Archive for the ‘gossipmongers’ Category

raavanFor as long as we can remember, the film has been in the making! And its still making headlines for all the wrong reasons! Incidents, accidents, cast and crew replacements, animal welfare board, notice, arrest, permission issue,  rains, schedule getting delayed, health problems – just think of any problem that can happen to a film and Raavan had it!

The recent news is that Bipasha Basu is out of Raavan! For more details click here. First, her casting came as big surprise. From the beginning, it was not mentioned anywhere. And by july-august, the cast and crew members happily announced that the film is almost complete. Suddenly Bipasha’s name pops out! We are sure it must be for an item number. Cant be more than that. And now, she is even out of it!

Before Bipasha, it was DOP Manikandan who left the film and Mani got his good friend Santosh Sivan behind the camera. Recently they had shooting problem because of the heavy rains in the Malshej Ghat area. Before that it was elephant scare, notice from animal welfare board, permission issue in the jungles of kerala and Ratnam’s heart attack.

And Mr Asif, where are you ? Asif, who ? Asif from this post who thought we were putting out fake news! Earlier we had put a post on the rotal mess of the shooting schedule of Raavan.  Click here to read our earlier post.

The hindi version of the film has Abhishek Bachchan, Aishwarya Rai, Govinda & Vikram. In the tamil version, Vikram potrays Abhishek’s role and has Aishwarya Rai, Prithviraj and Priya Mani in the lead.

If its going like Apocalypse Now, we sincerly hope that it turns out to be one Apocalypse Now! We want to get rid of the memory of his last film corporate film on Reliance which was masked as Guru!

Sometimes its difficult to make sense of the world. Of incidents or people around you. And if they belong to the world of cinema, its more insane. Is that him? Is that for a role? If for a reel, why in real life too?

The recent pics of filmmaker Rituparno Ghosh have been quite baffling. He says its all for a role. Click  here to read more about the film Just Another Love Story and his role in the film. Scroll down to see the latest pic on the top left corner. The other pics show him in transition, more or less.

And if you can make sense of anything, put your comments. And if you cant, how does it matter? It’s only the cinema that matters, rite? But then how do you separate the cinema from its maker? Have not been able to do so.

He is one filmmaker whose work I have been following since his debut. Think  he is undoubtedly one of the best filmmaker of our times.  Always has an interesting story or unique take to share. Sometimes repetitive though, but a master at exploring the intimate space between two people. Aha..thats for another day! Check out the pics!

Pradeep SarkarYashraj Films has finally announced their new film with Pradeep Sarkar. The title is not yet finalised but the cast is in place. The film will star Neil Nitin Mukesh and Deepika Padukone.

If gossipmongers are to be believed, Pradeep Sarkar desperately tried his luck with many other actors but none of them were willing to do his new film after the debacle of Laga Chunari Me Daag (LCMD). Am guessing they finally had no choice but to settle for Neil Nitin Mukesh.

According to the press release, “both the actors have extremely challenging roles to play in this love story set in the gritty streets of Mumbai“. Extremely challenging roles for the extremely challenged Neil Nitin Mukesh & Deepika Padukone ? As Dhoni says in the Aircel ad, Aur bolo ?

Talking of Pradeep Sarkar, here is an intersting incident that happened after the release of his last film, and I got to know about it much later. Earlier one of us used to blog on passionforcinema.com. I loved Parineeta and hated Laga Chunari Me Daag. After the release of Laga Chunari Me Daag, I wrote this post on how the directorial debut of his dop Sushil Rajpal is much better than LCMD! I dont know Sushil Rajpal but managed to watch his film Antardwand at a screening. It bagged the National Award for Best Film on social issues this year and is going to get a theatrical release soon through Sunil Doshi’s company.  

The headline of my post ( Pradeepda, call up your dop Sushil Rajpal and ask him how he got those small things right in his unreleased film Antardwand that you could not in Laga Chunari Me Daag ? ) was enough to do the damage. Pradeep Sarkar and his whole team read the post. And they somehow felt that I knew Sushil Rajpal and he is the real culprit.  Voila!

Sushil RajpalAs a dop, Sushil has been working with Pradeeep for long time. When the two (Pradeep and Sushil) met for their next tv commercial shoot, Pradeep wasnt even looking at Sushil. Forget about talking and discussions. A royal ignore! He was still pissed off because of the blogpost. Sushil kept on wondering WTF is this! He told one of his colleagues…yaar maine kya kiya ? Kisi ne mere film ki taarif ki lekin yeh to bilkul ulta ho gaya! Kaun hai yeh….kisne likha hai ?

