Archive for the ‘Film Festival’ Category

Gurinder Chadha is ready with her new film – Its A Wonderful Afterlife and the film is going to have its world premiere at the Sundance Film Festival. The festival starts from January 21st, 2010. Chadha’s earlier films Bend it Like Beckham (2003) and What’s Cooking? (2000) were also screened at the Sundance. With Shabana Azmi in the lead, it also stars Sally Hawkins, Goldy Notay and Sendhil Ramamurthy.

Its a Wonderful Afterlife is a comedy, about an Indian mother who takes her obsession with marriage into the world of serial murder. Its billed as My Big Fat Greek Wedding meets Shaun of the Dead. And here is the story/plot/synopsis of the film….

Mrs Sethi, a widow, can’t bear the thought of her daughter being alone and unhappy. Okay, she’s a little plump and opinionated&but she’d make a great wife for some lucky man, if only she were given a chance. When Mrs Sethi can no longer stomach the rudeness of families who refuse her daughter, she takes matters into her own hands with the only way she knows…

Suddenly a police hunt begins for a serial murderer who cooks a killer curry. Mrs. Sethi doesn’t feel too guilty until the SPIRITS of her victims come back to haunt her – complete with tandooried bodies and kebab skewered heads, they’re unable to be reincarnated until their murderer dies.

Mrs. Sethi has no problem killing herself she’ll get to see her dead husband again but how can she go before her daughter is married? The SPIRITS realize that helping Mrs Sethi daughter find a suitable husband before the police catch her is their only chance for a wonderful afterlife.

It’s a big bloody wedding and a comic feast which takes the phrase ‘I could murder a curry’ to hysterical new heights.

And on that note will start the promotional campaign of Shah Rukh Khan-Kajol starrer new film My Name Is Khan, whose theatrical trailer will be out this week with Avtaar. The first look of the film will be unveiled on Star Network on 16th December at 10pm. After Farah Khan’s Om Shanti Om, which was part of Berlinale Special, Karan Johar’s My Name Is Khan has been selected for the 60th Berlin Film Festival. The film will be screened in the “Out of competition” section. 

Among the other Indian films are Umesh Kulkarni’s Vihir (The Well), produced by Amitabh Bachchan’s AB Corp, and Laxmikant Shetgaonkar’s Paltadacho Munis (Man Beyond the Bridge). 

The festival will take place between February 11-21 2010 and will also have the world premiere of Martin Scorsese’s The Shutter Island and Roman Polanski’s The Ghost Writer.

Produced by Aamir Khan and directed by debutant Anusha Rizvi, Peepli Live has been selected for the Sundance Film Festival. The film will compete with 13 other films in the World Cinema Dramatic Competition. Total 1022 international narrative features were submitted for this category.

And this one is real big! Not the fake olive leaves that everyone loves to put on their poster for every gulli-nukkad festival and keep on counting the numbers. Some even boast of 30-40 festival rounds, except, ofcourse the top five. Its been  ages since an indian feature made it to the competition section of any top rated international film festival. And Sundance is rated among the top five film festivals. 

To quote the official synopsis…

Peepli Live / India (Director and screenwriter: Anusha Rizvi)—A satirical look at the predicament of a poor farmer who creates a media frenzy when, beset with debt, he announces that he will commits suicide so his family can receive government compensation. Cast: Omkar Das, Nawazuddin Siddiqui, Raghubir Yadav, Shalini Vatsa, Farukh Jaffer.  World Premiere

And here is the one the Screen published….

Peepli Live, is not just a take on farmer suicide but also on media’s obsession with ‘breaking news’ and publicity-hungry politicians. While Raghuvir Yadav plays the role of a farmer who announces his suicide days in advance, Nawaz (last seen in New York) essays the role of an aspiring hotshot reporter who decides to go town with Yadav’s announcement. His news catches the attention of news channels and politicians, which in turn results in Yadav’s character failing to commit suicide. The story’s irony lies in the fact that Nawaz’s character, which unknowingly acts as a catalyst in saving the farmer’s life, kills himself after he finds himself disagreeing with the ethical standards being practised by certain sections of the media. Interestingly, while shooting across homes, fields and roads at Badwai village near Bhopal, the unit managed to keep reporters, shutterbugs as well as locals at bay.

The details of other 13 films are as follows….

