Archive for the ‘cinema’ Category

Fame Big CinemasIts all about the BIG idea! I understand. And business is all about BIG money. I do understand. But when you cheat me to run your business, I really dont understand. Blame it on BIG!

Sunday. 11 pm show. Quickgun Murugun. Fame Big Cinemas , Andheri (west). Earlier it was Fame Adlabs before Big Cinemas ( ADAG – Anil Dhirubhai Ambani Group) took over Adlabs.

At around 9 pm, I logged in to their website to check ticket availability for the 11 pm show. Tickets priced at Rs 180 and Rs 220. For 180, only first two rows were available. Rest all sold out. For 220, lot of seats were available. I thought will easily manage two seats (me and my friend) for the Rs 220 category.

Reached the theatre by 10:50 pm. Not much crowd. Asked the guy at the counter for two tickets of Quickgun Murugun. To confirm it, I asked him the status of the Rs 180 category seats. He said the same – Only first two rows. Showed me the screen too. I asked for two silver category tickets (Rs 220). On the screen, he showed me its the last row, centre seats.

We entered the theatre and were waiting outside Screen – 4. Not much crowd. Wondered how is it almost housefull. I dont see much people around. Entered the theatre, moved to our seats. From the last row, its easy to get the full view of the theatre. Except few people in the first two rows, I didnt see anyone in the gold category seats ( Rs 180). And for the Rs 220 category seats (silver), people were still coming in.

For a moment I thought may be its some group or corporate booking. And so i waited. But these are BIG liars! Someone must be making money thinking about these out of box BIG ideas to make more money. So, what their website showed me was wrong, what the guy at the ticket counter told me was a lie and its a case of cheating. And its all planned. Its must be what they call STRATEGY! I and am sure, many like me, have been forced to buy the Rs 220 category tickets.

No business like weekend business! 40 rupees ? Yes, its not a big amount but I do value it and I HATE to be treated like this. Because its NOT right. And why would you dare to cheat me when am going to see the truth in just a few minutes! Some guts!

Am sure this cant be just for one show and one screening. If its working, they must be doing the same for other screens. Since it was late night show, by the time the movie got over, the box office counter was closed. Otherwise I would have informed the guy at the ticket counter. Atleast he should know that I know about it. Am sure he will pass the info to his boss. And next time am going to do it. And make much more noise about it. Document it all, record it and take pictures. 

Since I dont have enough money to put half page ads on the front page of the newspapers (what a gas!) and ask people to voice their concern about what is right and what is wrong,  have put my thoughts here. Do spread the word, check the facts and make sure you dont get cheated. De-FAME!

———————————————————————————————

What Pratim has suggested in the comment, that might also be true. Only the first two rows’ tickets were priced at Rs 180. The ticket prices are different for almost all the shows and more so during weekends. Also it depends on movies too. Like recently, when Kaminey opened in Mumbai on monday, the multiplexes smartly charged the tickets at weekend prices. Because they knew that people are going to watch it anyway. Not sure if there are any guidelines about it. Though I remember that the website was showing it as housefull for the Rs 180 category tickets.  Have also seen other films in other rows for the same price. But then it doesnt gurantee anything. So, if thats the case then this post is invalid. If they can charge whatever they want, why would it they fake it ? This reason also makes sense. In this case, am wrong and my apologies. But if not, then it stays. Am going to be more careful next time and will check it properly.

 

Still havent managed to catch Shashank Ghosh’s madness called Quick Gun Murugun. A friend Vasan Bala saw it and recommends it strongly. Read on.

quickgun murugan2A man is supervising the MENU for the day being listed on the black board.

“Bullet Chicken……B..U…L…L…I….T”

The man writing on the board with a chalk auto-corrects.

“B…U…..L…L….E…T”

The man who was dictating gets angry. Puts a gun to the other man’s head and growls at him, How dare he ask for a correction?