Though I was the culprit, poor Sushil Rajpal had to face his wrath! Just what can a blogpost do! Cheap thrill, i bet! 

So will Sushil Rajpal shoot his new film ? Lets see. Will keep posted.

Akshay KumarAnd some more…I think the star who has the most false packaging is Akshay Kumar. He’s my best friend, but I’m saying it on record. And more….The media gives Akshay the license to remain A-list when the ROI (return on investment) doesn’t permit that. And some more…..What does Akshay have? 1000 crores? He always says I don’t care for awards, but he’ll never get one. You can pull a bluff once, not 10 times. Sounds interesting ? Read on!

Shailendra Singh is one of the most articulate and loudest-mouth in bollywood. And its not diffcult to guess where is it coming from. Lets REWIND. According to gossipmongers, Percept Picture Company (PPC) signed Akshay Kumar for Nagesh Kuknoor’s Tasveer with a big fat cheque. But for some reasons, the schedule went haywire and Akshay’s dates were wasted. Akshay demanded more or he would not complete the film. Percept tried to be oversmart. They said they will pay him more and asked him to voice Jumbo (animation film) as well. Both the parties somehow agreed on a figure and Akshay finally completed Tasveer.

At the box office, both the films sank without any trace. Tasveer was unbearable anyway. And since then Percept has been in really bad shape. People have quit or made to quit and they are still trying to figure out their future plan. Blame it all on Khiladi Kumar!

You can read the full TOI interview here or scroll down. BTW, the most funniest part is that he repeats few times that Akshay Kumar is his good friend. We are ROFL! Interesting bits in bold! Enjoy!

Shailendra Singh1What brought you to Delhi ?

My peace initiative in Kargil, of course, and my new venture in stand-up gigs. I’m expecting a return of Rs 10 crore on that, and I’m going to invest Rs 2-3 crore in the next three years. Stand-up comedy is serious business for me. It was four years ago too, when I recommended it to Star Plus, and they took it and made it into Laughter Challenge. I lost an opportunity with them, but it’s okay. I waited for that to mature and came back to the idea. This time, it’s in six languages – English, Punjabi, Hindi, Gujarati, Marathi and Bengali. It’s simple, low on investment and a great product. People want uncomplicated entertainment, they don’t want to get confused. I think cinema is cheating them, they don’t want to spend 250 bucks and get a shit looking film.

Why is North India so interesting to producers now?

Bombay’s packed. There are nine press conferences in Bombay every day, with a Salman and a Shahid and an Asha Bhonsle standing there. The media there doesn’t even care now. Delhi doesn’t have celebs – you have politicians and fashion designers. So put ’em (actors) on a flight and take them to the city, and boom. Ludhiana, Chandigarh, Lucknow – that is the future. UP is the largest player for Manmohan Singh, not just for you and me. It’s population-based – the consumer exists, it’s all about technology reaching them. The one thing I understand is the consumer. That’s why, in motion pictures, I’ve stuck to what I know best – content. It just reinforces my belief that in cinema, content is king. Packaging cannot rule. Bollywood had 300 releases this year, and 292 flops. Promos show songs – why? Where’s the story, where’s the dialogue promo?

So the consumer’s evolved to the point where they don’t want just ‘the song’?

Of course. It’s 250 bucks for a ticket, some cola, popcorn. What do you spend 10 dollars for? Timepass? Some average looking product? Value for money is going to get even sharper now. The North is huge – it has six states. And now, due to telephony and the media, the level of understanding has grown. The spending power was always there. People just didn’t know how to spend their money. Now, they’ve understood that it’s not about saving. Abhi ke liye jiyo, f*** tomorrow, man. The food and beverages offtake in the North is huge, and its 65 per cent of the money. The interval has gone up from five minutes to 24 minutes, and they don’t play trailers in intervals now – so that people can go and eat.

The common belief is that since all you get is the first weekend, in ‘multiplex cinema’, you have to make a movie with stars to get the audiences.

I don’t think so. I think the star who has the most false packaging is Akshay Kumar. He’s my best friend, but I’m saying it on record. It was my biggest mistake – Jaaneman, with Akshay and Salman, got a 22 per cent opening. There was no reason for that. It was well-shot, great music, the works. The star doesn’t get the opening. The consumer has matured to the point where he knows what content he has an appetite for. Akshay doesn’t get an opening. Tasveer 8×10 was fine. I got a 12 per cent opening. Akshay doesn’t have a fan following. It’s all media-created. They can get written about, but they can’t get people to watch their films. After Kanchivaram’s success, I believe in content. Akshay without content is nothing, just hot air.

Has Kambakkht Ishq proved it?

