Archive for the ‘bollywood’ Category

Sorry for this overdose of Kaminey but few things we really canttoilet graffitti escape. Because these newbits make our day by making us ROFL. 

Today’s TOI has a damn interesting piece of news on Vishal Bhardwaj’s Kaminey. Its about “Apna Haath Jagannath“, the writing on the loo door in one of the scenes in Kaminey. The Puri priests think its a derogatory reference to their Lord Jagannath.

We are not sure whats the origin of this phrase but its very common loo graffiti across North India. Schools, colleges, public toilets or trains, you can spot it anywhere. Loo graphiti is a specialised art by itself and in India, it seems we have artists everywhere. 

Back to AHJ! The news is that a case has been filed against Kaminey’s producer for the use of the line “apna haath jagannath“. We wonder if the priests know the real meaning of the line and in what context it is used. Because according to this report, it seems the protest is only because there is a picture of a scantily clad woman next to the writing. Wish someone could tell them the ‘real’ meaning of the phrase…the fun be double!

Cajetan Boy 2If you have seen Vishal Bhardwaj’s Kaminey, you must have noticed the name Cajetan Boy in the opening credits of the film. We have been trying to google more about him but no luck. Timeout Mumbai has done a small piece on him, the writer on whose story Kaminey is based.

Vishal met him at the Mira Nair’s Maisha Filmlab where he had gone as a mentor. He liked Cajetan’s story Roho and later on bought the rights. You can read the feature here or scroll down…

Vishal Bhardwaj’s Kaminey explores a singe day in the lives of identical twins from Dharavi, but the story was actually born an ocean away. The plot was created by Cajetan Boy, a writer and short-film director from Nairobi, whom Bhardwaj met in Kampala in 2005. “I am excited to see how it will be handled by an experienced and renowned director working with a budget,” Boy told Time Out in an email interview.

In Kaminey, Shahid Kapur plays twins who can be told apart by their particular speech impediments. The twins, Charlie and Guddu, get embroiled with a gangster (played by Taare Zameen Par writer Amole Gupte) and spend the course of the movie trying to save their skins. The speech impediments are Bhardwaj’s innovation, as is the gangster angle.

Boy said his story, titled Roho (which means soul) was about identical twins from Kibera in Nairobi, Kenya’s biggest slum. There are no gangsters in the original plot. “The movie was initially set in extreme poverty,” Boy said. “I set out to show that there is a direct link between crime and poverty; crime and the police; crime and the affluent. I set to show that the system conspires to have poverty.”

Boy said he wrote the story, the screen treatment as well as one draft of the script. He said he had mixed feelings about selling the story to Bhardwaj. The director told the Mumbai Mirror that he bought the idea from Boy for $4,000, or just under Rs 2 lakh. Boy describes himself as a “passionate movie maker who is determined to make Kenyan movies with or without a budget – mostly we have none”. Kaminey’s rumoured Rs 44 crore budget will probably come as something of a shock to him. 

Boy is the Products Development Leader for Et Cetera Productions, a film and television production house. He has written one-act and full-length plays, including Benta, which was made into a movie in 2006, as well as the screenplays of All Girls Together, a social drama, and Backlash, which he described as “an HIV/AIDS epic exploring culture and the pandemic”. He met Bhardwaj at a scriptwriting workshop in Kampala organised by Maisha, the filmmaking centre set up by Mira Nair in 2004. “I am hopeful that I will get a visible credit that will put me on the map as a writer,” Boy said. “So far all the material I have seen on the net makes no mention of Maisha or me – maybe I am not checking in the right place.”

Boy’s concerns as a writer are about “poverty, crime and classes – the links between them and how each preys on the other”. He said he was also keen to accurately portray the lives of those who live on the margins of society. “I am concerned with how to make people look at what they take for granted (slums, prostitutes, thieves, drug dealers etc), accept their existence and question why these things exist,” he said.

The Kenyan writer hasn’t watched many Hindi films, but the few he has seen have impressed him. “Those that I have watched thrill me with the intensity of the characters, the beauty of the picture and the ability to make mundane even ugly scenarios and locations cinematically beautiful,” Boy said.

Whats Your Raashee ?Because he seriously needs to check his daily horoscope reports. If the teaser, music and promos of Whats Your Raashee is any indication of things to come, we are running far far away from it. The song Jao na (dont go) sounds “please please run away” to us! Just check out the song promo. Its the first song promo that have been released.

What the fuck is this ? Who would release such a bad first song promo of the film ? Is it the same Ashutosh Gowariker who shot Yeh jo desh hai tera (Swadees), O re chori (Lagaan) and Khwaja mere khwaja (Jodhoa Akbar)! Unfuckingbelievable!  This is horrible. And it seems, its shot on chroma. You can easily make that out. Mumbai roads….late night…why would you go for chroma!

