Archive for the ‘News’ Category

Its middle name is “Sex”. And as Neha Dhupia in her Julie avatar said once – In this country, only sex or Shah Rukh Khan sells! So, the makers of Love Sex Aur Dhoka are going full throttle selling what they have. Check out the pics.

The film LSD is yet to be censored. So, will the Censor Board pass it ? Or will it do a KLPD ? And if you wondering what is KLPD, go check which planet do you belong to! ( Hint – D is the same in both LSD & KLPD)

To read the full article published in Mid-Day, click here. Its seems the protagonists of any hindi films have never stripped down completely. And so by that criteria, this one is bollywood’s boldest sex scene ever. Aha, when will our actors join Kate Winslet’s Sex & Nudity Coaching Classes ? But first they need to join her acting class! Only actors can carry nudity with so much ease.

And here is the most interesting bit from the article – But the nudity in the scene is not even remotely aimed to titillate. If anything, it is gag-inducing, guaranteed to repel you. Like the rape scene filmed on Monica Bellucci in Irreversible.

Monica Bellucci ? Irreversible ? This sounds familiar. Not sure if its coincidence or has been written as part of an official press release. Remember talking to one of the writers of the film about it long back. How the film had a huge impact on him, how he had first seen the film during his film school days and in the same week, something similar had happened in the film school campus. It was too heavy to get over.

But Mid-day has done what the film’s PR and Marketing guys should be doing. Sold the film to its audience. We were booking our tickets anyway. Now we will double-check. What are you thinking ? or still staring at the pic ?

Are the Sony Music guys waiting for the album to hatch golden eggs ? They dont. And even if they ever do, they can do only when its out in the market.

Dibakar Banerjee’s new film Love Sex Aur Dhokha (LSD) is releasing on 19th March. Not even 10 days left and the music is still not out. Wake up Sony! Smell the coffee. Generally the music of a hindi film is released a month before its schedule release date and every week a new song is aired on tv channels to build up the hype. 

In recent past, T-Series did a superb job with two film albums which had no big stars and not big budgets. Dev D and Ishqiya. And it helped both the film’s box office performance too. Dev D was  sex + shock + songs, it jazzed up the  curiousity factor immensely! Rest all depends on how good or bad the film is. Similarly, Ishqiya’s dil to bachcha hai ji & Kaminey’s Dhen Tedan hyped the film and gave it a strong recall value. 

The problem is big labels need big stars. And better if the big stars lipsync the songs. Otherwise they dont have any clue how to market the album and the songs. And they are least bothered. So, the super giant Sony is sitting-thinking-shitting-pondering-ruminating-supershitting.

The music of LSD is by Sneha Khanwalkar who delivered a killer soundtrack with her last album Oye Lucky Lucky Oye. Rustic sound, lesser known singers, all packaged with a power punch. And interestingly, Dibakar has turned solo lyricist with LSD. He co-wrote few songs for Oye Luck Lucky Oye also. But this time, its all solo. Not one or two but he has written three songs including the now popular title track Love sex aur dhokha darling love sex aur dhokha. The second one is – I cant hold it any longer, an English-Rajasthani fusion!

The third song is Tu Nangi Acchi Lagti hai and there is another version of the same song- Tu Gandi Acchi Lagti Hai. Both versions have been written by Dibakar. No, there was no Censor locha as reported in the newspapers. One version is used in the film that goes with one of the characters (nangi) and the other version (gandi) is in the album.

Not sure when will Sony realise that there are people out there who are waiting for LSD music! If only management graduates knew everything about films and music, we would have an Auteur Club passing out of IIM’s every year!

Here is the title track sung by Kailash Kher.

First, lets get the facts correct. Lot of reviewers in their reviews have mentioned that the Ajay Devgan-Konkon Sen starrer film Atithi Tum Kab Jaoge is based on Sharad Joshi’s short story. NO, its NOT a short story! But its based on a short essay written by him.