“All That I Love” (Poland) – Directed and written by Jacek Borcuch, about four small-town teenagers who form a punk rock band in 1981 during the growth of the Solidarity movement. With Mateusz Kosciukiewicz, Jakub Gierszal, Mateusz Banasiuk, Olga Frycz, Igor Obloza. North American premiere. 

“Animal Kingdom” (Australia) – Directed and written by David Michod, which centers upon a 17-year-old boy who, in the wake of his mother’s death, is thrust precariously between a criminal family and a detectives who hopes to save him. Stars Guy Pearce, Ben Mendelsohn, Joel Edgerton, Luke Ford, Jacki Weaver, James Frecheville. World premiere.

“Boy” (New Zealand) – Directed and written by Taika Waititi, a study of how two young brothers reconciles fantasy with reality when their father returns home after many years. Features Waititi, James Rolleston, Te Aho Eketone. World premiere. 

“Four Lions” (U.K.) – Directed by Chris Morris, written by Morris, Jesse Armstrong and Sam Bain, a comedy about some self-styled British jihadis. With Chris Wilson, Kevin Eldon. World premiere. 

“Grown Up Movie Star” (Canada) – Directed and written by Adriana Maggs, which spins on a teenage girl left to care for her rural father when her mother runs away. Features Shawn Doyle, Tatiana Maslany, Jonny Harris, Mark O’Brien, Andy Jones, Julia Kennedy. U.S. premiere.

“The Man Next Door” (Argentina), written and directed by Mariano Cohn and Gaston Duprat, about two neighbors who clash over a wall separating their properties. With Rafael Spregelburd, Daniel Araoz, Eugenia Alonso, Ines Budassi, Lorenza Acuna. International premiere. 

“Me Too” (Spain) – Directed by Alvaro Pastor and Antonio Naharro, about the unconventional relationship between a 34-year-old college-educated man with Down syndrome and his free-spirited co-worker. With Pablo Pineda, Lola Duenas, Antonio Naharro, Isabel Garcia Lorca, Pedro Alvarez Ossorio. International premiere. 

“Nuummioq” (Greenland) – Directed by Otto Rosing and Torben Bech, written by Bech, a contemporary story of how a young man pieces together aspects of his past and gets on with his life while journeying through Greenland’s imposing landscapes. Stars Lars Rosing, Angunnguaq Larsen, Julie Berthelsen, Morten Rose, Makka Kleist, Mariu Olsen. World premiere. 

“Son of Babylon” (Iraq) – Directed and written by Mohamed Al Daradji, the tale of a young Kurdish boy and his grandmother as they travel through Iraq searching for the remains of their father/son in the wake of Saddam Hussein’s fall from power. With Yasser Talib, Shazda Hussein, Bashir Al-Majid. International premiere. 

“Southern District” (Bolivia) – Directed and written by Juan Carlos Valdivia, a look at social change that envelopes an upper-class family in La Paz, Bolivia. Toplines Ninon del Castillo, Pascual Loayza, Nicolas Fernandez, Juan Pablo Koria, Mariana Vargas. North American premiere. 

“The Temptation of St. Tony” (Estonia) – Directed and written by Veiko Ounpuu, which centers upon a mid-level manager with an aversion to being “good” who confronts life mysteries as he loses his grasp on his once-quiet life. Features Taavi Eelmaa, Rain Tolk, Tiina Tauraite, Katarina Lauk, Raivo E. Tamm. World premiere. 

“Undertow” (Colombia-France-Germany-Peru) – Directed and written by Javier Fuentes-Leon, an offbeat ghost story in which a married fisherman on the Peruvian seaside tries to reconcile his devotion to his male lover within the town’s rigid traditions. Stars Cristian Mercado, Manolo Cardona, Tatiana Astengo. North American premiere. 

“Vegetarian” (South Korea) – Directed and written by Lim Woo-seong, about a housewife whose strange dreams and resulting meat aversion cause trouble with her husband and attract the interest of her artist brother-in-law. Toplines Chea Min-seo, Kim Hyun-sung, Kim Yeo-jin, Kim Young-jae. International premiere.

The Man Beyond The Bridge (Paltadacho Munis) – We wrote about this Konkoni film’s selection at TIFF in this post. And now the good news! The film has bagged the FIPRESCI Discovery Prize, voted by members of the International Federation of Film Critics at this year’s Toronto International Film Festival. The film is directed by Laxmikant Shetgaonkar.

