Posts Tagged ‘Kambakkht Ishq’

Fuck the Filmfare, Screen, IIFA, GIFA, Stardust, Zee Cine and every XYZ Awards. They are all the same. Tv shows that needs naach-gaana and stars. And so the competition is who sucks better than whom and which star!  Most of them are organised by even management companies who get the stars to do naach-gaana and make sure that everyone gets a fat cheque.

So, here is the real deal – Golden Kela Awards by Random Magazine . Desi Razzies! Pure honesty! 100 percent shuddh!Its the second year of the award. And for a change, we agree with every choice of theirs. Thats rare! Outlook’s Follywood Awards are also good but Golden Kela Awards scores better because they have much better categories.

Worst Film – Kambakkht Ishq

Worst Director – Ashutosh Gowariker for WTF is Your Raashee 

Worst Actor – Harman/Hurman/Harrman/Harmun/Whatever Baweja for WTFYR

Worst Actress – Kareena Kapoor for Kambakkht Ishq

Worst Supporting Actor – Ranvir Shorey for Chandi Chowk to China

Worst Supporting Actress – Deepika Padukone for Chandni Chowk To China

Worst Debutant Male – Jackie Bhagnani for Kal Kisne Dekha

Worst Debutant Female – Shruti Hasan for Luck

Worst Pair – Rani Mukherjee & Shahid Kapoor for Dil Bole Hadippa

When Did This Come Out Award – Deepak Tijori’s Fox

Most Original Story Award – Dil Bole Hadippa copied from She’s The Man

Baawra Ho Gaya Hai Ke Award – Sylvester Stallone & Denise Richards for Kambakkht Ishq

Most Irritating Song of the year Award – Pritam for Love Mera Hit Hit from Billu Barber

Most Atrocious Lyrics Award- Sameer for Love Me Love Me from Wanted

Special Awards 

The Lajja Award for Worst Treatment of a Serious Issue – Kabir Khan & Aditya Chopra for New York

The Dara Singh Award For Worst Accent – Abhishek Bachchan for Delhi 6

The Black Award for Emotional Blackmail – Paa

The Insensitivity Award – Chandni Chowk To China

The Bas Kijiye Bahut Ho Gaya Award  – Madhur Bhandarkar

The Critic’s Award of 2009 – Taran Adarsh

Cyrus Broacha, the chief guest of the show was awarded the Cyrus Broacha Memorial Award this year. To read more about the awards, nominations and blogs, click here. And click on the play button to watch a tv report on Kela-ophobia.

Kambakkht IshqBecause the braindead entertainment journos just put out the press releases, whatever  is issued by the PR guys. Indiafm has been continously pumping figures as if there is no tomorrow. Most of the other newspapers/websites also doing the same. Copy-paste the press release. But there have been few reports which dimissed the 100 crore claims.

Check out this report in LiveMint. According to it, the figures are as follows

Release – 700 prints in India & 260 prints in the overseas market.

Cost – Rs 75 crore including print and publicity, entirely funded by Eros International.

Collections – First week closed at Rs 20 crore distributor share (India) and will touch Rs 25 crore across its entire run. Collections were affected due to a massive downfall in the film from Monday evening onwards.

Verdict : Kambakkht Ishq team popped the bubbly, the dampener this week was that Eros will suffer a loss of almost Rs 10-12 crore on this film.

Indiafm

Cost : Rs. 62 crore, including print and advertisement cost.

Collections :  This report on Indiafm.com is the same as the official press release. According to Trash Adarsh, the film has grossed Rs. 100 crore worldwide in its first week, making it one of the most successful openings in Indian cinema.

Rs. 70 crores in India (Rs. 42 crores nett) and Rs. 21 crores overseas business, with music & digital platforms grossing Rs. 10 crores.  ( Why would anyone count music & digital platform rights with the box office collections ? A clear indication of being desperate to add up the numbers and make it 100!)

The Times Of India

And now the figures according to today’s TOI (page 10. Could not find the online link. You can check the e-paper here and go to page 10, the header is For cine buffs, content is king )

Sold – At a price of Rs 80 crore

Collections – In the first week distribution share is Rs 30 crore, it is certainly difficult to recover the entire cost. Even if satellite rights are sold for Rs 10 crore and home video for Rs 2-3 crore, recovering costs is going to be a tall order – Trade analyst Amod Mehra. 

