Rensil D’Silva ? He is ad filmmaker & screenwriter ( Rang De Basanti, Luck ) and is making his directorial debut with Saif Ali, Kareena Kapoor & Vivek Oberoi in the lead. The film is titled Kurbaan ( earlier titled Jehad) and is produced by Karan Johar’s Dharma Productions.
Here is the dope. Rensil recently checked out Kabir Khan’s New York, the new film from Yashraj Films. And he was shocked to see that two scenes in New York are exactly the same as it is in his film Kurbaan. Now how is that possible ? He quickly called up Karan to inform him about it. Karan generally sends all his scripts to Aditya Chopra for his feedback. Well, the dots got connected soon.
Now, Rensil D’Silva doesnt know what to do. He can’t go back and re-shoot those two scenes. And if he keeps the same scenes, it will look like he copied it from New York. Which scenes ? Read on.
1) The scene where Nawajuddin is driving the car and Katrina Kaif is sitting next to him. The police guys stops the car and asks Nawajuddin to show his license. He doesn’t understand english and so reacts violently thinking that police guys are harassing him because he is a muslim.
2) The second scene is the one where John Abraham introduces Neil Nitin Mukesh to his group. He picks out the traitor in the group and tells him to run away. And then John turns to Neil and asks him to take aim at the guy.
First was Suchita Bhhatia and now its from Karan Johar. what is Aditya Chopra upto these days ?
Strangely, K Jo sold the distribution rights of his two forthcoming films Kurbaan & Wake Up Sid to UTV, instead of Yashraj films who have been distributing his films for long. And now this incident. Will K Jo trust Adi again ? The answer isn’t difficult to guess.
Who is this Suchita Bhhatia ? Whats her background ? That’s what Kabir Khan, the director of New York is wondering. And like him, if you are in the same boat we got the dope.
Its The Hangover. By plagiarising or by buying the official remake rights. Its the Death at a Funeral of 2009. It was the same scene with Death At A Funeral last year and Indra Kumar made it into Daddy Kool. Ofcourse by plagiarising and had to pay later on. Click 
Its DOOMED.
The film wisely opens with the most successful of the three ‘Times’ – 1966 A Time for Love – – tracing the emergence of timid passion between a lad headed for the military and a young girl who works in a pool hall. They communicate by letters after their first brief introductory encounter and circumstances interfere with the progress of their relationship in 1966 Taiwan.
Love Aaj Kal is the story of Jai ( Saif Ali Khan) and Meera (Deepika Padukone). It starts at a cafe in London which is run by Veer Singh ( Rishi Kapoor). The duo meet, jump into bed first and then they fall in love. With Jai-Meera’s love story, there is parallel track of Veer Singh, his love story with Harleen, which happens in flashback and is set in Delhi. One is today’s love story and the other is of yesteryears. Saif Ali also plays the younger Veer Singh (Rishi Kapoor).
Accused of plagiarism! And according to news reports, the music composer has hit the half century mark on plagiarism charts with this song. After West, the current trend is to look east for inspiration and Pritam does the same. The song in question is Hai Junoon from Kabir Khan’s New York. Its plagiarised from a song called Naluri Lelaki by an Indonesian band Samsons. Check out the two songs and see if you think the same.
F.i.g.h.t C.l.u.b 