Archive for the ‘reviews’ Category

Kaminey 2The director (lets call him aKa) made a fist, positioned it in front of his crotch, moved it to and fro, cracking a joke on me, because thats what I think love is all about. Atleast accoding to him. Why ? Because I didnt feel the lump in my throat when i saw Love Aaj Kal(a title that sounds like a mathematics theorem and is even written like one). Ofcourse, aKa felt that lump, a big one too and some three four times. That Mr Ali has already been branded as bollywood’s new age love guru and every producer/director aspires to make a Jab We Met kind of romcom is surely some indication. And, mere har jhoot ki niyat hamesha sach thi Guddu!

But fuck that new age. Fuck that theorem of love. Enough of that cool and confused one. One that make an effort to sound smart and make you laugh. Hail the Bharadwaj Boy! Why ? Because for me, the greatest stories are those which belongs to us, of our times, of our politics. And someone finally dares to touch the M-word. Marathi, Maharashtra, Mumbai. Ironic that the filmmaker belongs to other M(eerut) town. The newspapers had enough, there were lot of tv debates. But like always, politics is a bad word in our bollyland. And only few dare. And, mere har jhoot ki niyat hamesha sach thi Guddu!

Sharmaji from Bambai is in love with Sweety from Mumbai. The risk ? Your do nimboo aur mirchi! And still he goes for it and pulls it off with so much ease. And, mere har jhoot ki niyat hamesha sach thi Guddu!

As the film moved on, i was wondering if love will again be doomed in Bhardwaj’s Kaminey, as it happened in Maqbool and Omakara! When killing is more poetic that any happy ending, i dont complain. Kareena’s dead body on the swing, Tabu looking through the mosquito net, aha…the visuals that will stay with me forever. But finally Bharadwaj has a happy ending to his love story of Guddu and Sweety! And, mere har jhoot ki niyat hamesha sach thi Guddu!

As Guddu gives condom gyaan, Sweety drops the bomb. Her eggo is preggo. She has tested thrice. No, its again not that dude style, where the couple decides to part away after mouthing some cool lines. Here the writing on the wall is apne haath jagannath. They dont shy away. Shit happens. And you can get rid of it in just 24 hours. Thats my generation. Knows the shit, wants it, enjoys it and wants to get rid of it too. And, mere har jhoot ki niyat hamesha sach thi Guddu!

 During my school days, we used to open the history books, hold it vertically and used to enjoy the history lessons. It used to baffle our history teacher and somehow it always remained a mystery to him. Inside the history books, it used to either Nandan, Champak, Suman Sourabh, Nagraj, Super Commando Dhruv, Doga, Bhokal or Chacha Chaudhry.

Nandan had a popular punch line too – Jo bacche Nandan padhte hain, woh jeevan me aage badhte hain. Me and my sister never cared much about jeevan me aage badhna but with every new issue of Nandan, we used to fight. She always claimed the first right because her excuse was she would finish it quickly and i take lot of time to read. I would wait for my turn.

I dont remember if any hero of hindi films ever claimed to read Nandan or Champak. Guddu did. And he wins it. Guddu stammered and so Sweety decided to do so, to boost his confidence. Love is all about stammering together. Its not just about drinking same tea or coffee. One is tangible, the other one is sharing the discomfort. The group of aunties who sat in the row behind me kept on wondering about Sweety if yeh bhi totali hai kya ? Aisa kaisa? Its the payoff.

Finally, the petrom pump scene. One of the most romantic scenes I have seen in recent times. One that gave me lump in my throat. Mr aKa, love is not only to and fro. Just like its not about drinking black tea! Sweety wants to fly out for honeymoon, she managed to book the tickets last minute. But Guddu remembers his school love suddenly. All of a sudden. Sweety wonders why. Bus abhi yaad aaya na. Aha, love without calculations. And, mere har jhoot ki niyat hamesha sach thi Guddu!

Whats with all the Tarantino and Ritchie talks ? Was i the only one who didnt remember any bit of any of those filmmakers while watching Kaminey! The characters are so rooted, they speak so many languages, so much mannerism, the psychedelic visuals, the brooding sky, the morning rains…i was stuck! Eyes wide open! All i want to know now is the man called Tassaduq Hussain.

