Posts Tagged ‘NFDC’

screenwriting-215x300WHAT : NFDC Screenwriters’ Lab 2014 gives an opportunity to six independent screenwriters to develop their skill under the guidance of a variety of industry experts from across the globe. Through one-on-one sessions with their Mentors, the Screenwriter Fellows are advised on tools and techniques required to improve their scripts and methods to pitch the same in the international domain.

WHY : The Screenwriters’ Lab is specially re-designed to prepare screenwriters with original Indian stories for working with the international filmmaking market.

– The Screenwriters’ Lab also creates a unique opportunity for these scripts to gain a direct entry to the Film Bazaar Co-Production Market.

– This two stage script development lab, now in it’s 7th Edition delivers intensive coaching tailored to the precise needs of each writer and project selected for development.

– Screenwriters bring to the lab a script in development to be part of an in-depth group and one to one creative discourse. From session one of the lab at Sarajevo Film Festival, international industry knowledge and sessions with renowned, award winning mentors will prepare the writers to present their projects during NFDC’s Film Bazaar in Goa.

Submission Requirements : 2 page synopsis

•- You will have two months to submit the screenplay if short listed.

Session 1 :

Will be held in Sarajevo, during the 2014 Film Festival. August 15 -23, 2014

Session 2 :

Will be held in Goa, prior to and during the Film Bazaar, 21 – 24 November, 2014

DEADLINE : 5th March, 2014

DETAILS : To know more about the lab, rules and regulations, how to submit, click here.

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Few years back when i was searching for a copy of Om Dar B Dar, every search ended in disappointment. Everyone had heard about the film, few had seen it and nobody had a copy. As the chain spread through friends, and their friends and more friends, we finally got to know someone who had a copy of the film. But he wasn’t willing to give it to us for the screening. He said he will come with the copy, screen the film and take it back. And that made sense because who would part away with something so rare. This is what you call a cult classic.

Thanks to NFDC and PVR Directors Rare, the film has been restored and is getting a release this friday. Don’t miss this one in theatres. Can bet that you haven’t seen anything like this in Indian cinema. As i keep repeating myself, i remember it as mixed media art installation. It’s esoteric, funny, trippy and yet completely accessible. If you have any apprehensions, don’t worry, just enjoy the ride. And remember, Kamal Swaroop made frogs cool much before P T Anderson discovered them.

Recently Kamal Swaroop posted a status on FB asking for fan posters. And entries have been pouring since then. We are sharing some of the fan posters. The last one is the official poster of the film. Click on any pic to start the slide show.

– To check out more fan posters, click here to go to its FB page.

– To check out the film’s new trailer and more info about it, click here.

NFDC Announces Finalists for Directors Lab

Posted: January 10, 2014 by moifightclub in cinema, News
Tags: ,

NFDC has announced the final list of applicants who have been selected for the Directors Lab. More details about the Lab is here.

– The venue finalised is Courtyard by Marriott, Bund Garden, Pune.

– And here’s the list of Selected Finalists/Directors –

1. Sadik Ahmed – 7 Stages

2. Vasant Nath – Sebastian wants to Remember

3. Geetha J – A Certain Slant of Light

4. Prabhijit Dhamija – I’m Not There!

5. Kiran Waval – Tada (Crack)

6. Anoop Mathew – Roach

7. Shazia Iqbal – ME vs RAY

8. Amit Agarwal – Ek Lambi Surang (The Long Tunnel)

9. Harsh Narayan – Ye Pyar Na Hoga Kam

10. Vidyasagar Adhyapak – Chitpat

11. Aditya Kelgaonkar – Duniya Hai Ek Disco

12. Mrunalini Ravindra Bhosle – Walan (The Turning Point)

– The 2 week residential program has been designed and will be led by London-based director Udayan Prasad. Martin Rabarts, Consultant- Training and Development, will be mentoring the directors too for a few sessions.

