KAUFMAN - "Or cramming in sex, or car chases, or guns. Or characters learning profound life lessons. Or characters growing or characters changing or characters learning to like each other or characters overcoming obstacles to succeed in the end. Y'know ? Movie shit."
Kaufman is sweating like crazy now. Valerie is quiet for a moment - from "Adaptation".
We are all about CINEMA. That movie shit.
NOTHING is sacred.
NOBODY is spared.
Because we talk about films, dammit.
Not your sex life.
Films, fests, unsung, indies, undiscovered - all that and some fun. If you have dope on anything related to cinema or you would like to share something, do write to us at moifightclub@gmail.com.
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If I ever convert to Islam, put the blame on A R Rahman. Aha, that’s rhyme too. Piya Haji Ali, Maula maula and Khwaja mere khwaja – can play these three songs in non-stop loop. And Rahman is going in similar territory again, with a new track in Imtiaz Ali’ Rockstar – Kun faaya kun.
Click on the play button and enjoy! It’s sung by Rahman, Mohit Chauhan and Javed Ali.
We are bit late on this news. But if you still haven’t read enough, here it is – Deepa Mehta has completed the shooting of Midnight’s Children, the film based on Salman Rushdie’s novel by the same name. Some clips from the film were shown at the recently concluded Toronto International Film Festival.
The adaptation has also been written by Rushdie. The film stars Satya Bhabha, Siddharth, Shriya Saran, Shahana Goswami, Rajat Kapoor, Shabana Azmi, Ronit Roy, Darsheel Safary, Rahul Bose, and Samrat Chakrabarti.
Click on the play button to check out Salman Rushdie talking about the adaptation. TIFF’s Cameron Bailey moderated the session.
The 13th Mumbai Film Festival, a Reliance Entertainment initiative, will be held in Mumbai from the 13th to the 20th of October 2011.
The festival has just announced its jury for this year’s edition. The jury members for the international competition section are…
1. Academy Award nominee director Hugh Hudson (Jury President, International competition),
2. Roger Spottiswoode – director of James Bond film Tomorrow Never Dies and the Arnold Schwarzenegger starrer ‘The 6th Day’
3. Acclaimed Polish director Jerzy Skolimowski
4. Young Korean director Na Hong-Jin who received numerous awards and acclaim for his films ‘The Chaser’ and ‘The Yellow Sea’.
VENUE : This year the main hub for the festival will be Cinemax Versova and other venues include Cinemax Sion and Metro BIG cinemas.
– Basu Chatterjee, director of films like Gudgudee, Chameli Ki Shaadi amongst numerous others, is the Chairman of the Harmony Celebrate Age Jury. Harmony Celebrate Age aims to encourage filmmakers to look beyond the stereotypes of old age and to look at the positive side of ageing.
– The Dimensions Mumbai section of the festival include young directors like…
Dimensions Mumbai, a short film competition open to Mumbaikars below the age of 25 years, where a short film depicting any aspect of life in Mumbai can be submitted.
I am Pawan Kumar, the director of the Kannada film Lifeu Ishtene. On the 30th of August, you watched my film and you passed your views about it, and gave us a U/A certificate with a forced ‘voluntary’ cut. I’d like to bring it to your notice that if I had the luxury to fight for my right I’d not have accepted to cut what you insisted.
I am a first time director in a industry which is struggling to survive. Fighting for the cut meant you forwarding our film for further reviewing and that would take couple of weeks more, that would put a lot people involved in making of this movie in a very difficult position. Hence for their sake I simply shut up and bowed to your very tyrant behaviour. This letter is simply me putting out my thoughts, I am not challenging your decision through this. I want the people to know the truth, so that they can decide who was right and who was wrong. Am hoping that you will read this till the end and be convinced that you erred, that’s all I want, I don’t want you to change the decision or apologize, the damage you wanted to do is already done. The letter might seem long but I made it as entertaining as my film was, you will have a good laugh by the end of it.