And, mere har jhoot ki niyat hamesha sach thi Guddu! Beat this killer line. Dont think anyone will. Atleast not this year. And yeah, do handover the award for the performance by an ensemble cast to Kaminey! Say no more. 

KamineyDamn! The Fwine flu! We still havent managed to watch Kaminey. And going by the film reviews, almost everyone seems to have loved it except Khalid Mohamed. Lets check who rated how much.

Taran Adarsh ( Indiafm) – On the whole, KAMINEY lives up to the hype associated with it. The film has three stars – Vishal Bhardwaj, Shahid Kapoor and ‘Dhan Te Nan’ – and this combo as also the crooked characters and a genuinely hatke subject should guarantee ample footfalls in cineplexes even after its initial weekend – 4/5

Rajeev Masand (CNN IBN) – Kaminey, amidst all the bloodshed and bullets, this film has a full beating heart. As Charlie would say: It’s a MUFT-WATCH – 4/5

Khalid Mohamed (Aslibaat) – At the end of Kaminey, then, you exit with some upbeat feelings. Fit looks food fut..fut is fwite fisappointing. F..ouch – 2.5/5

Raja Sen (Rediff) – Wow. Now if that isn’t kameenapan, I don’t know what is. Awefome – 4.5/5

(Now, this is one guy whose style we really like but his politics is all wrong. The dudde published the review on wednesday for some early word of mouth publicity. And clearly the intention must have been to score some brownie points from Bhardwajsaab for his writing career! Mr Sen, for how long ? )

Shubhra Gupta (Indian Express) – I came away with a stunning build-up, some spectacular sequences, and terrific music. But from a Vishal film, I wanted the full monty – 4/5

Minty Tejpal (Mumbai Mirror) – Well, this is it. Tarantino gave Hollywood Pulp Fiction, and now Vishal Bhardwaj gives Bollywood Kaminey. It’s the new standard of cutting edge cinema, and it rocks all the way. Dhan te nan. Damn, just can’t get the tune out of my head – 4/5

Mayank Shekhar (Hindustan Times) – There’s still nothing to take away from the movement this movie means to Hindi films. Missing it is your own entertainment loss. Given the director’s unfortunate commercial track-record with gems like Maqbool and Omkara, I really hope this time, ‘Vishal overcome!’ – 3.5/5

Anupama Chopra ( NDTV) – Kaminey will take some getting used to. It isn’t the comfort food that Bollywood normally dishes out. But I strongly recommend that you see it. This taste is worth acquiring – 4/5

And we are dying to have that taste!

love-aaj-kal new posterBollywood’s new age Love-guru is back! And with a heavy adjective like that, its difficult to live up to the expectation. Yashraj romance is so passe. After Socha Na Tha and Jab We Met, Imtiaz Ali is cool, hep and happening.

Read all the reviews. Thought will catch on sunday morning. Tickets will be cheap and easy to get. How many people wake up and reach the theatre by 11 am. I was wrong. Fame Adlabs – 11:30 am show. Houseful. I thought I will wait, will manage a ticket from someone. It has never happened with me, that i have returned home without watching a film. No luck. I moved to Cinemax Versova. Believe it or not, Cinemax has 24 shows daily! One show every half hour. Cinemax – 12 noon show – Houseful. Again I decided to wait. No luck. 12:30 – Is also houseful. Only red lounge availabe. Huh! Whats the point of waking up and coming early if I am going to watch it in red lounge, which is too expensive. Finally bought the ticket for 13:00 pm show and moved to my fav place (Landmark) to kill time. Now if this is any indication of the box office report, Love Aaj Kal is heading for big numbers. And a real one, unlike Kambakkht Ishq’s pumped up numbers. Next week there is only Agyaat, so Love Aaj Kal will have two weeks time till Kaminey releases.  

Does Imtiaz Ali delivers ? And if so, what ? Well, he tries atleast. Some ten great scenes, smart dialogues but too much of deja vu! Give me one more punjabi family that wants to sing nagada nagada..nagada baja, and I will take out my gun and blow someone’s head! Seriously! Imtiaz’s characters still prefer to run away and get married. They are still confused about their choices. Here, they are just a step ahead, more confused, and realise it all after marriage. They still talk in the same tone. 

Comparing notes of three films, Imtiaz and his love mantra has changed a lot with time, as it happens with us when we grow up and see the same world in a different way at different age. First one (Socha Na Tha) was naive, tender, natural. Second (Jab We Met) was smart, mature, understanding. This one (Love Aaj Kal) is clever, trying to be too smart and calculative.