Laxmikant ShetgaonkarThe jury citation for Shetgaonkar’s film read: “Far from the sensory overload of India’s big cities, this film explores smaller but enduring dilemmas, drawing together keen environmental sensitivity with a nuanced view of village dynamics.”

Shetgaonkar studied theatre arts and began his career as an acting instructor at the National School of Drama in New Delhi. He has directed several theatre productions, as well as both documentary and fiction films.The script prior to its production also went under fine tuning in the Script Lab organized by NFDC in ‘Film Bazaar 2007’.

And here is the synopsis of the film…

man beyond the bridgeThe Man Beyond the Bridge is a story about Vinayak, a forest guard, who lives a lonely life, with just the memories of his dead wife in a Government house in the dense forests of Goa-Karnataka border. His repeatedly rejected pleas for a transfer by his superiors in the Department of Forests have left him bitter. One night, he comes across a filthy, unkempt mentally challenged woman lying in the compound outside his house. He drives her away but she keeps returning. From his initial irritation with her filthy appearance and irate behavior, he slowly gets used to her daily visits looking for food and sleeping in the courtyard. With time, he begins to derive comfort from her presence.

Vinayak’s growing relationship with the woman initially, attracts some comment but evokes a strong protest in the village only when she gets pregnant. The villagers question Vinayak’s right over mentally challenged and helpless woman. They maintain that his relationship is morally incorrect and should be ended. However, for Vinayak, the woman is his companion and the mother of his child and there is no dilemma in his mind over this. Thus begins a conflict between a society that refuses to take responsibility of such a woman and one man’s endeavour to integrate her in his life. 

Harishchandrachi FactoryMarathi film Harishchandrachi Factory is India’s official entry to this year’s Oscars in the Foreign Film Category. The film is directed by Paresh Mokashi who has been doing theatre since last twenty years. Harishchandrachi Factory is Mokashi’s debut film.

The film traces the obstacles and hurdles faced by Dhundiraj Phalke (Dada Saheb Phalke),  also known as the father of Indian cinema,while he was making the first Indian film Raja Harishchandra in 1913. There were 15 other films in the competition including films like New York and Delhi 6. 

Asha Parekh headed the jury of The Film Federation of India (FFI) this year. For more details about the film/director/promos, click on the website link http://harishchandrachifactory.com/ .

And here’s a teaser of the film.

Whats Your Raashee ?The first review of Whats Your Raashee is out! This one is from Toronto International Film Festival (TIFF) where the film had its premiere. And as we told you in this post, Whats Your Raashee is indeed 3hrs 20mins long. Variety confirms it. So get ready with your pillows and bean bags if you plan to catch the film!

Back to the review or mini-review. Though the review doesnt say much but click here or scroll down to read the full review. 

For an hour, “What’s Your Raashee?” — the first romantic comedy from director Ashutosh Gowariker (“Jodhaa Akbar”) — zips along on a silly premise: Returning home to Mumbai, a young and handsome Chicagoan (Harman Baweja) has 10 days to find a wife and earn Grandpa’s inheritance, lest his brother’s gambling debt bring the family down.

But as Baweja’s sweet Yogesh proceeds to “interview” each of a dozen ladies (all played by Priyanka Chopra), and the film stretches to a whopping 211 minutes, even Bollywood aficionados will consider breaking the engagement. Likable leads can’t guarantee a sizable dowry upon the pic’s Sept. 25 release.

Each with a different astrological sign (or rashee), Chopra’s prospective brides run the gamut. Girl No. 1 is ditzy; No. 2 is a hot microbiologist with, alas, a boyfriend; the gum-snapping third girl occasions a big dance number; the fourth is painfully shy, a victim of past heartbreak; the fifth is a fussy businesswoman who brings along a prenup agreement; and after the sixth, who believes in reincarnation, there are still six more to go. Two or three peppy songs prove woefully insufficient to sustain a 3½-hour trifle, however good-looking.

The film is an adaptation of the novel Kimball Ravenswood. We hated the music (Sohail Sen), the promos, and now it seems the film will complete the full circle! Should Harman Baweja look for a new career option? Think so. Its high time! And Priyanka Chopra might get her name in some record book for potraying 12 roles in a film but all she needs is just 12 scenes! Watch Kaminey, ask Vishal Bharadwaj!

