what we are reading – EightandHalf
Finally, the audio and video of the original Dhen Tedan song is out. Though Vishal Bhardwaj has admitted it many times in his interviews, but those of you who still cant recall, click the play button. Its sung by Suresh Wadekar and Roop Kumar Rathod for Vishal’s directorial debut on television. Remember the series Gubbare ? Check out young Sharman Joshi. The original was also by Vishal Bhardwaj and Gulzar.
And for the full audio track click here.
The director (lets call him aKa) made a fist, positioned it in front of his crotch, moved it to and fro, cracking a joke on me, because thats what I think love is all about. Atleast accoding to him. Why ? Because I didnt feel the lump in my throat when i saw Love Aaj Kal(a title that sounds like a mathematics theorem and is even written like one). Ofcourse, aKa felt that lump, a big one too and some three four times. That Mr Ali has already been branded as bollywood’s new age love guru and every producer/director aspires to make a Jab We Met kind of romcom is surely some indication. And, mere har jhoot ki niyat hamesha sach thi Guddu!
But fuck that new age. Fuck that theorem of love. Enough of that cool and confused one. One that make an effort to sound smart and make you laugh. Hail the Bharadwaj Boy! Why ? Because for me, the greatest stories are those which belongs to us, of our times, of our politics. And someone finally dares to touch the M-word. Marathi, Maharashtra, Mumbai. Ironic that the filmmaker belongs to other M(eerut) town. The newspapers had enough, there were lot of tv debates. But like always, politics is a bad word in our bollyland. And only few dare. And, mere har jhoot ki niyat hamesha sach thi Guddu!
Sharmaji from Bambai is in love with Sweety from Mumbai. The risk ? Your do nimboo aur mirchi! And still he goes for it and pulls it off with so much ease. And, mere har jhoot ki niyat hamesha sach thi Guddu!
As the film moved on, i was wondering if love will again be doomed in Bhardwaj’s Kaminey, as it happened in Maqbool and Omakara! When killing is more poetic that any happy ending, i dont complain. Kareena’s dead body on the swing, Tabu looking through the mosquito net, aha…the visuals that will stay with me forever. But finally Bharadwaj has a happy ending to his love story of Guddu and Sweety! And, mere har jhoot ki niyat hamesha sach thi Guddu!
As Guddu gives condom gyaan, Sweety drops the bomb. Her eggo is preggo. She has tested thrice. No, its again not that dude style, where the couple decides to part away after mouthing some cool lines. Here the writing on the wall is apne haath jagannath. They dont shy away. Shit happens. And you can get rid of it in just 24 hours. Thats my generation. Knows the shit, wants it, enjoys it and wants to get rid of it too. And, mere har jhoot ki niyat hamesha sach thi Guddu!
During my school days, we used to open the history books, hold it vertically and used to enjoy the history lessons. It used to baffle our history teacher and somehow it always remained a mystery to him. Inside the history books, it used to either Nandan, Champak, Suman Sourabh, Nagraj, Super Commando Dhruv, Doga, Bhokal or Chacha Chaudhry.
Nandan had a popular punch line too – Jo bacche Nandan padhte hain, woh jeevan me aage badhte hain. Me and my sister never cared much about jeevan me aage badhna but with every new issue of Nandan, we used to fight. She always claimed the first right because her excuse was she would finish it quickly and i take lot of time to read. I would wait for my turn.
I dont remember if any hero of hindi films ever claimed to read Nandan or Champak. Guddu did. And he wins it. Guddu stammered and so Sweety decided to do so, to boost his confidence. Love is all about stammering together. Its not just about drinking same tea or coffee. One is tangible, the other one is sharing the discomfort. The group of aunties who sat in the row behind me kept on wondering about Sweety if yeh bhi totali hai kya ? Aisa kaisa? Its the payoff.