BoxOfficeIndia.com

Collections : Kambakkht Ishq had an excellent first week of around Rs 36 crore nett. The film has done brilliant business in the North while collections in South India circuits like Mysore are on the lower side. The collections on the 8th day have shown a big fall of around 65-70%.

So, what to believe and what to chuck ? As someone wrote on a blogpost, Box office news and updates of Kambakkht Ishq is more eventful than the movie itself. Couldn’t agree more!

Kambakkht IshqThose of you who have seen the film Kambakkht Ishq, know the suffering. Those of you who haven’t, must have checked out the reviews. But what most people don’t know is that its an official remake of Kamal Haasan starrer Tamil film Pammal K Sambandam.

According to this report in HT, Sajid Nadiadwala bought the remake rights for 75 lakhs. And thats why there is no story credit in the film. But believe it or not, four writers have been credited for the screenplay.

Screenplay- Sabbir Khan, Anvita Dutt Guptan, Kiran Kotrial, Ishita Moitra.

Sabir Khan is the director and have been ADing since last few years. Anvita Dutt Guptan is the writer/lyricist of Dostana (dialogues), Bachna Aae Haseena (dialogues/lyrics), Tashan (lyrics) & Neal & Nikki (dialogues). Kiran Kotrial has credits for Ishq Vishq (dialogues), Fida ( dialogues), Deewane Huye Paagal (story/screenplay) & Waah! Life Ho to Aisi (dialogues).  For Ishita Moitra, this is first writing credit.

Isn’t it Ripley’s believe it or not ? Four writers writing a remake and they come up with this shit. Too many cooks ? OR may be the number of writers writing a film is directly proportional to the dumb quotient of the film. And to dumb it down more, you need more writers! Remember Love Story 2050 ?

Love Story 2050 (Screenplay) – Harry Baweja, Rowena Baweja

Additional screenplay – Bhavani Iyer, Suparn Varma, Karan Razdan, Prem Soni.

Six writers for Love Story 2050! BTW, if you don’t know, Harry is Daddy B and Rowena is sister B.

Anvita Dutt GuptanAnd those of you thought Kambakkht Ishq’s jokes & dialogues are sexist & offensive, you would be surprised to know that the writer is Anvita Dutt Guptan. Why blame the boys always for being sexist! Or may be some exceptions do prove the rule. Anvitaji, aap kya paan kar rahi hai aajkal ?

The critics have thrashed the film completely but Akshay Kumar is quite gung-ho about it. He thinks Kambakkht Ishq is family entertainment, great timepass and has nothing offensive or vulgar. CNN IBN’s Rajeev Masand attacks Akshay Kumar directly, on the show To Catch A Star, and Akki defends the film completly. To read the interview, click here for the complete text. To watch it, click on the video. Its a six part video and the direct link to the video page is here.

He also explains in great details the funda of Kutta, kuttteeeeee, kutiya, dog & bitch. Its a must watch! 

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Its bit early but its a big one and so the reviews have already started trickling in.

Taran Adarsh (Indiafm) – Earth shattering opening weekend & historic week 1 – 3.5 stars

Gaurav Malani ( Indiatimes) – This one is dumb-akkht ishq! – 1 star

Raja Sen ( Rediff) – The pursuit of akkiness – 1.5 star

Mayank Shekhar (NDTV) – I dare you to watch it – 1 star

Mayank Shekhar (Hindustan Times ) – Surgeon genereal’s warning – 1 star (Is Mayank writing two reviews of the same film ?)

NYTimes – The bollywood sign.

Rajeev Masand ( CNN IBN) – Kambakkht Ishq is vulgar & offensive – 1 star (poor)

Kaveree Bamzai (India Today) – Punjabi family porn – 2 stars

Shubhra Gupta ( Indian Express) – Perfect for the undemanding-whats-new-at-the-plexes crowd. 

Minty Tejpl (Mumbai Mirror) – Crass N risque – 2 stars

Baradwaj Rangan (New Indian Express) – Old is cold.

As expected, its Taran Adarsh on one side and rest of them in other. That’s the differnce between a trade analyst and a  film critic.