First Harman Baweja, then the fuckall teaser, then this song promo and now the music of Whats Your Raashee…..nothing seems to be going right. The album has 13 songs. I heard it thrice, none of the song stays with you. Zero repeat value. The arrangement make it sound like we are going back to Nadeem-Shravan days! I would even vote it for Javed Akhtar’s worst work.  Sample this….pyaar pyaari nayi nayi nyaari nyaari….aisi hai baatein teri saari….dil maine khoya jaan vari….kyunki pyaari pyaari…tukbandi was never so dull!

Music is by debutant Sohail Sen. Am all for new talent but yes, talent is the key word! Or was i searching for Rahman in the album ? Naah, am not going back to it again!

……is on Airtel digital tv OR ……dil titli….dil titli sa….kabhi yaadon…kabhi sapnoo ka!

Like us, if you madly scan the newspapers every morning then you must have noticed the ongoing viral campaign in the front pages of some newspapers, where Saif Ali Khan is searching for a young girl. Has just a pic of hers. Since he doesnt have any new film soon, it had to be a brand endorsement. Yes, its Airtel digital tv. The first tv commercial of the campaign is out. Dil Titli…Check it out.

It also features his girlfriend Kareena Kapoor. Honestly we are getting lil bored of this Saifeena or Kaif or whatever you want to name them!

BTW, dil titli is the new jingle that we have in loop. Finally got something to replace Bajaj Allianz’s yeh kis pyaari hifaazat me befikri ki haalat hai! Dil Titli is written by well known lyricist Swanand Kirkire, sung by new singer Nikhil D’Souza and music is by Rupert. The concept by JWT Delhi.

imran khanDhoom doom doom! Dil bole doom doom doom. Yes, we belong to the IB Club for sure, otherwise how do you explain the fact that when a film gets shelved, we are feeling happy about it. Sickos! But, its Sanjay Gadhvi! Sanjay Doom Gadhvi! The man is nice but when there are million other jobs to keep yourself busy, why make films ?

Sanjay Gadhvi was planning a new film – 7 Days in Paris with Imran Khan and Katrina Kaif. We first wrote about it here and till date, its one of our popular posts. And if gossipmongers are to be believed Gadhvi’s film is now shelved! And the big reason is Madam Mahalingam of Studio18! Who ? Vandana Malik, the to-be-ma-in-law of Imran Khan. It seems Sanjay had  big fight with Madam because he has been wasting Imran’s dates as he could not manage any heroine after Katrina walked out if it. And the big fight turned into bigger fight and the green light was quickly turned into red.

Poor Imran! He got nothing to do. Once a week, he keeps himself busy by writing a column for Hindustan Times. Rest six days, he reads and reads and reads scripts. Only when his girlfrind Avantika Malik recommends any script, he decides to do it. Like Kidnap, Luck!  She picked those two scripts.

BTW, he finally has found the great romantic script that he was desperately looking for – Karan Johar’s production I Hate Luv Stories! Puneet Malhotra will direct it and Sonam Kapoor will co-star in it. We read the synopsis, could not find anything great in it except the name K Jo attached to it.

Well, you know your luck is fuck when your ma-in-law and you are in the same business. And you know your luck can never get a better fuck when your ma-in-law is dumbo too! Lord save the son-in-laws!

Karan Johar is great tv, almost always. On any side of the camera. And more so, if its small screen. This time its Anuradha Sengupta on the other side and we think she is one of the best interviewer on Indian television. Do check out this interview of Karan Johar who featured in her show Beautiful People on CNBC TV18. All the talks on My Name is Khan that you havent heard anywhere else! Karan means serious business and how!

 

The first look of Rahul Dholakia’s Lamhaa is out. The film stars Sanjay Dutt, Bipasha Basu and Kunal Kapoor in lead. And surprisingly, the promo looks good. But Bunty Walia (producer) & Rahul Dholakia ? Strange bedfellows!

Kaminey 2Finally, the audio and video of the original Dhen Tedan song is out. Though Vishal Bhardwaj has admitted it many times in his interviews, but those of you who still cant recall, click the play button. Its sung by Suresh Wadekar and Roop Kumar Rathod for Vishal’s directorial debut on television. Remember the series Gubbare ? Check out young Sharman Joshi. The original was also by Vishal Bhardwaj and Gulzar.

And for the full audio track click here.

