Posts Tagged ‘rediff’

This friday, its the attack of the Pindharis! Anil Gadar Sharma returns with Veer starring Salman Khan, Zarine Khan, Mithun Chakraborty, Sohail Khan and Jackie Shroff. The story is by Salman Khan. Beat this!

Here are some early reviews which suggests that Veer belongs to that rare dud tribe who die on their birthday! Born to die friday Species.

Anupama Chopra (NDTV) – The best thing about Veer is that it is comic book cinema no pretensions. Without a trace of embarrassment or apology, Sharma goes full throttle on speeches to the motherland, honour, mardangi. And as Manmohan Desai told us decades ago: Mard ko dard nahin hota, so Veer snarls and slices through men without pausing for breath – 2.5/5

Raja Sen (Rediff) – The son of a legendary hero grows up and attempts to follow in his father’s footsteps, however bloodthirsty this road may be. It is standard Bollywood cliche, but Salim Khan, one of our most iconic screenwriters, deserves a better tribute than son Salman, credited for the film’s story, churning out this unbelievably hackneyed period disaster – 1/5

Gaurav Malani (ET) – Salman Khan gives a powerful performance in real sense. He is so prominent in the film that not even his brother Sohail Khan gets one consolation scene. Mithun Chakravarthy is the only one who stands on his own other than Salman Khan. Zarine Khan is a replica of Katrina Kaif and using the same dubbing artist adds to the analogy. Lisa Lazarus is absolutely wasted in a 2 scene role. Jackie Shroff is repetitive in his villainous act. You have to be a braveheart to watch Veer – 2/5

Shubhra Gupta (India Express) – Salman is the last Khan standing. It makes not a whit of difference to him and his directors that the space for retrofitted 70s packages has shrunk to nothing : Salman, In and As Veer, defiantly dances, romances, and bests his enemies in combat— hand-to-bare hand, and because `Veer’ is allegedly a period film, sword-to-clanging sword – 2/5

Taran Adarsh (Indiafm) – VEER drives home a few hard facts…No amount of gloss can substitute for an engaging story. Not all directors are capable of pulling off a period film. No star – howsoever strong his rankings are – can infuse life in a comatose script – 1/5

Khalid Mohamed (PFC) – A battle’s on, followed by much prattle. How they rattle on about the British Raj and a desert-principality presided over by a king, mostly garbed in outfits which are crow-black. Quite tack. In effect, then, Veer is a waste or resources, talent and of course, our time..and ticket money – 2/5

Rajeev Masand (CNN IBN) – Even if you’re willing to forgive all the historical inaccuracies and the complete disregard for detail, Veer starring Salman Khan, is still an impossible film to appreciate.Unacceptable in these times. From Cameron’s Pandora to Anil Sharma’s Pindhari, we’ve come a long way baby – 2/5

Nikhat Kazmi (TOI) – Now no one’s doubting the fact that Salman Khan’s a thoroughbred veer. For, it does take a whole lot of bravado to pick up a blast from the buried past and present it an age when everyone is determined to tell a brand new story in Bollywood. Of course, films like Lagaan and Jodhaa Akbar did manage to strike a chord with the newbie viewers too, but they were more like exceptions to the rule. By and large, the scheming Brits and their grab-India story has been confined to the creative bin when it comes to modern Indian cinema, song and literature – 2.5/5

Mayank Shekhar (HT) – It belongs more to Bollywood of back in the day: a song designated for smokers every few minutes; crispness, hardly a narrative virtue; three hours, the accepted clock-time. And yet in trying so hard to win acclaim and scale, the film goes all over the place – *Gladiator, Troy, Braveheart* – complicating matters for its easy viewers – 1.5/5

Minty Tejpal ( Mumbai Mirror) – Veer is a very, very terrible film, which has lots of thudding hoofs, bloodstained swords, chopped-off heads plus brawny men hooting and fighting. What Veer doesn’t have is any kind of a script or a director, forget about any other related sense or sensibility. The film is a brutal assault on all your senses, with lousy direction constantly competing with mediocre acting struggling with a garbled period story, and one has to indeed be very ‘veer’ not to cry and run away in sheer fright – 1/5

Seems like Veer is already headed for Veer-gati!

