Posts Tagged ‘Hansal Mehta’

After its world premiere at the ongoing Toronto International Film Festival, the first trailer of Hansal Mehta’s new film Shahid is out.  Have a look.

Aha, welcome back, Mister Mehta. Seems like the film has got the right mood and tone for the subject. And if you missed the earlier post, here’s the official synopsis of the film..

Shahid is the remarkable true story of slain human rights activist and lawyer Shahid Azmi, who was killed in 2010 by unidentified assailants in his office. From attempting to become a terrorist, to being wrongly imprisoned under a draconian anti-terrorism law, to becoming a champion of human rights (particularly of the Muslim minorities in India), Shahid traces the inspiring personal journey of a boy who became an unlikely messiah for human rights, while following the rise of communal violence in India. This story of an impoverished Muslim struggling to come to terms with injustice and inequality, whilerising above his circumstances is an inspiring testament to the human spirit. 

Cast and credit list :

Director: Hansal Mehta

Language: Hindi

Runtime: 123 minutes

Exec. Producer: Jai Mehta, Kunal Rohra

Producer: Sunil Bohra, Shailesh Singh, Guneet Monga and Anurag Kashyap

Production Co: Bohra Bros Pvt. Ltd. and Anurag Kashyap Films Pvt. Ltd.

Principal Cast: Raj Kumar, Prabhleen Sandhu, Baljinder Kaur, Tigmanshu Dhulia, K K Menon, Yusuf Husain, Prabal Panjabi, Vinod Rawat, Vipin Sharma, Shalini Vatsa, Paritosh Sand, Pavan Kumar, Vivek Ghamande, Akash Sinha, Mohd Zeeshan Ayyub, Mukesh Chhabra

Screenplay: Sameer Gautam Singh, Apurva Asrani, Hansal Mehta

Cinematographer: Anuj Dhawan

Editor: Apurva Asrani

Sound: Mandar Kulkarni

Prod. Designer: Rabiul Sarkar

– To know more updates about the film, you can follow its FB page here.

 

Toronto International Film Festival’s focus in this year’s ‘City To City’ program is Mumbai and its showing Manjeet Singh’s Mumbai Cha Raja (The King of Mumbai), Anand Gandhi’s Ship of Theseus, Mohit Takalkar’s The Bright Day, Hansal Mehta’s Shahid along with Anurag Kashyap’s two-parter Gangs of Wasseypur, Ashim Ahluwalia’s Miss Lovely, Habib Faisal’s Ishaqzaade, Dibakar Banerjee’s Shanghai and Vasan Bala’s Peddlers.

TIFF has made the presser video online where are all the directors were present and they talk about various subjects – festival, female directors, reviews, bollywood vs indies, changing film making scenario,

16:50 onward – On reviews. Waah, Vasan!

19:80 onward – Ha! Good try, Mr Habib Faisal to defend the regressive Ishaqzaade.

39:15 – Balaji took bits and pieces from Miss Lovely and made The Dirty Picture – Ashim Ahluwalia.

40:15 – If you send a script like this, i will file a criminal complaint with the police.

Thanks to TIFF, few stills of Hansal Mehta‘s new film Shahid is finally online. Also, the official synopsis and the cast and crew list. The film is going to have its world premiere at the Toronto International Film Festival in its “City To City” programme where “Mumbai” is in focus this year.

The stills look stark and powerful and creates a deadly mood. And now the official synopsis of the film…

Shahid is the remarkable true story of slain human rights activist and lawyer Shahid Azmi, who was killed in 2010 by unidentified assailants in his office. From attempting to become a terrorist, to being wrongly imprisoned under a draconian anti-terrorism law, to becoming a champion of human rights (particularly of the Muslim minorities in India), Shahid traces the inspiring personal journey of a boy who became an unlikely messiah for human rights, while following the rise of communal violence in India. This story of an impoverished Muslim struggling to come to terms with injustice and inequality, whilerising above his circumstances is an inspiring testament to the human spirit. Starring Raj Kumar, Prabhleen Sandhu and Baljinder Kaur.

And here’s the cast and crew list…

Director: Hansal Mehta

Language: Hindi

Runtime: 123 minutes

Exec. Producer: Jai Mehta, Kunal Rohra

Producer: Sunil Bohra, Shailesh Singh, Guneet Monga and Anurag Kashyap

Production Co: Bohra Bros Pvt. Ltd. and Anurag Kashyap Films Pvt. Ltd.