Everything is proving it. He just surrounds himself with talent. When he succeeds, he says it’s him, when he doesn’t, he blames it on his support cast. His first movie with the ‘lucky’ Katrina didn’t run for a day. He doesn’t have the aura. Aamir has it, Shah Rukh has it, he doesn’t.

And Salman?

No. He’s lost his equity over the years. But he’s fun, he’s my best friend, I love him, and he’s in – he has a blast, he doesn’t care. I think his fans also believe in that, and they live his lifestyle more than his cinema.

Was Nagesh (Kukunoor) a factor in the failure of 8×10?

No. He’s making brilliant films for me… Aashayein, Yeh Honsla – and he was super in Dor, in Iqbal. He also has his space. But he also trusted Akshay. It’s happened before with another director – Madhur (Bhandarkar) made a film called Aan – Men At Work with Akshay. That flopped too. The media gives Akshay the license to remain A-list when the ROI (return on investment) doesn’t permit that.

What do you think of Aamir and Shah Rukh’s films?

They make their mistakes too, but their success is greater than their mistakes. They don’t cheat the customer. Akshay is a buddy, he’ll kill me for this, but there it is. There’s something called the right price. You have a cup of tea at a five-star for 400 bucks because of the ambient music and the surroundings, but the cup of tea is worth 40 bucks. Akshay is a good talent, but he has to know his price. You can’t charge 50 crores and not get an opening.

Priyadarshan (the director of Kanchivaram) has said on record that Shailendra Singh forced him to make the movie. He had this film for nine years and no producer backed it. But the corporatisation of Bollywood won’t last long if the prices are not right. On the past few weekends, Bollywood’s collectively lost Rs 350 crores. Aagey Se Right, ShortKut, Luck – even Kaminey, after being successful, is a loss for UTV. Ghajini is the most hyped movie of recent times – on the stock market, UTV showed a loss of Rs 9 crores on it.

On what do you blame this?

Hype. Aamir Khan! Ghajini! By the time Blue releases, it’ll be purple. The price is not right. Even George Clooney, when he charges a lot for a film, takes a stake in it. The whole unit of Kanchivaram did the film for free. They said, if you make money, you give it to us. And everybody’s benefitted. What does Akshay have? 1000 crores? He always says I don’t care for awards, but he’ll never get one. You can pull a bluff once, not 10 times. SRK is so candid about it – he’s said, a movie with me, if it crosses 40 crores, it’s going to go into a loss. He makes all his money from endorsements and dancing at weddings, cinema is for the creativity.

Is that why the big stars are all turning producers these days?

I think they’re being wise. Saif is being wise. George Clooney, Brad Pitt, everybody’s done it. Because you reach a point where you can’t cut you price any longer. You’re a superstar, you charge 20 crores, 30 crores, right? But every movie can’t afford that. Akshay hasn’t got this yet. When you want creativity to be at the helm, you must take a stake in the film, and not charge the cinema. Bollywood is the only business in the universe that has a 90 per cent failure rate and is still running.  

No, we are not joking. Take a look at the pics!

RGV01

RGV02

The two pics are from Ram Gopal Varma’s new blogpost on Bruce Lee, martial arts, philosophy and lil bit of Ramuism. To read the complete post, click here.

Ashutosh GowarikerBlame it on Raashee! The film or his sun sign, we are yet not sure. But one thing is for sure – the film Whats Your Raashee (starring Priyanka Chopra and Harman Baweja) is UNBEARABLE! We might be jumping the gun here but heard that those who saw the film were pleading desperately for a gun! And some of them were even dead by the time it got over.

Today there was a press screening of the film. We managed to sent a spy who twittterd us some intersting every bit about the film.

Best part of the film – Interval!

Post interval – Am almost in a state of comatose. Wake me up before I die!

After sometime – BTW, there is ten minutes discussion on sampoorn sharirik sambandhan!

Me– Nishkarsh kya nikla (conclusion)

He – Thankfully none!

Moi – whats the point ?

He – That should have been the name of the film or atleast the tagline!

Conclusion – This is Gowariker’s Aag! Nobody can like this film. People might buy the ticket and go inside but lets see how many can come out alive after 3.5 hours!

Be ready to roll out the red carpet for the new member of the club whose preveileged members includes Subhash Ghai, Ram Gopal Varma, Sanjay Leela Bhansali among many others.

Are we surprised ? Naah. Everything was indicating in the same direction. Harman Baweja, Promos, Songs…we hated everything. Then came out the duration 3.5 hours, the Variety review and someone even leaked out the print! Seems this time even luck is not on his side. To read our earlier post on Variety review click here.

