Archive for November, 2009

Few new song promos out this week. Putting it all together. First one is from Yashraj Films’ Pyaar Impossible starring Uday Chopra and Priyanka Chopra and directed by Jugal Hansraj. Second one is ‘give me some sunshine’ song promo of 3 Idiots. And the last one is from Ken Ghosh’s Chance Pe Dance. Enjoy!

Pyaar Impossible has nothing “impossible” to offer and Chance Pe Dance looks like come, count my packs!

Dibakar Banerjee is ready with his new film titled Love Sex Aur Dhokha. LSD, ah…killer! With LSD, Dibakar is going digital, low budget ( just 2 cr), all new actors and even ADULT! And here is the story/plot/synopsis of the film….

Rahul, a final year film student, gears up for his diploma film. With his digital camera, with an amateur cast, he starts etching the perennial themes of the great bollywood love epic – his ideal – into his low budget magnum opus. While testing actors for his film he falls in love with Shruti, a new student who he casts as his heroine.

Somewhere in the same city, Adarsh, an unemployed young man, installs security cameras in a small upcoming 24 hour departmental store. Under pressure to pay off a loan shark – Adarsh gets persuaded by his friend from the camera company to act ina  porn clip recorded through the security cameras in the shop.

In another corner of the city, Prabhat – once a committed sting journalist following cases of national importance – tethers on the brink of collapse. When he meets Naina, a dancer, who is trying to commit suicide, Prabhat sees the last chance to set his life right –a  sting that exposes India’s biggest pop star, Laki Local.

LSD is a roller coaster ride told through three different cameras that instead of passively recording the characters invades the drama, affecting the outcome of the characters’ destinies, snooping, prying, baring the fangs of real perversion hidden deep inside all of us.

And if you want to know more about LSD, how and why, click here for our previous post on the film and its treatment.

Quentin Tarantino’s script of Inglorious Basterds was out on the net much before the film released. Nobody was bothered about the twists and the turns. Call it confidence, great promotional tool or the maverick’s way in movieland. But for us, it was a great treat.

Its easy to locate the script of many hollywood/world cinema titles on the net. But when it comes to desi films, we are miserable at documenting our cinema. Forget the script, we dont know how to take care of the print also. For fans of Lage Raho Munnabhai, there is some great news. And if you are writer, look no further. According to Sunday Mid-day, the screenplay of Lage Raho Munnabhai will be out soon. To quote….

Om Books International is releasing the 350-page screenplay (priced at Rs 395) on December 7, at a function that is expected to have Lage Raho Munna Bhai’s producer-writer Vidhu Vinod Chopra, director Rajkumar Hirani, actor Sanjay Dutt and 3 Idiots star Aamir Khan in attendance.

The book will be in Roman script, with the Hindi dialogues as they appeared in the film. Says Om Books International head, Ajay Mago, “When I met Vinod (Chopra), we thought it would be a great idea to publish all his films in screenplay form, starting with Lage Raho Munna Bhai. In August 2009, we began it all.

You can read the full report here. And excited by the idea, Vidhu Vinod Chopra is now planning to release the script of all his feature films, starting from Parinda to Eklavya. And even the ones that he produced (Parineeta, 3 Idiots). To read Vidhu Vinod Chopra’s interview on the same issue click here. (BTW, do notice the way in which he is still dropping names…David Lean, Pual Schrader. Aur bolo ?)

Its always nice to bump into someone whose work you are familiar with and about whom you have heard some good stories. Met Sukant Panigrahy at Film Bazaar (IFFI Goa) today. Though I had never met him but we had some movie connection too. A box of dvds (from USA) sent to me by a common freind of ours landed up at his place because I was too lazy/busy to collect. And Sukant knew that the second box of dvds sent by the same freind reached my place.  Ok, time to barter then.

Sukant started out as a production designer and has worked on some big budget films (Gangajal, Tashan, Chak De India, Jhoom Barabar Jhoom among others. Click here for the IMDB list). He candidly admits that its all bullshit for Bread & butter. His last release which got noticed was Anurag Kashyap’s Dev D. And now he has turned director with a film titled Atlas.

Atlas is the story of a waiter in a beach side bar, who has a fragmented isolated existance. His lonely life is alieviated by an obsession with Laila, a free spirited woman of the night. Satish Kaushik &  Helen Jones are in lead roles. With whatever funds he could manage, Sukant has shot some portion of the film and has cut a trailer out of it. He is now looking for a producer who can help him complete the film. Do check out the trailer and if you like it, do spread the word.

 

The name is Bond. Ruskin Bond.

This one comes as a surprise. We had no clue about this development, though we make sure to track every move of one of our favourite filmmaker Vishal Bhardwaj. In an interview to Indian Express, Ruskin Bond has given out the details of the story that he is writing for Vishal Bhardwaj. Its called The Seven Husbands. Last time they came together to create the magical Blue Umbrella. And this one, it already sounds delicious. Read on.

To quote Mr Bond….

Vishal asked me if I could do another story for him and I saw no reason why I wouldn’t. He liked a four-page short story of mine, Susanna’s Seven Husbands. I expanded it into a 200-page episodic piece that can be filmed. My protagonist is a femme fatale who bumps off her seven husbands… I had to find ingenious ways of bumping seven people off while writing the story. Not something that I am used to contemplating generally.

