Archive for the ‘video’ Category

Among many other things, his twitter bio includes a distinct aspiration – future porn filmmaker. And as we wish him all the best for it, who better than writer-filmmaker Suparn Verma to look back into Bollywood’s past which might have triggered off this aspiration of his. So here’s Bollywood’s Rape-O-Meter according to him. Read on.

Rape is an ugly word of a horrible and cowardly act.

But in Bollywood especially in the 70’s and 80’s it was actually considered as necessary as an item number.

The movie pitch went something like this ‘Sirji, Introduction of hero on a dark night, he saves the heroine from being raped and beats up 10 goons,  3 romantic songs, 1 religious song, 1 sad song and 1 item number, 4 action scenes, and Sir beat this our film will have not 1! Not 2! But 3 rape scenes!’

Why did we need those scenes?

Two reasons in my opinion. Firstly in those days the skin code was unimaginable, so only the vamp or the victim could show skin, even the heroine had to be shown as a bitch in a swimsuit before she was reformed by the man into a salwar or sari clad socially acceptable ‘bhartiya nari’.

Secondly, all action films followed a simple formula almost as if it was a game called Screw-the-hero!

So the villains would start by raping the bhabi and killing her husband, and putting the hero behind bars for the crime. In his absence his sister would be raped as well and his parents killed. The wife would be saved for the second act whereupon his release he would get one more romantic song with her before she too was raped and killed and then the hero would be tortured till the vamp let him out and he would take on the entire crew of villains beating them up as he would make each punch count.

Yeh meri abla bhabhi ke liye’ DISHOOM ‘Yeh mere bhai ke liye’ DISHOOM ‘Yeh meri behen ke liye’ DISHOOM ‘yeh mere bhoode maa-baap ke liye’ DISHOOM ‘yeh meri biwi aur uske pet ke andar panap rahe bacche ke liye’ DISHOOM! And then came the final blow ‘aur yeh insaniyat ke dushman tujhe jeene ka koi haq nahin….yeh….mere liye’ DISHOOM

But as the filmmakers tried and found new ways to create those item rape scenes, they actually invented a new form of comedy.

Truly! You would exclaim, how can such a disgusting act be made funny!

I will show you how today.

But before that I have to share certain statistics a fellow Bollywood fan and amateur statistician had put up on the net. I call it the Bollywood Villains Rape-o-Meter.

Top lining the gang of Rapists is

Rapist No. 1 – Prem Chopra with 250 rapes in his career….to quote the man the legend ‘Mera naam hai Prem….Prem Chopra

Rapist No. 2 – Ranjeet with 150 rapes comes close. This man ruled the rape scene from 1970-1985

Rapist No. 3 – Danny Denzongpa has 110+ rape scenes to his credit. The reason why these guys also make it to the top is because in the 70’s and 80’s even the villains would be multi-starrers, so the above three or some combinations would indulge in group rapes so that they all could be killed in 10 minute intervals in the second half.

Rapist No. 4 – Shakti Kapoor with over 80 rapes to his credit

Rapist No. 5 – Amjad Khan with over 30+ rapes to his screen credit, in 1981 every film he acted in had a rape scene.

Rapist No. 6 – The original Bad Man of Hindi cinema – Gulshan Grover, with over 22+ rape scenes to his credit.

The others in this infamous list include The Lion – Ajit (12), Amrish Puri (9), Premnath (3), Rehman (7), Om Puri (6), the awesome Jeevan (6), Ruppesh Kumar never got a solo rape scene but only participated in a group (5), Kiran Kumar (4), K N Singh (3), Madan Puri (2) and finally Mac Mohan (1).

Presenting to you today are the funniest rape scenes from Bollywood. Let me prepare you for the climatic one. It is from Manoj Kumar’s cult movie Clerk!

