This friday, its the attack of the Pindharis! Anil Gadar Sharma returns with Veer starring Salman Khan, Zarine Khan, Mithun Chakraborty, Sohail Khan and Jackie Shroff. The story is by Salman Khan. Beat this!
Here are some early reviews which suggests that Veer belongs to that rare dud tribe who die on their birthday! Born to die friday Species.
Anupama Chopra (NDTV) – The best thing about Veer is that it is comic book cinema no pretensions. Without a trace of embarrassment or apology, Sharma goes full throttle on speeches to the motherland, honour, mardangi. And as Manmohan Desai told us decades ago: Mard ko dard nahin hota, so Veer snarls and slices through men without pausing for breath – 2.5/5
Raja Sen (Rediff) – The son of a legendary hero grows up and attempts to follow in his father’s footsteps, however bloodthirsty this road may be. It is standard Bollywood cliche, but Salim Khan, one of our most iconic screenwriters, deserves a better tribute than son Salman, credited for the film’s story, churning out this unbelievably hackneyed period disaster – 1/5
Gaurav Malani (ET) – Salman Khan gives a powerful performance in real sense. He is so prominent in the film that not even his brother Sohail Khan gets one consolation scene. Mithun Chakravarthy is the only one who stands on his own other than Salman Khan. Zarine Khan is a replica of Katrina Kaif and using the same dubbing artist adds to the analogy. Lisa Lazarus is absolutely wasted in a 2 scene role. Jackie Shroff is repetitive in his villainous act. You have to be a braveheart to watch Veer – 2/5
Shubhra Gupta (India Express) – Salman is the last Khan standing. It makes not a whit of difference to him and his directors that the space for retrofitted 70s packages has shrunk to nothing : Salman, In and As Veer, defiantly dances, romances, and bests his enemies in combat— hand-to-bare hand, and because `Veer’ is allegedly a period film, sword-to-clanging sword – 2/5
Taran Adarsh (Indiafm) – VEER drives home a few hard facts…No amount of gloss can substitute for an engaging story. Not all directors are capable of pulling off a period film. No star – howsoever strong his rankings are – can infuse life in a comatose script – 1/5
Khalid Mohamed (PFC) – A battle’s on, followed by much prattle. How they rattle on about the British Raj and a desert-principality presided over by a king, mostly garbed in outfits which are crow-black. Quite tack. In effect, then, Veer is a waste or resources, talent and of course, our time..and ticket money – 2/5
Rajeev Masand (CNN IBN) – Even if you’re willing to forgive all the historical inaccuracies and the complete disregard for detail, Veer starring Salman Khan, is still an impossible film to appreciate.Unacceptable in these times. From Cameron’s Pandora to Anil Sharma’s Pindhari, we’ve come a long way baby – 2/5
Nikhat Kazmi (TOI) – Now no one’s doubting the fact that Salman Khan’s a thoroughbred veer. For, it does take a whole lot of bravado to pick up a blast from the buried past and present it an age when everyone is determined to tell a brand new story in Bollywood. Of course, films like Lagaan and Jodhaa Akbar did manage to strike a chord with the newbie viewers too, but they were more like exceptions to the rule. By and large, the scheming Brits and their grab-India story has been confined to the creative bin when it comes to modern Indian cinema, song and literature – 2.5/5
Mayank Shekhar (HT) – It belongs more to Bollywood of back in the day: a song designated for smokers every few minutes; crispness, hardly a narrative virtue; three hours, the accepted clock-time. And yet in trying so hard to win acclaim and scale, the film goes all over the place – *Gladiator, Troy, Braveheart* – complicating matters for its easy viewers – 1.5/5
Minty Tejpal ( Mumbai Mirror) – Veer is a very, very terrible film, which has lots of thudding hoofs, bloodstained swords, chopped-off heads plus brawny men hooting and fighting. What Veer doesn’t have is any kind of a script or a director, forget about any other related sense or sensibility. The film is a brutal assault on all your senses, with lousy direction constantly competing with mediocre acting struggling with a garbled period story, and one has to indeed be very ‘veer’ not to cry and run away in sheer fright – 1/5
Seems like Veer is already headed for Veer-gati!



Its that day of the week which we love the most! Filmy Friday! This week there are two new hindi releases – Ajab Prem Ki Ghajab Kahani (APKGK) and Jail. Or as they are saying, its Ranbir Kapoor VS Neil Nitin Mukesh, now that Imran Khan is miles and miles behind!
Damn! The Fwine flu! We still havent managed to watch Kaminey. And going by the film reviews, almost everyone seems to have loved it except Khalid Mohamed. Lets check who rated how much.
Will Imtiaz Ali score a hattrick ? Everyone loves his first one Socha Na Tha. Jab We Met gave him box office success. And now the third one – Love Aaj Kal starring Saif Ali Khan, Deepika Padukone and Rishi Kapoor. And who is that Harleen Kaur ?
We are not too fond of shouting “we told you so” from the rooftop again n again but then, we really don’t have a choice. When we read the script of Luck and posted our thoughts on it (click
Shortkut – The con is On. Shortkut with a “K”, whatever that means. Produced by Anil Kapoor, directed by Neeraj Vora, written by Anees Bazmee and stars Akshaye Khanna, Arshad Warsi and Amrita Rao. And if the early reviews are any indication, its time to switch off the con even before it gets on!