This friday there are two hindi releases. One is the biggie Chance Pe Dance directed by Ken Ghosh (Ishq Vishq, Fida) starring Shahid Kapoor and Genelia De Souza.

The other film is the indie The Waiting Room, produced by Sunil Doshi, directed by Maneej Premnath and starring Raj Singh Chaudhary (Gulaal). Lets see if Chance Pe Dance got any chance.

Anupama Chopra (NDTV) – It seems like both Genelia and Shahid are squeezing in as many expressions as they can into each scene to compensate for the lack of a coherent script. But all their energy cannot fire up this inherently dull film. Chance Pe Dance isn’t the hot weekend ticket you were waiting for – 2/5 

Shubhra Gupta (Indian Express) – You also wish there was more energy in the sequences that fill in the spaces between the work-outs on the dance floor : the film gets lax too often. And the choreography could have been much more exciting to match an actor who is such a fleet-footed mover and shaker : the only one who’s perhaps a tad better is Hrithik Roshan. Kapoor needs a story with more depth, and direction – 2/5 

Raja Sen (Rediff) – There are a few warm touches and Kapoor occasionally manages to sparkle. But there are far better places for a showreel than in a movie theatre. It’s mostly harmless, and certainly harebrained. Leave it to the Shahid-obsessed – 1.5/5 

Rajeev Masand (CNN IBN) – Ken Ghosh borrows liberally from such Hollywood films as School of Rock and the Jessica Alba-starrer Honey. But with it’s theme of a struggling actor’s ultimate vindication, in the end I suppose Chance Pe Dance could be described as “Luck By Chance-For-Dummies”. Although it would be a crime to mention the two films in the same breath – 1/5

Gaurav Malani (ET) – Sadly, scripts are written for reality shows today but there is no real good scripting involved in feature films. So in times when dance talent-hunt shows on television promise more drama and entertainment, you find no good reason why to give this dance a chance – 2/5 

Nikhat Kazmi (TOI) – The film may not have the emotional quotient of Ishq Vishq, Shahid and Ken’s first film that set the box office on fire, yet it does have its moments. A better scripted, less cliched second half would have surely given the film a better chance to dazzle and shake – 3/5

Taran Adarsh(Indiafm) – Shahid makes a sincere effort and the honesty shows in a number of scenes. But let’s not forget that the best of actors cannot rise beyond a pitiable script. On the whole, this dance stands no chance – 1.5/5

Abhijit Mhamunkar (Buzz18) – There was much buzz in the media about the film being rewritten and re-shot after changing the original heroine, Jiah Khan – replaced by Genelia D’Souza. Also, Oye Lucky! Lucky Oye! writer Manu Rishi was roped in for additional dialogues and scriptwriting. But you wonder what changes the makers have made, because neither is the film entertaining nor presenting anything new – 1.5/5

Mayank Shekhar (HT) – Between those patchy, over-decorated music television tracks, the banal hero fails a courier boy’s job; sleeps in a car (when he could’ve moved in with his girl); joins a school to teach dance; enlists kids to win a competition; enlists himself to win a talent hunt… The show goes on, and so on, and so forth. As does the refrain: “Tu star ban sakta hai. Tu star ban gaya. Mein star banaunga….” (Whatever that means) – 1.5/5

It seems Ken Ghosh can go back to making music videos. Next is Chance Impossible! Will update with more reviews as soon as they are out.

And not a single review of The Waiting Room so far ? What happened to the indie supporters ?

This filmy friday there are two hindi releases. Pyaar Impossible and Dulha Mil Gaya. Pyaar Impossible is directed by Jugal Hansraj and stars Uday Chopra and Priyanka Chopra. Lets see if its any good.