Finally, the petrom pump scene. One of the most romantic scenes I have seen in recent times. One that gave me lump in my throat. Mr aKa, love is not only to and fro. Just like its not about drinking black tea! Sweety wants to fly out for honeymoon, she managed to book the tickets last minute. But Guddu remembers his school love suddenly. All of a sudden. Sweety wonders why. Bus abhi yaad aaya na. Aha, love without calculations. And, mere har jhoot ki niyat hamesha sach thi Guddu!
Whats with all the Tarantino and Ritchie talks ? Was i the only one who didnt remember any bit of any of those filmmakers while watching Kaminey! The characters are so rooted, they speak so many languages, so much mannerism, the psychedelic visuals, the brooding sky, the morning rains…i was stuck! Eyes wide open! All i want to know now is the man called Tassaduq Hussain.
And, mere har jhoot ki niyat hamesha sach thi Guddu! Beat this killer line. Dont think anyone will. Atleast not this year. And yeah, do handover the award for the performance by an ensemble cast to Kaminey! Say no more.
Damn! The Fwine flu! We still havent managed to watch Kaminey. And going by the film reviews, almost everyone seems to have loved it except Khalid Mohamed. Lets check who rated how much.
Taran Adarsh ( Indiafm) – On the whole, KAMINEY lives up to the hype associated with it. The film has three stars – Vishal Bhardwaj, Shahid Kapoor and ‘Dhan Te Nan’ – and this combo as also the crooked characters and a genuinely hatke subject should guarantee ample footfalls in cineplexes even after its initial weekend – 4/5
Rajeev Masand (CNN IBN) – Kaminey, amidst all the bloodshed and bullets, this film has a full beating heart. As Charlie would say: It’s a MUFT-WATCH – 4/5
Khalid Mohamed (Aslibaat) – At the end of Kaminey, then, you exit with some upbeat feelings. Fit looks food fut..fut is fwite fisappointing. F..ouch – 2.5/5
Raja Sen (Rediff) – Wow. Now if that isn’t kameenapan, I don’t know what is. Awefome – 4.5/5
(Now, this is one guy whose style we really like but his politics is all wrong. The dudde published the review on wednesday for some early word of mouth publicity. And clearly the intention must have been to score some brownie points from Bhardwajsaab for his writing career! Mr Sen, for how long ? )
Shubhra Gupta (Indian Express) – I came away with a stunning build-up, some spectacular sequences, and terrific music. But from a Vishal film, I wanted the full monty – 4/5
Minty Tejpal (Mumbai Mirror) – Well, this is it. Tarantino gave Hollywood Pulp Fiction, and now Vishal Bhardwaj gives Bollywood Kaminey. It’s the new standard of cutting edge cinema, and it rocks all the way. Dhan te nan. Damn, just can’t get the tune out of my head – 4/5
Mayank Shekhar (Hindustan Times) – There’s still nothing to take away from the movement this movie means to Hindi films. Missing it is your own entertainment loss. Given the director’s unfortunate commercial track-record with gems like Maqbool and Omkara, I really hope this time, ‘Vishal overcome!’ – 3.5/5
Anupama Chopra ( NDTV) – Kaminey will take some getting used to. It isn’t the comfort food that Bollywood normally dishes out. But I strongly recommend that you see it. This taste is worth acquiring – 4/5
And we are dying to have that taste!
The first official look of Karan Johar’s My Name is Khan is finally out. The film stars Shah Rukh Khan and Kajol. Karan, Shah Rukh and Star Fox Studios had a press conference today to announce their film deal, which we wrote about it here. We said 100 crore in our post. Aha, as usual, long long back! 😉 Mumbai Mirror says 98 cr in their report today. Here are the two poster of the film.
Recently I wrote a post on Love Aaj Kal. But the kind of extreme reactions the film is generating, I could not resist the temptation to dissect it more. And so, in the span of just three days, here is one more post on Love Aaj Kal, wondering how & why was it written.
So, why do you feel the need to tell/write a specific story ?
(A) Because something inspired you. You saw, heard, read or experienced something that triggered that thought. That got stuck in your head, heart or anywhere else. You slept over it, your start drawing the characters, the characters starts talking to you, dancing on your head, make you confused and restless. And so, you don’t hav a choice but to write. To get it out of your system.
