustache, Otar Iosseliani, Ken Loach, Wong Kar Wai, Jacques Audiard and Arnaud Desplechin to name a few. Or just look at some of the features selected last year – Las Acacias, The Slut, Snowtown, Take Shelter.

Add Vasan Bala and Peddlers to the list now. It can’t get bigger than this for a film where money and resources hardly mattered. Passion and sweat was all that counted – of his and people around him. Because without expecting anything, there are many (cast & crew) who made this film happen as their only motivation was “this is Vasan’s film, this has to be done”. Blame it on his friendship and good will.

And google cache is going to mark it. Because it’s history now.

Cheers, Vasan. ( It’s time to return the favour – don’t you forget to get me a Cannes T-shirt :-))

( PS – And as i have said always, here’s the best film school in this country ——-> @ankash1009)

(PS1 – For more info about Critics week selection, click here.)

(PS2 – Click here to read an interview of Vasan Bala on DearCinema and click here for an interview by Mihir Fadnavis.)