Archive for the ‘Story / Plot / Synopsis’ Category

The first trailer of Dhobi Ghat is finally out! And this one seems to be different. Instead of a full length trailer, its in three chapters, dedicated to four characters of the film.

The film is written and directed by Kiran Rao and stars Aamir Khan, Prateik Babbar, Monica Dogra and Kriti Malhotra. Click on the play button, watch it and do post your comments.

Its shot by Tushar Kanti Ray and has music by Gustavo Santaollala. The music design in the trailer is by Ram Sampath, who has mixed the tracks of Gustavo.

And here is the official synopsis of the film….

In the teeming metropolis of Mumbai, four people separated by class and language are drawn together in compelling relationships. Shai, an affluent investment banker on a sabbatical, strikes up an unusual friendship with Munna, a young and beautiful laundry boy with ambitions of being a Bollywood actor, and has a brief dalliance with Arun, a gifted painter. As they slip away from familiar moorings and drift closer together, the city finds its way into the crevices of their inner worlds.

And to read what Cameron Bailey, Co-director of TIFF, thinks about Dhobi Ghat, click here.

Once it was only about Shah Rukh Khan films. Then they had films with Saif Ali Khan, Abhishek Bachchan, John Abraham. And even Shahid Kapoor and Neil Nitin Mukesh got into the so called YRF camp soon. The brand wasn’t about A-list anymore. And now, after ages, they are launching a new actor in their new film Band Baaja Baaraat. Naam hai Ranveer Singh. The film is directed by debutant Maneesh Sharma and it co-stars Anushka Sharma. And its all about some more weddings! Spare us.

Here is the official synopsis of the film…

Shruti (Anushka Sharma) is a 20-something no-nonsense girl from a middle class Delhi household. Focused and determined with preplanned ambitions, her goals in life are well laid out by the time she reaches her final year of college.

Bittoo (Ranveer Singh), on the other hand, has no real aim in life. As a final year college student of Delhi University, he whiles away his life having fun with his buddies, barely scraping through his exams.

A chance and inopportune meeting (or as you would call it, fate) brings the two of them together on a tumultuous journey where they become partners in their very own, “Wedding planning ka bijness”. The rules however, are clear: “Jisse vyapaar karo, usse kabhi na pyaar karo” (Don’t mix business with pleasure).

Together, their friendship and business, enters the ups and downs of the lavish Delhi weddings. And while trying to find themselves, Shruti and Bittoo discover each other and realize that in the course of their journey, unke khud ke rules ki bajegi band!

And here is the trailer…

The film is directed by Subhash Kapoor and stars Rajat Kapoor, Neha Dhupia, Manu Rishi, Amole Gupte and Sanjay Mishra. Its distributed by Warner Brothers.

According to official release, Phas Gaye Re Obama is a comedy set against the backdrop of global recession. The film traces the journey of Om Shashtri, an American citizen of Indian origin, who loses all his wealth overnight to the global recession & has been asked to vacate his home by the bank unless he pays up $100,000 (mortgaged amount) within 30 days.

Seeing no other option Om comes to India to sell a small piece of an ancestral property. But within days of landing in India he is kidnapped by a ‘recession-hit’ underworld gang those who think that he is still a millionaire. What happens to Om, is he able to save his home, how did the ‘poor’ gangster cope with their ‘poor’ catch & what do small town Indian gangsters have to say to President Obama… that’s what the film is all about.

 

The weather was cloudy, again. And this time, it rained. We again headed to Juhu for some chaana zor garam. And again, it was Ripley’s Believe It Or Not. This time it was the script of Pankaj Kapur’s directorial debut Mausam. It stars Shahid Kapoor and Sonam Kapoor.

And those of you who are still wondering about the “again” factor, click here to read how we got lucky one day and put an open bet on Imran Khan’s famous dud – Luck. And if you  are curious to know the weather report this time, read on…

Looks like Pankaj Kapur’s aim is to tell an epic love story, which crosses the barriers of age, time, space, religion, countries and events. But the problem is, there is nothing epic about it. Its all about Harry and Aayat’s meeting, separation, meeting, separation, meeting, separation and finally, well, we all know how hindi films end.

And this meeting & separation of lovers happens all of a sudden, every time, once, twice, thrice and so on. The script is divided into four seasons, each like one chapter that tells us how the lovers meet to separate again. It starts with political undertones, and then, few more big national and international news incidents are added in every chapter to separate the lovers. The story starts in 1992 and ends in 2002. The impact of one big international incident is hilarious, its just in one scene. And there is NO need for it.

In the first season, the set up is quite elaborate, all about a marriage that has got nothing to do with the main story.  The story moves in sluggish pace and will test your patience. The second season is the one where the love story happens. And its all in Scotland. Why ? No clue. It could have been any other place, even in India. The lovers don’t get to meet because there is a communication gap. And may be, the distance helps in making the gap wider.  Season three keeps the lovers away from each other for some reason or another and then the finale in season four. One more big national incident and suddenly all is well. So, the drama is all about the communication gap and  after a point, we felt like we should just call up both Harry and Aayat and tell both of them about their whereabouts. No need to struggle to find each other. That was 70’s, sir!