This being an open letter, I guess the public should know what I am talking about. Here is a picture of the document that Mr. Nagaraj wrote down after seeing the film. He has listed his thoughts point wise, but before I dwell into those, I’d like to mention that I respect the man and his position. He is an IAS officer and I am sure it is pretty tough to be on the chair where he sits, I cant get there for my IQ levels. I like the man for the way he appears, he comes across as a through gentleman and has an aura of being smart, composed and intelligent. I was really hurt and shocked when he listed out his objections for my film. Something that I really didn’t foresee, especially by this person, whom I had met during the censoring of Manasaare and Pancharangi. I did and I still have high regards for him.
Mr. Nagaraj in the above document states “Remove the word sucker from the tag line of the movie, wherever visible in, Move on Sucker”. For those who don’t know, ‘Move on Sucker’ is the tagline of my movie title. Mr. Nagaraj had a problem with the word sucker. He simply said that I must remove that word. I tried arguing with him that it is not a bad word, that it is simply a slang term for someone considered gullible enough to fall for a very obvious prank or con and go about unaware of it. We all know what the word sucker is, we all have used it in phrases like ‘I am sucker for Chinese food’ or ‘I suck in maths’ or ‘the movie sucks’ etc etc. But he just didn’t want to listen to me. He said that he is not interested in the parliamentary meaning of a word, he is interested in how the word could be perceived by the masses and therefore I should cut it out from the film. There was no point arguing further because he was a man sitting there controlling the future of my film and I could see it in his eyes that he just didn’t want to understand even if I tried to explain. I said “ok I will remove it”. The word comes 3 times on the screen in the film, to remove that the producer has shelled out 45k till now. 45k is not a small amount, with that money I could have put an Ad in the papers and promoted the film more, get more people to watch the film and try to save our sinking industry, or I could have simply paid it to someone in the team who has been working day and night to offer something new to the people, but instead we had to waste it on a stubborn man with a lot of power. Look at the visual below, tell me how is removing of that word changed anything?
If sucker is such a bad influence on the society, what about the words ‘BoseDK’, ‘Ass Hole’, ‘Fucker’, ‘BlowJob’, all these words were featured in Delhi Belly. The same CBFC (Central Board Of Film Certification) passed it and the movie made pot loads of money!! I am not someone who encourages those words. I am a very clean guy, I don’t speak or promote bad language, you wont find it in my movie too. Before coming up with the tag ‘Move on sucker’ I did look through the internet to make sure the word Sucker didn’t mean anything wrong. Its only after I gathered enough information that I put it up. We are a small industry and we have very small budgets to make films. We are pitted against movies from Hindi, Tamil, Telugu and English; all these industries have huge budgets to take the audience away from us. If we have to get them to watch our movies we need to sound contemporary, talk to them in a language they understand. A line like ‘move on sucker’ would make the people in their 20’s connect to the movie, and they’d make an effort to watch it. Why is it that when Aamir Khan does it, its alright? He did way too much and it was still alright!!! By asking me to remove the word ‘sucker’ from my movie tagline, the Censor Board has been impartial to me. Mr. Nagaraj is aware of the financial state of the Kannada industry. He very well knows how much we are struggling to make people trust us. And he has seen my movie and he also said ‘your movie is 99% qualified for U certificate but sprinkled with some objectionable matter’. The word sucker was one of them. And the word was not simply a publicity gimmick, after you watch the movie you’d understand how that word makes sense in the movie. The guidelines by the censor board of India states – A film is judged in its entirety from the point of view of its overall impact and is examined in the light of the period depicted in the film and the contemporary standards of the country and the people to whom the film relates, provided that the film does not deprave the morality of the audience. Guidelines are applied to the titles of the films also.
People, please tell me and Mr Nagraj, if the word ‘sucker’ has in anyway depraved the morality of you all. What censor board needs is a sense of humour. It needs to grow up and wake up to the people who live around them and not in their guidelines. Television today has become horrible, it is impossible to see and hear many of the things that is aired on many news and entertainment channels. Something that you can probably watch with your family is Discovery channel and sports channels, not even the sanskar or astha who are using the dangerous weapon against the society, the religion . But the censor board is all quite about it. Television has no censor, it doesn’t come under their jurisdiction.