One person must be laughing out loud! Sajid Khan. And as someone said after the press screening, Gowariker deserves this one, he was taking himself too seriously, flying too high like Sanjay Leela Bhansali. This one will get him to ground. But its surprising that UTV gave him so much freedomand!

Ideally we should wait for the reviews. But am willing to stick my neck out and say this is going to sink faster than Titanic! Wanna bet ?

Amitabh BachchanEnough to make an explosive headline ? Here’s more –

I feel that Amitabh has never been a loyal friend. Loyalty has never been his characteristic trait.

And some more –

 But slowly as Amitabh got involved in his career, he himself became the centre of all attention which was very difficult for Jaya to swallow. After all, at the time of their marriage she was the star and he the also-ran. The change in the power position within the marriage as Amitabh became successful also changed the soft, intense and emotional romance which Jaya and Amitabh had.

Dont know who is this Susmita Dasgupta but feel like giving her a bear hug! Because finally someone has dared to speak up on BIG B. She has written a book on Bachchan, who is also the subject of her PhD.

Have always felt that Bachchan is damn fake and manipulative, on every aspect of his life, much like his fake wig which is on 24 X7! He just pretends to be holier-than-thou. Scratch the surface and you see a completely different person. Dont get me wrong. Am not talking about the actor, just the man called Amitabh Bachchan. Wish Khalid Mohamed would write a book on his Dadduji someday. I would be the first one too book a copy! Anyway, back to the topic. Click here (or scroll down) to read the full TOI interview of Susmita Dasgupta. On Amitabh Bachchan, Jaya Bachchan, Rekha, Abhishek Bachchan and more! 

Is there an Amitabh ‘before’ and ‘after’ ABCL?
There is definitely a before and after ABCL Amitabh. The ABCL tragedy, like all stupendous failures have split Amitabh into a before and after image. The trauma of having failed appears to have drastically changed the person whose image was that of the invincible.

What is Amitabh, the husband, like?
As I could observe, and at that point of time I was nearly 20 years younger, that Amitabh and Jaya were ideologically apart. For Jaya, there was a distress about why Amitabh did the films that he did. Jaya would have loved it were Amitabh to remain in the Hrishikesh Mukherjee camp and graduated later to Satyajit Ray (Manik Kaku for her; Jaya is exceptionally well-connected). But Amitabh went into rather “cheap stuff” with which she was not comfortable. To the best of my mind, this was the basic reason for a kind of stand-off. Jaya and Amitabh were dutifully husband and wife but I felt that the romance in the marriage was lacking. Also Jaya is a ‘Bong’ woman, the oldest among three sisters, and most probably the brightest, daughter to a doting father and that too an important one. She is Bhaduri, an upper caste Barendri Brahmin, who are very proud people. But slowly as Amitabh got involved in his career, he himself became the centre of all attention which was very difficult for Jaya to swallow. After all, at the time of their marriage she was the star and he the also-ran. The change in the power position within the marriage as Amitabh became successful also changed the soft, intense and emotional romance which Jaya and Amitabh had.

How is the superstar with his kids? Is his rapport different with Abhishek and Shweta?
With his children, Amitabh is doting, pampering, blind with affection and only pretending to be firm, but very interested to be a part of their lives and eager to go to any lengths for their well-being. The daughter is interesting, I am not so sure that she feels the same way towards her parents as they feel towards her. I get this strange feeling that Shweta is seeking to move out of her parents’ very doting shadow and that marriage helped her have some independence that her extra protective parents robbed her of. Abhishek loves and would love to continue to be under the parents’ protection.

What about the Rekha episode? Is there reason to believe the affair happened, despite Amitabh’s denials?
Yes, it is a matter of great speculation for me as well. I always sided with Amitabh when he denied all on Rekha. But, only recently, I saw this television footage in which Amitabh suddenly got up and moved away as Rekha came near where he was seated. This makes me believe that yes, they did have an affair. The sudden getting up and moving away was a giveaway. It was almost a pose of fleeing from Rekha… why would a man want to do that if he is not guilty of something? I believe Amitabh knew from day one that he wasn’t serious about Rekha. Also, he’s very, very class conscious… Rekha was perhaps an ego trip.

How do you think Abhishek fares, being Amitabh and Jaya’s son, and now Aishwarya’s husband?
Abhishek reminds me of Prince Salim and he has the Prince Salim syndrome. In today’s world, Abhishek’s appeal lies in a certain sense of being chaperoned, someone who seeks and has security and, on the basis of an assured lifestyle, can afford to be nice to one and all. Just as Amitabh’s image crashed with failure, Abhishek’s image can crash if the shadows of persons chaperoning him are taken away. The image contains the shadows of the biggies that he nests among.