Taran Adarsh (Indiafm) – On the whole, PYAAR IMPOSSIBLE is a feel-good film. If you are a romantic, this one’s for you. Even if you’re not, still watch it. Its one of those films that will bring a smile on your face – something that most Hindi films don’t do these days – 3/5

Rajeev Masand (CNN IBN) – Pyaar Impossible doesn’t work because it’s hard to empathize with any of the characters and because the actors fail to rise above the flawed script. It’s back-breakingly long at two hours and twenty-odd minutes, and I can’t remember one single scene that made me smile. The humour is ordinary, and the pre-climax romantic scene in a Mac store is the most embarrassing I can remember in recent times – 1/5

Mayank Shekhar (HT) – This is not Notting Hill, in only as much as Uday Chopra isn’t quite Hugh Grant. This is still an incessantly stunted ‘Hollywood rom-com’ knock-off, to the point that a neatly dictated formula will allow – 1.5/5

Nikhat Kazmi (TOI) – Nothing stupendous here. Just a sweet and soppy flavour with a picture-perfect Priyanka: Watchable – 3/5

Anupama Chopra (NDTV) – Uday plays the nerd with absolute sincerity but it’s hard to summon up any affection for him. And Dino seems to have decided that expression is a waste of time. His face just stays blank. Pyaar Impossible is depressingly dim-witted – 1.5/5

Sukanya Varma (Rediff) – It’s the kind of film, which could get over in five minutes if only Chopra 1 would let Chopra 2 finish his sentence. But no, Chopra 2 takes two and a half good hours to spill the beans leaving you with little besides a super hot Chopra 1 to admire – 2.5/5

Kaveree Bamzai (India Today) – She’s the beauty and he’s the geek. And she ends up falling in love with him. Yeah, right, if your father is one of Bollywood’s biggest producers, anything is possible – 2/5

Gaurav Malani (ET) – The moral of the film is that one shouldn’t judge a person by their looks. Going by that, however cool this candyfloss flick might appear, it’s still shallow on content. Pyaar Impossible might have certainly not aimed for a ‘10 on 10’. But is it really impossible to even strike an average? – 2/5

Meena Iyer (Mumbai Mirror) – Honestly guys wake up and smell the coffee. Forget love, even hate isn’t possible here.  This film leaves you bereft of emotion – 2/5

Shweta Parande (Buzz18) – There is nothing new in Pyaar Impossible. Watch it only if you don’t mind a predictable story with a hot Priyanka Chopra, and some catchy music – 2.5/5

The other release is Dulha Mil Gaya directed by Mudassar Aziz and starring Shahrukh Khan (5 or 70 percent ?), Sushmita Sen and Fardeen Khan. And here is the score card.

Taran Adarsh (Indiafm) – The recipe is simple and uncomplicated…Take My fair Lady. Add Dulhan Wahi Jo Piya Man Bhaaye. Spray Naseeb Apna Apna. Sprinkle DDDLJ and Rab Ne Bana Di Jodi. Hey presto, Dulha Mil Gaya is ready to serve – 1.5/5

Rajeev Masand (CNN IBN) – Dulha Mil Gaya starring Fardeen Khan and Sushmita Sen, has been four years in the making, but has arrived almost fifteen years too late. A predictable old-fashioned entertainer that’s a throwback to those homogenous family films of the mid-90s, Dulha Mil Gaya borrows so much from the Yash Chopra/Karan Johar school of synthetic filmmaking that it’s hard to tell if there’s anything original to this story at all – 2/5

Anupama Chopra (NDTV)Dulha Mil Gaya is a film caught in a time warp both literally and figuratively. The much-delayed movie is a bargain-basement version of Yash Chopra-Karan Johar movies from the late 1990s – 2/5

Nikhat Kazmi (TOI) – The problem with Dulha Mil Gaya lies in the fact that it has nothing new to offer. And that’s ironical at a time when almost every film that falls off Bollywood’s conveyor belt is brimming over with newness: new ideas, new plots, new musical notes, new actors, new narrative styles. Unforgivable – 2.5/5 

Mayank Shekhar (HT) – I check my cellphone for the time yet again. The filmmakers could’ve checked for the year (they were making this film in as well) – 1/5