Mr. Nagaraj, we are all suckers, you are one, I am one too. And the people know that. They know that they are one too. And that’s the funny thing about it. When we accept our flaws and imperfections and laugh about it, we can put our egos behind and try to progress. That’s what my movie on the whole was trying to say. For some reason you didn’t see it beyond the word ‘Sucker’ without even knowing the meaning of it.
Now coming to the other angle to the whole issue, which I hope is not true but is very possible. I think it is the ego. I very strongly feel that it is the ego of Mr. Nagaraj that makes him do what he does. He sitting in his little cabin in the govt building, enjoys seeing us film makers dance to his tunes. I am sure it must be giving him a kick that he can in 2 hours 30 mins control a film makers 10 months of hard work by just using one word. He knows how difficult it is technically to remove those words from a completed film and that’s why he does that. For people who are not aware it might seem very simple, you must be thinking how difficult it is to just delete a word. If I get into the process I can do a 6 hour workshop and probably you’d learn most of the technical aspects of film making. In simple words, it took many people and many days of work in Banaglore and Chennai to erase that word. I hope all this makes Mr. Nagaraj very satisfied and gives him a good night’s sleep. This is the story of how the word Sucker got separated from the film Lifeu Ishtene.
Now, let me introduce you to some more blunders. But I could live with these because frankly I don’t give a damn whether my movie is U or U/A, and thankfully neither people are interested in those ratings anymore. Like I said the Censor board is so stuck up with their guidelines that they don’t see how people are today. My movie got a U/A because of a scene which is got something to do with condom. The government is trying really hard to reach out to people, they even come up with jingles, in kannada there is an ad – maatadidavane mahaashoora. But Mr. Nagaraj feels that it is very uncomfortable for adults to see such content with children. That’s precisely the point sir, that’s what government is trying to say ‘don’t be shy about it, talk openly and spread awareness’. Teenagers should get aware of it, they should be bold enough to talk about a condom and not make a taboo of it. But instead Mr Nagaraj goes to the extent of writing – delete comedy episode surrounding condom for a U certificate. But I didn’t agree with him, I agreed for a U/A instead and the scene is intact. In a week you will see it and you will know that it is not in bad taste and is for sure spreading awareness.
The second one is debatable, Mr Nagaraj has pointed out a shot where a woman is smoking. His justification was that it is not right to show women smoking and therefore he writes – also delete the visual of lady smoking. I am not going to defend this much. I don’t smoke and I am for anti smoking. I had even made a short film on the anti smoking subject.
In Lifeu Ishtene, the character which the lady was playing was of the types who would smoke and therefore I hade to make her light up. Deleting this shot would not change the reality though, we see so many women smoking these days, and it is really bad. Smoking is bad for both men and women, and I sincerely hope that smoking comes to an end. And in no way is my film promoting or glamorising smoking. The Censor guideline says – scenes tending to encourage, justify or glamorise consumption of tobacco or smoking are not shown. To show the bad result of a habit, the story needs to build up and then show the effect. That’s what my shot of the lady smoking was doing. No problem here, I will gladly take a U/A for this point.
The third is silly actually. In the third point Mr. Nagaraj says – delete lip to lip kissing in the song. Well not much defending here, for some reason we Indians want to think that showing love on screen is more dangerous than showing violence. On a funny note may be the government has a strategy behind this, Lets not teach people to express love, there by reducing population and lets show more violence so that they could kill each other and again reduce population!!!! Am I the only one laughing at this stupid joke??? Ok Mr. Nagaraj I will accept a U/A for this too. I am sure the 15frames (less than a second) of lip to lip pecking in the mayavi mayavi song would make the adults very uncomfortable to watch it with children under the age of 18 years old. However I have one question for you – How did you pass the song ‘Padmavathi’ from the movie ‘Johny Mera Naam’ with a U certificate? That one really shocks me. Because though I am an adult and my father is an adult too, we both would be uncomfortable watching it together in theatre or on TV. Please ask yourself if the very aesthetically shot 15 frames of a small peck on the lip in my movie was worse than what you can see in a 4 min song. Here is the link to that song if you want watch it again and wonder why you gave it a ‘U’.