Was he behind Abhishek joining films?
Yes, he was totally behind Abhishek’s joining films and if I were to have my opinion, then to push him to cinema. That’s why I say that Abhishek is prince Salim, the reluctant heir of Akbar when his heart was away in Venice, Rome and even Spain.

Amitabh is projected today as the loyal friend… what drives his friendships with the Anil Ambani and Amar Singh?
I feel that Amitabh has never been a loyal friend. Loyalty has never been his characteristic trait. Anwar Ali and Amjad Khan are at least two who Amitabh never even acknowledged. I have seen him rather stand-offish with Javed, Salim, Prakash Mehra, the persons who made him. Amitabh never attended Hrishida’s funeral. He refuses to acknowledge Desh Mukherjee or Tinnu Anand. So, he looks for friends as far as he has something to gain from them.

The Amar Singh episode is strange. He must be really gaining something out of Anil Ambani and Amar Singh and that “gain” has some connection with the “loss” in terms of money.

Why do you think he is still working? Is it insecurity, to consolidate a space for Abhishek or love of acting?
Amitabh is still working, yes, what you suggest to consolidate Abhishek’s career, but to the best of my understanding, Amitabh is Bhishma, he wishes to prove that he is immortal as a star. I think that Amitabh is seeking immortality by constantly reinventing his image to suit each new age that he lives in. 

Dil Bole Hadippa – Not sure how many of you are interested in knowing more about the film, but if you are, do read on.

In short, DBH = Chak De India + Rab Ne Bana Di Jodi! Thats what it looks like from this post. Produced by Aditya Chopra (Yashraj Films), its directed by Anurag Singh and stars Rani Mukherjee and Shahid Kapoor.

The film had its premiere at the ongoing Toronto International Film Festival. And a blogger Wasabigirl, who saw the film at TIFF has given out all the details about the film on her blog. Every small twist and every plot point of the story. Am sure Yashraj guys will not be too happy to read it. You can read the full post here (including premiere details) or scroll down, after the pics.

Complete story of Dil Bole Hadippa

The film starts out with Veera Kaur (Rani Mukherjee), a hardcore typical Punjabi kudi who is completely obsessed with cricket. She’s so confident of her abilities that she boldly claims that she can hit six sixers in a row, even when a pro pitcher takes her up on the bet. Not only does she succeed in putting the big strong man in his place by hitting all six sixers in a row, she even does so while switching from right-handed batting to left-handed batting! Clearly she is skilled, and as the first song montage Dil Bole Hadippa shows, she is a carefree spirit with very big dreams.

Veera also works alongside Shanno (Rakhi Sawant) and others in a dance troupe that performs regularly. Of course, while they perform, she’s backstage playing cricket with the kids, which is extremely endearing. Most of the time her elders tell her she’s dreaming way too big, but she doesn’t seem to care. She knows that dreams can come true, and for her, they will!

Enter into the story Rohan Kapoor (Shahid Kapoor) and his father Vikram Kapoor (Anupam Kher). Rohan is an accomplished cricket player in England who has lived there for many many years. His mother (Rati Agnihotri) stayed in England while Rohan’s father chose to stay in India and they have remained estranged for all of these years. In this way, Rohan has not returned to India. To get his son back to the land of Punjab, Vikram pretends he’s had a heart attack. Rohan rushes to India, but realizes that his father just wants to spend time with him, since they have been apart for so long. And besides spending quality time, Vikram also has other plans…

You see, Vikram’s close childhood friend, Liyaqat Ali Khan (Dilip Tahil) is from Lahore, Pakistan. To foster peace between the two nations, the friends have set up an annual Peace Cup where a team from Amritsar plays a team from Lahore in a cricket match. It’s all in the spirit of camaraderie, but Vikram and Amritsar have lost 9 times in a row! And now Vikram’s dream is to finally see the Indian team beat the Pakistani team, once and for all. He wants to feel proud again. That’s where Rohan comes in. Vikram asks Rohan to captain the Amritsar team and lead them to victory.

Rohan’s return to India leaves him mostly amused. When he comes across Veera for the first time, her adorably bad English and her defensive patriotism catch him completely off guard. She’s most definitely like no one he’s met before. The scenes between Rani and Shahid are amazing. These two have GREAT chemistry together. I could go ahead and describe their first meeting in more detail, but it’s something you have to see to really appreciate. 🙂

So, as time goes on, Veera finds out that the Amritsar cricket team is holding tryouts for selection. She gets EXTREMELY EXCITED and runs off to become the town’s new batting star. Unfortunately, when she goes to the tryout the security guards and the rest of the men in line scoff at the notion that a woman could play cricket with them. Rani is heartbroken and chastises them for their hypocrisy of revering Goddess Durga yet being unable to respect the women around them.