– The program will also include known actors to enact certain scenes from scripts handed out to the participants (directors) as well as from their own scripts that they have applied for.  For more details on the elements of the program and Udayan’s bio in detail, click here.

Kamal Swaroop’s cult classic Om Dar B Dar has been restored and will have a release on 17th January, 2014. PVR Director’s Rare in association with NFDC is doing the release. Don’t miss this film. A new trailer of the film is just out.

ODBDOfficial Synopsis:

As Om rides a bicycle, scissor-legged, the landscape (Pushkar-Ajmer) resounds with distinctive voices: his father’s rebellions against the world, his ‘bold’ sister, her gentle suitor, the searching eyes of the runaway actress, the local businessman trying to protect the diamonds he has shat…the rebellion of the tadpoles. The filmmaker takes on the frightening, beautiful energy of adolescence – to joyfully shake open the landscapes of his own childhood, unearthing, and mixing politics with mythology and techno music with biology for Alchemy.

Director’s statement:

I was assistant on Richard Attenborough’s Gandhi. The scale of production had made extras of large sections of the population of Delhi: the whole exercise had become an army operation, and we the big general’s lieutenants, the ring master’s sidekicks, arranging those masses on the sides of the roads so that the story of Gandhi could walk and blossom forth. The tear in the upholstery of my hotel room chair became a glad reminder of human life as I knew it. Inspired by the missing piece of cloth, I began spinning a parallel story about a town I grew up in and an adolescent who rode his bicycle scissor legged. The story grew and wanted to take on the larger production within which it was incubated. The boy therefore had to be called Om.

Cast & Crew

Cast – Anita Kanwar, Aditya Lakhia, Gopi Desai, Manish Gupta

Running Time – 101min

Year- 1988

Screenplay – Kamal Swaroop

Cinematography – Ashwani Kaul

Editing – Priya Krishnaswamy

Music – Rajat Dholakia

Sound – Kamal Padmnabhan

– To read more about the film, click here and here.

– Fan poster by Kabir Chowdhry.

Directors-LabWHAT : NFDC LABS – 2 week, fully residential workshop challenges and empowers directors to enhance, fine tune and balance these complexities.

– Working with actors and script is at the core of this programme and each participant will workshop and develop his/her approach to scenes using scripts provided but also work-shopping scenes from their own upcoming films.

MENTOR : The full time two week programme lead by London based director Udayan Prasad (My Son the Fanatic, The Yellow Handkerchief) and professor of Directing at the UK’s  NFTVS -National Film and Television School, and LFS-London Film School among others.

PROGRAMME :

  • Acting for Directors – being on the other side of the camera.
  • Working with actors and the value of understanding the various processes actors employ in inhabiting their characters
  • Preparing a scene: the building blocks for directing actors
  • Casting – Masterclass & individual consultations
  • Opening reels; a look at the ‘set-up’ from various movies.
  • Point-of-View  – Masterclass
  • Dialogue in cinema.
  • Examination of story, structure and form
  • Screenplay & Writing : Masterclass
  • 1 to 1 script consultations on each directors script from internationally renowned script editors.
  • Use of dramatic space and light in movies.
  • Light, space, colour, framing and movement : Cinematography – Masterclass
  • Music & Sound in film  – Masterclass
  • Choice and manipulation of space : Production design – Masterclass
  • Film screenings and analysis will be used throughout the lab.

– The workshop is designed and will be lead by Udayan Prasad and he will be joined by top professionals* from the industry who will share world class knowledge of their particular discipline.

– Accomplished and acclaimed actors* will add their talent and craft to the scenes which will be work-shopped throughout the programme, and share their personal feedback and experience with the participating directors.

ELIGIBILITY (Profile of Directors) : This lab is for working film directors with experience and/or training in the field.

APPLICANTS : should be currently preparing to shoot a feature or short film script which is moving towards production, and be prepared to workshop scenes from their script within the lab.