Principal Cast: Raj Kumar, Prabhleen Sandhu, Baljinder Kaur, Tigmanshu Dhulia, K K Menon, Yusuf Husain, Prabal Panjabi, Vinod Rawat, Vipin Sharma, Shalini Vatsa, Paritosh Sand, Pavan Kumar, Vivek Ghamande, Akash Sinha, Mohd Zeeshan Ayyub, Mukesh Chhabra

Screenplay: Sameer Gautam Singh, Apurva Asrani, Hansal Mehta

Cinematographer: Anuj Dhawan

Editor: Apurva Asrani

Sound: Mandar Kulkarni

Prod. Designer: Rabiul Sarkar

– To know more updates about the film, you can follow its FB page here.

Toronto International Film festival (TIFF) has announced 10 Indian films in its “City to City” segment where the focus this year is Mumbai.

Out of the selected ten films, four film will have its world premiere at TIFF. These four are Manjeet Singh’s Mumbai Cha Raja (The King of Mumbai), Anand Gandhi’s Ship of Theseus, Mohit Takalkar’s The Bright Day and Hansal Mehta’s Shahid. The other six includes Anurag Kashyap’s two-parter Gangs of Wasseypur, Ashim Ahluwalia’s Miss Lovely, Habib Faisal’s Ishaqzaade, Dibakar Banerjee’s Shanghai and Vasan Bala’s Peddlers.

Since we have been covering Gangs Of Wasseypur, Miss Lovely, Peddlers, Ishaqzaade and Sanghai extensively, we are going to put out the info about the rest of the films now.

—> Shahid. Director : Hansal Mehta

Shahid is the remarkable true story of slain human rights activist and lawyer Shahid Azmi, who was killed in 2010 by unidentified assailants in his office. From attempting to become a terrorist, to being wrongly imprisoned under a draconian anti-terrorism law, to becoming a champion of human rights (particularly of the Muslim minorities in India), Shahid traces the inspiring personal journey of a boy who became an unlikely messiah for human rights, while following the rise of communal violence in India. This story of an impoverished Muslim struggling to come to terms with injustice and inequality, whilerising above his circumstances is an inspiring testament to the human spirit. Starring Raj Kumar, Prabhleen Sandhu and Baljinder Kaur.

—> Mumbai’s King (Mumbai Cha Raja). Director : Manjeet Singh


Rahul roams the streets with his balloon-seller friend Arbaaz. These two kids escape the grim realities of their lives by gambling, roasting stolen potatoes, stealing an auto rickshaw for a joyride, and chasing girls. But soon Rahul has to “take care” of his violent father, who has forced him to live on streets. Starring Rahul Bairagi, Arbaaz Khan and Tejas Parvatkar.

—> Ship of Theseus. Director : Anand Gandhi

For Poster, Stills and Official synopsis of the film, click here.

—> The Bright Day. Director : Mohit Takalkar

Yearning for meaning in his life, a coddled young man abandons his girlfriend and family to set out on a spiritual quest across India. Shot with sophisticated DSLR cameras and reflecting a new passion for personal filmmaking, The Bright Day finds images to chart a soul’s progress.

Bollywood is a strange place. And to survive here, there are million things that you should know. Strangely, they don’t teach any of those things in any film school. Filmmaker Hansal Mehta cracks the B-code of the B-town in this hilarious post.  And I must say that every bit of it is true. Read on.

Disclaimer : Today was a dreadfully boring day in office. My utter boredom has led to this utterly useless and ridiculously indulgent outpouring of wisdom. Read it at your own risk.

Here is my randomly ordered list of 12 survival strategies in the world that so many of us inhabit, dream to inhabit, grudgingly observe or admiringly follow. Gentlemen (sorry ladies, nothing in this for you) here is my valued guidance – with malice towards none!

1. Remember! The world is male-centric

This is a guy dominated world. The opposite sex is purely an object of gossip, a target of lust and a recipient of false chivalry. Films succeed because of heroes. Films sell on the strength of the leading man. The leading man chooses. The leading man disposes. Obviously, I will restrict my ‘analysis’ to the dominant sex.

2. Never take sides

Things change. Nothing is permanent. In an act of bravado if you do take sides, do it in a way that you can conveniently deny, alter or contradict your stand.