We still havent seen the film. But our walkie-talkie-moviepedia from Jaipur, Pavan Jha alerted us on this one. The essay is titled Tum Kab Jaoge, Atithi. It was published in his book  “Yatha Sambhav”  and also made it to other compilations.  The makers of the film have taken due permission and have also given him credit in the film, even if its just an idea.

The film has got average rating. But do read the essay. Or do we still need to sell you Sharad Joshi’s writing ?

 

Lil late to discover it but as they say, better late than never. Atleast for the record!

Remember the popular Iktara song from last year’s Wake Up Sid ? We discovered Kavita Seth and realised that Amit Trivedi can kill Shankar-Ehsaan-Loy with just one song. The trio had the rest of the album. But nobody played anything beyond Ikatara. And many are still playing it in non-stop loop.

Had lot of doubts since the song came out. It sounded so different from rest of the album. And then got to know that there is a male version too. And the male version is not in the CD ? It was released much much later. Was it a official release ? Not sure. A good friend mailed it to us as we were desperatley looking for it. So, whats the story ?

Intially Amitabh Bhattacharya wrote the male version of the Iktara song. Everyone liked it. But Javed Akhtar doesnt like sharing credit on music albums. Its should be only him or let anyone else write all the songs! But it was too good a song to let it go. 

To solve the problem Javed Akhtar rewrote a new version of the same Iktara song. It was recorded in a female voice and was put in the album. The male version of the song remained in the system and was released much later after the release of the film.

For better comparison, here is the lyrics of the male version and click here for the lyrics of the female version. Thanks for it Goonda, the only person who doesnt like the song! Or better click on the play buttons of the video attched and decide for yourself. First the female version and the next is male version.

When we had put out this post on Amit Dutta’s film Aadmi Ki Aurat Aur Anay Kahaniyaan, many of you had tweeted and mailed us to know if there is any possibility of screening of the film. Finally, here it is! Read on to know all the details.

A big thanks to Ashok Chaudhary who alerted us about it by commenting on the same post. ( Ashok – If you are reading this, do mail us your contact to moifightclub@gmail.com. Because if someone wants to know something more, can pass your number or email, if thats fine with you. )

What :  Screening of Amit Dutta’s Aadmi Ki Aurat Aur Anay Kahaniyaan

When :  Date – Saturday, March 13, 2010. Time: 6:00pm – 9:00pm

Where : Movie Labs, SV Road, Goregaon West. It’s near the Goregaon flyover, on SV Road, and near Image Restaurant

Film – To know more about the film, click here. You can also check out the comment section there for more details.

Festival/Award – The film was selected for the Venice Film Festival 2009, the lone Indian entry to the main programme of the festival. It has also earned Special Mention at Festival in the Orrizonti Competition section, the third film from india that has won an award/certificate of merit at the festival after Vishnupant Govind Damle and Sheikh Fattelal’s Sant Tukaramin 1936 and Satyajit Ray’s Aprajito in 1957. (All info according to official release)

Event : GraFTII Adda 5 will be on film! This time we bring you a Diploma film project of students of the acting batch (2006-2008) of Film & Television Institute of India, Pune directed by Amit Dutta. This time the director and part of the cast are absent, away in Kashmir on another film shoot. But four of the film’s actors will be with us to talk about their experiences while shooting the film.

Fees : The contributions towards the projectionist, and tea/coffee will be Rs.100/- for a general audience, Rs.75/- for GraFTII members and Rs.50/- for students with bona-fide ID cards.

PS : If you still havent seen Amit Dutta’s other three film Kra Ma Sha, Sha Tra Gya and Ma Pa, make sure you watch them! Has quite a signature style. Not to be missed.

