Its The Hangover. By plagiarising or by buying the official remake rights. Its the Death at a Funeral of 2009. It was the same scene with Death At A Funeral last year and Indra Kumar made it into Daddy Kool. Ofcourse by plagiarising and had to pay later on. Click here for full report.
Back to The Hangover. It got the star ratings and box office business too. Whoever has seen it, loved it. Its the current remake favourite of bollywood. Almost every producer wants to remake it because in bollywood, comedy is considered to be safe bet always. Wish we could just learn one lesson for them. How they delivered such a big hit without any big names attached to it. Few things we will never learn.
Also in the queue, is a fourty plus actor who made headlines for his marriage, re-marriage & politics recently. He is already talking to the producers of the film. But it seems Warner Brothers is not willing to give the remake rights to anyone. They want to produce the remake themselves.
Looking at Warner Brothers’ slate of film here, Saans Bahu Aur Sensex & Chandi Chowk To China, we suggest that its better to make some money by selling the remake rights, instead of delivering one more dud.
BTW, we loved it! Its the rudest, crudest & funniest film of the year! Don’t miss it. The fat bearded Jesus is the show stealer.
Raj Kumar Hirani – Greed killed it. Hirani approached Shah Rukh Khan for Three Idiots. Khan offered to produce the film, pay him Rs 25 cr for writing-directing fees and asked Hirani to leave Vidhu Vinod Chopra. Lil did he expect that some people have the guts to say NO to Rs 25 crore. And a NO to Shah rukh Khan. Vidhu Vinod Chopra even asked Hirani to take the offer if Hirani wants it. But Hirani knew what he wanted. When Hirani said NO, Chopra wrote a letter to Shah Rukh Khan and made his views clear. Then the twist happened, Hirani got Aamir Khan for the same film. Who is having the last laugh ? Need we say more.
Vishal Bhardwaj – Ego killed it. Some time back, Bhardwaj approached Shah Rukh Khan for a film. He narrated the script. Khan wanted changes. Disagreement. Vishal was trying to find a way. But Khan’s cronies made it ugly. As if the world moves according to Khan & his cronies, the script should be exactly what the King wants. Vishal left him. According to today’s 
Ashutosh Gowariker – Dumbness killed it. We are not great fans of Shah Rukh Khan – the actor. We love him for his intelligence & the great rise from being an outsider to the top. Swades & Kabhi Haan Kabhi Na – are the only two films of Khan which can tolerate. Rest is beyond us. But it seems Shah Rukh doesnt think so. He wants commercial success.
Well if you see the location and concept of Agyaat. Why I wanted to make Agyaat is because I was always fascinated with making thrillers, that’s because I think thrillers give you the opportunity to use the medium more effectively than any other genre. Like using background score, to sound, to camera movements, to editing patterns… you can experiment alot.
Its official. Simon Beaufoy has confirmed the news to Daily Telegraph. You can read more about it 
Maximum City : Bombay Lost & Found was shortisted for the Pulitzer Prize in 2005.
The name is Kashyap. Anurag Kashyap. He talks the talks much more than walking the talks. But unlike others, he walks too. And this walking and talking has made him the poster boy of indie, intelligent and daring cinema of bollywood. 
F.i.g.h.t C.l.u.b 