Kaveree Bamzai (India Today) – I suppose it’s funny to see Sushmita talking to her dog, Bozo, and kiss its miniature; or blow kisses to her invisible audience; or even behave like the eternal Miss Universe. But hey, that crown was in 1994. Grow up, please, Sushmita. Start acting. And do something less formulaic than “Indian girls rishte nibhana jaant hain” (Indian girls know how to keep up relationships). Grrr – 1/5

Preeti Arora (Rediff) – The West Indies and Trinidad are scenic and breathtaking. These locations haven’t been used too often in our films. But no film has ever managed to sustain itself on the basis of its locations. Watch the film if you can’t think of any other way to spend your weekend. Or else just avoid – 2.5/5

Gaurav Malani (ET) – Dulha Mil Gaya literally breaks new grounds with taking a Bollywood plot to Trinidad and Tobago. But beyond that this marriage miscarriage movie moves east of West Indies to introduce India for the zillionth time as nothing more than a small village in pastureland Punjab – 1.5/5

Meena Iyer (Mumbai Mirror) – They shot Dulha Mil Gaya all the way in Trinidad & Tobago. They could have shot it in Timbuktu and it wouldn’t stand an ice-cube’s chance in hell of surviving –  2/5

It seems impossible to expect even a half decent movie this week. Neither Pyaar nor Dulha. Head out for Sherlock Holmes in new avtaar or Paranormal Activity.

Enough of VVC, CB and 3 Idiots, lets move on to this week’s hindi release. We detest to count any Celina Jaitley release and so that leaves us with only one film Raat Gayi Baat Gayi, with the desi indie boys. The bunch we love! The film is directed by Sourabh Shukla ans has Rajat Kapoor, Neha Dhupia, Vinay Shukla, Anu Menon, Dalip Tahil, Navneet Nishan and Irawati Harshe. But do they deliver this time ? Here’s the score card.

Taran Adarsh (Indiafm) – On the whole, RAAT GAYI, BAAT GAYI? doesn’t work – 1.5/5

Rajeev Masand (CNN IBN) – Saurabh Shukla directs with an easy hand, allowing the actors enough room to interpret their characters, but it’s the writing here that’s mundane. Most scenes lack the energy that was required to elevate this film into the sly, tongue-in-cheek satire that it was intended to be. What you get is a promising but sadly tiresome film that feels too long even though it’s less than two hours in running time – 2/5

Shubhra Gupta (Indian Express) – The film plays footsie, without really going all the way. How about something braver and quirkier the next time around? This merry band filmmakers can do it – 3/5

Mayank Shekhar (Hindustan Times) – Bashes in ‘Bollywood’ back in the day meant a grand piano at the centre. The hero crooned away his message of love. The heroine joined him for a dance. A huge crowd of suits and sarees gathered in a circle, quietly stared, and sipped their drink. Some white people floated in the back-rows. Oh we miss those! This one neither touches nor tickles. Better still, get us Hangover any day – 2/5

Anupama Chopra (NDTV) – Have you ever been to one of those excruciatingly boring parties in which the conversation is so stilted and the guests so banal that you want to pick up a fork and gouge your eyes out? If not, you might want to catch Raat Gayi, Baat Gayi, which is pitched as a romantic comedy but is neither very funny nor very romantic – 2/5

Nikhat Kazmi (TOI) – Watch out for some fine performances by the entire cast. Veterans like Rajat Kapoor, Vinay Pathak and Ranvir Shorey are eminently watchable as always. But it is Neha Dhupia who is fast emerging as the natty new wave girl with her newfound talent – 3/5

Gaurav Malani (ET) – With a head-spinning narrative about the aftermath of an intoxicating late night party, Raat Gayi Baat Gayi is like wine that takes time to mature but is your perfect partner on a lazy evening – 3/5

Anand Vaishnav (Buzz18) – Raat Gayi Baat Gayi is very funny in parts, held together with delightful performances. Catch it for some spontaneous acting – 2.5/5

Meena Iyer (Mumbai Mirror) – RGBG starts well and its witty dialogue keeps the viewer engrossed up to a point. It makes no deliberate effort to copy the Hollywood hit Hangover either in its plot or treatment, yet there’s a borrowed sense of déjà-vu. And had the director kept the viewers interest level continuously going, he may have had a winner on hand. Where RGBG falls a few notches short is the pace – 2/5

 Seems like average is between 2-3 out of 5. 