To kick things off we have Ranjeet enacting the famous Bollywood group rape scene with quotable gems being spouted by them

On the subject of rapes, it is a very interesting fact to note that the ethereal Poonam Dhillon left the industry after her career got into this cycle of being raped in every second film. This scene is Bollywood creators favourite setting! A dark night, stock shots of lightning and rain and the rapists laughing like hyenas

Ever wanted to see how a date rape could kill you?…laughing I mean? Gullubhai will show you how it’s done in this howlarious sequence

While we are on the subject of Gulshan Grover, this one has him playing the flute to Divya Bharti, in a getup that screams I am gonna rape you, but still the lamb-like Bharti gets in the vanity van.

One of my all time favourites with Shakti Kapoor and Anita Raaj. Did you know that she ended her career by being raped by Shakti Kapoor in 6 films in a row! This one has her tried to a fake wall actually asking ‘What are you doing?’

I know I promised you the most funny rape scene ever! Well this one is from Manoj Kumar’s Clerk, where the 100 year old Bharat Kumar plays a college student! He also manages to do the impossible – make Rekha look like a skunk – I do mean a skunk not a skank!!! If you don’t believe me check out that hideous wig or head gear long with the make-up. But coming back to the matter at hand…it has Omshiv Puri raping….once again Anita Raaj. One piece of advise, when you hear these six words again…RUN….’Sweety, Sweety, Sweety..Baby, Baby, Baby’

The much anticipated trailer of Dibakar Banerjee’s Shanghai is finally out. Have a look.

So far Dibakar’s record has been cent percent – 3/3. Will he deliver once again? Going by the trailer, it surely seems so. But then, political films are a different beast.

SEZ, activism, murder, accident, conspiracy theories and the mess and madness kicks in. And then a ball drops in – yeh khelne ki jagah hai kya? Aha, that Dibakar touch. So refreshing to see Emraan Hashmi getting out of his comfort factor and doing it without anything remotely sufiyana. Wouldn’t be surprised if he overshadows Abhay Deol. And Kalki looks perfectly vulnerable.

Strangely, the text doesn’t mention Khosla Ka Ghosla. It says “from the director of Oye Lucky Lucky Oye and Love Sex Aur Dhoka”. Why would you not mention KKG?

Kasam khoon ki khayee hai….yeh shahar nahi Shanghai hai – Ok, am sold. Now bring it on.

Writing credits include Urmi Juvekar and Dibakar Banerjee and unlike others it mentions the book Z by Vassilis Vassilikos.

At the end of it the only thing that doesn’t sound convincing is the title – Shanghai.

It was supposed to be Mallika Shehrawat’s international debut. The director had a world famous surname – Lynch. But by the time the film got released, the director, Jennifer Lynch claimed that she didn’t make Hisss. She was nowhere in sight too. During the release, it was Mallika and her good friend Govind Menon (director of Khawish, Kis Kiski Kismat, Bachke Rehna Re Baba) who handled everything. So what really happened? Did she quit or was she forced to? And if so, why and how?

A new documentary, Despite The Gods, seems to have all the answers. Penny Vozniak’s making-of documentary will premiere at HotDocs in Toronto.

Here’s the description from the official release..

Upscale Font Jennifer Lynch, daughter of cult film auteur David Lynch, made her auspicious directorial debut in 1993 with Boxing Helena at the Sundance Film Festival. A box office disaster, the film was viciously mauled by critics and became the focus of multiple lawsuits. Fifteen years later, a recovering addict and hard-working single mother, Lynch returns to the director’s chair with an ambitious project that will test her skills and the entire crew’s sanity.

Despite the Gods brings us behind the scenes on the set of Lynch’s Bollywood/Hollywood action film about a man-eating snake goddess. Out of her depth shooting on location with an Indian crew and two top Bollywood stars, Lynch turns her production into a vehicle for her own self-actualization, paying no regard to timeline, budget or reality. As the story in front of the camera derails, the story behind the camera explodes.

And the trailer. Do watch.

Via Slashfilm

If you haven’t seen Kamal Swaroop’s cult classic Om dar badar, you still haven’t seen the best of Indian cinema. And if you are friends with him on FB, his wall is like a pandora’s box for visual art.

Tehelka Tv has been doing an interesting series called “Cinema & Me” where they talk to filmmakers of life, cinema and philosophy. The new video features Kamal Swaroop. Must Watch.