OR
(B) Is it because you want to say something ? Because you want to make a strong statement. You want to prove a point. Because you observed something and you want to share your take on the subject.
Now, (A) and (B) can happily co-exist. But if you got (B) in your head, you know what you want to say in the end, then you join the dots, draw the lines and make the structure (A).
To me, then the story seems like a mathematics theorem. Why ? Because you know the result. You know what you want to say in the end. Like any other maths theorem that you are given to prove in the exams. So, you pick up the variables, put certain constraints, take some steps and show that the theorem is correct!
So, is it the same way that Imtiaz Ali wrote Love Aaj Kal ? He knows (or belives) what is Love Aaj and he knows what is Love Kal. He wants to put it all together. He has to prove what he knows or believes. He picks up the characters, sets them in certain conditions and beliefs, make them take some steps and in the end, proves the theorem. The Love Aaj Kal Theorem.
Huh! Enough of dissection! Filmmaking is all about faking it, right ? How well one fakes it, there lies the catch. And when you can see through the art of faking, where is the fun! You desperately look out for that smooth flow of the story. But you realise, its just one step after another, towards that last line “Hence proved”!
Bollywood’s new age Love-guru is back! And with a heavy adjective like that, its difficult to live up to the expectation. Yashraj romance is so passe. After Socha Na Tha and Jab We Met, Imtiaz Ali is cool, hep and happening.
Read all the reviews. Thought will catch on sunday morning. Tickets will be cheap and easy to get. How many people wake up and reach the theatre by 11 am. I was wrong. Fame Adlabs – 11:30 am show. Houseful. I thought I will wait, will manage a ticket from someone. It has never happened with me, that i have returned home without watching a film. No luck. I moved to Cinemax Versova. Believe it or not, Cinemax has 24 shows daily! One show every half hour. Cinemax – 12 noon show – Houseful. Again I decided to wait. No luck. 12:30 – Is also houseful. Only red lounge availabe. Huh! Whats the point of waking up and coming early if I am going to watch it in red lounge, which is too expensive. Finally bought the ticket for 13:00 pm show and moved to my fav place (Landmark) to kill time. Now if this is any indication of the box office report, Love Aaj Kal is heading for big numbers. And a real one, unlike Kambakkht Ishq’s pumped up numbers. Next week there is only Agyaat, so Love Aaj Kal will have two weeks time till Kaminey releases.
Does Imtiaz Ali delivers ? And if so, what ? Well, he tries atleast. Some ten great scenes, smart dialogues but too much of deja vu! Give me one more punjabi family that wants to sing nagada nagada..nagada baja, and I will take out my gun and blow someone’s head! Seriously! Imtiaz’s characters still prefer to run away and get married. They are still confused about their choices. Here, they are just a step ahead, more confused, and realise it all after marriage. They still talk in the same tone.
Comparing notes of three films, Imtiaz and his love mantra has changed a lot with time, as it happens with us when we grow up and see the same world in a different way at different age. First one (Socha Na Tha) was naive, tender, natural. Second (Jab We Met) was smart, mature, understanding. This one (Love Aaj Kal) is clever, trying to be too smart and calculative.
And when you have two tracks in a love story, the craftsmanship is easy to spot, which makes it look unnatural. Have always felt that. The criss-crossing makes it look all intentional, to mix and match this scene here with that scene there. The intention is still honest but then the baggage becomes too heavy.
After a friend’s recco, recently saw a film titled 5 X 2 (Five times two). Five chapters of a couple’s romantic story which starts with their divorce and moves in reverse. So, a story with a sad end has a happy cinematic ending. The first time when the boy meets the girl. Love Aaj Kal too starts with a break up, and you know, its a hindi film, so the couple will get together for sure. How ? Thats the question.