Even I agree with BULLIT CHICKEN. What’s an urban cowboy movie without an ode to the greatest URBAN COWBOY ever “Steve McQueen”

Shashanka Gosh and team have brought back that crazy brainwave from back in 1994 to it’s 2009 full blow AVTAAR (can’t escape Avtaar, it has become the last name in film-making, so I hear)

And this time around he means business and is bloody serious. There is no goofing around.

The moment we get into the Coconut Climbing Training School scene we know we are in for a serious treat. Not an half heartedly made or backed crazy idea. Such treatment to such films are so so so so rare in Indian Cinema.

Usually a great wacky idea is good enough for either the small screen (MTV, Channel V, Nick) or maybe a 30 second slot as a TVC not a full blown FEATURE. Shashanka Gosh and hopefully the success of this venture paves the way for many many more wacky minds. Take a Bow TEAM QGM.

Being a TamBram and that to born and brought up in Matunga there could not have been a more personal experience.

“You made my day, Machchan”

The plot is quit ideological and spiritual. The age old debate on FOOD, whether it has to be plants and herbs or the ones that move, crawl, jump or fly.

Murugun believes in eating grass, Rice Plate Reddy believes in the latter. He wants beef to be stuffed in all Dosas around the world.

He loves to alter his own destiny and cuts his hands for better palmistry. He dictates resignation letter and kills people to the tune of HAPPY BIRTHDAY to you.

The lone cowboy on the dusty roads is bumped off pretty soon in his crusade only to be sent back with a special VISA granted by Chitragupt himself. He is teleported back to earth, specifically to Mumbai.

The rest of the journey is a simple tale of bloody revenge by a vegetarian cowboy with questionable choice in color and material of clothing.

He loves his Lover locked in his Locket but can’t resist the nice girl who works in not so nice places, Mango Dolly.

Her massive cleavage is no give away to the heart of gold she carries, but Murugun is not ‘just another cowboy’, he immediately, looks deep, and just about in a flash realizes, MANGO DOLLY IS A GOOD GIRL.

Together they team up, he guns down the bad guys she ties up his wounds with every ounce of clothing that’s left on her body. A love striptease for a bloody gun-slinging lover. Ah!

QGM has been a ride. What a ride. Just one month and I have seen 2 films being worthy of permanent COLLECTIONS.

Kaminey and QGM.

Have still not got over the carnatic spiced GOOD, BAD and UGLY signature tune.

KALAKITAI  MACCHI  KALAKITAI!!!!!

AvatarNaam to suna hoga! James Cameron!

Confirmed a pass for 20 mins of Avatar in 3D. But was bit apprehensive about travelling for 90 mins for those 20 mins of Avatar. 90 minutes of travel by taxi, train and auto rickshaw. And then the inner voice woke up and said – fuck you dude, its historic! It has never happened before. Tickets for 20 minutes of any film and you are thinking about it! Your mind should exchange positions with your arse. Atleast the arse would not dare to think. And so I was in front of the screen with James Cameroon introducing the film. He assured that it got no spoiler.

Wow! Super-wow! What was that ? Spectacular. Are they men or machine, real or computer generated ? The screening had five scenes and the theatrical promo of the film. It starts with a briefing to the marines about the mission, getting into the avatar form, the hero in the other world fighting huge creatures (dinosaurs with colourful wings kind), more creatures and meeting the love interest and finally riding one of the dragon like creatures and then the trailer. Its a new world and it looks real!

The only problem with Avatar is the hype. Super-hype! 14 years or so in the making and all that! And so if you land up wondering what earth shattering you are going to see, then its nothing. But if you look at it like a cinema buff and know the real story behind it, Avatar doesnt need explanation. 3D, colours, action, creatures, battle, real or computer generated characters and big canvas…gimme more, gimme blue! And if you over-dissect it like Roger THE Ebert has done, there is no fun!

And the big question – so will cinema no longer depend on actors’ dates ? Its all machines now ? The new Avatar! December 18th will give a clear picture. The world might never be the same again! To understand it better, click here and here. Has all the details about the new techniques and cameras. Know and understand the real stories behind all that jazz!

BTW, if you still havent seen the Avatar trailer online, click the play button.

quickgun muruganYenna Rascala, whats the score ? Seven films this friday! We say, phunk it. We are interested in only one, Shashanka Ghosh! Dont mind it!