Your guidelines clearly states the following – human sensibilities are not offended by vulgarity, obscenity or depravity; scenes degrading or denigrating women in any manner are not presented. Isn’t this song violating all of this?????
People please note that from what I can read of Mr. Nagaraj, he is a very good person, I am not being sarcastic, I might be against his decisions but I don’t hate him. Please don’t think that he was expecting a bribe or anything like that. I can for sure say that he is NOT a corrupt govt servant. He is doing his job but he has to simply get some of the realities in the right perspective. Lets help him know what he is not aware of so that he stays with us as the regional head of Karnataka for CBFC, and make right decisions and help us all save good kannada films. If you believe in this article and you want to support me, then please mail Mr. Nagaraj your views in a few words and a few words only, lets not waste his time. I hope you will not send abuses because I am not in support for that. Mail him on robanglore@cbfcindia.gov.in or nagarajk1@yahoo.com and cc a copy to me on actorinme(at)gmail(dot)com . I guess the subject line of the mail should be with a sense of humor, keep it as – Lets grow up, suckers! 😉
(Note: I still haven’t received the final Censor Certificate from Mr. Nagaraj, he is going to give it to us after he checks the film and finds no ‘sucker’ in it. We have followed his instruction and removed it and showing the corrected film copy on monday. I could have waited till monday to get the certificate and then put this article up. But I didn’t want to be a chicken in expressing my views. I hope Mr. Nagaraj will stand up to his gentleman image and not take this article to his ego and create problems to the release of the film on the scheduled date. He is in a position to completely reject this article but he is not in a position to take this personally to take revenge.)
UPDATE (3rd September, 2011) : The trailer has been removed because it’s not the final one.
The trailer of Ribhu Dasgupta’s debut film Michael is out. Its produced by Anurag Kashyap and Studio18. The principal cast includes Naseeruddin Shah, Mahie Gill, Purav Bhandare, Sabyasachi Chakraborty and Irawati Harshe.
Other credits include Screenplay : Debaloy Bhattacharya and Nilendu Guha, Cinematographer : Somak Mukherjee, Editor : Lionel Fernandez, Sound : Kunal Sharma, and Music : Vinayak Netke, Aatur Soni, B. Gauri (lyrics).
The film will have its world premiere at Toronto International Film Festival. And scroll down to read TIFF Programmer Cameron Bailey’s note…
Producer/director Anurag Kashyap (who also exhibits his acting skills at this year’s Festival in Trishna) is leading a whole new wave of vibrant independent cinema in India. With Michael, Kashyap’s latest collaborator, first-time director Ribhu Dasgupta, takes on a slow-burning, character-driven psychological drama.
In the film’s opening shots, Michael (Naseeruddin Shah) stands paralyzed as Kolkata traffic swirls around him. The film then flashes back to a younger Michael, in the days when he was a police officer. We find him nervously surveying a swelling crowd of protesters. When the order comes down to open fire on the peaceful demonstration, Michael shoots low to avoid causing death. Nonetheless, a ricochet strikes and kills a twelve-year-old boy. At this point Michael’s life begins to unravel. His eyesight worsens, he loses his job and he struggles to care for his son. When Michael finds work illegally pirating Bollywood films, he starts receiving phone calls from the father of the boy he accidentally killed, threatening to kill his own son when the boy turns twelve. Michael is sent into a paranoid race against the clock.