The film will release in India on September 25th. Am in no hurry to book my tickets! Who knows, might have to watch it in 12 installments!

Dil Bole Hadippa – Not sure how many of you are interested in knowing more about the film, but if you are, do read on.

In short, DBH = Chak De India + Rab Ne Bana Di Jodi! Thats what it looks like from this post. Produced by Aditya Chopra (Yashraj Films), its directed by Anurag Singh and stars Rani Mukherjee and Shahid Kapoor.

The film had its premiere at the ongoing Toronto International Film Festival. And a blogger Wasabigirl, who saw the film at TIFF has given out all the details about the film on her blog. Every small twist and every plot point of the story. Am sure Yashraj guys will not be too happy to read it. You can read the full post here (including premiere details) or scroll down, after the pics.

Complete story of Dil Bole Hadippa

The film starts out with Veera Kaur (Rani Mukherjee), a hardcore typical Punjabi kudi who is completely obsessed with cricket. She’s so confident of her abilities that she boldly claims that she can hit six sixers in a row, even when a pro pitcher takes her up on the bet. Not only does she succeed in putting the big strong man in his place by hitting all six sixers in a row, she even does so while switching from right-handed batting to left-handed batting! Clearly she is skilled, and as the first song montage Dil Bole Hadippa shows, she is a carefree spirit with very big dreams.

Veera also works alongside Shanno (Rakhi Sawant) and others in a dance troupe that performs regularly. Of course, while they perform, she’s backstage playing cricket with the kids, which is extremely endearing. Most of the time her elders tell her she’s dreaming way too big, but she doesn’t seem to care. She knows that dreams can come true, and for her, they will!

Enter into the story Rohan Kapoor (Shahid Kapoor) and his father Vikram Kapoor (Anupam Kher). Rohan is an accomplished cricket player in England who has lived there for many many years. His mother (Rati Agnihotri) stayed in England while Rohan’s father chose to stay in India and they have remained estranged for all of these years. In this way, Rohan has not returned to India. To get his son back to the land of Punjab, Vikram pretends he’s had a heart attack. Rohan rushes to India, but realizes that his father just wants to spend time with him, since they have been apart for so long. And besides spending quality time, Vikram also has other plans…

You see, Vikram’s close childhood friend, Liyaqat Ali Khan (Dilip Tahil) is from Lahore, Pakistan. To foster peace between the two nations, the friends have set up an annual Peace Cup where a team from Amritsar plays a team from Lahore in a cricket match. It’s all in the spirit of camaraderie, but Vikram and Amritsar have lost 9 times in a row! And now Vikram’s dream is to finally see the Indian team beat the Pakistani team, once and for all. He wants to feel proud again. That’s where Rohan comes in. Vikram asks Rohan to captain the Amritsar team and lead them to victory.

Rohan’s return to India leaves him mostly amused. When he comes across Veera for the first time, her adorably bad English and her defensive patriotism catch him completely off guard. She’s most definitely like no one he’s met before. The scenes between Rani and Shahid are amazing. These two have GREAT chemistry together. I could go ahead and describe their first meeting in more detail, but it’s something you have to see to really appreciate. 🙂

So, as time goes on, Veera finds out that the Amritsar cricket team is holding tryouts for selection. She gets EXTREMELY EXCITED and runs off to become the town’s new batting star. Unfortunately, when she goes to the tryout the security guards and the rest of the men in line scoff at the notion that a woman could play cricket with them. Rani is heartbroken and chastises them for their hypocrisy of revering Goddess Durga yet being unable to respect the women around them.

Veera returns to the dance troupe and is forced to replace the main male dancer in the show, because he’s drunk. In doing so she not only has a spiffy dance number, Bhangra Bistar, with Rakhi Sawant, but she also realizes that she can dress up as a man and possibly fool the cricketers into letting her onto the team! It’s worth a shot, na?

Rani freaks out when she sees that the same foreign jerk who annoyed her, Rohan, is the captain. He’ll figure out it’s her, won’t he?! She stumbles and lies and tells him her name is Veer Pratap Singh. She makes all sorts of bold claims and states that she has never been bowled out in her life. There’s not a man alive who can bowl her out! Vikram doesn’t like her attitude, so he challenges her, ends up bowling her out, and tells Veer to leave. She begs and pleads for a second chance, and Rohan’s father convinces him to give Veer another shot. Veer succeeds in impressing Rohan and is accepted into the team.