WORKSHOP DATES : January 19th to 31st 2014

PARTICIPANTS : Strictly limited to 12, by application and selection.

LOCATION : The ‘Directing for Directors’ lab will be held within a hotel/resort style setting within driving distance of Mumbai, but outside the city to allow a full creative retreat experience to unfold.

APPLICATION FFE : Rs 500

FULL LAB FEE (on selection): Rs 1,50,000

– Food & accommodation is included in the fee.

* additional experts and actors will be announced in 1st week January.

– To know more about the lab and to apply, click here.

Phoring2

In the last few years, Bengali cinema has been trying and delivering some really out of the box gems. Films which don’t follow the conventional rules. If you follow the blog regularly, we try to put the spotlight on those films whenever we can.

A new film titled “Phoring” caught our attention. Have a look at its trailer. It has English subs.

Though the topic is not new but the setting and the detailing makes it really look good. Have never heard this description of Coca Cola. The film is directed by Indranil Roychowdhury and is releasing on September 27, 2013.

It was also in NFDC’s Film-In-Progress Lab and had won The Prasad Lab Award for DI and Colour correction.

Official Synopsis

Phoring is a story of adolescence that most adults deny they ever had. In fact, we all prefer to believe that we jumped straight from the flowery innocence of childhood to the informed maturity of adulthood. The mid-greys of awkwardness, lack of direction, gawkiness, lack of identity are the themes that we prefer not to associate with ourselves. Phoring is a sweet reminder of a film in that sense. It’s a children’s story for adults.

– To know more about the film, you can follow its FB page here. And can read a Business Standard piece on the film here.

(PS – Look at that gorgeous font/design)

logo1NFDC (National Film Development Corporation) has announced the Call for entries for one of its important programs, Co-production Market at Film Bazaar 2013 (Nov 21st- 24th). The seventh edition of South Asia’s Global Film Market- Film Bazaar, will be held from November 20th-24th, alongside IFFI (Nov 20th- 30th), in Goa.

– The first of its kind in South Asia, the Film Bazaar Co-Production Market offers a unique opportunity to filmmakers with South Asian stories seeking international co- productions as well as artistic support.

– Every year, the Co-Production Market invites a select number of directors and producers to present their projects to international producers, distributors, sales agents, funding representatives and other financial partners from across the world.

– Film Bazaar Co-production Market boasts an eclectic range of films that were successful outcomes, namely; The Lunchbox (by Ritesh Batra), Monsoon Shootout (by Amit Kumar), Titli (produced by Dibakar Banerjee), Deool (by Umesh Kulkarni), I AM (by Onir), LSD (by Dibakar Banerjee), Shor in the City (by Raj Nidimoru), to name a few, from the past editions.

– Film Bazaar Co-Production Market 2012 selected twenty six South Asian projects from thirteen countries, namely, Pakistan, Bangladesh, Sri Lanka, Australia, New Zealand, USA, UK, Germany, France, Algeria, Canada, Netherlands and India including an Independent Filmmaker Project, USA.

– The deadline for applications is July 30, 2013.

– There is an entry fee of Rs 3,500.

– For more details on the program and its process, click here.

(All info from press release)

NFDC (National Film Development Corporation) along with filmmaker Kamal Swaroop has just published his limited edition book Tracing Phalke

Researched, written and compiled by Kamal Swaroop, it’s a text-based visual treat that lends a magnified view into Dadasaheb’s life. The iconic coffee table book is an eponymous compilation tracing the life span of the Father of Indian Cinema, with rare details right through his schooling, places he visited, people he met and experiences that lent value to his innate genius and imagination that eventually lead to the birth of Indian Cinema.

– DearCinema is running a contest and giving away 5 copies of the book. Click here and try your luck.

– The book is priced at Rs 3000 and to order your copy, do write to  thirdpoliceman007@gmail.com

screenwriting-215x300There have been some changes in NFDC’s Screenwriters Lab this year. And also there’s a new partner – Toronto International Film Festival. Scroll down for further details.