They break up. They find new boyfreind/girlfriend. They pretend to be cool about it but realise soon that its the wrong choice baby! Much like Abbas Tyrewala’s Jaane Tu Ya Jaane Na. And as a friend asked me, so what new can you do in a romcom ? New ? Well, add a old track then. And thats where Rishi Kapoor fits in with his Harleen Kaur. The villain in the story is distance. Yesterday, they went all out to cover that distance. Today, we have too many choices close to us, why bother to go for the long distance ! Thats the central theme of Love Aaj Kal.
Saif Ali Khan is not new to being the cool n confused lover, having done similar acts in Dil Chahta Hai, Hum Tum and other films. Deepika Padukone is unbelievably inconsistent. In some scenes, she cracks the code perfectly and in some, she is horrible. Harleen Kaur (Giselle Monteiro) must be the subtle-est character in the history of hindi cinema. Blame it on Brazil! But it works.
They poke. But they dont make out. They talk and go yap yap. But they dont do anything. You only hear the “khula saand“, the “kuch bhi” talks. The intention must have been to score U/A certificate, so that it becomes family viewing. Was surprised to see so many kids in the theatre. What kind of parents take their kids to the theatre to watch Love Aaj Kal ? Its not for kiddies, by any logic and reason. Its a mature story and God only knows, what the kids will make out of it. Am scared for the next generation. Poking friends on Facebook and in Love Aaj Kal is not the same.
I loved Socha Na Tha. I liked Jab We Met. Superbly written. And Love Aaj Kal is, well, nice. Honest but too crafty! Its all about having black tea/coffee together!
First it was Shah Rukh Khan’s My Name is Khan , which Fox Star bagged for Rs 100 crore. Not sure about the exact details yet but the deal is confirmed. And now the exclusive dope on Aamir Khan’s next – we have got to know that Aamir Khan’s 3 Idiots (Three Idiots) have been bagged by Studio 18 for Rs 85 cr! Woohoo! 3 Idiots is directed by Raj Kumar Hirani, produced by Vidhu Vinod Chopra and stars Aamir Khan, Kareena Kapoor, R Madhavan and Sharman Joshi.
Except Music, Studio18 has got all the rights of 3 Idiots (Three Idiots) for Rs 85 crore. Music rights is with T-Series. So, if we add 10-15 cr more for music rights, it will be equal to 95-100 crore. Shah Rukh Khan & Aamir Khan on par! Fox Star and Sony was also interestd in it. But two factors contributed towards Studio18 bagging the rights. Aamir Khan’s personal and professional equation with Studio18.
Aamir is close to Vandana Malik, head of Studio18, whose daughter Avantika Malik is Imran Khan’s girlfriend. And professionally Aamir was happy with the box office result of Ghajini, which was distributed by Studio 18. Ghajini was sold for Rs 90 cr. And so Aamir made sure that Studio18 gets the preference for 3 Idiots.
3 Idiots will release on the last week of december as the date has proved lucky for Aamir Khan since last two years. First it was Taare Zameen Par, then Ghajini and now Aamir wants to stick to the same date. So, come what may, 3 Idiots will release on the last friday (25th december) of the year.
The Brothers are back! what a joy! Aha..we just love them. Name any film of theirs and we bet, we can watch it one more time. And give us Miller’s Crossing some million times, we still would not get bored.
The first trailer of A Serious Man is out. Directed by Joel and Ethan Coen. This one looks like Coen Brothers’ version of Synecdoche, New York. Dark, funny, insane. And how often a film’s trailer is cut on the sound of a man’s head being slammed across a wall. We are loving it!
And here is the synopsis of the film, according to Slashfilm…
A Serious Man is the story of an ordinary man’s search for clarity in a universe where Jefferson Airplane is on the radio and “F-Troop” is on TV. It is 1967, and Larry Gopnik (Michael Stuhlbarg), a physics professor at a quiet Midwestern university, has just been informed by his wife Judith (Sari Lennick) that she is leaving him. She has fallen in love with one of his more pompous colleagues, Sy Ableman (Fred Melamed), who seems to her a more substantial person than the feckless Larry.