3. Brother is the operative word

This is the ultimate expression of male bonding in B-town. Every contemporary, every rival, every threat, every drinking partner is your brother. Every question on every other male has the standard answer ‘He is like a brother to me’.

4. Without a camp you are nobody

Always park yourself in a camp. Play loyalist to the hilt until you get a chance to swear loyalty without having to pay a price for shifting loyalties. Camps have regular jesters, some tabloid editor/journalist for company, many desperate/aspiring filmmakers, personal attendants, business managers/star secretaries, compulsory attendance at all dos, forced laughter at all repetitive inside jokes, the same conversation over and over again. The camp has a leader who unfortunately foots the bill most of the time and in return gets the same spellbound audience for the same riveting speech or recounting of ‘that’ life-changing experience every single drunken night.

5. If you screw up, you are screwed

It’s a lonely world out there – particularly when you screw up. And if your screw-up is splashed across the screw-up-hungry tabloids only God can help you. Your camp will disown you. They begin to ignore your calls. Your brother remains your brother only for a persistent journalist who needs to stop his awkward questions. But take heart. Like everything else this is also temporary. Things change. Suddenly someone else screws up. You and your screw-up will be forgotten.

6. Criticism is NEVER welcome

If you are privileged enough to be invited for a sneak peek, preview or ‘trial’ of your buddy’s (brother’s) film be nice to him. Be lavish in your praise. You have been invited to find something praiseworthy and to dwell only on that. Criticize and you will perish. If there is nothing praiseworthy a nice, long, big hug will suffice.

7. Cultivate common hobbies

Outside drinking hours you must have common passions. Gym buddies, fellow bikers, car lovers, home theatre experts, gizmo freaks are frighteningly attractive and make great brothers. Did anybody mention cinema buff? That is an utterly ambiguous, uselessly exclusive and dastardly boring hobby. After all people (brothers) who are united by their love for cinema need to have a life beyond cinema.

8. Have a great DVD/Blu-Ray collection

You must possess the ability to spot plagiarism in work not featuring your brother, to smartly plagiarize for work featuring your brother, to unabashedly compare your brother to Cruise/Caprio/Pitt. Do not waste time watching anything seminal, cerebral or intellectually challenging; these are great decorative pieces for exquisite DVD shelves. Remember to continuously refresh yourself with an in-depth understanding of some popular Brando/Pacino/DeNiro films. These are often discussed at length; they are important reference points for some of the challenging work undertaken by your camp leader. American TV series are in. A thorough study of these masterpieces are an indicator of your passion for the unusual.

9. Reading is very important

Of course you visit the Jaipur Literary Festival every year. You brave the cold as you carelessly put on your casually purchased ethnic outfits. Always memorize the names of writers that have the largest audience. If you manage to remember the names of their books it is an indicator of your vast intellect. Besides the 4 days spent in Jaipur cultivate the daily reading habit. Recommended reading :

  1. Mumbai Mirror
  2. Mid-Day
  3. Bombay Times
  4. Twitter
  5. Shobha De

Your knowledge of these constantly updated reservoirs of vital information will determine your wisdom, awareness, standing, intelligence and capability.

10. Get Invited

It is crucial that you attend every event, every party, every ceremony, every celebration and that you are armed with a decent camera on your cell phone. Get yourself clicked. Inflict these pictures on your growing followers around the social media world. Use your superior memory to remember jokes, jibes and one-liners that you get exclusively on your messenger/messaging service. Always look like you are having a blast. Every picture must display your wide smile (visit your dentist regularly to ensure that your smile is always attractive). It is also a great pleasure to interact with the same people all the time; often at the same place most of the time. Revel in that pleasure. Take back unique stories/incidents/anecdotes from your outing. Note them in a diary. Narrate them to all your brothers to create avenues for stimulating conversation on a daily basis.

11. Stories of your sexual exploits

Here is a test of your ability to conjure up tales of sin, sex and digression. It is also the best excuse for a night of absenteeism from the camp meet. Brothers always support your eternal search for carnal salvation. Talk about a starlet that you might have seen at some event or a boisterous conversation that you might have struck up with a random attractive woman at some ceremony. Tell them how you got lucky. Tell them how you scored. Tell them how she is a beast in bed. Tell them how kinky she is. There is nothing more engaging or engrossing as stories of forbidden sex. Give your brothers a ‘deep’ insight into your story telling skills.