The film stars Dr Rajendra Prasad in lead role alongwith Naseer and Rambha. Few early reviews are out.

Taran Adarsh (Indiafm) – On the whole, Quickgun Murugan is an innovative experience. The adventures should appeal to the youth mainly – 3/5

Anupama Chopra (NDTV) – Quick Gun Murugun isn’t the roller coaster ride it could have been but I still recommend you make time for it. Because it’s wacky, original and inventive – 2.5/5

Chandrima Pal (Rediff) – QMG is as delicious as Mrs Murugan’s dosas. As Rice Plate would have said, “A1, Tip Top! – 3.5/5

Khalid Mohamed (Aslibaat) – The film’s chief quality is that it is wildly different, madcap and keeps you in a bright mood. Now that’s saying helluva lot in these days of kambakts and kamineys – 3/5

Rajeev Masand (CNN IBN) – If all you’re looking for is a relaxed time at the movies, then believe me, this is Good Fun Murugun – 3/5

Avijit Ghosh (TOI) – You cannot blame director Shashanka Ghosh and writer Rajesh Devraj for not trying something different. They are bang on with the movie’s looks. Too bad, the team fails to create its soul – 2.5/5

Shubhra Gupta (Indian Express) – We like. The rest doesn’t really make our day, `machaa’ – 3/5

Minty Tejpal (Mumbai Mirror) – I hear there’s talk of a sequel in the offing. Well, knowing Shashanka and Devi all too well, if the two talented but stubborn eccentrics do manage to collaborate again, it should be well worth it. Take that I say, Austin Powers – 3/5

Baradwaj Rangan ( New Indian Express) – A kitschy spoof of Tamil Westerns has big laughs and one small problem: even at an hour-and-a-half, it overstays its welcome.

Sanjukta Sharma (Livemint) – You either get Quick Gun or you don’t. But just watch the film for the experiment it is. There aren’t so many out there.

Kaveree Bamzai (India Today) – I would rather watch a Rajnikant movie in Tamil with no subtitles for entertainment – 1/5

Gaurav Malani (Indiatimes)The 2-minute parody of Shah Rukh Khan in Om Shanti Om (from where the character of Quick Gun Murugun was derived) is much more entertaining than this entire excuse for a movie. So much of noise on the pretext of parody! We do mind it  – 1.5/5

Except few reviews, it seems the score is between 2.5/3 for QGM!

Talking of international cinema, he was last seen in Ang Lee’s Lust, Caution in exactly half-blink and miss role! But managed to hog some good newspace even with that bit. Anupam Kher will soon be seen in Woody Allen’s next, for which he shot for three days in London.  Kher plays Freida Pinto’s father in the film. To read about Kher’s experience, click here.

Freida Pinto – if someone ever needs some gyaan on gaining mileage from a film, she is the right candidate. Not even ten minutes role in Slumdog Millionaire and she bagged films with Julian Schanel and Wodly Allen. Currently she is busy shooting for Woody’s untitled film in London. She stars opposite Josh Brolin. Scroll down for on location pics. 

Some new pics from the sets of Karan Johar’s My Name Is Khan have been released. The last schedule of the film is currently being shot in Mumbai. The film brings back the hit pair of Shah Rukh Khan & Kajol!

And having read the script of My Name Is Khan, we are willing to bet that this is going to be one of the most interesting films of 2010 – very unlike K Jo! And if we rely on our past experience or claims, we rarely have been wrong – thats so humble of us….anyway lets wait and watch!

He is one of our favourite filmmakers. From complete indie to big hollywood studio blockbuster, its been a long journey and Christopher Nolan rarely disappoints. Give us Memento and Prestige anyday, anywhere…any number of times.

The dude is back! The first teaser trailer of his new film Inception is just out. The film features Leonardo DiCaprio, Marion Cotillard, Cillian Murphy, Ellen Page, Joseph Gordon-Levitt, Ken Watanabe, Tom Hardy and Michael Caine. Your mind is the scene of the crime…woohoo!