While his wife and Sy Ableman blithely make new domestic arrangements, and his brother becomes more and more of a burden, an anonymous hostile letter-writer is trying to sabotage Larry’s chances for tenure at the university. Struggling for equilibrium, Larry seeks advice from three different rabbis. Can anyone help him cope with his afflictions and become a righteous person – a mensch – a serious man?
Will Imtiaz Ali score a hattrick ? Everyone loves his first one Socha Na Tha. Jab We Met gave him box office success. And now the third one – Love Aaj Kal starring Saif Ali Khan, Deepika Padukone and Rishi Kapoor. And who is that Harleen Kaur ?
Post-press screening, we heard mixed reviews about it. Nothing mindblowing. Ok to good to great timepass. Some early reviews are out. Take a look.
Gaurav Malani (Indiatimes) – Love Aaj Kal doesn’t promise much newness in its plot but clicks largely for its casual-n-cheerful presentation – 3/5
Anand Vaishnav (Buzz18) – Love Aaj Kal is not perfect. But in one of Bollywood’s dullest years, this one comes as a refreshing ray of hope. It’s bound to bring a smile on your face. Here’s a film with both head and heart – 4/5
Taran Adarsh (Indiafm) – On the whole, LOVE AAJ KAL is for the young and romantic at heart. Sure, it’s not perfect, but the terrific performances, melodious music and stirring emotional moments more than compensate for the hiccups – 4/5
Raja Sen ( Rediff) – Love Aaj Kal is a harmless, watchable film — sad, because it could have been truly special. It has its moments in the first half, while the second half is an over-melodramatic drag – 2.5/5
Anupama Chopra ( NDTV) – Love Aaj Kal is an above average film with some wonderful moments, nice lines and fine performances. But it’s not as sparkling or engaging as it should have been – 3/5
Rajeev Masand (CNN IBN) – The film in the end is ordinary stuff, watchable but never memorable like the director’s previous efforts, the far superior “Socha Na Tha” and “Jab We Met” – 2/5
Shubhra Gupta (Indian Express) – It’s hard not to warm up to a film which is, at its core, likeable. I just wish I could have liked it more – 3/5
Khalid Mohamed (Aslibaat) – The result is cuts above the kind of movies you’re getting aaj kal. Worth the price of a ticket-cum-popcorn. Make that caramel – 3/5
Minty Tejpal – Though a poignant love story, Love Aaj Kal lacks the joyous, organic soul of Jab We Met, and appears crafted. Nevertheless, Imtiaz Ali shows that he is a top notch director, with an eye for subtle, emotional nuances 3.5/5
Mayank Shekhar (Hindustan Times) – Eventually, a script that starts off supremely crisp, loosens out into climaxes. And a final explanation that while times have changed, only expressions may have altered – 3/5
Baradwaj Rangan – After ‘Socha Na Tha’ and ‘Jab We Met,’ Imtiaz Ali dreams up another winning romance – about love today versus love yesterday.
So far, 2.5 to 4, seems what we heard is right.
And yeah, finally we have got the name of the actress who plays Harleen Kaur! So all you guys who have been googling Harleen Kaur, stop now. She is Giselle Monteiro! And with an intersting name like that, we are more curious. Anybody got any more dope!
As a friend told us, its Kanaadda yaar, anything can happen! Its mini-punjab. They love dhol-nagada!
So here is anything….Xclusive and first on Fight Club! Yashraj Films’ Dil Bole Hadippa and UTV’s Whats Your Rashi will have their premiere at the Toronto International Film festival.
Dil Bole Hadippa is by debutant director Anurag Sinha and stars Rani Mukherjee and Shahid Kapoor. And if the promo is any indication of things to come, we wold never dare to go to any film festival with DBH. But then, it might be a ticket event, the festival needs stars, bollywood sells in kanaadda and so the dots get connected easily.
Whats Your Rasshee is by Ashutosh Gowariker and stars Piyanka Chopra and Harman Baweja. The first promo is just out. Will soon put it up as a separate post.
Both the films will be in Gala Presentation segment.
F.i.g.h.t C.l.u.b 