Continuing with our initiative to get directors to open up about their films after the film has released, this time we decided to stalk Kahaani’s director Sujoy Ghosh. And he was happy to accommodate us. In twitter language, our intention was to #AttackSujoyG, but everything changed when we reached his office.

Sujoy had fever, looked almost dead and there were tablets and syrup on his table. How can you attack a man in such a state? Plus, Hangla’s biryani and rolls make us go soft. But we decided that let’s record the conversation. And then just after first few minutes of recording, a filmy twist happened – Sujoy’s non-stop hiccups. We paused and re-started again after some 20-25mins. And by that time Sujoy was getting late for another meeting, so we quickly squeezed in whatever we could.

In the video, we discuss reviews, origin of the film, audience ko kya chahiye, dhokabaaz flashback, promo vs film, Bengali characters talking in Hindi, six writers – how does it work, spontaneous school of acting, Aditya Chopra and making it commercial (YRF was suppose to produce it), another cheating – text on screen & Darshan Zariwala’s designation, life versus cinema, cinematography & shooting style, working with a new team, binito Bob, IB so blind, why the informer, Ray’s cinema – running hot water and other homage, life after big flops, copying from films including Chura Liya Hai Tumne, what’s next – Aranyer Din Ratri and Jhankaar Beats, life at 46 and his love for “Sir” Amitabh Bachchan.

Have fun. But DON’T WATCH it if you still haven’t seen it – has SPOILERS.

If you didn’t like the discussion, the culprits are – @Navjotalive, @Damoviemaniac, @SumitPurohit, @MihirMakesMovies and @CilemaSnob.

Video and edit – Sumit Purohit.

Thanks to Sujoy for his time. And now that Bob Biswas has become such a famous character inspiring some great art work (here & here, and funny observation) here’s something more – the origin of Bob Biswas.

The theatrical trailer of Habib Faisal’s new film Ishaqzaade is out. It stars debutant Arjun Kapoor (Boney and Mona Kapoor’s son) and Parineeti Chopra. The credits include Hemant Chaturvedi (DoP), Amit Trivedi (Music), Kausar Munir (lyrics) and Aarti Bajaj (editor).

Aha, who would have thought that one day even Yashraj Films would step into such dusty terrain. And not chiffon-ed too like they did with Bunty Aur Babli. That’s a refreshing change. Plus the distinct sights and sounds of the land. The guy looks confident and the girl scored big in a small role in Ladies Vs Ricky Bahl. Now bring it on!

There’s no official synopsis yet but here’s what the official release says…

Rising from the ashes of hooliganism and small town clan wars, comes the love story of a passion ignited by hatred.

Of two people. Born to hate. Destined to love.

One kingdom. One throne. Two wild animals… unpredictable Parma… ferocious Zoya. A battle… deafened by sounds of hate, revenge, bullets and deceit.

A story… about two fiery bloods played by Arjun Kapoor and Parineeti Chopra, and their fight for power and supremacy.

A story about love brewing in a small town burning with hatred.

A story called ISHAQZAADE.

In today’s VOTD we have not one, but three videos. First is the promo of The Ghanta Awards which is happening on this Saturday (17th March) at Comedy Store, Phoenix Mills at 6pm. Sung by Kumar Sanu and made in Allahabad.

 

The Ghanta Nomination list is here. And you can buy the tickets here and here.

If Ghanta is here, can Samir Karnik be far behind? His latest release is Char Din Ki Chandni which has been rated zero by Rajeev Masand. That’s a rare feat. So here’s Karnik in angry-young-man-who-makes-terrible-films avatar.

A better and longer version of the video is here.

And the last one – a nice little interview of Imtiaz Ali done by his daughter Ida Ali.

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Last time when we met Imtiaz Ali to discuss Rockstar, there were many conspiracies and accusations. But since some of you appreciated our effort, we thought let’s try it again. This time it was done in a bit formal way. Film was Paan Singh Tomar, guests were Tigmanshu Dhulia (Director) and Sanjay Chouhan (Writer). Location – PVR, Juhu.