We never expect Filmfare to recognise the real talent beyond the stars and the celebs. Because they are star-fuckers who sell stars, want to keep everyone happy and want them to show up at their annual award ceremony. Its a tv show after all. Needs trps, needs money! Its all about how Film-Un-fair they are. But this year it seems lil better than last few years. Here is the list of winners…

Popular Awards

Best Film: Vidhu Vinod Chopra for 3 Idiots

Best Director: Rajkumar Hirani for 3 Idiots

Best Actor in Leading Role (Male): Amitabh Bachchan for Paa

Best Actor in Leading Role (Female): Vidya Balan for Paa

Best Supporting Actor (Male): Boman Irani for 3 Idiots

Best Supporting Actor (Female): Kalki Koechlin for Dev D

Best Debutante Director (Male): Ayan Mukherjee for Wake Up Sid

Best Debutante Director (Female): Zoya Akhtar for Luck By Chance

Best Dialogue: Rajkumar Hirani and Vidhu Vinod Chopra for 3 idiots

Best Screenplay: Rajkumar Hirani, Vidhu Vinod Chopra and Abhijat Joshi for 3 Idiots

Best Story: Abhijat Joshi and Rajkumar Hirani for 3 Idiots

Filmfare Critics Award

Best Film: Firaaq

Best Actor (Female): Mahi Gill for Dev D

Best Actor (Male): Ranbir Kapoor for his consistently outstanding performances in 2009.

Filmfare Music Awards

Best Music: A R Rahman for Delhi 6

Best Lyrics: Irshad Kamil for ‘Aaj Din Chaddya’ (Love Aaj Kal)

Best Playback Singer (Female): Rekha Bharadwaj for Genda Phool (Delhi 6) and Kavita Seth for Iktara (Wake Up Sid)

Best Playback Singer (Male): Mohit Chauhan for Masakalli (Delhi 6)

RD Burman Music Award: Amit Trivedi

Filmfare Technical Awards:

Best Visual Effects: Kaminey

Best Choreography Award: Bosco-Ceasar, ‘Chor Bazaari’ from Love Aaj Kal

Best Production Design: Helen & Sukant for Dev D

Best Action: Vijayan Master for Wanted

Best Sound Design: Manas Chaudhury for Firaaq

Best Editing: Sreekar Prasad for Firaaq

Best Cinematographer: Rajeev Ravi for Dev D

Best Costume Design: Vaishali Menon for Firaaq

Best Background Score: Amit Trivedi for Dev D

Actor Shashi Kapoor and Music Director Khayyam were given the Lifetime Achievement Awards.

BTW, Bachchans didnt attend the Filmfare Award this year in protest against this story done by their sister publication Mumbai Mirror few days back. They have been demanding apology from Mirror. But so far, nothing.

PS – Here is goss of the day. It seems Riteish Deshmukh & Jacqueline Fernandez’s act was sponsored by the producer of their forthcoming film Jaane Kahan Se Aayi Hai. Remember last year Vashu Bhagnani paid a fat cheque to Filmfare for getting his son Jackie Bhagnani on stage for the promotion of his debut film. He happily informed all his family members, relatives and friends asking them to watch his son dance at the Filmfare Awards ceremony. Remote was kept aside and they waited and waited and waited for Jackie to show up on small screen. Surprise! There was no Jackie act when it was telecasted on Sony Tv. Why ? Because Filmfare never guaranteed them that the act will get tv play too. It was edited out. Aur bolo ?

This friday its Ringa Ringa at the movies. In both the films, its too much confusion over one phone call. Karthik Calling Karthik is directed by debutant Vijay Lalwani, stars Farhan Akhtar & Deepika Padukone and produced by Excel Entertainment. Lets see if actor Farhan manages to score a hattrick.

Anupama Chopra (NDTV) – Karthik Calling Karthik is inconsistent with its own internal logic. When you backtrack and see how the pieces fit, it doesn’t hang together. Eventually then, Karthik Calling Karthik feels like a vanity project for Farhan Akhtar, who is in every frame of the film. He’s compelling, especially in vulnerable loser mode, but he can’t add flesh to this sliver of a story. KCK isn’t a bad film but it isn’t very good either.  – 2.5/5

Shubhra Gupta (Indian Express) – ‘Karthik Calling Karthik’ is actually two films. One, an office romance between a colourless drone and a beautiful colleague who notices him only when the boss lashes out at him in public. And the other about a guy who hears voices in his head and gets strange phonecalls from someone who claims to be him. Karthik calling Karthik, geddit? – 1/5