Veera returns to the dance troupe and is forced to replace the main male dancer in the show, because he’s drunk. In doing so she not only has a spiffy dance number, Bhangra Bistar, with Rakhi Sawant, but she also realizes that she can dress up as a man and possibly fool the cricketers into letting her onto the team! It’s worth a shot, na?

Rani freaks out when she sees that the same foreign jerk who annoyed her, Rohan, is the captain. He’ll figure out it’s her, won’t he?! She stumbles and lies and tells him her name is Veer Pratap Singh. She makes all sorts of bold claims and states that she has never been bowled out in her life. There’s not a man alive who can bowl her out! Vikram doesn’t like her attitude, so he challenges her, ends up bowling her out, and tells Veer to leave. She begs and pleads for a second chance, and Rohan’s father convinces him to give Veer another shot. Veer succeeds in impressing Rohan and is accepted into the team.

Meanwhile, we are introduced to Rohan’s friend from England who has a serious crush on him, Soniya (Sherlyn Chopra). She’s basically there to show off her body in short-shorts and make passes at Shahid’s character, most of which he ignores. 😛

Veer trains with the cricket team and isn’t all that great. Can you blame her? Veer aka Veera is really a girl, so of course she can’t always keep up physically. But Rohan pushes her hard. This pretty much increases Veera’s dislike for Rohan. She sees him as a bossy know-it-all. Anyway, throughout the initial training, we get to see lots of Veer-related hijinks to the song Gym Shim. Rani is pretty adorable as the bizarre Punjabi guy. You just have to see her crazy facial expressions to know what I mean. 🙂

We also get to see some cute flirting and dancing from Rani and Shahid in the song Discowale Khisko. They both can dance so well, yay! And it’s the typical fun Yash Raj number with the gorgeous outfits and tons of background dancers. Oh! And we get to see that Rohan has a thing for Veera. Veera still seems annoyed with him, but Rohan is quite fond of her.

During cricket team practice, Soniya shows up, hoping to ogle Rohan while he’s hard at work (lol, it’s what we were all doing XD). Unfortunately, due to some happenings on the field, Veer ends up tumbling over Soniya and falling on top of her. Soniya thinks that Veer’s trying to get fresh with her, but Veer scoffs at the notion that she would ever want to touch Soniya. Soniya gets pissed and throws her drink on Veer’s face. Veer runs away and Soniya complains about him to Rohan, who runs off to find Veer and talk to him.

Rohan heads off into the change room, calling for Veer. He opens the change room door only to find…a naked Veera?!! O_O (Lol, this part was SO HILARIOUS!!!) Rohan and Veera try desperately and awkwardly to salvage the situation. When Rohan asks what the hell Veera is doing there, she lies and says that Veer is her brother. More insanity and arguing ensues; Rani and Shahid perform brilliantly in a great comedic scene. Seriously, the change room scene is amazing. It’s another one that I can’t really describe, because you have to see it for yourself.

Veera quickly changes back into her Veer avatar, and when Rohan finally finds her, he is all forgiving and sweet. Of course, his reason for suddenly being so nice to Veer is because he just found out that Veera is Veer’s sister, and he wants to make amends. Naughty boy! 😉 Veer lies and says that Veera is probably back at the dance troupe, so they head off together. Veer tries to do whatever she can to get away from Rohan and change back into her regular Veera clothes. She uses the dance troupe show as a diversion and changes back into Veera.

Rohan wants badly to apologize for the things he said to Veera in the change room. She is not willing to relent. But Rohan is not one to give up! As Veera gets on stage and starts performing the show, she gets a big surprise. I don’t really think I can give it away, but suffice it to say that if you’re a fan of filmi references in movies, you’ll love this bit. Shahid and Rani are too cute together! 🙂 So, Veera finally forgives him and all is well in the world again.

The next day during cricket training, Rohan asks Veer if Veera said anything about him the night before (aww!). Veer is confused and asks why Veera would talk about Rohan. Veer then realizes that Rohan is interested in her. It doesn’t sit well with her, so she goes over to talk to Soniya and convinces her to try harder with Rohan. Veer tells Soniya to be more desi and traditional to get her man.