To get more time for Q & A, PVR helped us by cutting down the time for commercials, making the interval much shorter and delaying the next show by few minutes. But even then we could hardly manage some 20minutes of interaction. Because even the next show was housefull and people were getting desperate to get in. So we quickly wrapped it up and went outside. Aha, back to the stairs. And a filmmaker really needs a cigarette in his hand to open up. Watch the two videos and you will get what i am saying.

I saw the film on friday morning with just 15 people in the theater. And then i saw it again on wednesday night. This time it was a housefull show. A good film finding its audience is a great feeling.

And many thanks to Anurag Kashyap, Shiladitya Bora and PVR Cinemas for making it possible.

Pics – Priyanka Jain

Videos – Sumit Purohit and Manu Warrier. Edit – Sumit Purohit.

And here are pointers to some priceless gems –

00:47 – I needed an actor who could give me more than just his dates.

03:33 – Hum log ab mombatti na uthayein, bandook utha le.

04:25 – Koi research fund karne ke liye tayyar hi nahi tha.

04:40 – Actually yeh picture Vikas Behl ke wajah se huyee hai………..aaj us aadmi ko (credit) nikal diya hai unhone.

05:45 – Mad woman in the mayhem – Boss, yeh main karoonga. (Jo Shekhar Kapoor ke film se kat gaya tha.)

07:03 – Irrfan ne apne paise aadhe kar diye. Maine apne paise aadhe kar diye.

08:22 – Meri kisi picture me itne zyada darshak nahi aaye hain.

11:20 – Hum sabse galtiyaan ho jaati hai.

13:20 – Aapke sanskaar bolte hain yaar.

18:16 – Is society me hero kahan hai yaar?

20:13 – Aaj bhi duno cheeks me ched hai uske, woh zinda hai.

And if you enjoyed the first part of the video, you must watch the second part of the video.

Sometime back we had a put a post on Kabir Chowdhary’s indie film Good Morning. The entire film is online now. Click on the play button and enjoy!

Synopsis: Good morning is a psychological drama that explores the obsessions and insecurities of a married man who is completely dedicated to his wife.
His world is shattered one day when he discovers his wife in Bed with another man.
What happens next is diabolical, cold and shocking.

Starring: Manish Kumar, Sukhmani, Emannuel Singh, Dolly Ahluwalia, Happy Vij, Gick Grewal, Payal, Daanish Singh, Raagini Ghai.

Director:  Kabir Singh Chowdhry
Cinematography: Rahat Mahajan
Editor/Costumes/Art: Sakshi Bhatia
Music: Hari Singh
Screenplay : Kabir Chowdhry and Sakshi Bhatia
Story: Can Themba
Producer : Pate Picture Company(2011)

Awarded The Grand Jury Prize for Best Narrative short at South Asian International Film Festival, New York 2011.
Genre: Psychological Drama
Studio: PATE Picture Company 2011 in association with Mahamudra Film Company
Description :  Good Morning
Fiction(Short)
Running time: 42 Mins
Budget: Rs.30,000 ($600)
Location: Chandigarh
Camera: Canon 5d

Gulzar Pays tribute to legendary singer, Jagjit Singh, with a nazm that is included in the new album, Tera Bayaan Ghalib. The album features letters of Mirza Ghalib recited/enacted by Gulzar and Ghalib nazms in the voice of Jagjit Singh.

एक बौछार था वो शख्स
बिना बरसे
किसी अब्र की सहमी सी नमी से
जो भिगो देता था

एक बौछार ही था वो
जो कभी धूप की अफ़शां भर के दूर तक
सुनते हुए चेहरों पे छिड़क देता था…
नीम तारीक से हॉल में आँखें चमक उठती थीं

सिर हिलाता था कभी झूम के टहनी की तरह
लगता था झोंका हवा का है
कोई छेड़ गया है..

गुनगुनाता था तो खुलते हुए बादल की तरह
मुस्कुराहट में कई तर्बों की झनकार छुपी थी

गली क़ासिम से चली एक ग़ज़ल की झनाकर था वो
एक अवाज़ की बौछार था वो

And here’s a look at the booklet that comes with the album.

Tip – Pavan Jha