Sukanya Verma (Rediff) – Films like Karthik Calling Karthik are all about winding up right. This one fails to make a connect. Pity, it could have been that all important call you’ve always been waiting for – 2.5/5

Taran Adarsh (Indiafm) – KCK a decent product with an unconvincing conclusion. Watch it for the wonderful performances of Farhan and Deepika, if you have to. Caters to the youth in metros mainly – 2.5/5

Nikhat Kazmi (TOI) – One does wish there was a bit more of the bubbly Ms Padukone, though. Where it doesn’t work is the entertainment factor. The screenplay does tend to get a bit clunky and the drama somewhat heavy as the director looks for text book resolutions of the teasing problem. But, by and large, there is a thrill factor that keeps the momentum on. In the mood for serious cinema? Watch Karthik Calling Karthik – 3.5 /5

Mayank Shekhar (HT) – The genre of course has its limitations. And someone who’s seen the film before, will inevitable blurt out, what the film’s deal was, or, ‘Who’s the caller’. As an audience, you’re not always two steps behind the script either. But that doesn’t take away from how the film holds you, almost all the way. This isn’t easy. I suspect you’re not going to love the sound of a ringing landline for a while. I hope you don’t question the workings of your brain as much – 3/5

Rajeev Masand (CNN IBN) – In the end, Karthik Calling Karthik appears confused and half-baked, and it commits that deadly unforgivable cinematic sin – it bores you! – 2/5

Aniruddha Guha (DNA) – Farhan may have put in a good act – it’s his best, certainly, among just three films so far – and Deepika looks smoldering and performs well too. But that’s hardly reason enough to sit through this one. Unless you don’t mind thinking to yourself in the end, “THIS is what it was all about?!” – 2/5

Minty Tejpal (Mumbai Mirror) – KCK is low on entertainment and remains a bit dark and dreary, so it’s entirely your call – 2/5

Teen Patti is directed by Leena Yadav (Shabd), Produced by Ambika Hinduja and stars Amitabh Bachchan, Ben Kingsley, R Madhavan, Raima Sen and a bunch of newcomers. Click here to our Twittereview review of the film.

Anupama Chopra (NDTV) – Teen Patti is a train-wreck of a movie. It’s incoherent, lengthy and worst of all, agonisingly pretentious. Director Leena Yadav takes the kernel of the story from the 2008 Hollywood film 21, about an MIT professor and his students who figure out how to count cards and make millions at casinos in Las Vegas – 1.5/5

Shubhra Gupta (Indian Express) – The trouble with `Teen Patti’ is not that we’re all too familiar with its central idea. It lies in the patchy way the plot is laid out, and in the characters who do not, at any point, feel completely filled out. In too many places, the design is allowed to scream for attention, overwhelming the people, and the action, such as there is – 2/5

Rajeev Masand (CNN IBN) – Directed by Leena Yadav, Teen Patti is an incoherent mess of logic-defying scenes that never come together as a fluid script. It’s got snazzy camerawork and occasionally hip production design, but none of that matters in the end. What you take with you as you leave the cinema is shock. Shock that nobody associated with this film had the intelligence or the courage to turn around and say, “This sucks.” – 1/5

Preeti Arora (Rediff) – Three decades after Gandhi, Ben Kingsley still weaves magic for the Indian audiences. As Kingsley and Bachchan share their life experiences, there is the sheer pleasure of watching two legends share screen space. And since there is no attempt to overshadow the other, the experience is memorable. It’s difficult to visualise other actors in these roles. Teen Patti is worth a watch just for these actors – 2.5/5

Taran Adarsh (Indiafm) – On the whole, Teen Patti is a fresh concept for Indian viewers, made well, but limits itself to the intelligentsia and big city audiences mainly – 2.5/5