Meanwhile, we are introduced to Rohan’s friend from England who has a serious crush on him, Soniya (Sherlyn Chopra). She’s basically there to show off her body in short-shorts and make passes at Shahid’s character, most of which he ignores. 😛

Veer trains with the cricket team and isn’t all that great. Can you blame her? Veer aka Veera is really a girl, so of course she can’t always keep up physically. But Rohan pushes her hard. This pretty much increases Veera’s dislike for Rohan. She sees him as a bossy know-it-all. Anyway, throughout the initial training, we get to see lots of Veer-related hijinks to the song Gym Shim. Rani is pretty adorable as the bizarre Punjabi guy. You just have to see her crazy facial expressions to know what I mean. 🙂

We also get to see some cute flirting and dancing from Rani and Shahid in the song Discowale Khisko. They both can dance so well, yay! And it’s the typical fun Yash Raj number with the gorgeous outfits and tons of background dancers. Oh! And we get to see that Rohan has a thing for Veera. Veera still seems annoyed with him, but Rohan is quite fond of her.

During cricket team practice, Soniya shows up, hoping to ogle Rohan while he’s hard at work (lol, it’s what we were all doing XD). Unfortunately, due to some happenings on the field, Veer ends up tumbling over Soniya and falling on top of her. Soniya thinks that Veer’s trying to get fresh with her, but Veer scoffs at the notion that she would ever want to touch Soniya. Soniya gets pissed and throws her drink on Veer’s face. Veer runs away and Soniya complains about him to Rohan, who runs off to find Veer and talk to him.

Rohan heads off into the change room, calling for Veer. He opens the change room door only to find…a naked Veera?!! O_O (Lol, this part was SO HILARIOUS!!!) Rohan and Veera try desperately and awkwardly to salvage the situation. When Rohan asks what the hell Veera is doing there, she lies and says that Veer is her brother. More insanity and arguing ensues; Rani and Shahid perform brilliantly in a great comedic scene. Seriously, the change room scene is amazing. It’s another one that I can’t really describe, because you have to see it for yourself.

Veera quickly changes back into her Veer avatar, and when Rohan finally finds her, he is all forgiving and sweet. Of course, his reason for suddenly being so nice to Veer is because he just found out that Veera is Veer’s sister, and he wants to make amends. Naughty boy! 😉 Veer lies and says that Veera is probably back at the dance troupe, so they head off together. Veer tries to do whatever she can to get away from Rohan and change back into her regular Veera clothes. She uses the dance troupe show as a diversion and changes back into Veera.

Rohan wants badly to apologize for the things he said to Veera in the change room. She is not willing to relent. But Rohan is not one to give up! As Veera gets on stage and starts performing the show, she gets a big surprise. I don’t really think I can give it away, but suffice it to say that if you’re a fan of filmi references in movies, you’ll love this bit. Shahid and Rani are too cute together! 🙂 So, Veera finally forgives him and all is well in the world again.

The next day during cricket training, Rohan asks Veer if Veera said anything about him the night before (aww!). Veer is confused and asks why Veera would talk about Rohan. Veer then realizes that Rohan is interested in her. It doesn’t sit well with her, so she goes over to talk to Soniya and convinces her to try harder with Rohan. Veer tells Soniya to be more desi and traditional to get her man.

Soniya tries to do just that, wearing a sari and taking Rohan and his father around Punjab for a tour. She kinda fails at being desi, though. 😛 Along the way they run across Veera and the dance troupe truck. Rohan’s father takes a liking to Veera and tells her that if she shows Rohan around Punjab that he might see just how great it really is. Veera is completely fine with showing off the nation that she loves and we are given the very sweet song Ishq Hi Hai Rab. Veera and Rohan spend a lot more time with each other and Rohan becomes more and more comfortable in India.

Veer goes back the next day and tells Soniya to find someone besides Rohan, because, obviously, Veera kinda likes Rohan now. Rohan asks to speak with Veer and says that he wants permission from Veera’s brother to ask her out on a date (double aww!). In another ridiculously hilarious and adorable scene, Veer accepts the proposition and says that Rohan is allowed to ask Veera out.

