Archive for the ‘Special’ Category

Movie Recco : 10 must watch documentaries

Posted: January 3, 2012 by moifightclub in cinema, Documentary, Indie, Movie Recco, Must Watch, Special
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We wrapped up the “Best Of 2011” with all kinds of posts on movies, music and moments. But we completely forgot about the docs. Also because most of us didn’t manage to watch all the best docs.  Writer-filmmaker Mihir Desai saw it all and here’s his recco post on the top 10 docs of 2011 that you must watch. Click on the titles to see the trailers.

2011, like the previous year has been a brilliant year for documentaries. We’ve been exposed to some really personal and special films. These docs have dared to bend the rules and have created a sub-genre within documentary filmmaking. I saw docs that were surreal, global collaborations, re-enactments and just traditional docu-dramas. Hope this genre continues to grow and finds more audiences, after all the first few movies ever made were documentaries too!

Some obvious choices like Pina 3D, Page One: Inside The New York Times and Martin Scorsese’s Public Speaking will be missing from the list as I never got a chance to watch these. Regardless, this should make for an interesting recommendation list, as I am sure most films listed below might have gone unnoticed amidst the Tintin and Mission Impossible hype.

First up, the honorable mentions: Inshallah Football, Buck, Knuckle, George Harrison: Living in the Material World, a short documentary by Errol Morris – The Umbrella Man and Superheroes.

Now, the five runner-ups. Films that almost made it to the list:

15. Urbanized
14. Being Elmo
13. Project Nim
12. Cave of Forgotten Dreams – 3D
11. Tabloid

Finally, the top 10 documentaries of 2011:

10. The Arbor :  Clio Barnard’s portrayal of the late Bradford playwright Andrea Dunbar is a brave experimental documentary. Clio uses audio from the interviews of real people and lip-syncs them to the actor’s performance. The whole film is a re-enactment but it isn’t manipulating the facts. The events and story is true, the presentation isn’t (somewhat similar to No. 8 on this list) It can be a little challenging to watch this film but once the story unfolds, you’ll be hooked!

9. Bill Cunningham New York: An 80 year old New York Times fashion photographer riding his bike around New York City to photograph fashionable citizens; the plot of this film is that simple. Director Richard Press portrays Bill Cunningham’s passion for fashion and photography in the simplest manner. The observational approach juxtaposes the glamorous fashion world to Bill’s simple and saintly way of living. Besides being a film about Bill’s photography, it is also an interesting city portrait of New York. Therefore, making New York an additional character for Bill to interact with. This is a truly inspiring documentary. When the movie ends, what stays with you is Bill’s contagious smile.

8. Bombay Beach: Director Alma Har’el comes up with the year’s most poetic, surreal, genre-defying documentary. Some might argue, this isn’t even a documentary, and that’s what makes it so fascinating to watch. The location is real, the characters are real and the story is just an observation of these characters’ lives. Alma treats her film like a narrative feature. There are beautiful musical moments choreographed to songs by Bob Dyland and Beurit that makes the experience very surreal. The irony here is that this film is vaguely about the American dream set in a poor, dying community on the shores of Salton Sea. Bombay Beach is nothing like you’ve ever seen before. Absolutely magical!

7. Senna: The year’s most popular documentary on the life of Formula One driver, Ayrton Senna, is absolutely riveting! Director Asif Kapadia makes the best of unseen archival footage to explore the struggles and achievements of an iconic sports person. It’s the editing of the film that takes it to a whole new level. Gripping!

6. Life In A Day: What. A. Movie! This is a perfect and successful example of collaboration 2.0. Co-directed by Kevin MacDonald and The World, this is a beautiful documentation of common emotions across the globe. Shot on the same day by people from around the world and interestingly woven together by editor Joe Walker, Life In A Day is as real a film can get. Brilliant and compelling! Also, you can legally watch the whole film on YouTube, for free.

5. How To Die In Oregon: Oregon was the first state in the USA to legalize physician-assisted suicide. Director Peter Richardson follows the life of cancer patient Cody, and it is through her point of view we get to learn about the pros and cons of Oregon state’s “Death with Dignity” law. Richardson handles this topic in a very sensitive manner without invading Cody’s private space. A thought-provoking documentary that some might find a little tough to watch. Yet, this is one of the most important films of the year and is sure to call for a healthy debate about the ‘death with dignity’ law and about the voyeuristic nature of documentary filmmaking.

4. Into The Abyss: Werner Herzog has his way of doing things, and no one else does it better than him. Herzog creates a moving profile of two men on death row and explores their relationship with those outside of prison. This film is not so much about capital punishment but about exploring the fear and philosophies of death. A very honest portrayal of the fine line between what is right and wrong.

3. Nostalgia For The Light: If Terrence Malick makes a documentary, this is what it  will look like. With gorgeous imagery and a philosophical narrative, director Patricio Guzmán constructs a story about the fusion of past and present. In the Atacama Desert, astronomers study the boundaries of the universe while surviving families of the Chilean exiles continue to look for the remains of the loved ones. Nothing comes close to the experience of watching this movie. This is the film I would have loved to see in 3D. It’s a hypnotic film that asks complex questions about life, memory and the universe. Unique film, unique experience.

2. Marwencol: Jeff Malmberg’s documentary is about the fantasy work of Mark Hogancamp, who creates a 1/6th scale World War II ear town which helps him get away from his nightmarish past. Mark is a very complex character and this film studies him with utmost sincerity. The filmmaker never tries romanticizing Mark’s motivations. Truly an authentic character study that might just leave you shattered.

1. The Interrupters: The Academy once again snubs one of the best documentary filmmakers, Steve James. Last time it was for Hoop Dreams and this time, for the mind-blowing, The Interrupters. Set in Chicago, Steve James follows three members of the Ceaserfire program for a whole year. Also known as violence interrupters, their job is to protect their community from the urban violence of the city. This is a side of America not many are aware of. The characters are, in my opinion, real-life superheroes. Steve James and his crew fearlessly film every detail they can. They are always there in the middle of conversations, danger, and threat. The Interrupters is powerful, dark and hopeful at the same time. Without a doubt, the best documentary of 2011.

Take some time out from mainstream movies and seek out these masterful films. There’s a whole lot out there!

Happy New Year!

– Mihir Desai

( PS – For more film posts by Mihir, click here.)

POTD : Goodbye 2011

Posted: January 1, 2012 by moifightclub in cinema, pics, POTD, Special
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And with this POTD we close the year and come to the end of “Best of 2011” posts. This sketch and the note that follows is by Sumit Purohit.