And when you have two tracks in a love story, the craftsmanship is easy to spot, which makes it look unnatural. Have always felt that. The criss-crossing makes it look all intentional, to mix and match this scene here with that scene there.  The intention is still honest but then the baggage becomes too heavy.

 After a friend’s recco, recently saw a film titled 5 X 2 (Five times two). Five chapters of a couple’s romantic story which starts with their divorce and moves in reverse. So, a story with a sad end has a happy cinematic ending. The first time when the boy meets the girl. Love Aaj Kal too starts with a break up, and you know, its a hindi film, so the couple will get together for sure. How ? Thats the question.

They break up. They find new boyfreind/girlfriend. They pretend to be cool about it but realise soon that its the wrong choice baby! Much like Abbas Tyrewala’s Jaane Tu Ya Jaane Na. And as a friend asked me, so what new can you do in a romcom ? New ? Well, add a old track then. And thats where Rishi Kapoor fits in with his Harleen Kaur. The villain in the story is distance. Yesterday, they went all out to cover that distance. Today, we have too many choices close to us, why bother to go for the long distance ! Thats the central theme of Love Aaj Kal.

Saif Ali Khan is not new to being the cool n confused lover, having done similar acts in Dil Chahta Hai, Hum Tum and other films. Deepika Padukone is unbelievably inconsistent. In some scenes, she cracks the code perfectly and in some, she is horrible. Harleen Kaur (Giselle Monteiro) must be the subtle-est character in the history of hindi cinema. Blame it on Brazil! But it works.

They poke. But they dont make out. They talk and go yap yap. But they dont do anything. You only hear the “khula saand“, the “kuch bhi” talks. The intention must have been to score U/A certificate, so that it becomes family viewing. Was surprised to see so many kids in the theatre. What kind of parents take their kids to the theatre to watch Love Aaj Kal ? Its not for kiddies, by any logic and reason. Its a mature story and God only knows, what the kids will make out of it. Am scared for the next generation. Poking friends on Facebook and in Love Aaj Kal is not the same.

I loved Socha Na Tha. I liked Jab We Met. Superbly written. And Love Aaj Kal is, well, nice. Honest but too crafty! Its all about having black tea/coffee together!

love aaj kal4Will Imtiaz Ali score a hattrick ? Everyone loves his first one Socha Na Tha. Jab We Met gave him box office success. And now the third one – Love Aaj Kal starring Saif Ali Khan, Deepika Padukone and Rishi Kapoor. And who is that Harleen Kaur ?

Post-press screening, we heard mixed reviews about it. Nothing mindblowing. Ok to good to great timepass. Some early reviews are out. Take a look.

Gaurav Malani (Indiatimes) – Love Aaj Kal doesn’t promise much newness in its plot but clicks largely for its casual-n-cheerful presentation – 3/5

Anand Vaishnav (Buzz18) – Love Aaj Kal is not perfect. But in one of Bollywood’s dullest years, this one comes as a refreshing ray of hope. It’s bound to bring a smile on your face. Here’s a film with both head and heart – 4/5

Taran Adarsh (Indiafm) – On the whole, LOVE AAJ KAL is for the young and romantic at heart. Sure, it’s not perfect, but the terrific performances, melodious music and stirring emotional moments more than compensate for the hiccups – 4/5

Raja Sen ( Rediff) – Love Aaj Kal is a harmless, watchable film — sad, because it could have been truly special. It has its moments in the first half, while the second half is an over-melodramatic drag – 2.5/5

Anupama Chopra ( NDTV) – Love Aaj Kal is an above average film with some wonderful moments, nice lines and fine performances. But it’s not as sparkling or engaging as it should have been – 3/5

Rajeev Masand (CNN IBN) – The film in the end is ordinary stuff, watchable but never memorable like the director’s previous efforts, the far superior “Socha Na Tha” and “Jab We Met” – 2/5

Shubhra Gupta (Indian Express) – It’s hard not to warm up to a film which is, at its core, likeable. I just wish I could have liked it more – 3/5

Khalid Mohamed (Aslibaat) – The result is cuts above the kind of movies you’re getting aaj kal. Worth the price of a ticket-cum-popcorn. Make that caramel – 3/5