Time for a cute date with Rani Mukherjee and Shahid Kapoor! Veera shows up looking hip, modern and GORGEOUS, which Rohan loves, but he also tells her that she should just be herself. They share an Indian dinner together and they laugh and generally have a good time. Rohan even goes so far to say that he wants a girlfriend just like Veera and that he has fallen in love with her. After I melted at how freaking GUUUUHHH Shahid is and re-solidified with hearts in my eyes, I got to see Rani’s sweet expression to his confession. Rohan leans in to kiss Veera and although she’s shocked at first, she leans in too…only to be interrupted by the honking horn of the dance troupe truck. Her ride is there to pick her up and the date is over. Their romancing will have to wait until the cricket match is over!!

Now, describing the cricket match is hard for me. I understood exactly what was happening while I watched it, but I’m not so well-versed in cricket that I could explain it in retrospect. So you’re going to have to bear with my vagueness.

Rohan’s mother comes down from England to see the match. This also allows her and Vikram to reconcile a bit. You know, it’s a Yash Raj Film, tied up loose ends and all that. The game starts off with India fielding and Pakistan bowling. Rohan is an excellent bowler and the Indian team is hitting wickets left right and centre. Not to mention that Veer catches a ball before it can reach the outer field. The rest of the cricket team is rejoicing at the auspicious start that they have and the boys dog pile Veer. In the process, Rohan ends up with one of Veer’s contacts in his hand and realizes that Veer was actually Veera all along. He hands her back the contact, but the look in his eyes says it all. He’s furious.

After this point, the Indian team falls apart. They had been doing excellently, but suddenly Rohan can’t bowl at ALL anymore. He’s completely distracted and the batsmen take full advantage. Even Veer is unable to catch the balls while fielding. After 10 overs Pakistan ends with a score of 213, which is pretty un-freaking-believable. The announcers admit that, once again, India is pretty much screwed.

Back in the change room, Veer attempts to explain to Rohan why she lied, but Rohan will have none of it. He’s angry and hurt and honestly thinks that Veera used him, in the romantic sense, so that she would stay in his good graces and on the team. Veera is shocked and upset but Rohan just won’t listen. Rohan dismisses her from the team and India starts off batting without their star batsman.

The first few overs of batting are a complete mess. Rohan is basically keeping the team alive, because the rest of his team are pretty terrible at batting. The whole game seems hopeless and Veera sits solemnly, neither watching the game nor leaving the stadium. Rohan’s father, who walked in on the argument Veer and Rohan had in the change rooms, knows that Veera was actually Veer. He convinces Rohan to let her back onto the team, as she is the only hope.

Veer gets back on the field and the duo of Rohan and Veer get into the groove. Rohan claims that he only called Veer back for his father’s sake, and not for her sake. Veera understands and admits to herself that she is not batting for herself, but for Rohan’s sake. They continue on triumphantly, closing the impossible gap between India and Pakistan.

One of the Pakistan players accidentally trips Veer during a run and she ends up injuring her arm badly. Rohan rushes to her side and quickly calls the medical team. They say that her arm is broken and that she cannot bat, but Veer is adamant that she will keep going, regardless. Rohan gives her an appreciative nod.

The Pakistani bowlers are shocked when Veer switches over from right-handed batting to left-handed batting and is still able to bat reasonably well. We are given many a dramatic moment after that (seriously how am I supposed to explain this? ;)) and finally the Indian team wins! Not that any of us was surprised.

They are all freaking ecstatic and Rohan is about to be awarded Man of the Match. He’s happy too, but he knows there’s still something left for him to do. He grabs Veer’s hand and brings her to the stage with him. Rohan announces that he was not the Man of the Match and that, really, the man of the match wasn’t a man at all! He takes off Veer’s turban, facial hair and contacts to reveal that Veer is actually Veera. People are pretty pissed off.

Veera sees that everyone is angry with her and that they can’t believe a *gasp* WOMAN has beaten them. Or played with them. Deceived them! So she steps up to the microphone to knock some sense into everyone. In the usual dramatic flair of Bollywood movies, we get an emotional speech about equality, ambitions, perseverance and dreams. The women watch with a knowing look on their faces while the men look on in shock. But Veera’s words are strong and true. By the end, they are left standing silently until the captain of the Pakistani team starts to clap. One by one the crowd begins to cheer for Veera Kaur and her amazing achievement. She not only kept up with the men, she surpassed them!