If we can’t finish about 120pages at one go, it means there is something wrong with us or with the script. First 30 pages and we were snoring and how! And there are three songs in the first 30 pages. Jejus! Holy fuck! Its PANKAJ KAPUR – one of the best actors we have. Lets go back.

We tried again and finally managed to finish it. And re-read it. Its not bad, its just boring. May be, Pankaj Kapur should continue with acting or may be, he will prove us wrong and show us the big middle finger. But with Shahid Kapoor and Sonam Kapoor in the lead, it needs the talent of Wong Kar-Wai to make something interesting out of this script. And yes, lot of scenes have to go. Lots! Just go. They don’t make any sense and go nowhere though the story moves from Kashmir to Mallukot to Scotland to London to Udhampur to Ahmedabad.

And here is what we liked – The writer-director seems to be very clear about the ambience sound he wants and the way he wants. Almost every scene has decription of the same. Some of the romantic scenes in season two are interesting. There are options written for some of the scenes – either this way or that. And here is one scene from the script….

I/E.  TRAIN/TRAM.  SCOTLAND  – DAY

Harry and Aayat are seen standing in a train or tram, it is crowded.

AAYAT

Bua ab hamare saath rehti hain.

HARRY

Oh! I see. Kaise hain ?

AAYAT

Theek hai….aur tum ?

HARRY

Main bhi theek hun

AAYAT

( smiles a little or small laugh)

Nahi. I mean tum kahan rahe itne saal ?

HARRY

Kaha raha hun….(looks at her) Mallukot station se tumhari gadi ko jate dekha – ussi waqt air force mein selection ka khat mil gaya. bas phir training, uske baad commission, ab jahan jahan posting hoti hai vahin rehta hun.I mean in a way Mallukot choot sa gaya hai.

AAYAT

Mallukot what a lovely place na ?

HARRY

Yaad hai tumhe ?

AAYAT

Yes, of course.

There is a silent pause. They look at each other.

Show us the finger, sir! Show us. We are waiting and how!

The film is produced by Madhu Mantena, Reliance Religare (Sheetal Talwar) and Eros Entertainment. Madhu and Sheetal’s last masterpiece was Rann. And Eros have been delivering one dud after another. Their latest is Anjaana Anjaani. Click here and here to read what the makers have to say about this film.

Sirs, hope you do read scripts before you decide to produce a film. Hope you do know how to read a script. And hope you will be able to deliver. Good luck. And if you decided to produce the film because it has Shahid Kapoor and Sonam Kapoor, well, its never too late to start praying. Jejus!

The sequel to East Is East is here. The film is being screened at the ongoing Toronto International Film Festival. Starring Om Puri, Aqib Khan, Linda Bassett, Ila Arun and Jimi Mistry, its directed by debutant Andy De Emmony. Click on the play button to check out the trailer.

And here is the official synopsis…

Manchester, Northern England, 1976. The now much-diminished, but still claustrophobic and dysfunctional, Khan family continues to struggle for survival. Sajid, the youngest Khan, is under heavy assault both from his father’s tyrannical insistence on Pakistani tradition, and from the fierce bullies in the schoolyard. His father decides to pack him off to Mrs. Khan No 1 and family in the Punjab, the wife and daughters he had abandoned 30 years earlier. The sequel to East is East, West is West is the coming of age story of both 15-year-old Sajid and of his father, 60-year-old George Khan.

And click here and here to read two early reviews, published in Screen Daily and The Hollywood Reporter.

The first trailer of Danny Boyle’s new film 127 Hours is out. Wondering why we are posting it here ? Two reasons. Well, if Vishwanathan Anand is not Indian, then Danny Boyle can be half-Indian. And it has music by A R Rahman. Check it out.

Wow! What energy. And the best part is that Boyle goes to other extreme after Slumdog Millionaire. From populist desi masala to a film revolving around just one character. The film is going to have its premiere at the Toronto International Film festival. And here is the official synopsis of the film….

127 HOURS is the true story of mountain climber Aron Ralston’s (James Franco) remarkable adventure to save himself after a fallen boulder crashes on his arm and traps him in an isolated canyon in Utah.

Over the next five days Ralston examines his life and survives the elements to finally discover he has the courage and the wherewithal to extricate himself by any means necessary, scale a 65 foot wall and hike over eight miles before he is finally rescued. Throughout his journey, Ralston recalls friends, lovers (Clemence Poesy), family, and the two hikers (Amber Tamblyn and Kate Mara) he met before his accident. Will they be the last two people he ever had the chance to meet?

A visceral thrilling story that will take an audience on a never before experienced journey and prove what we can do when we choose life.

And if it sounds interesting, do check the two videos where Aron Ralston talks about it….

Time to add one more to the list of desi films at Toronto International Film Festival ( TIFF) this year. And those who follow us on Twitter, they know that we have been shouting about it since quite sometime.