Minty Tejpal – Though a poignant love story, Love Aaj Kal lacks the joyous, organic soul of Jab We Met, and appears crafted. Nevertheless, Imtiaz Ali shows that he is a top notch director, with an eye for subtle, emotional nuances 3.5/5

Mayank Shekhar (Hindustan Times) – Eventually, a script that starts off supremely crisp, loosens out into climaxes. And a final explanation that while times have changed, only expressions may have altered – 3/5

Baradwaj Rangan – After ‘Socha Na Tha’ and ‘Jab We Met,’ Imtiaz Ali dreams up another winning romance – about love today versus love yesterday.

So far, 2.5 to 4, seems what we heard is right.

And yeah, finally we have got the name of the actress who plays Harleen Kaur! So all you guys who have been googling Harleen Kaur, stop now. She is Giselle Monteiro! And with an intersting name like that, we are more curious. Anybody got any more dope!

Shortkut - The con is onShortkut – The con is On. Shortkut with a “K”, whatever that means. Produced by Anil Kapoor, directed by Neeraj Vora, written by Anees Bazmee and stars Akshaye Khanna, Arshad Warsi and Amrita Rao. And if the early reviews are any indication, its time to switch off the con even before it gets on!

Raja Sen ( Rediff ) – At least it’s better than Kambakkht Ishq and New York put together – 2/5.

Taran Adarsh ( Indiafm) – Is a poor show all the way. A major disappointment – 1 /5

Khalid Mohamed (Aslibaat) – Just another cup of copy….sugarless – 1/5

Rajeev Masand ( CNN IBN ) – Shortkut leaves you bored – 1/5

Baradwaj Rangan (New Indian Express) – A dreadful satire of the film industry is symptomatic of everything that’s wrong with our mainstream cinema

Anand Vaishnav ( Buzz18) – An interesting plot goes haywire due to a lifeless script – 1.5 / 5

Gaurav Malani (Indiatimes) – Cut every possible path, short or long, leading to this film – 1.5 /5

Shubhra Gupta ( Indian Express ) – Arshad Warsi, fine actor, RIP  ?

Minty Tejpal ( Mumbai Mirror ) – Avoid this shortcut – 1/5

Aniruddha Guha ( DNA ) – Is a con job by its makers – 1/5

Mayank Shekhar ( NDTV ) – If you happen to catch this disaster, don’t say, I didn’t warn you.

Mayank’s review sums it up well. Do we need tos ay more!

sankatcity2Like me, if you belong to the tribe who loved Sanjay Khanduri’s Ek Chalis Ki Last Local, but never went to the theatre and managed to catch it only on tv/dvd after someone reccomeded it strongly, and you still feel guilty about it, then here is a chance to redeem yourself. Get your tickets booked for this week’s release Sankat City, directed by Pankaj Advani. His first release.

And even if you don’t belong to the same tribe, dont miss Sankat City. Its quirky, funny & paisa vasool masala film that doesn’t ask you to enter the theatre without your brains. It tickles your brains and so, make sure you carry your brains alongwith your tickets.

I entered the theatre exactly two minutes late and so missed the national anthem. But if any film deserves to have national anthem as its theme song, then this is the one. Name it and you will have it. Characters from almost every region of the country…Punjabi, Bengali, Jat, Madrasi, Hyderbadi, Marathi. And the director is not biased for anyone. They all belong to the same tribe…insane with different eccentricities, who get stuck in bizaare situations and have one common problem – money.

Characters which are rare in hindi cinema…babas in bathtubs, baba-bhakts looking for dynamites, vegetarian hero and hero with hyderabadi duplicate. And yes, a meteor that changes luck…! ( Finally someone killed that Kuch Kuch Hota Hai meteor funda. Toote taare ko dekhkar tumne kya maanga ? Bus maa ki aankh maanga tha.

In Sankat City, the world is completely round, everyone bumps into other one, a merry-go-round and the all the dots finally gets connected to give that masala end. The first 20minutes or so looks jarring, the camera moves constantly as the characters are introduced one by one and the focus keeps on shifting. But once you settle in, its a roller coaster ride. Advani’s writing is smart and his direction doesn’t match upto his script. Or may be things can change if he gets the resources. Its easy to understand the problems of any director when you go to a producer with Kay Kay & Rimi Sen as lead actors.