12. Terms of endearment

  1. Bro is the most endearing term of endearment. It is personal, intimate and essential for insider conversations. Advice often begins with Bro. Admonishment is softened by a Bro somewhere appropriately placed in a sentence. Affection, good wishes, exclamations, proclamations, public displays of warmth and all other things inclusive are generously sprinkled with a Bro here and there.
  2. Baba, Bhai, Kaka, Dada, Da either as a suffix or by themselves irrespective of age
  3. Innovative versions of your pet-names (Tony becomes Tones, Lucky becomes Lucks, Lovie becomes Loves so on and so forth…)
  4. Even more innovative versions of your surnames (Gupta becomes Gups, Kapadia becomes Kaps so on and so forth…)
  5. Imaginative derivatives from your first name (Sanjay becomes Sanju, Akshay becomes Akki, Govinda become ChiChi, Salman becomes Sallu, Sharukh becomes Shah so on and so forth)
  6. Respectful prefixes such as Big, Junior, Badshah, King are effective means of reverence and brevity
  7. Sir and Saab are widely utilized in the quest to attain Bro status.

 Sorry but I will have to truncate this list now. I have failed to relieve myself of the boredom I hoped to abandon by writing this nonsense. I will need to find another avenue, another unsuspecting audience, another cure for this disdain of the mundane. Maybe I need to find myself a new ‘Bro’.

Until then… Kabhi Alvida Na Kehna!

(PS – It was first posted on Hansal’s website where he writes on films, life, food and such inane and important things.)

Let’s tackle it one by one.

So the film has finally released all over India except Uttar Pradesh. Most critics have rated it between 1.5 to 2.5 stars  ( Rediff 1st review- 1.5, Rediff 2nd Review – 2,  NDTV – 2.5, Indian Express – 2, CNN IBN – 2, Hindustan Times – 2, Mid-Day – 2.5) with the few exceptions (Mumbai Mirror – 3.5 + the usual suspects). I still haven’t seen the film. But looking at the trailers of the film, it seems loud and very tacky, and can be best described as “from the makers of Raajneeti”. Or as Jayhind tweeted earlier, Prakash Jha is Madhur Bhandarkar with a JNU degree.  That’s the best and the apt description of the filmmaker if you look at his last two films. Hilarious trivialisation of serious issues with stars masquerading in unintentionally funny characters. what a fall!

The film still hasn’t released in UP. And with a Dalit Behenji at the helm of the state, this might just be a power trip for her. Plus, the  votebank. But don’t be surprised if it gets a release soon there as well. Though at this point Prakash Jha admits that he is not even getting a window to start the talks – what do they actually want? No communication. Behenji  ne bola, toh darwaza bandh. But a photo-op and some chai-paani can make things move at any political quarter.

Whats more weird is the points raised by the Punjab Government’s 7-Member Committee who saw the film and asked for the following changes –

1. In the dialogue “humne aapki tatti bhi uthai hai“, it was felt that the “mull” can be substituted for the word “tatti”.

2. In one of the scenes, “hans chuggega dana tinka, kauwa moti khayega” is there in the background. The couplet should be removed.

3. In the credit roll of the film, a palm drenched in blood appears when the movie title appears. This needs to be removed.

WTF can be a mild reaction if you ponder over the cuts asked by the Committee. With our over zealous conspiracy theorist mind at work, many insinuated that it was all orchestrated. A tracking agency did confirm that the film’s buzz went up in the last week because of the controversies. But inviting ban? Three states, loss of revenue, fear factor. Some gyaan gurus on twitter also suggested that with its banning in three states, the revenue will increase multiple times in other places. Looking at the first day’s collection, that surely didn’t happen.

So?

My theory is the makers were smartly playing around the issue till the last week. Like all filmmakers do these days. Plant stories, theories, counter it, deny, get space for more stories. When the matter went to court, the reply from the makers spilled out the truth – it’s more about commercialization of education and less about reservation. But with a title called Aarakshan, who would believe it. By that time, P L Punia, Chairman of National Commission for SC, had made enough noise. And bollywood has always been a soft target. People came, shouted, made their voices heard, grabbed headlines and the film got some more buzz. With both the parties benefiting and without spending any single penny, its a win-win situation for both. It all went of hands in the last week. Nobody expected such extreme reactions and the ban. If the film had released without any political party making any noise against it, most of them would have been disappointed after watching the film. A friend who went for the special screening of the film, realised that most RPI party members who had come to watch the film, they never came back to their seats after the interval. Like the rest, they might have got bored.