Soniya tries to do just that, wearing a sari and taking Rohan and his father around Punjab for a tour. She kinda fails at being desi, though. 😛 Along the way they run across Veera and the dance troupe truck. Rohan’s father takes a liking to Veera and tells her that if she shows Rohan around Punjab that he might see just how great it really is. Veera is completely fine with showing off the nation that she loves and we are given the very sweet song Ishq Hi Hai Rab. Veera and Rohan spend a lot more time with each other and Rohan becomes more and more comfortable in India.

Veer goes back the next day and tells Soniya to find someone besides Rohan, because, obviously, Veera kinda likes Rohan now. Rohan asks to speak with Veer and says that he wants permission from Veera’s brother to ask her out on a date (double aww!). In another ridiculously hilarious and adorable scene, Veer accepts the proposition and says that Rohan is allowed to ask Veera out.

Time for a cute date with Rani Mukherjee and Shahid Kapoor! Veera shows up looking hip, modern and GORGEOUS, which Rohan loves, but he also tells her that she should just be herself. They share an Indian dinner together and they laugh and generally have a good time. Rohan even goes so far to say that he wants a girlfriend just like Veera and that he has fallen in love with her. After I melted at how freaking GUUUUHHH Shahid is and re-solidified with hearts in my eyes, I got to see Rani’s sweet expression to his confession. Rohan leans in to kiss Veera and although she’s shocked at first, she leans in too…only to be interrupted by the honking horn of the dance troupe truck. Her ride is there to pick her up and the date is over. Their romancing will have to wait until the cricket match is over!!

Now, describing the cricket match is hard for me. I understood exactly what was happening while I watched it, but I’m not so well-versed in cricket that I could explain it in retrospect. So you’re going to have to bear with my vagueness.

Rohan’s mother comes down from England to see the match. This also allows her and Vikram to reconcile a bit. You know, it’s a Yash Raj Film, tied up loose ends and all that. The game starts off with India fielding and Pakistan bowling. Rohan is an excellent bowler and the Indian team is hitting wickets left right and centre. Not to mention that Veer catches a ball before it can reach the outer field. The rest of the cricket team is rejoicing at the auspicious start that they have and the boys dog pile Veer. In the process, Rohan ends up with one of Veer’s contacts in his hand and realizes that Veer was actually Veera all along. He hands her back the contact, but the look in his eyes says it all. He’s furious.

After this point, the Indian team falls apart. They had been doing excellently, but suddenly Rohan can’t bowl at ALL anymore. He’s completely distracted and the batsmen take full advantage. Even Veer is unable to catch the balls while fielding. After 10 overs Pakistan ends with a score of 213, which is pretty un-freaking-believable. The announcers admit that, once again, India is pretty much screwed.

Back in the change room, Veer attempts to explain to Rohan why she lied, but Rohan will have none of it. He’s angry and hurt and honestly thinks that Veera used him, in the romantic sense, so that she would stay in his good graces and on the team. Veera is shocked and upset but Rohan just won’t listen. Rohan dismisses her from the team and India starts off batting without their star batsman.

The first few overs of batting are a complete mess. Rohan is basically keeping the team alive, because the rest of his team are pretty terrible at batting. The whole game seems hopeless and Veera sits solemnly, neither watching the game nor leaving the stadium. Rohan’s father, who walked in on the argument Veer and Rohan had in the change rooms, knows that Veera was actually Veer. He convinces Rohan to let her back onto the team, as she is the only hope.

Veer gets back on the field and the duo of Rohan and Veer get into the groove. Rohan claims that he only called Veer back for his father’s sake, and not for her sake. Veera understands and admits to herself that she is not batting for herself, but for Rohan’s sake. They continue on triumphantly, closing the impossible gap between India and Pakistan.

One of the Pakistan players accidentally trips Veer during a run and she ends up injuring her arm badly. Rohan rushes to her side and quickly calls the medical team. They say that her arm is broken and that she cannot bat, but Veer is adamant that she will keep going, regardless. Rohan gives her an appreciative nod.

The Pakistani bowlers are shocked when Veer switches over from right-handed batting to left-handed batting and is still able to bat reasonably well. We are given many a dramatic moment after that (seriously how am I supposed to explain this? ;)) and finally the Indian team wins! Not that any of us was surprised.

They are all freaking ecstatic and Rohan is about to be awarded Man of the Match. He’s happy too, but he knows there’s still something left for him to do. He grabs Veer’s hand and brings her to the stage with him. Rohan announces that he was not the Man of the Match and that, really, the man of the match wasn’t a man at all! He takes off Veer’s turban, facial hair and contacts to reveal that Veer is actually Veera. People are pretty pissed off.