Every cinema buff loves to look back at the year that went by and comes up with his or her pick of best/worst films of the year. So here is mine. I haven’t watched all the films that released this year (and hence some might be missing from the list) but from all that I did, these are, for me, the fifteen important films from 2011 – the films I enjoyed, the films that I think did something new and different.

I resumed sketching this year with sketches inspired from films. And therefore what better way to share my favourite films from 2011 than visually.

Enjoy figuring out the films. I hope you can 🙂 And just in case you need help, you can check this link.

– Sumit Purohit

2011 Rewind : 20 Things we learnt at the movies and 10 unanswered questions

Posted: December 30, 2011 by moifightclub in bollywood, cinema, Special, Year end special
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And the “2011 Rewind” series continues. You can read our previous posts here (honest movie posters), here (Bollywood songs we looped), here (Non-bollywood hits of the year), here (exciting moments at the movies),  and here (films which dared to bend the rules). Also, we are scooping some of the best year-end lists here.

Like last year, in this post we have tried to dissect what we learnt at the movies  this year – the good, the bad, the ugly, and the questions that baffled us through out the year.

20 Things We Learnt At The Movies

1. Zoya Akhtar is a better filmmaker than Farhan Akhtar. 2/2 > 1.5/4. LBC + ZNMD > DCH + 1/2Lakshya

2. Nikhil Advani scored a dud hattrick and proved again that KHNH was indeed directed by Karan Johar. Patiala House.

3. Big B can’t sell tickets anymore. He is hit on the small screen but is a flop on the big screen.  KBC. BHTB. Even when he was in his best commercial avatar,  the excuses given were many – low budget, recovery before release, satellite rights.

4. Creative collaboration with spouses and family is not a bright idea. Dhobi Ghat. TGIYB. Mausam. Tere Mere Phere. Love Breakups Zindagi.

5. B for Bachchan. B for Bhagnani. B for Box Office. But you never know which way the last B will swing. Even Jackie B’s film can score better than Abhishek B’s film. Faltu. Game.

6. Tusshar Kapoor still can’t act. He was the odd man out even when the films scored – either critically acclaimed Shor In The City or commercial hit The Dirty Picture. His pillow dance in TDP can give nightmare to anyone.

Dear Ekta Kapoor, let him go. Even Aditya Chopra has given up on Uday Chopra.

7. You can’t calculate the target audience and then make films according to it. Otherwise Y Films’ Luv Ka The End and Mujhse Fraaandship Karoge would have been blockbusters. Pre-release claim – 60% (?) of theatre going audience is youth. Post-release – we recovered our costs.

8. Every filmmaker has one great film in him/her. Some people make their debut with that one. Tigmanshu Dhulia is done with it. Stop expecting. Shagird. Sahid Biwi Aur Gangster.

9. When it comes to Ramu, camera and dildo have the same purpose, interest and area of specialisation. NALS.

10. Prakash Jha creates political events but has no clue about political films now. Raajneeti was a joke,  and we are not sure how to describe the awful Aarakshan.

11. Imtiaz Ali will keep churning out films based on his single template of romance. He knows it but doesn’t  know what to do about it. Rockstar.

12. Himesh Reshammiya is not going to give up so soon. Let’s all pray. Damadamm! In 2012 he has more.

13. Dad + Sons > Mom + Daughter. Deols. Yamla Pagla Deewana. Tell Me O Kkhuda.

14. Remake is NOT a hit formula. Soundtrack was a mess.

15. We don’t need superheroes. Our heroes can do everything. Ra One. Zokkomon.

16. Bhai-porn is here to stay. We are still not bored. Ready. Bodyguard.

17. Indian Mens Are Hot. Courtesy Anil Kapoor. Mission Impossible : Ghost Protocol.

18. Sex and Shah Rukh Khan still sells. Ra One. Murder 2. Don 2. The Dirty Picture.

19. When an actress gets into film production, it means her career is officially over. Lara Dutta. Dia Mirza, Ameesha Patel. Shilpa Shetty. 

20. We still haven’t lost A R Rahman to the west. When he delivers, he is the best. Rockstar.

10 Unanswered Questions

1. Will the real Abhinay Deo please stand up? Which one to trust – Game or Delhi Belly?

2. Who read the script of Game and approved it?

3. Who thought about changing Mimoh’s name to Mahakshay?

4. In which camera do you have the option of in-built subtitles? And for ghosts? Ragini MMS.

5. Who added extra ‘B’ in Bbuddah, extra ‘K’ In Tell Me O Kkhuda, extra ‘A’s in Mujhse Fraaandship Karoge and what purpose they served?

6. Is his name Bumpy? Just Bumpy? Really? Luv Ka The End.

7. In how many more films will we see Vinay Pathak in lead role and doing the same bumbling fool act? This year he had five releases. Yes, five!

8. Can G. One fly? If so, why does he need to travel in a plane? Ra One.

9. Always Kabhi Kabhi – Who is the brain behind the weirdest title of the year?

10. Who is Nagesh Kukunoor?

And what’s your list? What all you discovered or learnt at the movies this year? And what all remains unanswered? Do let us know in comments.

2011 Rewind – 10 Honest movie posters

Posted: December 28, 2011 by moifightclub in bollywood, cinema, pics, Posters, Special, Year end special
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This is in continuation to our “2011 Rewind” posts. You can read our previous posts here (Bollywood songs we looped), here (Non-bollywood hits of the year), here (exciting moments at the movies) and here (films which dared to bend the rules). Also, we are scooping some of the best year-end lists here.

So what is a film poster suppose to do? With so much hype around the release of first look of any film, it’s your first pitch for the audience. It might not make or break your film but it surely starts setting the mood for the film. But do they always tell what the film is all about? A good film poster is a rare thing. And recycling is the funda of the game. Click here to read an interesting piece – thirteen movie poster trends that are here to stay and what they say about their movies. And if you heart posters like we do, here‘s another interesting site for minimal movie posters.

Ok, back to honest movie posters of the year. So here are ten honest movie posters done by Jahan Bakshi, Varun Grover and Rakhi.

And for all the love that Michael Fassbender’s dingdong is getting, here’s a bon(er)us one. This one is a mashup.

2011 Rewind – 10 films which dared to bend the rules

Posted: December 22, 2011 by moifightclub in cinema, Special, Year end special
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And manage to successfully pull it off too. Now, ‘dare’ is a difficult term to describe.  Let’s try another definition. Do you read the back covers of the dvds where the synopsis of the film is printed? This is the list of the films whose brilliance can’t be summed up in those few lines, either in terms of the subject, story, story telling technique or execution. In no particular order.