Though Amitabh Bachchan poured his heart out in this post but Javed Akhtar made a very valid point in an interview – where were these sentiments when Fanna got banned or there were protests against Water? They are paying a price for being silent then. On Fanna’s release, I remember his stand clearly – What Aamir is doing is right, what the others are doing, they are also guided by similar principles. On asked to take a stand and criticise the ban, he said he needs to acclimatised himself with the situation as he is not completely aware of it. I guess it’s a complete circle now with Aarakshan. But you can’t blame him either. That’s the industry stand – don’t look around, don’t speak up till I’ m not hurt. Not sure what those Power Lists of bollywood means when some of the biggest stars of the industry can get together and take some concrete action against nonsensical hullabaloo. Or blame it all on their need for some more buzz.

Not very long ago filmmaker Hansal Mehta wrote a post on PFC about what he had to face during the release of Dil Pe Mat Le Yaar. Since the post is not online now, posting it here again. Do read.

Raj Thackeray – Get Well Soon

A few months ago Shiney Ahuja was arrested for allegedly raping his maid. Yesterday Karan Johar apologized for being raped. His rapists have emerged triumphant. In our law books there is punishment for physical rape. There is no law for raping our freedom of expression. There is only triumph for the rapists. Bravo, Raj Thackeray. You are a master rapist.

Nine years ago after the release of Dil Pe Mat Le Yaar, I was subjected to humiliation by moral police from some wing of the Shiv Sena, headed by ‘youth leader’ Raj Thackeray. His touts(a few thousand) vandalized my office. They thrashed me. They colored my face black. They threatened to burn down the home of Kishore Kadam, a wonderful actor and even more wonderful friend. I was summoned to Khar Danda and made to apologize in front of over 20,000 people and 10 MPs, MLAs and local politicians. I was made to touch the feet of a lady in the village to make amends for my mistake. My mistake? An innocuous line of dialogue from my film, misinterpreted, misunderstood and twisted to suit the publicity hungry touts hired by Mr. Thackeray. Touts who had not even seen the film save a couple of them who viewed a pirated VCD and smelt a great opportunity for titillation. Some called me a coward. Some called me spineless.

The truth is that I was a film-maker who was coping with the box-office failure of his film. I was a father who feared for the safety of his young children. I was a son who feared for the well being of his parents. I was a friend who feared for the security of his actor’s home. They threatened to burn down Kishore Kadam’s house if I did not show up at the village. They refused to stop thrashing me and painting me black until I agreed. The police did not want me to visit Danda village and apologize. They feared that they would be unable to grant me protection. But I wanted to move on. I wanted to erase all memories of this dastardly attack, this blatant violation of my human rights. I thought I had moved on.

The latest threat to Karan Johar about similar innocuous references to Mumbai as Bombay reminded me that whatever happens, the scars of that shameful week will never be erased. The wounds will never heal. It was a similar situation then. There was a Congress government in the state and the Shiv Sena needed to make it’s ‘marathi’ presence felt. Today the situation is doubly dangerous. A bigger film-maker. Not one but two cancerous organizations – the Shiv Sena and MNS. The jihadis have Osama. Gujarat has Modi. Maharashtra has the Thackerays.

I spent last night reliving the horror of nine years ago. I spent a sleepless night. I was tormented by visions of my cowardice. I awoke to find my being filled with anger. Once again, the blood suckers have succeeded. One more film-maker bites the dust. The vicious, self proclaimed messiahs of the marathi manoos have triumphed. They persecuted me. I apologized. They harassed the Bachchans. They apologized. They threatened Karan Johar. He apologized.

Today, I apologize. I apologize for being a selfish, cowardly citizen of an impotent country. I apologize for pretending to express through cinema. Who said cinema is a powerful medium of expression? Who said that it reflects society? The only cinema in our country is the political drama that unfolds every day. The only real protagonists are the goondas who portray such convincing politicians. And the antagonists are all of us who retreat into their supposedly secure lives, happy to carry on living as persecuted citizens of Bombay. Sorry Mumbai.

Dear Sirs, where were you then ? Dil Pe Nahi Liya?