On Priyanka Chopra and some more….

I haven’t actually seen her films. She gives a lot of interviews on TV so I have seen her occasionally. My protagonist comes from an Anglo-Indian background, she is a beautiful lady, but reserved. She isn’t very glamorous like Ms Chopra and doesn’t try to charm men in obvious ways. I hope Vishal will keep that in his characterisation. She is very smart too. She even gives an old husband of hers an overdose of Viagra in my story, who of course can’t take it. No, no, I can’t give out anymore of the story. My only regret will be, I couldn’t be cast as one of Ms Chopra’s seven husbands. Guess I am too old for that (laughs).

Woohoo…Piggy chops goes chop chop! And its not big surprise that Vishal Bhardwaj is again working with Priyanka Chopra. The performance that she delivered in just 10-12 scenes of Kaminey, any director would want to repeat that act. You can read the full Ruskin Bond interview here.

The big release of this friday is Kurbaan. Produced by Karan Johar, directed by Rensil D’ Silva and starring Saif Ali Khan, Kareena Kapoor and Vivek Oberoi. And here is the score card…

Anupama Chopra (NDTV) – The film has ambition but it is too flawed and simplistic to explore issues like religion, violence and the politics of terrorism with any conviction or gravitas – 2.5/5

Taran Adarsh (Indiafm) – On the whole, KURBAAN is the most powerful film to come out of the Hindi film industry in 2009, so far. The film has a captivating plot, gripping screenplay, super performances and a climax that shakes you up completely. Watching this movie should be on top of your agenda this week – 4/5

Rajeev Masand (CNN IBN) – Stripped to its bone, Rensil D’silva’s Kurbaan is an edge-of-the-seat thriller that seldom loses its grip on your attention. Credible performances from its leads, and a nail-biting screenplay make up for the plot holes that threaten to eat into this otherwise engaging film – 3/5

Khalid Mohamed (PFC) – In effect, then, Kurbaan is the sort of film that doesn’t have a clue about the complex subject it is dealing with. It set my teeth on edge. And ha ha , not only because it is revealed at the end that the real name of Saif Ali Khan’s terrorist happens to be Khalid. Thanks Karan, Rensil..I’d just like to see how you guys would respond if your names were used for heinous criminals on screen. Or even in graffiti. Try it – 1.5/5

Shubhra Gupta (Indian Express) – It’s not as if the director has refused to make concessions to the starry status of his lead couple, with Kareena displaying a daringly naked back, and Saif showcasing a bare brawny torso, the bloody rivulets just so. Or that D’Silva doesn’t fall into the self-indulgent trap all debutants do, to keep it too long: the second half drags, and the last half-hour telegraphs its punches. But you overlook these because, at its core, ‘Kurbaan’ has power and resonance – 3/5

Nikhat Kazmi(TOI) – Kurbaan sure does strike a chord and sets you thinking on stuff that needs to be sorted out before the new world order – a more humanitarian, less violent – sets in. Don’t miss it – 3.5/5 ( BTW, this review deserves a separte post. Why and how ? Coming soon)

Minty Tejpal (Mumbai Mirror) – Despite a difficult subject that deals with terrorism and Islam, the director gets the tone and pitch of the film just right, a tricky art to pull off in a purely commercial space. While the recent New York was more flamboyant in its approach, Kurbaan is textured and well-measured – 3/5

Mayank Shekhar (HT) – What you may brave through then is a flick neither real or serious enough to be a meditation on global terror, nor sweetly suspended and adequately brain-dead to be Die Hard. It’s hard to be both. The hardship shows.

Chandrima Pal (Rediff) – Go watch Kurbaan, explore it, find your own points to agree, disagree, endorse, enjoy, debate and be angry about. Either way, you definitely cannot walk out without the film leaving an impression on you. And a strong one at that – 3.5/5 

Gaurav Malani (ET) – Kurbaan, noticeably, is set on the same plot of New York – the pun involves both the city and the cinema. And while in any other case this could have been a setback for the ulterior release, Karan Johar’s film, on the contrary, scores for being a more convincing and compelling version of the Yash Raj production that released few months back – 3/5

Kaveree Bamzai (India Today) – Welcome to the world of Islamic terror. Where blood flows artistically, a rich red, slowly and steadily; where love is the perfect antidote; where FBI agents are heroes; where sleeper cells operate out of racially stereotyped neighbourhoods amidst kebabs and biryani; and where the Koran is discussed over coffee and chai – 2/5

Priya Ramani (Livemint) – Before this movie I believed that New York was to Karan Johar what Switzerland was to Yash Chopra. Why would he make such an offensive film about his favourite city? Bas karo yeh meaningful cinema. Please give us a Kuch Kuch Hota Hai again.

Aniruddha Guha (DNA) – You are not quite sure after watching Kurbaan what exactly the motive behind making the film is. Was it designed to be a thriller? Then, in the almost 2hrs and 40minutes of its running time, it’s too long and dips at various points to be able to thrill you enough. Was it supposed to be a love story? Then it fails on that count because the ‘lovers’ in the film come across as shallow. Was the film supposed to be a comment on global terrorism? Then it’s a haphazard one, raising questions (old ones at that) and not bothering to give any answers – 2/5

A new song promo of Rocket Singh – Salesman Of The Year is out.  Pocket me rocket hai, pocket me…check it out!