Veera sees that everyone is angry with her and that they can’t believe a *gasp* WOMAN has beaten them. Or played with them. Deceived them! So she steps up to the microphone to knock some sense into everyone. In the usual dramatic flair of Bollywood movies, we get an emotional speech about equality, ambitions, perseverance and dreams. The women watch with a knowing look on their faces while the men look on in shock. But Veera’s words are strong and true. By the end, they are left standing silently until the captain of the Pakistani team starts to clap. One by one the crowd begins to cheer for Veera Kaur and her amazing achievement. She not only kept up with the men, she surpassed them!

We are left with a very happy ending with the team lifting the trophy and Veera and Rohan reuniting. Your typical Yash Raj film, but just as satisfying as you would expect. To top it all off, we get to see an extremely hot Shahid and Rani in the video Hadippa The Remix as the credits roll by.

Ranbir kapoorYes, thats the goss doing the rounds.

Ranbir Kapoor has completed Shimit Amin’s Rocket Singh – Salesman of the year. He has moved on to Prakash Jha’s Rajneeti. And after Rajneeti, its Siddharth Anand’s new film Anjaana Anjaani with Priyanka Chopra. Also, in the pipeline is Mera Jahaan co-starring Deepika Padukone by debutant Vikram Singh.

But here is the most interesting news. According to Filmfare, Ranbir Kapoor is reportedly doing Mani Ratnam’s next film in which he plays a pakistani immigrant in America. The film is not titled yet. What we know is that he was offered a role in Raavan, but he refused.

Mani is currently busy with Raavan and will be be free by next year after the release of the film. By that time, Ranbir will also be done with both Siddharth Anand and Vikram’s films. If it works out, interesting!

One more casting news.  It seems Shaadi Ali is set to return with Tevar ( Is this planned as triology..Tashan,Tevar…atleast it sounds so) and most probably Akshay Kumar and Kareena Kapoor will team up again. Shaad is busy assissting Mani on Raavan these days.

UPDATE – According to Mumbai Mirror, the  title of the film is Azaan and its a pro-muslim take. The story is about Azaan, the name of the lead character as he will be born during Azan. Click here to read the complete report.

Chetan BhagatIf you like Chetan Bhagat or if you think he is the best thing to happen to desi writing or if you are desperately waiting for his next book Two States, then this place is injurious to you health. Kindly move on to next blog!

In Bollywood and Mumbai’s first class train compartements, people read only two authors. Chetan Bhagat and Paulo Coehlo. People have only two favourite books – The Alchemist and Five Point Someone. And I hate the smell of both the books! Chetan Bhagat is the shittiest thing to happen in desi writing in recent time. He is, what i call, potty writer! You read it while doing potty, finish it by the time your potty is over and then use it as tissue paper! Pure junk like McDonald’s and priced also at the same range! If someone is willing to sign my cousin who is in 5th standard, do let me know, he can also write the same.

No imagination, no thought, bad writing. Period. But too much of publicity! The three books by him are three mistakes of his life! And according to news reports, Raj Kumari Hirani’s Three Idiots is based on Chetan Bhagat’s Five Point Someone. WTF!! How is that possible ? I could not digest the news. Spent sleepless nights. How could Hirani do it ?

Its official! Vidhu Vinod Chopra bought the rights of the book. Bus aur kya! Chetan Bhagat went on promotional over drive. Some million interviews on how the next Aamir Khan film is based on his book and blah blah blah. Pics in some million poses and more!

I was surprsied, confiirmed it and found that its just the setting and nothing beyond that. But on one side it was me and the other side it was Chetan Bhagat and his million interviews. Nobody was willing to believe me that VVC and Hirani bought the rights only to be safe, so that nobody can question them later on.

Finally, Raj Kumar Hirani has clarified in this interview (read the second last question. hav copy pasted it here also)  to Mumbai Mirror that the film and the book is only 5% similar! Yes, just five percent!

Q. How true are you keeping 3 Idiots to the book by Chetan Bhagat Five Point Someone?

A. 3 Idiots is inspired from the book but it is completely different. I would say just five per cent of it is the same. Books and films are different. So the moment you decide to pick up a book and make a film as it is, it will be a disaster. It’s a nice book, but it’s anecdotal and films can’t be anecdotal. It has to have a story. The reason I mention this is because people should not go to the theatre thinking, we are going to watch Five Point Someone and later find out that it’s a completely different film.

Game over, Mr Bhagat! Am much relieved. Now can that potty writer Chetan Bhagat just shut the fuck up! Enough of him and his mistakes!

UPDATE (1st Jan 2010) – Click here to read all the details and the dope about the credit controversy of 3 Idiots. Vidhu Vinod Chopra VS Chetan Bhagat.