WHAT : In keeping with the mandate of promoting the development of the Cinemas of India, the National Film Development Corporation of India (NFDC) conducts the Film Bazaar Screenwriters’ Lab. The 2013 Lab will be in partnership with Toronto International Film Festival.

LAB : The Screenwriters’ Lab 2013 gives an opportunity to six independent screenwriters to develop their skill under the guidance of a variety of industry experts from across the globe. Through one-on-one sessions with their Mentors, the Screenwriter Fellows are advised on tools and techniques required to improve their scripts and methods to pitch the same in the international domain.

—> Selected screenwriters attend the first part at the Toronto International Film Festival and the second part at NFDC’s Film Bazaar, Goa.

The Screenwriters’ Lab is specially re-designed to prepare screenwriters with original Indian stories for working with the international filmmaking market.  The Screenwriters’ Lab also creates a unique opportunity for these scripts to gain a direct entry to the Film Bazaar Co-Production Market.

(Revised) Application Process :

– Apply before March 1, 2013 with your synopsis.

– Short listed participants will then be asked to submit their scripts by June 2013.

– Six participants will be declared in the month of August 2013.

General Rules

– This Lab is open only to Indian passport holders

– The selection process is in two parts. This is the first part of the selection procedure where participants will be shortlisted based on the submitted synopsis.

– Participants shortlisted for the second stage will be given a scheduled duration to submit completed scripts.

– Submission via email only as a single pdf/doc file. Do not send requisite material as separate attachments. No hard copy submissions are to be sent.

– Applications are to be sent to screenwriters-lab@fimbazaarindia.com

– Application Fee for the lab is INR 1000/- only. It is payable by Demand Draft made in favour of National Film Development Corporation Ltd payable at Mumbai or by Wire Transfer.

—> To know more about the rules, regulations, application form and the rest, click here.

Gangoobai stars Sarita Joshi, Purab Kohli, Meeta Vasisht, Raj Zutshi, Gopi Desai, Rushad Rana, Nidhi Sunil, Behram Rana, Ankita Shrivastav & Aparna Khanekar. It’s written, edited & directed by Priya Krishnaswamy. The film is produced by NFDC.

The script was among the six short listed scripts for NFDC’s screenwriting lab at Locarno Film Festival in 2009.

And here’s the official synopsis…

GangoobaiGangoobai, a childless, elderly widow, has lived her whole life in the tiny colonial hill station of Matheran, set in the spectacularly beautiful Sahyadri mountain range about 4 hours’ drive from Mumbai.

Her world consists of tending to her beloved flowers and working as domestic help in a few homes, among them that of the wealthy Hodiwala family who own a weekend bungalow in Matheran, an eco-sensitive zone where no vehicles are allowed, not even bicycles.

Gangoobai’s quiet life is suddenly disrupted when, one day, she sees the Hodiwala’s teenage daughter wearing a magnificent designer Parsi sari of white Chinese motifs embroidered on a background of purple silk.

The old woman falls instantly in love with this exotic, expensive, custom-made creation — and longs to own one herself.

Driven by this unlikely obsession, Gangoobai manages, against all odds, to save the money over 4 years of hard work and despite some wrong judgments, and finally finds herself in the big, polluted, overcrowded city of Mumbai — an urban nightmare she is utterly unprepared for.

Here, filled with fears and misgivings, she is pleasantly surprised to find that people are the same everywhere, despite all outward appearances to the contrary, and that even the hardest heart can be transformed by kindness and love.

Finally, one day, Gangoobai collects her designer sari and attains her dream, only to face ultimate failure and betrayal at home by one whom she holds closest to her heart.

Yet, her essential goodness and unfailing generosity to life redeem the destruction of her dreams, and set her life on a path that surpasses anything that she could ever have imagined.