Actor Aamir Bashir turns director with Harud and its going to have its world premiere at the TIFF. Its selected in the Discovery section. The film has been shot by Shanker Raman and stars Reza Naji ( His breakthrough role was in Children of Heaven directed by the renowned filmmaker Majid Majidi. In 2008 he won the Silver Bear at the Berlin film festival for his performance in the film “Song of Sparrows), Shahnawaz Bhat, Shamim Basharat, Mudassir Khan, Salma Ashai.

And here is the official synopsis of the film..

Rafiq and his family are struggling to come to terms with the loss of his older brother Tauqir, a tourist photographer, who is one of the thousands of young men who have disappeared since the onset of the militant insurgency in Kashmir.

After an unsuccessful attempt to cross the border into Pakistan, to become a militant, Rafiq returns home to an aimless existence. Until one day he finds his brother’s old camera.

And to read what Cameron Bailey (Co-director of TIFF) thinks about it, click here or keep reading…..

The transition from actor to director was a smooth one for Aamir Bashir, whose debut feature Autumn offers a devastating glimpse into the wartorn wasteland of his native Kashmir, where survival is a daily challenge and dreams persist in the face of monumental loss. Bashir’s depiction of this region on India’s border with Pakistan – which has seen tens of thousands of deaths and disappearances since the 1989 outbreak of insurgency – is the meticulous and skilfully restrained work of someone well-acquainted with tragedy.

Rafiq (Shahnawaz Bhat) is a young man with an unsettling, silent bravery. After an unsuccessful attempt to cross the border into Pakistan, he rejoins his parents, who, like him, cannot recover from the disappearance of Rafiq’s older brother Tauqir. His father, Yusuf (Reza Naji), suffers debilitating paranoia, while his mother, Fatima (Shamim Basharat), gets by on hopeful delusion. Rafiq all but sleepwalks through the day, contending with ghostly images of his brother. A flicker of hope finally registers in Rafiq when he finds Tauqir’s old camera with a roll of undeveloped film. Photography (even the act of holding a camera) offers Rafiq a link to the past, a way to cope with the present and a source of hope for the future.

In Kashmir it is eternally autumn. Everything is on the cusp of destruction: parched leaves fall from trees, power lines spark ominously, while anger, fear and despair simmer beneath exhausted veneers. Death is everywhere. The film’s quiet, almost ethereal pacing is punctuated by jarring incidents. The oppressive surveillance of an overbearing military presence is echoed by Bashir’s widescreen framing of shots through door frames and windows; we too are implicated as voyeurs in this humiliating world where privacy does not exist. As tensions rise, Rafiq gravitates increasingly towards his camera, through which the boundaries between dream and reality, vision and hallucination, assume a fluid ambiguity.

Autumn is a remarkable achievement marked by indelible performances and a deeply personal understanding of the politics of family and war.

To know more about the film, click here to go to its official website.

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Pic Courtesy : Harud’s FB Group

This is one film we are eagerly waiting for – Tigmanshu Dhulia’s Paan Singh Tomar starring Irrfan Khan & Mahie Gill. Some on locations pics of the film are out on the internet. Check it out.

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And here is the official synopsis of the film…

Paan Singh Tomar is an untold true story of a simple farmer, a loyal soldier and a champion athlete who became one of India’s most dreaded dacoits!

Paan Singh was a small town lad who went on to win the steeplechase at the Indian National Games for 7 consecutive years! He broke the national record, a feat that was unsurpassed for 10 years! A series of life changing events however forced Paan Singh to give up athletics, pick up the gun and become the scourge of the infamous Chambal valley in central India. Filled with deep emotions and fateful twists, Paan Singh Tomar is a gritty, no holds barred action adventure set in the heart of India’s gangland, Chambal.

And if you are more interested, click on the play button to check out how Irrfan Khan trained for the role…

And there is some more! Click here to read a damn kickass interview of Irrfan Khan, done  by GQ’s Iain Ball, on the sets of Paan Singh Tomar.

Kiran Rao’s directorial debut Dhobi Ghat is going to have its world premiere at  the Toronto International Film Festival (TIFF). It stars Aamir Khan, Prateik Babbar, Monica Dogra and Kriti Malhotra. Some new pics of the film are out…check it out…

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And here is the official synopsis of the film…

In the teeming metropolis of Mumbai, four people separated by class and language are drawn together in compelling relationships. Shai, an affluent investment banker on a sabbatical, strikes up an unusual friendship with Munna, a young and beautiful laundry boy with ambitions of being a Bollywood actor, and has a brief dalliance with Arun, a gifted painter. As they slip away from familiar moorings and drift closer together, the city finds its way into the crevices of their inner worlds.

And to read what Cameron Bailey, Co-director of TIFF, thinks about Dhobi Ghat, click here.

If Apne wasn’t enough, the Deols are back again! This time with  director Sameer Karnik and actress Kulraj Randhawa. And if you are wondering whats the title is about, well, we are guessing its three adjective for three Deols. If you can’t read the text, click on the pic.

And here is the unofficial synopsis of the film…Dharmendra and Bobby  Deol play a crooked father-son based in Varanasi. Sunny Deol plays a Canada based upright man who gets to know after two decades that he has a father and brother in Varanasi. The film is about Sunny’s journey to his past and finally apne to apne hote hai!