Raj Kumar Hirani’s 3 Idiots is here! So, all is well or not so well ? Looks like its a divided house. It has Aamir Khan, Kareena Kapoor, R Madhavan, Sharman Joshi, Boman Irani and Omi Vaidya in the the lead. Here are some of the early reviews….

Raja Sen (Rediff) – This isn’t a bad film, though. By which I mean it conjures up a few moments, it will doubtless make some people cry, and every now and then we glimpse some heart. Yet it hurts to see that this is traditional Bollywood masala schlock, with scenes calculated to tickle and to evoke sympathy. It’s not awful at all, but since when did ‘not bad’ become good? Dr Feelgood doesn’t make the cut this time, and we need to measure him by the high bar his previous excellence has set — by which degree this is a whopper of a disappointment – 2/5

Gaurav Malani (ET) – The film redefines Idiot as ‘I do it on my own terms’. After watching the film, you won’t mind being certified as an idiot. If you still don’t approve of the film, you are a certified cynic. 3 Idiots is one of the most entertaining films of the decade – 5/5

Anand Vaishnav (Buzz18) – 3 Idiots is a happy film with a positive message. But you never feel for or root for its characters. Releasing in the festive season, this film will deliver truckloads of laughter, but might not satisfy the expectations of watching an Aamir Khan-Rajkumar Hirani film. It’s just another feel good, time pass watch – 3/5

Taran Adarsh (Indiafm) – On the whole, 3 Idiots easily ranks amongst Aamir, Rajkumar Hirani and Vidhu Vinod Chopra’s finest films. Do yourself and your family a favour: Watch 3 Idiots. It’s emotional, it’s entertaining, it’s enlightening. The film has tremendous youth appeal and feel-good factor to work in a big way – 4.5/5

Kaveree Bamzai (India Today) – Mr Hirani, Mahatma, we bow to you. Aamir, we think you’ll make a great HRD Minister. And yes, a word for the man who produced it as he did the Munnabhais. More power to you, Vidhu Vinod Chopra. We know now why you speak so much, so long, and so loudly. It’s because movies such as these can silence everyone else – 5/5

Nandini Ramnath (Time Out) – The message is a bit mixed, since the movie ultimately celebrates achievement. Given how Ranchchod ends up, it’s clear that whether you’re self-taught or schooled, you’ll remain an idiot if you aren’t also talented to begin with – 2/5

Mayank Shekhar (HT) – Before 3 Idiots on screen, you still don’t feel like the fourth idiot in the theatre. That’s a non-Bollywood relief. This is the sort of movie you’ll take home with a smile and a song on your lips, unless the hype has entirely messed up with your expectations – 3.5/5

Since Anupama Chopra is married to Vidhu Vinod Chopra, Mayank Shekhar has reviewed the film for NDTV this friday.

Shubhra Gupta (Indian Express) – It makes the point, but not as magically as it could have, given Hirani’s unique gift of building extraordinary moments out of the ordinary. ‘3 Idiots’ was good in parts, but it didn’t blow me away – 3/5

Aniruddha Guha (DNA) – Even as you have come to accept Khan’s genius at ensuring a good product for audiences every time, this one is a Rajkumar Hirani show all the way. And it becomes easy to say that because even if you take Khan out of the equation, the film would probably make a similar impact – 4/5

Nikhat Kazmi (TOI) – The high point of the film is the fact that director Rajkumar Hirani says so much, and more, without losing his sense of humour and the sheer lightness of being. The film is a laugh riot, despite being high on fundas – 4.5/5

Rajeev Masand (CNN IBN) – An earnest but calculated effort that runs, but never flies. Watch it anyway, because it’s the season to be jolly, and good laughs are guaranteed – 3/5

Whats your take ? Where do you stand between 2 and 5 ?