According to rumours floating in the blogosphere, Inception is about entering peoples’ minds and their dreams. A technology to do so has been developed and is done through an injection. Leonardo DiCaprio and his team work to enter the minds of other characters in order to retrieve and plant information. Summer of 2010…the countdown begins!

Cajetan Boy 2If you have seen Vishal Bhardwaj’s Kaminey, you must have noticed the name Cajetan Boy in the opening credits of the film. We have been trying to google more about him but no luck. Timeout Mumbai has done a small piece on him, the writer on whose story Kaminey is based.

Vishal met him at the Mira Nair’s Maisha Filmlab where he had gone as a mentor. He liked Cajetan’s story Roho and later on bought the rights. You can read the feature here or scroll down…

Vishal Bhardwaj’s Kaminey explores a singe day in the lives of identical twins from Dharavi, but the story was actually born an ocean away. The plot was created by Cajetan Boy, a writer and short-film director from Nairobi, whom Bhardwaj met in Kampala in 2005. “I am excited to see how it will be handled by an experienced and renowned director working with a budget,” Boy told Time Out in an email interview.

In Kaminey, Shahid Kapur plays twins who can be told apart by their particular speech impediments. The twins, Charlie and Guddu, get embroiled with a gangster (played by Taare Zameen Par writer Amole Gupte) and spend the course of the movie trying to save their skins. The speech impediments are Bhardwaj’s innovation, as is the gangster angle.

Boy said his story, titled Roho (which means soul) was about identical twins from Kibera in Nairobi, Kenya’s biggest slum. There are no gangsters in the original plot. “The movie was initially set in extreme poverty,” Boy said. “I set out to show that there is a direct link between crime and poverty; crime and the police; crime and the affluent. I set to show that the system conspires to have poverty.”

Boy said he wrote the story, the screen treatment as well as one draft of the script. He said he had mixed feelings about selling the story to Bhardwaj. The director told the Mumbai Mirror that he bought the idea from Boy for $4,000, or just under Rs 2 lakh. Boy describes himself as a “passionate movie maker who is determined to make Kenyan movies with or without a budget – mostly we have none”. Kaminey’s rumoured Rs 44 crore budget will probably come as something of a shock to him. 

Boy is the Products Development Leader for Et Cetera Productions, a film and television production house. He has written one-act and full-length plays, including Benta, which was made into a movie in 2006, as well as the screenplays of All Girls Together, a social drama, and Backlash, which he described as “an HIV/AIDS epic exploring culture and the pandemic”. He met Bhardwaj at a scriptwriting workshop in Kampala organised by Maisha, the filmmaking centre set up by Mira Nair in 2004. “I am hopeful that I will get a visible credit that will put me on the map as a writer,” Boy said. “So far all the material I have seen on the net makes no mention of Maisha or me – maybe I am not checking in the right place.”

Boy’s concerns as a writer are about “poverty, crime and classes – the links between them and how each preys on the other”. He said he was also keen to accurately portray the lives of those who live on the margins of society. “I am concerned with how to make people look at what they take for granted (slums, prostitutes, thieves, drug dealers etc), accept their existence and question why these things exist,” he said.

The Kenyan writer hasn’t watched many Hindi films, but the few he has seen have impressed him. “Those that I have watched thrill me with the intensity of the characters, the beauty of the picture and the ability to make mundane even ugly scenarios and locations cinematically beautiful,” Boy said.

Karan Johar is great tv, almost always. On any side of the camera. And more so, if its small screen. This time its Anuradha Sengupta on the other side and we think she is one of the best interviewer on Indian television. Do check out this interview of Karan Johar who featured in her show Beautiful People on CNBC TV18. All the talks on My Name is Khan that you havent heard anywhere else! Karan means serious business and how!

 

The first look of Rahul Dholakia’s Lamhaa is out. The film stars Sanjay Dutt, Bipasha Basu and Kunal Kapoor in lead. And surprisingly, the promo looks good. But Bunty Walia (producer) & Rahul Dholakia ? Strange bedfellows!