1. 50/50 – There are stories that you tell and then there are stories that you have lived. And there’s no substitute for the latter. Nobody can tell that because nobody else has been there. Like Samuel Moaz’s Lebanon, 50/50 is inspired by screenwriter Will Reiser’s own story. Otherwise “cancer comedy” is a difficult genre to crack. The film finds the perfect fine balance between tragedy and comedy and is one of the nicest films of the year.

2. Michael – The subject is creepy and disturbing, the treatment is non-judgmental and brilliant. Inspired by real life events, the Austrian film directed by Markus Schleinzer revolves around the life of a pedophile who has locked up a 10-year old kid in the cellar. Its brilliance lies in the fact that it uses no gimmicks to show the day to day activities of the pedophile’s life and the predatory relationship between the two characters are on the verge of father-son equation, which gives it a human face.

3. The Cave Of Forgotten Dreams  – There is no doubt that 3D is here to stay and it’s a terrible news for people like us who wear glasses. The experience is not even rewarding because most of the films will serve the same purpose in 2D. This is where Werner Herzog scored over everyone else. Even with the new (3)D, trust the old Dude to show how it’s done. Watch this one to know what Depth is and how goregous it can look when captured in 3D. Exploring the Chauvet Cave, this documentary is a meditative piece on life, evolution and human existence.

4. That Girl In Yellow Boots – I was disappointed with this one but the magic of the film lies entirely in its making. Anurag Kashyap could dare to shoot a film in just 13 days and complete it too –  this story is going to be in textbooks of digital film making.

5. The Artist – The film is touted as one of the Oscar favorites now. But imagine, at a time when everyone is hell-bent on going 3D and motion capture, a filmmaker thought about making a black and white silent film. And how many people thought it was a joke? In the words of the filmmaker Michel Hazanavicius, “Nobody believed in the movie. Nobody wanted to put any money in the movie.” The story is nothing new but the story telling is so smart and charming that it will keep you hooked throughout.

6. Gandu – We can claim some credit for discovering this low-budget provocative piece from Calcutta. We uploaded its trailer twice, it was removed both times and we were warned that our account will be blocked. All because of the explicit nature of the content. But the film is much more than that. That thing called aesthetics, which is so rare in bollywood, is in abundance in Q’s Gandu. Plus, the bengali rap and the minimalist style gives it a distinct flavour. And if you have seen Q’s other films (here and here), you know that the filmmaker is not fluke, and he is not just selling sex and nudity.

7. Generation P – A heady cocktail of art, culture, religion, pop, politics, philosophy, advertising, consumerism and Che Guevara. This Russian film directed by Victor Ginzburg was in production for about five years and was the trippiest experience at the movies this year. Its daring in its subject, scale and story telling and the viewing experince was unique, to say the least. It makes fun of so many well-known advertising campaigns and strangely, it got the funding from all those brands which it makes fun of. Convincing everyone wasn’t an easy job but who said filmmaking is a cakewalk.

8.The Tree Of Life  – The Bollywood rule book says the bigger you aim, the dumber you have to be. And my guess is, the rule book is the same everywhere unless you are Terrence Malick. This film goes to the other extreme. Even with all the trappings that define a big hollywood film, this one is a meditative piece that doesn’t give a fuck about your IQ but needs complete submission and respects your EQ. Once you are inside Malick’s world, the experience is difficult to describe and all that you will crave for is some silence and space for your soul.

9. Midnight In Paris  – Trust Woody Allen to do something so ridiculous and still make it so charming. You will think about the absurdity of the plot, but Woody knows his characters and their lines to well that you will happily take the leap of faith. Its a difficult path to tread that could have turned completely messy. Writing anything more about it will kill the joy of discovering it. Watch it if you still haven’t.

10. We Need To Talk About Kevin – This film is like an antidote to The Tree Of Life. No, make that vice-versa. Like many other great films, this one doesn’t provide any easy answers but leave you with million questions. Revolving around a school massacre, Lynne Ramsay’s film is disturbing and will stay with you for hours after its over. It boldly portrays a scary relationship where the mother and son are being competitive to beat each other. Exploring the uncomfortable zones in a family affair, Kevin must have been a very difficult film to get a firm grasp on.

Other than these ten, there have many others which pushed the envelope in many ways. What’s your pick?

2011 Rewind – 11 Non-Bollywood Hits that kept us hooked

Posted: December 19, 2011 by moifightclub in music, songs & videos, Special, Year end special
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Like everyone else, we have also started our “best of the year” posts. You can click here to read about the songs we looped and click here to read about the movie moments that stayed with us. In this post, Rohit looks back at the non-film music scene – on small screen, remixes, ghazals, virals and more. Read on.

While various music factories continue to churn out mass products (some of them as genuine and ‘durable’ as chinese products), we try to take a look at 11 instances wherein something good came out of independent factory owners. Of course they faltered as well, but they scored on more occasions and that’s what counts. Remember, this is what we feel. Let’s hear what you feel should be added/deleted/trashed/modified. Ok Mama ready? In no particular order.

1. Coke Studio@MTV – Finally, the channel went back to what it was known for – music. Expectations were huge. Almost everyone who has seen a coca cola bottle ever in their lives had an opinion on what the music in the ‘studio’ should sound like. While secretly everyone was waiting to see ‘Pakistan wala’ coke studio being performed in India, even the die hard fans of Coke studio like me will agree that what was missing was ‘stillness’. In presentation, in the execution and of course lights! didn’t help either. Some compositions that stood out purely in terms of innovation include

* Theme of Coke studio India – (heard it?)

* Mera Yaar basenda – Tochi raina and Mathangi Rajshekhar

* Piya Ghar aavengey – Kailasa

* Indian Jadoo – Sanjeev Thomas and ChinnaPonnu

* Kaatyaayni – Ustad Rashid Khan and Bombay Jayashree

* Vethalai – Kailash Kher and Chinnaponnu

Not going into the details of what we didn’t like or what didn’t click. There is a separate post for it  which you can read here.