Kaminey 2The director (lets call him aKa) made a fist, positioned it in front of his crotch, moved it to and fro, cracking a joke on me, because thats what I think love is all about. Atleast accoding to him. Why ? Because I didnt feel the lump in my throat when i saw Love Aaj Kal(a title that sounds like a mathematics theorem and is even written like one). Ofcourse, aKa felt that lump, a big one too and some three four times. That Mr Ali has already been branded as bollywood’s new age love guru and every producer/director aspires to make a Jab We Met kind of romcom is surely some indication. And, mere har jhoot ki niyat hamesha sach thi Guddu!

But fuck that new age. Fuck that theorem of love. Enough of that cool and confused one. One that make an effort to sound smart and make you laugh. Hail the Bharadwaj Boy! Why ? Because for me, the greatest stories are those which belongs to us, of our times, of our politics. And someone finally dares to touch the M-word. Marathi, Maharashtra, Mumbai. Ironic that the filmmaker belongs to other M(eerut) town. The newspapers had enough, there were lot of tv debates. But like always, politics is a bad word in our bollyland. And only few dare. And, mere har jhoot ki niyat hamesha sach thi Guddu!

Sharmaji from Bambai is in love with Sweety from Mumbai. The risk ? Your do nimboo aur mirchi! And still he goes for it and pulls it off with so much ease. And, mere har jhoot ki niyat hamesha sach thi Guddu!

As the film moved on, i was wondering if love will again be doomed in Bhardwaj’s Kaminey, as it happened in Maqbool and Omakara! When killing is more poetic that any happy ending, i dont complain. Kareena’s dead body on the swing, Tabu looking through the mosquito net, aha…the visuals that will stay with me forever. But finally Bharadwaj has a happy ending to his love story of Guddu and Sweety! And, mere har jhoot ki niyat hamesha sach thi Guddu!

As Guddu gives condom gyaan, Sweety drops the bomb. Her eggo is preggo. She has tested thrice. No, its again not that dude style, where the couple decides to part away after mouthing some cool lines. Here the writing on the wall is apne haath jagannath. They dont shy away. Shit happens. And you can get rid of it in just 24 hours. Thats my generation. Knows the shit, wants it, enjoys it and wants to get rid of it too. And, mere har jhoot ki niyat hamesha sach thi Guddu!

 During my school days, we used to open the history books, hold it vertically and used to enjoy the history lessons. It used to baffle our history teacher and somehow it always remained a mystery to him. Inside the history books, it used to either Nandan, Champak, Suman Sourabh, Nagraj, Super Commando Dhruv, Doga, Bhokal or Chacha Chaudhry.

Nandan had a popular punch line too – Jo bacche Nandan padhte hain, woh jeevan me aage badhte hain. Me and my sister never cared much about jeevan me aage badhna but with every new issue of Nandan, we used to fight. She always claimed the first right because her excuse was she would finish it quickly and i take lot of time to read. I would wait for my turn.

I dont remember if any hero of hindi films ever claimed to read Nandan or Champak. Guddu did. And he wins it. Guddu stammered and so Sweety decided to do so, to boost his confidence. Love is all about stammering together. Its not just about drinking same tea or coffee. One is tangible, the other one is sharing the discomfort. The group of aunties who sat in the row behind me kept on wondering about Sweety if yeh bhi totali hai kya ? Aisa kaisa? Its the payoff.

Finally, the petrom pump scene. One of the most romantic scenes I have seen in recent times. One that gave me lump in my throat. Mr aKa, love is not only to and fro. Just like its not about drinking black tea! Sweety wants to fly out for honeymoon, she managed to book the tickets last minute. But Guddu remembers his school love suddenly. All of a sudden. Sweety wonders why. Bus abhi yaad aaya na. Aha, love without calculations. And, mere har jhoot ki niyat hamesha sach thi Guddu!

Whats with all the Tarantino and Ritchie talks ? Was i the only one who didnt remember any bit of any of those filmmakers while watching Kaminey! The characters are so rooted, they speak so many languages, so much mannerism, the psychedelic visuals, the brooding sky, the morning rains…i was stuck! Eyes wide open! All i want to know now is the man called Tassaduq Hussain.

And, mere har jhoot ki niyat hamesha sach thi Guddu! Beat this killer line. Dont think anyone will. Atleast not this year. And yeah, do handover the award for the performance by an ensemble cast to Kaminey! Say no more. 

The first official look of Rajkumar Santoshi’s new film Ajab Prem Ki Ghajab Kahani is out. The film stars Ranbir Kapoor and Katrina Kaif. And if rumours are to be believed, it seems Santoshi is trying to go back to his Andaz Apna Apna days with this one. Well, with Katrina, we doubt everything. Check out the posters.

Ajab Prem Ki Ghazab Kahani2

 Ajab Prem Ki Ghazab Kahani