Dasgupta uses intricate camera movements, angular framing and hazy point-of-view shots to explore Michael’s psychological and physical deterioration. Kolkata’s rainy, hectic streets, captured in mesmerizing detail by the late cinematographer Somak Mukherjee, provide the bleak and progressively nightmarish backdrop. Performing with strength and subtlety, Shah (Monsoon Wedding, The League of Extraordinary Gentlemen) carries the film. Opposite him, Mahie Gill (Dev D) delivers a gentle and sympathetic performance as the nurse who becomes Michael’s companion. As Michael’s sight weakens, so too does his grip on reality, resulting in a heart-wrenching tale of a father on the cusp of losing everything.
After OUATIM, producer Ekta Kapoor, director Milan Luthria and writer Rajat Arorra have again come together for their next film The Dirty Pciture. The film stars Naseeruddin Shah, Vidya Balan, Emraan Hashmi and Tusshar. DoP is Bobby Singh and it has music by Vishal-Shekhar.
Looks like Vidya Balan is going full throttle with this one and without any kind of inhibitions. Plus Bappi Lahiri’s vocals and zimbly zouth kitsch all over, the trailer is exactly what one would expect from this film. It’s one film which must have been “hit” even at the idea level, all they needed was a good actress. Bring it on!
Also one good thing they have done is that they didn’t compromise on the trailer and kept Tusshar only for few seconds. Sadly we have to tolerate him in the film.
The first look of (new) Agneepath is finally out. Produced by Karan Johar and directed by debutant Karan Malhotra, it stars Hrithik Roshan, Sanjay Dutta, Rishi Kapoor and Priyanka Chopra. Credits include Adapted Screenplay – Ila Datta & Karan Malhotra, Music – Ajay-Atul, Dialogues – Piyush Mishra and Lyrics – Amitabh Bhattacharya.
Interestingly it’s not an exact remake but more of an adaptation. Looks like high intensity drama on big scale and full of colours. And unlike any other KJo Productions. Well, that’s a good start. The only thing not working in the trailer is the logo of Dharma Productions and that weird background music with it. Dear KJo, now get rid of it. Enough of emotional attachment.
This post is part of our small endeavour to spupport indie films and give them some visbility. We haven’t seen the film, have no clue about the makers, just a random mail and here it is. Do check out the trailer.
Shuttlecock Boys is a self-financed independent Hindi feature film produced by Pennywise Films and directed by Hemant Gaba. After travelling through some film festivals (Jaipur, Surat & Shimla) in India, it will have its International Premiere in USA at Chicago South Asian Film Festival followed by a screening in the competitive category of International Film Festival Ahmedabad in October.
The film tells the story of 4 boys Gaurav, Manav, Loveleen & Pankaj who embark on an eventful journey of “doing something on their own”, a decision that they take while playing badminton one night in their neighbourhood streets. This journey becomes the litmus test of their determination, courage, luck & spirit of the friendship.
The story originated from the director’s upbringing years in lower middle class, out of his personal experiences of being stuck in 9 to 6 monotonous jobs & his willingness to charter into unknown territory of doing something on his own that the middle class parents always dread. With a small sum of 35 lakhs mostly from his savings & small loans from friends and family, the film was shot handheld mostly with non-actors on more than 18 locations over a span of 22 days in Delhi & suburbs.
Trishna and Michael, both the films will have its world premiere at the Toronto International Film Festival.
Michael Winterbottom’s latest film Trishna is not only set in India but it was more than one desi connect. The film’s trailer is out and according to official release, it’s an adaptation of Thomas Hardy’s Tess of the D’Urbervilles set against a contemporary Indian backdrop. Freida Pinto stars as the titular Trishna, a young woman who is seduced by the wealthy son(Riz Ahmed) of a property developer. As the romance develops, their relationship also becomes increasingly sordid and volatile.
Click on the play button to check out the trailer. what a smooth and soothing track! Wow, Amit Trivedi, scores again? Seems so, at least from the trailer.