2) MTV Unplugged – The expectations were again high and the reasons were quite same. World over we have seen the artists, good artists holding our hands and leading us to euphoria when it comes to MTV Unplugged. The teasers were inviting. However somewhere in between (and I mean – Indian Ocean, Rekha and Euphoria), they missed the trick. Lights were good! Setting was less intruding, artists were good too. Yet we couldn’t help but feel that it was all done in a hurry (leaving Mohit chauhan and Rabbi’s episode). The music setting overpowered the vocals (Especially in Rekha ji’s performance) and Couldn’t help but feel that Ranjit barot was trying too hard and can someone PLEASE tell Euphoria that there is a difference between LIVE ‘performance’ and MTV Unplugged. Inviting crowd participation killed the episode for us. Still. Some gems linger in our mind…

* Jugni – Rabbi

* Bilqis – Rabbi

* Babaji – Mohit chauhan

* Chambey – Mohit chauhan

3. The Bartender Remix – Mikey McClearly – Khoya Khoya chand! Wo ‘shaitan’ wala gaana! 🙂 An interesting (I dislike using this word for ‘remixes but well!) experiment done to some old gems from our old hindi film rack. Undoubtedly, the strategically smart choice to showcase the song in Shaitan and not featuring it on the OST CD worked well for the ‘curiosity’ factor but you take this superbly shot song out and you are left with ‘the following songs that made some impact

* Ye raat ye chandni – Loved the overall effect of the song.

* Babuji dheerey chalna – Goes well with the theme of the album.

Do NOT listen to waqt ne kiya kya haseen sitam. :). Wish the album was stirred a little. Still a good concept and superb marketing.

4. Depth of Ocean – Susmit Sen takes the guitar and tells us why it is the most prominent sound of the legendary group of India. A group we are all very very proud of. All the die hard fans of Indian ocean will hold on to this album forever. The album features Shubha Mudgal as well who has whispered melodiously in the track ‘city of lights’. The not-so-die hard fans will also do well to pick it up mainly for the tracks mentioned below

* Tribute – 11 minutes of pure guitar. Tell me if this piece doesn’t take you back to the days when you preferred to let the room be dark while you sit and ponder life and beyond.

* City of lights – Whispering melody by Shubha Mudgal along with Susmit da.

* Rejuvenation – Aseem da features in it. Enough said

* Six string tribute – Probably the best version of the National anthem that has hit our ears in a long time.

Click here to hear some of the tracks.

(P.S. – I wanted to put the track intimacy also but am worried that it will all be too lengthy. So there! Just listen to it ok? 🙂

5. A.R. Rahman – Superheavy – Lots of bass, lots of message and a lot of beat embelished Satyamev Jayatey wraps this 4 track album which showed us how easily the emperor (AR Rahman) melts in the setting still makes his presence felt. Don’t tell me that anything in this album reminds you of ‘Jai Ho’ on sterioids. :). Our pick is of course Satyamev Jayatey (The one with radio mix)

6. Sifar, The band – Easily the most ambitious, exciting and important find of 2011. Sifar is an Alternative/Indie rock band from New Delhi. Lead by Amit Yadav on vocals (and at times on drums!), this band has come out with their first album and if you forget the fact that they haven’t been featured on ‘T.V’, you will be bowled over by the ‘sound’ of their music. Don’t go finding if they are trying to sound like some ‘Angreji bands of yore’. With no popular names attached to their band, it’s incredible how they have managed to create a good vibe about their work in a short span (click www.sifar.in for more and for free downloads as well!). Our picks from their album (titled – 1) are

o Main Jaunga – Powerful

o Roko na – Powerful

o Mita do – Powerful

o TV – Heard anything like this before in Hindi?

7. Dewarists – Someone told me ‘Dewarists’ is what Coke studio in India should have been. Hmmm. While that’s a bit harsh and out of context (because Dewarists is more of a journey in making music and showing the product at the same time, Coke studio is supposed to undertake the journey off camera and get the performers to the studio to perform and make the world watch it), I guess the end result is what matters. This was a great initiative to show the artists, travel with them to a new place and make a new song. Though the format made the show look repetitive after few episodes but this was the best thing that happened on Indian Tv in 2011.

As long as there are more hits than misses, we are fine! Our picks

o Minds without fear – Imogen Heap teamed up with Vishal-Shekhar and gave us a very ‘bollywood-ish’ offerring but it touched the right tracks thanks to some superb mixing.

o Kya Khayal hai – Zeb, Haniya, Swanand kirkire and Shantanu moitra. I guess we don’t need to mention anything else.

o Sacred Science – Hear it. Hear it.

o Khule da rabb – Finally a song where someone looks Rabbi right into his eyes and challenges, melodiously of course. This is the song of the season according to us.

o Durr Kinara – Shubha Mudgal and Swarathma come together to showcase beautifully what Dewarists is all about. The video. The music. Superlative.

Wilfully not mentioning much on Indian ocean, Punditz and the parikrama song, which starts so well and loses it’s steam mid-way thanks to too many efforts to tug at your heart strings. Strange as it sounds, Shilpa Rao wasn’t required in this song.

Can we please have the 2nd season soon?

8. Band called Nine – Rewind – Who doesn’t want to go back to their good old days with a dash of melody and a cup of coffee? Thats just ‘Rewind’ does. A unique album comprising of a story which is narrated in a conversational mode with some songs thrown in for good measure. Although it has a strong North Indian bent to the entire story, chances are you will like it almost immediately. (Am a small town guy from Lucknow so well I may have extrapolated your liking a little bit) :). The band which is called nine consists of Shilpa Rao (famous bollywood singer), Amartya Rahut and the famous lyricist Neelesh Mishra.

No particular favorite as the entire album is worth a good listen.

9. Ae Dosheeza – Kshitij Tarey – The singer whose voice has given ‘soothing’ a new definition, has come out with a good album. Mixed with romantic and traditional songs with a dash of jazz, it’s quite an exciting album. Let the videos hit the T.V. (We sure hope it does). A detailed review is posted here. And you can can hear some of the songs from the album here.

 Our picks would be

 o Yaad piya ki aaye – A traditional thumri sung in jazz arrangement and boy does Kshitij does a justice to this one! Must Must Must hear.

o Saanware – Originally done by Roop kumar rathod and was also featured in the album Shor In The City, Kshitij displays consummate ease which is so good on ears.

10. Irshaad – Rekha and Sudeep – A very good and pure ghazal album with such variety! Not many of us have heard of this album isn’t it? Just hear it at one go and tell us if you don’t feel for such good efforts when they go unnoticed? Anyway, this album gets Rekha Bharadwaj and Sudeep Banerjee (Earlier albums – Phir bhi, Saqiya). Our pick for this album would be

o Wafa karne se – The way we all know ghazals.

o Subhe Roshan se – Spectacular lyrics with a haunting tune. Ghazal at it’s best.

o Mere mehboob – Recited by Ameeta Parsuram

o Mere Mehboob – Sudeep.