This isn’t a tale of heroic feats. It’s about two lives running parallel for a while, with common aspirations and similar dreams.

-Ernesto Guevara de la Serna

I am bad with names. I guess, terrible. And am very good with excuses. So, it gets compensated mostly. And that’s why whenever I save a new contact in my phone, I always add a suffix or prefix to the name. It makes life easier. Because whenever I am searching for anyone, if not the name, the suffix or prefix will help. Either place, profession, common friends, where we met, how  we met, why we met, and noun, pronoun, adjectives, verb (don’t pick) of all kinds.

Before I started writing the post, I quickly searched for PFC in my phone’s contacts list and believe it or not, the number of contacts with PFC as suffix is 44 – covering almost every alphabet from A(shish) to W(B), even Z if you count Zoorya (Surya) as I call him. And in the last few years some of them have become 4am friends too. And am not counting any filmmaker, producer, writer or celeb here, with them it’s always aspirational, at least to start with. Talking about mere mortals like us. Friends from across states, nations and even continents. Many of us have met each other, shared our stories and bonded over everything that’s life. At the end of the day,  I guess, that’s what PFC has done. Internet, you beauty. Add cinema, and we are alive.

PFC started in August-September 2006. I guess I joined in December. How, why – don’t remember exactly. I wasn’t in a boring cubicle and my day job wasn’t boring either. Then? Must have been a google search for ‘Anurag Kashyap’. Because there was a time when PFC = AK, which wasn’t true but the industry always thought so. “Oh, AK’s mouthpiece. So much negativity on that site!”. Well, that’s the way it was.  Just because we had endless rounds of biryanis and drinks at his place with access to some of the best world cinema, it didn’t mean that we had to worship him or his friends. Criticise him and he will listen. He will argue, fight, try to make fun of you, put his favourite question to you, “tune kya likha/banaya hai?“. But that’s just him, trying to figure out if you really know your shit or just blabbering. And yeah, No Smoking had equal number of posts on both the extremes. Let me also confess that there were times when many comments which attacked AK were moderated and without telling anyone I used to approve them. If it’s about cinema, if someone is making a point that AK might not agree with, there is no point in blocking that comment. The general policy was to keeps the trolls away from filmmakers, keep the site clean but what’s life without some cheap thrills. If it’s AK’s cinema, his post, let him face it.

There was also Suparn Varma, Hansal Mehta, Pavan Kaul, Sourabh Usha Narang, Sam Longoria, Ramu Ramanathan, Bhavani Iyer (Onir, Navdeep Singh came onboard later) and some 30-35 bloggers from across the world. Forget everything else, we had no clue about each others names also. Some of us used to write posts with nicknames/handles and we used to address each with those handles. Honhaar Goonda, DPac, RK, Ranga, Macchar Kumar, Dabba – some of the handles that I can think of right now. Once a friend was visiting London and he needed some cash urgently. The first name that came to my mind was Honhar Goonda and I had to ask another friend for his real name. There were mele-mein-bichhde-huye-bhai too, Pavan Saab and Subrat: where Google fails, they come to the rescue. Do you know Chic Chocolate?

Then there was Kartik Krishnan (KK) – the face of PFC in Mumbai. He would go to any length to do anything for PFC, would travel any distance to meet any new author of PFC. With Vasan, three of us soon became the point persons for all kinds of activity. And the invisible brain, the hand, the man behind everything else was Oz. PFC was his idea, his intiative. Log milte gaye aur karwaan banta gaya.

For the first few years, it was all smooth. We never bothered to ask how the site was running, how much space, what the readership was and  other such technical details. That was all Oz’s headache. A bunch of 10-12 editors, including three of us, used to take editorial calls and we were busy blogging – shouting, screaming, fighting – all for cinema.

I might be completely wrong but I think the first time we had some kind of disagreement when a filmmaker gave the idea of turning PFC into commercial venture and someone decided to do it. Since it was mostly one man control as far as any cost was concern, it was all his call. Rest of us were foot soldiers. Discussion soon moved from club to chain mails and many of us expressed our discomfort about the way the decision was taken. We were blogging because we loved it, there was no intention of making it IndiaFM or any such commercial venture.

Of course there was ample space and time given to everyone to debate, discuss and put forward all kinds of suggestions in Club. Those days authorship wasn’t open to everyone, but by invitation only. We had a club for the authors which was not visible to the rest of the world. And countless nights have been spent on random discussion threads in that club. Those were the Club days too!