Michael is the latest production of Anurag Kashyap films. Directed by debutant Ribhu Dasgupta, the film’s trailer or poster is not out yet. But you can check out some of the stills. It stars Naseeruddin Shah, Mahie Gill, Purav Bhandare, Sabyasachi Chakraborty and Irawati Harshe.
According to official release, it’s a character-driven psychological drama. Using intricate camerawork and intimate point of view shooting, Dasgupta tracks one man’s physical and psychological deterioration in the rainy, traffic-filled streets of Kolkata. Check out the stills.
The Indian Film Festival of Los Angeles (IFFLA) announced its Call for Entries today. The 10th anniversary edition will be held April 10-15, 2012, at ArcLight Hollywood, located in the heart of Los Angeles.
DATES : The early deadline with reduced fees for all film submissions is November 11, 2011. The final deadline is January 6, 2012.
Early Bird Deadline: November 11, 2011
Films under 40 min: $30. Films 40 min and over: $45
Final Deadline – January 6, 2012
Films under 40 min: $45. Films 40 min and over: $60
FILMS/VIDEOS : IFFLA 2012 seeks narrative, documentary, music videos, experimental, children’s and animated films of any length and format. Jury and Audience Choice Prizes are awarded for Best Feature, Best Documentary and Best Short films.
SUBMISSION RULES
– Films from or about India, with or without an Indian theme, made by Indian and international filmmakers, produced in 2010 or later, and films that have not had a public screening in Los Angeles are eligible to be submitted.
– All submissions must be made through Withoutabox.com.
– Filmmakers may submit more than one entry. Each entry must be submitted separately and with an entry fee. Please note that submission fees are not refundable.
– DVDs (preferably in NTSC format) and online, streaming files will be accepted for submission screening.
– DVDs must be labeled with the title, running time, format (PAL or NTSC), and contact information on the DVD label.
– Submission DVDs will not be returned unless the filmmaker agrees to cover the mailing expenses.
– Submission of a screener via a digital file may be made through Withoutabox.com. When using an alternate site (i.e., Vimeo, Dropbox, etc) the web link and password needed to view the film must be clearly indicated on the entry form.
– The entry fee is non-refundable. We only accept checks, US money orders or credit card payments through pay pal or withoutabox.
– Please make check or money order payable to Indian Film Festival of Los Angeles, in US dollars ONLY.
– If your film is selected, you will be required to provide 10 DVD (NTSC) screeners, a press kit with press reviews, synopsis, full credits, film stills, trailer (or film clips), posters, and a director’s bio with a headshot.
– All filmmakers will be notified via email by March 1, 2012.
The 2011 Indian Film Festival of Los Angeles launched with the Opening Night Gala presentation of Nila Madhab Panda’s I AM KALAM starring Gulshan Grover and concluded with the IFFLA Closing Night Gala world premiere presentation of Disney’s ZOKKOMON starring Anupam Kher.
Other highlights included the presentation of the 2012 IFFLA Industry Leadership Awards to Andy Kaplan, President, Networks, Sony Pictures Television; Ajay Bijli, Founder, Chairman & Managing Director, PVR Limited; and Man Jit Singh, CEO, Multi Screen Media Private Limited India; seminars with panelists from Sundance, Reliance, Screen Actors Guild, Writers Guild of America, USA Networks, Deluxe Labs, and Nickelodeon; and nightly musical performances in the IFFLA Rhythm Village presented by Rukus Avenue.
Previous IFFLA screenings include: Udaan (Vikramaditya Motwane), Mumbai Diaries(Kiran Rao), 3 Idiots (Rajkumar Hirani), Amelia (Mira Nair), The Waiting City (Claire McCarthy), Slumdog Millionaire (Danny Boyle), Firaaq (Nandita Das), Sita Sings The Blues (Nina Paley), Quick Gun Murugun (Shashank Ghosh), Water (Deepa Mehta), Loins Of Punjab Presents (Manish Acharya), Dombivili Fast (Nishikant Kamat), Vanaja (Rajnesh Domalpalli), and Black Friday (Anurag Kashyap) among others.