If you like ghazals, our request to you is to NOT miss this entire album. Click here to read the detailed review of the album.

11. Why this Kolaveri di – Dhanush and Anirudh – Yes, the song that gets us to the end of 2011. Amidst a lot of bashing and some self declared regulators of pure hearted fun, this song has made a splash like no other this year. A tamil song (Yes, Ms. Shoba Narayan, it will be tagged Tamil song forever) creating such a rage in the world is such a pleasant surprise. Heck! Any Indian song causing so many smiles is a matter of pride for us all. So if  someone is crying because their tamil milkman and other tamil people who interact with her isn’t singing/talking about this song, let me suggest her to write an email to her milkman asking for a litre of milk and perhaps she will get her answer.

Amidst funny lyrics and funnier music arrangement, don’t understimate the music director Anirudh for a minute because if you listen to the song intently, you will actually come across smartness of execution. A music director to look forward to. Surely.

The year hasn’t been great for non film music but what’s promising is so many ‘Music projects’ blooming (read finding sponsors!), and reaching us just the way they intend to. Coke studio didn’t get it right fully but then the same applies to Dewarists, MTV Unplugged and ‘The Tehelka Music Project (heard of it?) as well. The best part is to see all of them going live with what they create and improvise as they go along…and sometimes that just adds up to the melody…hai na?

What’s your pick?

(PS – To read more posts by Rohit, click here.)

2011 Rewind – 11 exciting moments at the movies

Posted: December 17, 2011 by moifightclub in bollywood, cinema, Special, Year end special
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This has been a bad terrible year for hindi films. Forget ten, if you can spot even five great very good films this year, you should consider yourself lucky. Try, see how many you can count. And so, we are skipping the list of top films and are counting the exciting moments at the movies this year. Moments that you remembered long after the movie was over, discussion and dissection was done with, and they defined the films. In no particular order.

1. Opening Credit (Stanley Ka Dabba) – I have still not been able to understand why we don’t give much importance to credit roll in bollywood. It’s an ART. And a difficult one too. Click here to check out some of the best credit rolls. And this is where Stanley Ka Dabba scored over all other films. The film was an indie experiment and its delicious opening credit was like a Pixar short film. Done by one of India’s best animator Gitanjali Rao, it sets the perfect mood for the story to follow.

 

2. Monologue (Pyaar Ka Punchnama) – When the lead actor doesn’t get to kick the villains, he always gets a monologue. But if the actor is a newcomer, who would dare to give him a monologue? And 5minute long monologue? That’s rare, and if it manages to hold your attention, that’s rarest of rare. I have been accused of endorsing a misogynist and myopic view of the world because i like the film 1st half of the film. It’s a long debate but you can click here to read Paromita Vohra’s observation which i agree with. It was a small film with no names, no stars, all newcomers, but the film managed to survive on its own, and everyone who liked the film, talked about two factors – Liquid and the monologue. You can call it brutally sexist but it’s fun too.

3. Slo-mo sequence (Shaitan) – Who would have imagined that a shootout sequence on a classic song would make such a deadly combo. If there is an award for the most imaginative sequence of the year, give it to Bejoy Nambiar for Shaitan. Blazing guns, characters running and jumping around, bodies piling up, blood and gore making the screen red, and Suman Shridhar belting out a classic song, i was watching it wide-eyed. Killing never looked so cool on desi screen.

 

4. Cunnilingus (Delhi Belly) – Not sure if it re-defined bollywood’s “cool quotient” or “empowerment of mahila mandal” in anyway, but it was surely a welcome change. In a year when bollywood re-discovered machismo by doing zimby zouth remakes and stunts, a hindi film hero going down to pleasure his girlfriend was refreshing. It wasn’t presented as a big deal, it was just matter of fact. As casual as the hero getting a hard-on. Even that’s rare in Bollywood. Isn’t it?

5. The Girl On The Bike who smooched (Zindagi Na Milegi Dobara) – Ten years ago if Switzerland was the desi honeymoon fantasy (blame it on YRF), now it’s Katrina Kaif. How else do you explain her success? Just item numbers can’t take you so far.  Zoya Akhtar put her on a bike to chase the hero, grab him and plant a kiss. Was it easy because it was Spain? Or was it because it’s written and directed by a woman filmmaker? Whatever it is, a machine between the legs and a kiss on the lips is much better than dancing in the rain.

6. That Girl On the Phone (That Girl In Yellow Boots) – Pooja Swaroop. Going by the screenwriting rules, telephone conversations are generally boring. But she played a character whose only job was to be on the phone throughout the film. A bit of tease, a dose of humour, a chuckle, she blabbered her away to glory. Interestingly, we never get to see or hear the person on the other side of the line. Well, because there was none. That’s acting. And this was a masterstroke, as delightful as the scene where both characters (Kalki and Pooja) are on the phone at the same time, on two sides of the wall, in the same scene and talking to two different persons.

7. S and M (7 Khoon Maaf) – We got a hint of it in Abhishek Chaubey’s Ishqiya. In 7 Khoon Maaf, Vishal decided to go full throttle with the love story between Irrfan and Priyanka’s character. Benign by day, beast by night, the shayar who loved S&M – is there anything that Irrfan Khan can’t portray and make it look convincing?

8. Tum Ho (Rockstar) – (SPOILER) I had no clue that so many people were confused about the end of Rockstar. The song Tum ho left them clueless – was she dead or wasn’t she? At first instance it looked like a compromise for commercial sake, but once you hear the song carefully, you know it isn’t. As the song played and the credits rolled, i came out of the theater with the visuals of the last song stuck in my head. This was Rumi in Rahman’s song.

 

9. Booby Balan (The Dirty Picture) – Another monologue. And I don’t remember the last time i was so distracted during a monologue. In the film, there’s a scene where Silk (Vidya Balan) is given an award and then she delivers her acceptance speech. The speech in which she states her moral stand and insults the rest of the industry which is full of people with double standards. But even in that speech, all you remember is booby Balan. Someone should have told us to just hear the scene. Because it turned out to be funny in a weird way, you are hearing something and seeing something else.

10. Videokaaran – I don’t remember watching anything more exciting than Videokaaran this year. This was the best discovery of the year. Varun Grover found it, saw it, loved it and recco-ed it to us. Click here to read Jai Arjun Singh’s column on the film which was published in the Caravan magazine recently.