There was Review contest (Yes, Thani), One minute short film contest, Poster design contest, Pitcher contest – Oz was always the man to go and we would execute it in best possible way. TOI gave us half page coverage too, with some of us happily posing for the camera in the middle of  a busy road in Dadar’s Hindu colony. Aha, the cheap thrills. Every mention of PFC in the media was one step forward in making it more visible, making it more mainstream. The industry slowly took notice and mostly loved to hate us.

Krsn Kavita Kasturi (I hope I have got her name right) – She was one of the  respected blogger at PFC who knew her cinema quite well. As it mostly happened in the club, once she disagreed on some point which we all were gung-ho about. We were quick to brand her as PFC-Drohi and me and KK got into an altercation with her. I Still can’t remember what was the reason, the exact topic. Blame it on age. But we were PFC-Bhakts and she was PFCDrohi soon. She quit PFC after that. KKK, if you have Google Alert on, apologies from me. Because all this seems too trivial now.

And what a surprise, in the next two years, I was in her shoes. As a dozen of us  met last night  at a friend’s place and we started talking about PFC, we could not agree on one version of the story – how it started? Was it this or that? And there were alternate versions too. Why we could not agree on few things?

Among many other things (man with an agenda, conspirator), I was even branded racist. I could not figure out the reason then and discovered it much later that I had put a comment saying “firangi” or something like that in one of the threads in the Club and by that time one of us had got married to someone for whom that was racist remark or kind of. I tried the search option in my gmail, went through some mails, and gave up. Too tedious, too kiddish. There must be hundreds of those mails, may be we will tell our grand kids about it.

Like every story has my right side and your wrong side, it was the same for PFC. Also, it was “Catfish” syndrome for some of us. “Dude, he is so boring. Come on, we can’t say it to him. We have to meet him. No, you go away, I will skip.”  We also realised that the set-up was becoming too feudal. One man would control it all, he would not listen to anyone except those who  agree with him and celebrate him. We asked questions, raised our voice and it made things worse. The reason given was, “I quit my job, I gave my life and soul to it, my space, my time for it. How dare can anyone ask me what i want to do?”.  And we thought, “But who asked you to do so? We all have our jobs, we all still contribute”. The ping-pong game continued.

By that time, the commercial venture keeda had done the trick too. The critic we had no respect for and who is known for his extremely biased reviews, was asked if he would blog at PFC. Posts/blogs were done in tie-up with films/directors. The aim was to get more page views, more readership and thus generate revenue.

Things started piling up. All kind of decisions were taken on the basis of MBBS (Miyan-Biwi-Baccha-Samet). Many bloggers were finding an excuse to quit it.  Or as Roger Ebert wrote in the review of Blue Valentine, “I’ve read reviews saying Cianfrance isn’t clear about what went wrong as they got from there to here. Is anybody?” When in doubt, trust Ebert.

Oz also used to run DesiTrain.com, his personal blog. And there were some incidents where personal things got mixed up with PFC. It involved his family, he felt that some of us said/did something nasty about someone related to him, he wrote a post on it, we commented there, he was hurt, attacks, counter-attacks. And back to Ebert. Since there was no professional set-up for PFC, it was again Oz’s call. So, if he was pissed off with someone because of some personal reason, that also meant that it’s the end for him/her at PFC. You can take any side here and have your arguments, and we did the same. As I wrote earlier, I am not sure if this was the correct flow of the events. Flashbacks are not so smooth always as they show in movies. I might have missed many things but I am writing whatever I can remember now.

What else? I am still trying to think if there was any big reason apart from “making PFC commercial”. We tied up with Tehelka for PFC Awards, some felt we were moving too hastily,  some felt it’s better to do something rather than ponder over it and make powerpoint presentations. Few calls and more miscommunication – ‘how dare you hang up the phone, it was ISD call and so must have been the time difference my and your voice, you sent such a nasty SMS when I was going through a family crisis’, ‘But that was a joke and how am I supposed to know that you had a crisis at home..’ – everything that counts for the lovers’ tiff, we had it all. And like in every lovers’ tiff which ends in separation, this story is from one side, the other side’s story might be completely different.