Mayank Shekhar (HT) – No kidding. This is the most elegantly lit (cinematographer Aseem Bajaj) rendition of pure gibberish that I’ve seen in a while. The filmmakers profess they came up with this script before the Kevin Spacey starrer 21 came into the theatres. Given this flick, you couldn’t care less for its alleged inspiration – 1/5

Nikhat Kazmi (TOI) – The second half does get somewhat repetitive, with the film refusing to move out of the gambling dens and the climax gets somewhat hurried. But majorly, the film holds as a taut thriller that keeps you glued for most of the screen time. Watch out for Sunidhi Chauhan’s item number, Teri Neeyat Kharab Hai. It rocks – 3.5/5 

Minty Tejpal (Mumbai Mirror)Teen Patti is a slick and stylish film with many stars, fancy styling, big budget but little substance and very convoluted logic. Part of the film is in English, part of it is in algebra and the rest seems gobbledygook – 2/5

Will update the list with more reviews as soon as its out. So, wondering what to watch this friday ? Bet its better to go for hollywood releases.

Not sure where to start and how to start. Ok, making it simple and starting with the intro. Teen Patti is directed by Leena Yadav (Shabd), produced by Ambika Hinduja ( Big moneybag. Hinduja family), stars Amitabh Bachchan, Ben Kingsley, R Madhavan, Raima Sen and a bunch of new comers. The  not-sure-what-they-were-doing list includes Ajay Devgan, Mita Vashisth, Jackie Shroff, Shakti Kapoor, Ranjeet, Mahesh Manjrekar, Tinnu Anand, Siddharth Sanghvi and Barry John.

Was interested because of only name. Shiv Subramanium, whose writing credits includes films like Parinda, Is Raat Ki Subah Nahi, 1942 A Love Story, Hazaroon Khwashein Aisi and Chameli. He co-wrote the film with Leena Yadav. What were they smoking ?

Since I dont have any more energy left to write a full post on the film, here is the new format we are introducing. Putting together everything that we tweet about the film while watching it. And few things which we didnt tweet but kept in our head. Here is our first Twittereview!

– What we heard before entering the theatre  : Ok, goodfellas…seems its a bad friday at the movies. As a friend said….Do Karthik, Teen Patti… All tatti!

– No havent seen Teen Patti. Watching it now. Halfway through. Exactly what i expected from the promos…very very filmy!

– Someone asked : How many stars would you give it out of 21 ? Replied : Hehhehe. Am big Kevin Spacey fan. Still counting the stars as its only halfway through.

– Post-interval : Oh man! Where is it going ? Am willing to submit all my pattas and pattis to get out now! Becoming unbearable.

– Its ringa ringa in Teen Patti too. Would be good if someone can connect the phone lines of Karthik with these guys and edit a single film out of the two. Karthik Calling Team Patti!

– Teen Patti in one line is mayhem because of money. And it turned out to be money spent in mayhem. Ben Kingsley nods listens nods listens nods listens.

– Out of the theatre : Teen Patti – bad writing, badly directed, acted, edited. It goes all over the place without making sense. Wanted to see because of Shiv Subramanium.

And here are the tweets which didnt make it to our timeline because of lack of space, time, energy, interest or whatever…..

– Madhvan is bad. No, he is terrible. Naah..Horrible. What is he doing ? He is so bad that he is good!

– With so much money, Hindujas could have bought the rights of 21 and done an official remake. It would not have been so bad.

– Barry John TEACHES acting ? Really ?

– Can see what they were trying to do. But it doesnt come together as a film. All scattered, going in random directions, the emotions doesnt show on screen and the two roommates track is funny as hell.

– Bonny and Clyde ? Who thought of that ? Deserves Red & White Bravery Awards.

As the tagline of the film says “Sab Khel Hai”, in twitter lingo we would like to add “Aur Teen Patti #Fail Hai”. Go play at your own risk.

Actor Arshad Warsi has turned producer with his new film Hum Tum Aur Ghost. The film was earlier titled Kaun Bola ? Its directed by Kabeer Kaushik, who made a superb debut with Sehar. But nobody knows how he lost the plot in his next film Chamku. Was it the Deols-who-dont-die in films ?