11. Ek Kwhater Bodvka (Tanu Weds Manu) – This one is for the cheap thrills. She famously said “you Besshterd”. Not once but in almost every film of hers. And we thought that’s the best that we can get from Kangana Ranaut. But she delivered something better in Tanu Weds Manu – ek kwhater bodvka.

What got you excited this year? Do let us know in the comments.

2011 Rewind – 11 songs we played in non-stop loop

Posted: December 15, 2011 by moifightclub in bollywood, cinema, music, songs & videos, Special, video, Year end special
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The year is about to end and since the world is busy making the top ten lists, we thought why should we be left behind. We are scooping all the best lists from across the world here.  Or just scroll down and see under the tab “what we are reading”. We are starting our 2011 Rewind series with a post on the songs/albums of the year.

There are hit songs, there are chartbusters, flop songs, cult hits and then there are the songs which we played in non-stop loop. Sometimes for few hours, days, weeks or even months.  And it’s not easy to dissect why a specific song got you hooked so much. Read on to see if you agree, disagree and if you played the same songs in non-stop loop this year. In no particular order.

1. Bekaran (7 Khoon Maaf) – Ek baar toh yun hoga, thoda sa sukoon hoga. Na dil me kasak hogi, na sar pe junoon hoga...It started with these four lines.  And i was hooked.  And it ended with anothem gem of a word ‘Lillah’, which slowly became a part of our dictionary. At a time when twitter asks you to be smarter and put everything in just 140 characters, you can say so much in just one word -“Lilaah“. With Vishal Bharadwaj’s voice and Gulzar’s words, it was love, longing and goose flesh all over.

Extra Playlist – Tere Liye in Suresh Wadekar’s voice and the haunting Yeshu in Rekha Bharadwaj’s voice. Well, play the entire album in non-stop loop.

2. Kun Faaya Kun/ Dichotomy Of Fame (Rockstar) – The name is A R Rahman. I am not sure where and how to start. Will say the same thing which i keep on saying – if i ever convert to Islam, blame it on Rahman. If Piya haji ali (Fiza), Khwaja mere khawaja (Jodha Akbar) and Maula maula (Delhi 6) weren’t enough, he added one more to the list – Kun Faaya Kun and this one i played in non-stop loop for days. Though Kun faaya was the starting point, the album had another beautifully arranged instrumental piece –  dichtomy of fame. A blend of shehnai and guitar created a haunting mood.

Extra Playlist – Play the entire album.

3. Yun Hi (Tanu Weds Manu) – I discovered the film and the album quite late. Realised  that this is the best musical debut of the year – Krsna (music director) and Raj Shekhar (Lyrics). The laidback charm in Mohit Chauhan’s voice almost works everytime but there is a danger of getting repetitive. Krsna and Raj Shekhar made sure that they didn’t fall in the trap.

…Kitne dafe hairaan hua, main ye sochke,
Uthti hai ibadat ki khushbuyein kyun mere ishq se,
Jaise hi mere honth ye choo lete hai tere naam ko,
Lagey ke sajda kiya, kehke tujhe shabad ke bol do,
Ye khudai chodke,
Fir aaja tu zamin pe,
Aur jaa na kahin,
tu saath reha ja mere,
Kitne dafe dil ne kaha,
Dil ki suni kitne dafe…

Extra Playlist – Rangrez, Piya, Manu Bhaiya, Jugni and Saddi Galli. Aha, another album where you can play all the songs .

4. Hawa Hawai (Shaitan) – Like this music review of Shaitan, almost all other reviews missed this Hawa Hawai remix. Because strangely, the song wasn’t available for download. So all those who downloaded the music and reviewed it, had no clue about it. The twang in Suman Shridhar’s vocals and Mikey McCleary’s arrangement added a new zing to the song.

Though after the film’s release, it was a completely different story. Everyone was just googling Khoya Khoya Chand sequence and if you have seen the film, the reason is quite obvious.

5. Saigal Blues (Delhi Belly)  – Though Mikey’s work got noticed, another superb effort by Ram Sampath went completely unnoticed. Chetan Shashital, the man who can do wonders with his voice, went behind the mike to create the Saigal Blues.

…is dard ki na hai dawai…..majnu hai ya tu hai kasai..

Extra Playlist – Switty switty, Ja ja ja chudail

6. Senorita (Zindagi Na Milegi Dobara)  – This album is Shankar-Ehsaan-Loy’s only saving grace in recent times. The song captures the casual, boisterous and celebratory mood of the Spain and Tomatino fest so well. And the use of  untrained voices of Farhan, Hrithik and Abhay made it look natural and completely  impromtu. Add to that, those perfect pauses.

Extra playlist – Khwaboon ke parindey

7. Saibo (Shor In The City) – This came as a complete surprise. The song and the film. Shreya Ghoshal’s melliflous voice and Tochi Raina’s husky vocals leaves a powerful impact. Music – Sachin-Jigar. Lyrics – Sameer/ Priya Panchal.

Extra Playlist – Karma is a bitch,

8. Main Ek Bhanwara (Sahib Biwi Aur Gangster) – Music by Amit Sial and sung by Shail Hada,  this one is an under-rated gem. A melodious track, the song instantly takes you back to the time when dhoom-dhaam noise wasn’t considered music.

9. Hona Tha Pyaar (Bol) – Purists still don’t believe that Atif Aslam can sing. But you can’t dismiss his voice so easily. There is something charming about the way he sings, though besura most of the times. This song is again one of the least played songs of the year. Heard it on FM radio first and then found out that the song is from the Pakisani film Bol.

10. Uh-ho Uh-Ho (Mujhse Fraaandship Karoge) – This album marked the bollywood debut of musician Raghu Dixit. As if the film’s title isn’t weird enough, this track is called uh-ho uh-ho. I never expected anything good from Y Films but this peppy number sung by Ash King and Shilpa Rao hooked me instantly.

11. Ban Gaya Kutta (Pyaar Ka Punchnama) – I have never laughed so much during a song. Had to play the song few times to get the lyrics and they smartly play with some of the words. Music and lyrics by Luv Ranjan and its sung by Mika.

What am i missing? What’s your non-stop loop playlist? Do let us know in the comments.

Remembering Devsaab : When India’s most eligible bachelor got married

Posted: December 5, 2011 by moifightclub in bollywood, cinema, film, RIP, Special
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Nobody believed that he could die. Wasn’t he immortal? Wasn’t he evergreen? We all had started believing in it seriously because even at 88, he was all hale and hearty, and was making films.  Good or bad, it didn’t matter.  Films was all he knew.  As many of us looked at the posters of his latest films and didn’t even dare to go close to the theater, he confessed many times that he would die the day he stop making films. That was his drug. With a career spanning over sixty years, it was impossible to think about de-addiction.