Dhan Te dan! Its finally here! The combo of Shimit Amit & Jaideep Sahni. Starring Ranbir Kapoor, Rocket Singh – Salesman Of The Year is this friday’s film. And here are the reviews….

Raja Sen (Rediff) – Rocket Singh might not be everyone’s idea of a good time. It’s not a film that grips you from the word go, or one that leaves you rolling in the aisles, but it’s an impassioned effort that tosses skepticism out the window. Watch it, really – 3.5/5

Anupama Chopra (NDTV)Rocket Singh never becomes more than the sum of its parts but still I recommend that you make time for it. Just be prepared to be patient – 3/5

Rajeev Masand (CNN IBN)Rocket Singh touches a chord because it’s that rare film that urges us to examine our lives and to question the rules by which we live it. It has a life-affirming quality that will appeal to every one of us who has ever hesitated before taking the easy way over the right way – 3.5/5

Gaurav Malani (ET) – A line from the film states, “Risk toh Spiderman ko bhi lena padta hai, main toh phir bhi Salesman hoon” (Even Spiderman has to take risk, I am just a Salesman). The makers have taken as much risk to sell a not-so-regular story to the audiences. And it has paid off pretty well. Rocket Singh – Salesman of the Year is one of the most rocking films of the year – 4/5

Shubhra Gupta (Indian Express) – This is also the film which seems to have got a lost-in-the-woods studio back to its real strength: solid story-telling and believable performances, minus the designer bods and empty plots it has of late fallen prey to. Can it be, finally, the second coming of Yashraj? – 3/5

Kaveree Bamzai (India Today) – Go watch it to see why even zero has a value. And why Ranbir Kapoor is the future of Mumbai films. An effortless actor, he’s just the perfect embodiment of the times we live in. Confident without being cocky, spirited without being arrogant, hard working if not always gifted, he is the Young Indian we all want to see – 4/5

Taran Adarsh (Indiafm) – On the whole, ROCKET SINGH – SALESMAN OF THE YEAR is more of a documentary on the life of a salesman. Lack of music, romance and entertainment, coupled with zilch hype, will go against the film. A colossal disappointment – 1.5/5

Khalid Mohamed (PFC) – Although the dramaturgy ends up blurring the line between scamming and honesty,  a holier-than-thou attitude is maintained throughout. Sure do tell us that corruption and shortchanging the customer don’t finally pay… but please tell us that with clarity and conviction. As for the finale, centering around a phone call, it happens so much by coincidence that it doesn’t ring true at all. Without revealing the resolution, suffice it to say that it’s as deflating as a punctured tyre – 2/5

Anand Vaishnav (Buzz18)Rocket Singh Salesman Of The Year is eventually a feel good watch that talks about ethics, without sounding like a moral science lecture. All that mundane management talk about ‘service over sales’ and ‘people over numbers’ never sounded cooler – 4/5

Nikhat Kazmi (TOI) – The winning duo of Shimit Amin and Jaideep Sahni may not be offering you a Chak De India this time round, but they do sculpt some rare moments on celluloid that end up redefining the pusuit of happiness as something more than mainu chaida, chaida, chaida – 3.5/5

Mayank Shekhar (HT) – You’d much rather stick with this rare Rocket, than an yearlong racket that goes on in the name of filmmaking in Mumbai. Harpreet’s unique honesty in a sales firm goes well in the context of this film within Bollywood itself – 3/5

Update – Just back from the screening. Dont miss this one!