Hum Tum Aur Ghost stars Arshad Warsi, Dia Mirza, Sandhya Mridul and Boman Irani. Can anyone smell Ghost Town ? As always in bollywood, Arshad clarified that after he wrote the script hi freinds told him that it sounds like Ghost Town. Otherwise he had no clue.

Can someone please tell Ramu that you cant fool everyone all the time. You surely can make a joke of yourself by making one stupid film after another and still talking and giving gyaan like a Gyaan Guru. Get that GG avatar out of your heard, sir!

As if making horrible films is not a crime, Ram Gopal Varma has gone a step further. Ram Gopal Varma has always been Ram Gimmick Varma and he is still trying his luck with it.

For Phoonk, they ran a contest daring people to watch it in the theatre alone. Rules and regulations were not clear. And nobody knows what happened finally. Who watched, how, where, when. There were allegations that it was rigged. No answers.

Ramu did something similar for Agyaat too. It was a short film contest where it was announced that the winner will get to direct a film. We had put out a post on the same and when readers asked about the winner we had no clue. It seems no winner was announced and there were no prizes. Everything remained Agyaat! And here is the comment posted on our blog by one of the participants…

Has RGV become a fraud? This contest is a fraud on indian public. If u write on his blog asking about contest, ur comment will be DELETED. Try it urself. If makin bad films was not enuf he’s now cheating public with fake contest. That man has lost all sense of shame.

Ram Gimmick Varma is back again! For Phoonk 2. We would suggest, DONT trust the man and his gimmicks. But if you still want to, here is the official release on the contest.

The PHOONK 2 Scare Contest

• Before the release of “PHOONK” we had challenged that if any viewer could dare to see the film sitting all alone in a theatre and not run out scared he will get a Cash Prize of Rs.5 Lakhs.

• The contestant who took the challenge didn’t even last for 30mins and ran out of the theatre.

• After the release, some people alleged that the contest was rigged (Huh! Is it a way to admit it ? ) and that they never felt fear while watching the film. So now without going into a pointless argument on the same, we the Phoonk 2 team have decided to open ourselves to a scientific evaluation of that claim.

• For “PHOONK 2” we are going to implement our Contest in a very scientific way as never ever done before in the history of Cinema anywhere across the World. The viewer who will claim that he is not going to get scared will be fitted with a ECG machine while he is watching Phoonk 2 which will monitor his Heartbeat and Pulse rate and this will be shown live on a screen outside the theatre to both the Media and all concerned.

• A normal person according to professionals has a certain average heartbeat and when subjected to any kind of an intense emotion the beats will considerably go up. So if the challenger claims that he had no fear while watching Phoonk 2 the monitor will tell whether he is lying or not and on the other hand if he can control his fear and thereby his heartbeat and not let it cross his normal heartbeat then he will get to win the cash prize.

• The PHOONK 2 Team DARES any viewer to take this Challenge and watch PHOONK 2.

• We intend to launch the contest on 10th March on our official website www.phoonk2.in . This contest is Restricted to only healthy people with no history of Cardiac disease and also only to people who are between 18 and 60 years of age.

• The contest will be open for people across INDIA and based on a computerized random draw people will be shortlisted, who then further will have to give a medical indemnification for further selection by our team and a medical professional who will eventually single out the final Challenger to be subjected to the test. The Challengers normal heartbeat will be recorded before and while the screening is happening. We will also make sure that the contestant is actually watching the film without closing his eyes by shooting him Live through a night vision camera and showing his facial expressions to the media and all concerned on a screen outside the theatre. If at all he wins this challenge he will be awarded the Prize money right at the Venue in front of everybody.

PS: For any unforeseen situations an Ambulance will be on standby at the Theatre to monitor the contestants.

Phhonk 2 is directed by Milind Gadagkar and stars Sudeep, Neeru Bajwa, Amruta Khanvilkar and Ahsaas Channa. The film is releasing on 9th April 2010