I quit. KK quit. And for similar reasons some 20 authors also quit one after another. And we all felt strange that nobody thought that this was strange – if 20 active bloggers decide to quit one by one, there has to be some reason, some logic, some problem. Someone must be wrong somewhere. Naah, by that time it has straight forward – we are right, they are wrong. It was Us Vs Them. Those who stayed Vs Those who left. Those who stayed – we stayed at the worst period of PFC, we are friends, we saved him, saved PFC. Those who left – they don’t make any sense, it’s feudal approach, it’s MBBS, power drunk, dropping names, enough! It might have been lil’ bit of this, lil’ bit of that, some ego here and there, and that was the end for us. But I/we never thought that it would end in such a bitter way.

I started writing this as a Goodbye post and soon realised that it might not be a goodbye after all. But I thought it’s better to complete it.

So, Dear PFC – Cheers for all those 40 friends and 4am buddies, and apologies for all kinds of ugly spats, intentionally or otherwise, it just seems so funny now, or may be it was all for cheap thrill. May be we all were in our best possible Natural Born Killers avatar and part of that secret club. It was great fun till it lasted.

But no apologies for watching the 2nd half of Contract before the first half and then again going to the other screen to catch the first half, no apologies for asking Ramu, “Do you think you have lost it?”, no apologies for not liking No Smoking and Jaane Tu Ya Jaane Na and million other such things.

(PS: Questions have been raised many times about exclusive authors/filmmakers. Why don’t they write more often? They come only for their film promotions. But let me clarify – most of the time we wanted them to blog. Except few, it was us who approached them. They were not dying to blog. We wanted them and they had a film for release, they had something to say, so they blogged whatever they could. There is no point in putting the blame on them. We were eager to get them onboard – always!)

(PPS – Hansal – Sirjee, I have never cooked for anyone.)

What else? Lots, but can’t remember. Told ya, the age.

Yours,

Phoenixnu

RK now runs Cinemanthan,  Sameer went full time with his CinemaaOnline, Shripriya’s site is Tatvam, Mitch’s work can be seen at Bokehchaser, Fatema reviews films for Indiaentertainment and blogs at filmsandwords, and Pavan still runs GulzarOneline. Also, Indraneel can be found here, Sudhir is here, Jahan Bakshi writes here, Dipankar is here, and Srinivas here . And a bunch of us still create nuisance here at mFC. 🙂 For the rest, they are all on Facebook and Twitter.

imran khanImran Khan is the latest bollywood celeb to join Twitter. Karan Johar introduced him to it. Imran can be found at http://twitter.com/1mrankhan .

We have also updated the list of other bollywood celebs on twitter. Take your pick.

Actors

Priyanka Chopra – http://twitter.com/priyankachopra

Uday Chopra – http://twitter.com/udaychopra

Sonam Kapoor – http://twitter.com/sonamakapoor

Ritesh Deshmukh – http://twitter.com/Riteishd

Mallika Sherawat – http://twitter.com/MallikaLA

Gul Panag –  http://twitter.com/gulpanag

Dino Morea – http://twitter.com/DinoMorea9

Ayesha Takia – http://twitter.com/Ayeshatakia

Lara Dutta – http://twitter.com/DuttaLara

Anushka Sharma – http://twitter.com/ANUSHKASHARMA01

Rahul Khanna – http://twitter.com/R_Khanna

 

Directors

Ram Gopal Varma – http://twitter.com/rgvzoomin

Shekhar Kapur – http://twitter.com/shekharkapur

Saket Chaudhary – http://twitter.com/sakiboy

Karan Johar – http://twitter.com/kjohar25

Hansal Mehta – http://twitter.com/hansal

Sujoy Ghosh – http://twitter.com/sujoy_g

Tarun Mansukhani – http://twitter.com/Tarunmansukhani

Madhur Bhandarkar – http://twitter.com/mbhandarkar

Kaizad Gustad – http://twitter.com/kaizadgustad

 

Music

Vishal Dadlani – http://twitter.com/V1SH4L

 Shreya Ghoshal – http://twitter.com/shreyaghoshal

 

Others (Producer s/ Writers/ Magazine)

Pritish Nandy – http://twitter.com/PritishNandy

Shridhar Raghavan – http://twitter.com/ShridharR

Amit Khanna – http://twitter.com/amitkhanna 

Bobby Bedi – http://twitter.com/bobbybedi

Filmfare – http://twitter.com/filmfare

We are sure, have missed many others. Do let us know.