The big release of this friday is Kurbaan. Produced by Karan Johar, directed by Rensil D’ Silva and starring Saif Ali Khan, Kareena Kapoor and Vivek Oberoi. And here is the score card…

Anupama Chopra (NDTV) – The film has ambition but it is too flawed and simplistic to explore issues like religion, violence and the politics of terrorism with any conviction or gravitas – 2.5/5

Taran Adarsh (Indiafm) – On the whole, KURBAAN is the most powerful film to come out of the Hindi film industry in 2009, so far. The film has a captivating plot, gripping screenplay, super performances and a climax that shakes you up completely. Watching this movie should be on top of your agenda this week – 4/5

Rajeev Masand (CNN IBN) – Stripped to its bone, Rensil D’silva’s Kurbaan is an edge-of-the-seat thriller that seldom loses its grip on your attention. Credible performances from its leads, and a nail-biting screenplay make up for the plot holes that threaten to eat into this otherwise engaging film – 3/5

Khalid Mohamed (PFC) – In effect, then, Kurbaan is the sort of film that doesn’t have a clue about the complex subject it is dealing with. It set my teeth on edge. And ha ha , not only because it is revealed at the end that the real name of Saif Ali Khan’s terrorist happens to be Khalid. Thanks Karan, Rensil..I’d just like to see how you guys would respond if your names were used for heinous criminals on screen. Or even in graffiti. Try it – 1.5/5

Shubhra Gupta (Indian Express) – It’s not as if the director has refused to make concessions to the starry status of his lead couple, with Kareena displaying a daringly naked back, and Saif showcasing a bare brawny torso, the bloody rivulets just so. Or that D’Silva doesn’t fall into the self-indulgent trap all debutants do, to keep it too long: the second half drags, and the last half-hour telegraphs its punches. But you overlook these because, at its core, ‘Kurbaan’ has power and resonance – 3/5

Nikhat Kazmi(TOI) – Kurbaan sure does strike a chord and sets you thinking on stuff that needs to be sorted out before the new world order – a more humanitarian, less violent – sets in. Don’t miss it – 3.5/5 ( BTW, this review deserves a separte post. Why and how ? Coming soon)

Minty Tejpal (Mumbai Mirror) – Despite a difficult subject that deals with terrorism and Islam, the director gets the tone and pitch of the film just right, a tricky art to pull off in a purely commercial space. While the recent New York was more flamboyant in its approach, Kurbaan is textured and well-measured – 3/5

Mayank Shekhar (HT) – What you may brave through then is a flick neither real or serious enough to be a meditation on global terror, nor sweetly suspended and adequately brain-dead to be Die Hard. It’s hard to be both. The hardship shows.

Chandrima Pal (Rediff) – Go watch Kurbaan, explore it, find your own points to agree, disagree, endorse, enjoy, debate and be angry about. Either way, you definitely cannot walk out without the film leaving an impression on you. And a strong one at that – 3.5/5 

Gaurav Malani (ET) – Kurbaan, noticeably, is set on the same plot of New York – the pun involves both the city and the cinema. And while in any other case this could have been a setback for the ulterior release, Karan Johar’s film, on the contrary, scores for being a more convincing and compelling version of the Yash Raj production that released few months back – 3/5

Kaveree Bamzai (India Today) – Welcome to the world of Islamic terror. Where blood flows artistically, a rich red, slowly and steadily; where love is the perfect antidote; where FBI agents are heroes; where sleeper cells operate out of racially stereotyped neighbourhoods amidst kebabs and biryani; and where the Koran is discussed over coffee and chai – 2/5

Priya Ramani (Livemint) – Before this movie I believed that New York was to Karan Johar what Switzerland was to Yash Chopra. Why would he make such an offensive film about his favourite city? Bas karo yeh meaningful cinema. Please give us a Kuch Kuch Hota Hai again.

Aniruddha Guha (DNA) – You are not quite sure after watching Kurbaan what exactly the motive behind making the film is. Was it designed to be a thriller? Then, in the almost 2hrs and 40minutes of its running time, it’s too long and dips at various points to be able to thrill you enough. Was it supposed to be a love story? Then it fails on that count because the ‘lovers’ in the film come across as shallow. Was the film supposed to be a comment on global terrorism? Then it’s a haphazard one, raising questions (old ones at that) and not bothering to give any answers – 2/5