And then we all woke up to the news that he is no more. It was one of the saddest sundays. But the man has left so much to cherish that we will celebrate many sundays with his movies, songs, memories and conversations.

Thanks, Devsaab.

Here’s an old Filmfare article where Dev Anand and Kalpana talk about their love story and marriage.

And click on the play button to listen to a goregous song which we discovered last night on Pavan Jha’s online radio stream.

As always, thanks to Pavan Jha.

An evening with Rockstar

Posted: November 17, 2011 by moifightclub in bollywood, cinema, pics, Special
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It started as a twitter discussion. As always, we were accusing Anurag Kashyap of following the mantra “It’s All About Loving Your Friends (and their films)”. Later on, we found out that AK had told Imtiaz Ali, yeh film aapse kahin zyada mujhe samajh me aaye hai. Or something like that. Well, now how do you react.  Since i don’t have a memory chip inside me, the quotes here are not verbatim. Have tried to present the essence of the thought.

Back to AK. As AK was continuously defending Rockstar, and even claimed that there have been more than 10 Rockstar-converts so far. Those who didn’t like it the first time or had problems with it, went again, and they liked it much more the second time. AK told Jahan to go and watch it again, the second time, and he will pay for the ticket. I asked for one extra. AK offered 8 extra tickets so that 10 more people who had issues with it, or hated it when they saw it the first time, can go and watch it again. It was FCFS and all the tickets were gone in seconds. Well, i think i was the only one who liked it a lot when i saw it the first time. I could understand all the criticism for the film but it was Ranbir and Rahman who made me buy it completely.

Kashyap sent the tickets in next one hour and offered more – Imtiaz Ali will also be there after the film to take on every kind of question/criticism. Word spread fast and more people wanted to join in for the post-screening discussion. I was skeptical. It’s 9:30pm show. By the time it will get over and we will come out of the screening, it will be 1pm. Raat ke 1 baje? Yaar dost toh theek hai, anjan logon ka kya? If Imtiaz doesn’t turn up, am not going to offer my ass to them. I blamed it all on Kashyap. Yes, AK has promised that Imtiaz will be there.

Film got over. I came running out because the show was running late. Imtiaz Ali was there. As promised, Kashyap delivered. And what’s more, got some rolls and biryani too. I thought there will be 10-15 of us. We sat down on the stairs outside Cinemax. And soon there were about 30-40 cinema lovers who sat there for the next three hours discussing Rockstar, its structure, music, dubbing, casting, love, guilt, and life in general.

So 3hour long discussion in one post? And we didn’t record anything. Let me try. Will just go on typing as it comes to my mind. Try if you can make out any sense from this rambling.

AK started the discussion by saying that we will discuss Nargis Fakhri for the first 20mins. We can discuss everything else later on. Priority.

IA : It was difficult to find a girl who could look the part and do the talking too. Also, whatever you do with Ranbir, it’s difficult to play him down. So it became more difficult to find someone who could match upto him. When Nargis joined the set, one of my ADs felt the same that you guys are talking about it. But slowly it worked out. I feel that it will happen the same with Nargis.

AK – Do you know how was Waheeda Rahman described in her debut film? Believe it or not, as a maid.

But, really? A new face who could deliver the lines?

IA – It’s difficult to explain here, not sure how to do it but in a romantic film you are always looking for that soul connect. For that magic to happen and come out on screen. I felt it did happen with Nargis.

Navjot pointed out about her voice which is dubbed and other female actors who played the role of Nargis’ relatives.

IA – We tried it with three dubbing artists. It just wasn’t working. Mona dubs for most heroines and i wanted to try someone new. But nothing worked and when Mona did, i thought it was working. So went back to her.

About casting of other female characters, he just smiled and ran his fingers through his hair locks.

i was dying to ask him about his cinema template of ‘Cool and confused lovers will travel a (physical) distance to realise their true love’ which i wrote about it here. Does he realise it when he is writing?

He smiled and said, it’s my shortcoming. I just don’t realise it at all. Never do. May be it happens sub-consciously but it ends up like that.

So how did Rockstar started?

IA: Muazzam, who was with Whistling Woods, i was trying to help him for his film. And he had a story where the character feels that dil tootene pe hi sangeet banegi, i really liked it. Asked him i can take it forward and write it. He said, since nothing is happening, i can go ahead. Then he came back and said he is making it. So i abandoned it. Then again it went to and fro for few years and nothing happened till i decided to make it. The earlier version was quite bad and different from this one. ( IA wanted John Abraham for the film then).

And the narrative structure? why so?

IA : It was written  like it. Two reasons. I felt this character is a star, so it would be good to have some kind of mystery around him, take him away from others, what happens to him, when it happens, how it happens, the narrative style gave me that choice to play around him, take him away, add mystery, distance to him. So you will say that it’s used more in the portions when he is becoming or has become Rockstar. Also, i tried reading it straight. It was becoming boring, monotonous. I thought let’s go with it. So all the scenes were written like it. And at many places it was economical thing to do. Like the sequence where Heer is introduced, boys are talking about her, following her, she is still performing on stage. The sequence is inter-cut with scenes where they are falling for her.

Her death? It seems very simplistic solution to do it.

IA : (thinks for sometime) It was always written like that. Always. Not sure how. Also because it was Heer-Ranja story in a way. So it went in the same flow.

Prague? What’s this fascination to go out and get the firangis to dance on desi music?

IA : i travel a lot and lot for musical stuff. In many of the European countries that i have been to, i have met many musicians who have very distinct Indian roots. That gypsie musicians who have roots here. Also, when he goes there, he is making music with them. Its their music also, their vocals too, he is picking up the music and creating his own sound. It never seemed out of place to me.

Through out the discussion, it was difficult to control Kashyap and Ali’s fanboy Navjot who were too eager to share their versions of all the answers. Kashyap explained how he has been to so many concerts outside India where he was the only member in the audience who was sleeping through out and there were foreigners who were completely into it. With music it happens. I nodded my head, been to one such Himesh Reshammiya concert in London. Oh, occupational hazard. But those were mostly NRIs.

But it’s easily one of Rahman’s best album.