We are left with a very happy ending with the team lifting the trophy and Veera and Rohan reuniting. Your typical Yash Raj film, but just as satisfying as you would expect. To top it all off, we get to see an extremely hot Shahid and Rani in the video Hadippa The Remix as the credits roll by.

The first look of Shyam Benegal’s new film Well Done Abba is out. The film stars Boman Irani, Minissha Lamba and Samir Dattani. The film was recently screened at Montreal Film Festival and will have its next screening at London film festival. Its written by Ashok Mishra and is based on two short stories – ‘Narsaiyyan Ki Bavdi’ by Jeelani Bano and ‘Phulwa Ka Pul’ by Sanjeev.

And here is the synopsis of the film….

Armaan Ali, played by comic hero Boman Irani, is a middle aged driver for a city executive. He takes a month’s leave and, when he arrives back at work three months later, his boss, understandably, threatens to sack him. To save his job, charming Armaan spins a fabulous story of why he was delayed in getting his daughter married.

Fable or truth, the boss isn’t quite sure, but the story revolves around a central question – how a well, once dug, can be stolen? Unearthed in Benegal’s part comedy, part political satire, is a hilarious and poignant depiction of the double dealing and corrupt middle men intrinsic to Indian rural politics. Meanwhile, at the heart of the story is a delightful romance between Armaan’s daughter and a young, honest mechanic who saves the day.

AADMI KI AURAT AUR ANYA KAHANIYAAKAAAK ? It’s  Aadmi Ki Aurat Aur Anya Kahaniyaan! In english, its The Man’s Woman and Other Stories.

Amit Datta ? Yes, the same FTII graduate who has directed films like Kra Ma Sha, Sha Tra Gya and Ma Pa. Has a distinct quirky visual signature style. If you havent seen his films, do watch. Available on FTII’s Lensight DVDs. Can get it from FTII or Rudra Media. Google, you will get it.

Kra Ma Sha also bagged two National Awards this year. One for cinematography (Savita Singh) and audiography (Ajit Singh Rathore).

His new film AKAAAK was given a special mention in the Orizzonti (New Horzons) category at the just concluded Venice Film festival. The Orizzonti Prize was given to Pepe Diokno (Philippines) for Engkwentro. And the Orizzonti Prize for Best documentary to DU Haibin (China) for 1428.

Havent seen the film but from the synopsis it looks like Amit is moving in similar domain again….

The film is a series of three episodes which explore the relationship between men, women and the physical and mental spaces they inhabit. A man lives in a rented room with tree branches by his window. He fears that birds and snakes may enter in his room through the window, but would like the squirrels to visit him. In a story narrated within ruins, a man wants to erase the name of his wife, which is tattooed on her own forearm, and in his anxiety to erase it, he even considers going so far as to cut off the arm of his wife; but his friend has better suggestions. In the dark suburbs, a woman sleeping under a glowering bulb is forcefully hired off to a young man waiting for his friend. While the young man wants to know her story, she only wishes to sleep.

Road, MovieFinally, here comes Desi Cinema Paradiso. No, make that Cinema Para-desi!

The first trailer of Dev Benegal’s Road, Movie is out. The film stars Abhay Deol, Tannistha Chatterjee and Satish Kaushik. The screenplay was selected for the L’Atelier section at the Cannes Film Festival 2006. Its having its world premiere at the ongoing Toronto Film Festival. Deol plays a truck driver who makes a life changing journey across India as he hits the road with  a travelling cinema.

And here is the 2min trailer..

And the synopsis of the film..

A young man’s journey into the unknown becomes the odyssey of a lifetime.

Vishnu, a restless young man, comes up with a plan to save his father’s faltering hair-oil business. It’s madness: an excursion into the unknown, driving an old, decrepit lorry across a harsh but stunning terrain.

His personal journey becomes an odyssey across the mythical Indian landscape as he discovers he’s transporting not just a battered vehicle, but an old touring cinema.

The expedition takes on carnivalesque proportions of endurance as Vishnu confronts a young runaway, a wandering, old entertainer with a bear, a beautiful gypsy woman, corrupt cops and a notorious water-lord.

The key to his freedom is the eccentric collection of films and the two 40-year-old film projectors that lie inside the bowels of the lorry. Like “1001 Nights” if the films are good he gets to live and move on, otherwise he faces death in the isolated countryside.

The road trip is to change the life of each of the travellers, especially that of Vishnu, who discovers life, love and laughter along the Indian highway.