IA – You guys can’t believe how embarrassed I was doing the recording. It was only Rahman in the studio and I was sitting behind him and Mohit Chauhan was in the booth. I suddenly get up, put the mic on and tell Mohit that saar, aap note ko hit nahi kar rahe ho. Yeh ho nahi raha and blah blah. And then as I come back to my seat, I realise that Rahman saab was sitting there, but he just doesn’t say anything. He asks, Mohit, ready? And we record again. Just like an operator. And i was so embarrassed, i could not believe what i was doing. It’s Rahman. And i am telling the singer what to do. And i did it again, i just could not believe. Rahman is in a different space. It’s always ‘inclusive music’ for him. He will take everyone together and move ahead. Unko chor diya toh dham se giroge, kahan giroge iska koi bharosa nahi. But if it happens with you and you know what you want, he is just magcial.

Kashyap also spoke a lot about his experience of working with Rahman. The absolutely no fuss guy and blah blah.

IA : i was just playing the 40min long version of Kun Faaya Kun and other songs where Rahman is just jamming, it takes you to a different state of trance. i was playing it at home and everyone was so into it.

WAIT! What? 40min version of Kun Faaya Kun? Please please please, is it possible to release it somewhere.

Imtiaz said he will talk to Rahman about it and will try his best to release it. Rahman fans, spread the good word and let’s try to get it out.

One issue lot of people had was with the character – the Rockstar. He doesn’t smoke, no drinks, no drugs, all clean. That’s not what Rockstars do, right? I am sure you must have thought about it and it’s the easiest thing to do.

IA : Many musicians whom i have seen from close quarters over the years, i have realised that the daaru-drug is not the reason. The intoxication part is not the substance, it’s the music, it’s the mood, it’s the state of being. That just becomes a good and easy way. So it was deliberate attempt to avoid it. To look at it from a different angle.

So love is his drug.

And everything else. That’s the only thing he has.

As beautifully written in this piece on Rockstar. May be the best piece. Not very long ago when the first trailer of Rockstar came out and as always, we, the ever curious souls were debating what to expect from the film, Kashyap sent a direct message on twitter saying that it’s this generation’s Pyaasa. As always, i took Kashyap’s words with a pinch  bowl of salt. But when i saw the film i realised what he meant. It’s mere samne se hata lo yeh duniya…tumhari hai tum hi sambhalo yeh duniya….yeh duniya agar mil bhi jaaye toh kya hai. But then, its already too late, you can do too little. As Jordan says in one of the scenes, mujhe nahi banna bada. aur kuch nahi hai mere paas. He doesn’t fit into the family, in their space or their profession. His friends don’t fit into his space anymore. He is just a label for them, a brand, a photograph to show off. Aha, lets get back to Imtiaz.

And his rage. Media? No issues. No politics.

He is a singer from Pitampura. He has no politics. He has no issues. Ganwar hai woh character. Music hi hai jo hai. But slowly he is losing it all. No emotional support. Family gone. Girl gone. Music not happening. He is breaking down. Sukoon nahi hai ab. Keeda hai andar. Woh kuch nahi samjhta hai jo uske aas-paas kya ho raha hai. Woh sab incidental hai.

And Tibet. ( Pls note i don’t remember the exact words. Whatever i can remember, trying to put it together. So kripya in quotes ki baal ki khaal na nikale.)

IA said that like many of us, he also belong to Mcleodganj Lovers Club. He is aware about the Tibet issue, the different viewpoints within the group, who is asking for what, their student politics, how it is related to Delhi politics.

IA : But when i went to Censor Board, i got to know the exact official stand of the Indian Government. So when they told me, i thought if we blur it, i had no clue that it will become such an issue. Because people didn’t notice there are bigger issues in that montage. There are Kashmiris there and some more people. I wanted to make it a bigger montage with others too as if the sadda haq song becomes an anthem for every kind of right that people are asking for. Also, there are Tibetan flags all over, people in the song. And i felt that it’s not related to the character directly, he is not endorsing anything, its the song that’s been used by everyone. Never realised it will turn into such. May be, if i hadn’t blurred it, nothing would have happened. But i have been getting so many messages from Tibet associations that they are happy to see it there. It conveys what’s there.

The other call which i was skeptical about was of bastardizing Shammi Kapoor’s memories. I was feeling very odd about it. Because when we started our promotions, during that time he died. I was so worried that we would be accused of using him. But thankfully that didn’t happen.

And the end. Not to endorse the sad ending, commercial compulsion.

IA : It was never any commercial compulsion, not at all. I felt that when she is gone, for him, he would like to have those memories.

But it would have been great if there was no happy montage when the credit roll starts. We could have come out of the theatre with that feeling of “incompleteness”, as described by Kashyap.

IA : May be, but that’s the way i felt. It’s their field now. Away from anything.

But i love those visuals when they are dancing madly with those bright back lights.

And what else?

Aha, there was more. Have put everything i could remember. Those of you who were there, please keep on adding in the comments section.

So after watching it twice, i feel that Rockstar’s biggest problem is it’s title. Because that sets up expectations of a different kind. In one of the script labs that i attended, remember Sriram Raghavan talking about the title of the film. That’s the first pitch where you sell the film to the audience. Creativity is a different beast but when the film is going to the audience, every small step matters. So this Rockstar is unlike others. Forget drinking and drugs, he doesn’t even go for sex when offered on a platter. Remember the scene with Aditi Rao. This Rockstar knows only love.

After watching the film, a friend wrote on his FB wall, Imtiaz bhai, aur bhi gham hai zamane me mohabbat ke siwa. But, i guess, Imtiaz would say, par us aashiq ka gham toh sirf mohabbat hi tha.

(PS – Those of you who are thinking that Kashyap could bribe us with movie tickets, discussion session with Imtiaz, rolls and biryani, well, don’t make us and our cinema look so cheap. You can try with us next time. And who better than a movie buff like Kashyap to understand it. Plus, this is not the first time that Kashyap has done something like this. He has done bigger and better things, and not only for us, just for one reason – cinema. We just don’t shout out from rooftop every time. And am sure this will not be the last time even though we love or hate his films 😉 For some of you, it might be a completely impossible thing to understand. But then, as someone said, the only difference between life and cinema is that in cinema everything has to make sense, and in life, it doesn’t. )

(PS1 : This post is not to justify anything. Not to try to convert you. It either works for you or it doesn’t. And every stand is fine. We wanted a dialogue, an open discussion to hear the filmmaker and there are hardly few filmmakers who are open to criticism. And even lesser number of those whom we would love to hear. So, thanks to Imtiaz Ali and Anurag Kashyap.)

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Pics : Sumit Purohit.

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