Kay Kay has gone from one extreme to other. From the silent brooding type to the over the top kind. And at times, he is quite irritating. The film belongs to the ensemle cast…Anupam Kher, Manoj Pahwa, Yashpal Sharma, Dilip Prabhavalkar, Virendra Saxena and many others whose name I don’t know.

There is only one reason for not watching it – if you don’t know what andkosh means! And I have only one personal grudge…my favourite actress’ role had so lil to do, that doesn’t justify her potential in any way. I don’t even know her name but I love her. Check out this superb short film of Zee Cinema….Paap Ka Anth…she is the one…Dakurani Champabai!

new yorkThe dry days are finally over. The first big release of the season is New York, directed by Kabir Khan and stars John Abraham, Katrina Kaif, Neil Nitin Mukesh & Irfan Khan. The film’s reviews are out and they are as extreme as they can be. Did they all see the same film ? Doesn’t look like. Hav a look. For full reviews, click on the links.

Rediff (Raja Sen ) –  New York is a sham –  1 / 5

Indiafm (Taran Adarsh) – Go for it now! – 4/5

CNN IBN (Rajeev Masand) – Not convincing – 2/5

Mumbai Mirror (Minty Tejpal) – Worth the price – 3/5

India Today (Kaveree Bamzai ) – Politics score, not the plot – 2/5

Hindustan Times (Mayank Shekhar) – For sure, NY see! – 3.5/5

So what do you guys think ? We are yet to watch it.

kalkissnedekha-Kal Kisne Dekha ? Going by the initial box office reports and reviews, it seems NOBODY. Not even the film’s director Vivek Sharma, because he had a fight with  producer Vashu Bhagnani over non payment of fees. Vivek also claims that Vashu has re-edited the film and he hasn’t seen the new version

All we can say, Vashuji, with a title like that, you are surely asking for it and more. But Vashu, the dearest daddy, tried every possible trick for his son.

First the numerology. Kal Kisne Dekha is Kal KISSne Dekha and Jacky Bhagnani is JacKKy Bhagnani.

According to gossipmongers, Kareena Kapoor was paid 3 crore, yes, three fucking crore to dance with beta Jackky at few stage shows in Ahmedabad for the pre-release buzz of the film.

Vashu even paid 50 lakhs to Filmfare to showcase his son’s dancing skills at the award ceremony. Beta came and danced. But when the awards ceremoney was teleacsted, Sony smartly chopped out the performance of Jacky or Jackky from its tv telecast. Vashu had informed everyone in the world to watch out for his son’s performance at the Filmfare Awards. He waited and waited and waited. Now, if only money could drive anything, why would we need brains and dicks ?

Finally, the film releases today. And Vashu has a new plan ready. He is calling up every journalist and reviewer, and is trying to convince them to atleast say some good things about his son Jacky. He can sing, he can jump, he can dance, he can kiss, he can fight, he can ride bikes and he can see the future!! Isn’t that enough. Acting ?? Now, whats that ? We can surely see his future!! 

Vashu can always put the blame of the film on the director. So, dont be surprised if some reviews actually praise Jacky Bhagnani’s multi-talented avtaar in the film. With such shitload of money, we think Vashu might be able to do more with the reviews.

As for the review of the film on our blog, you must be kidding! BTW, here is Raja Sen’s review on Rediff, we could not agree more.

FilmfareTry these three steps if you are in desperate need for some cash.

First – Pick up any recent issue of Filmfare.

2nd – Lets put the bet. You say – Filmfare sucks!

3rd – Open the magazine. You will win!

Because week after week, they suck! And they are getting better at sucking upto the stars. The recent issue is a fashion special (ROFL, do they know the meaning of “special”? ) and they prove it again. It got nothing except the great cover pic ( Imran Khan & Sonam Kapoor). DONT buy and waste your money. Trust us! 

And here goes our dissection ( not specific to this issue) –

Editorial – Jitesh Pillai’s editorial should get the Razzies immediately, if there is any such award for editorial piece! He still sound like a star-stuck kid, and issue after issue he has the same thing to say….how much hard work they have put in the current copy! His editorial sounds more like a press release issued by some star’s publicist. Dude, go watch some “cinema”, look beyond the stars, stop sucking them for a while and if nothing works out, get a job as some star’s secretary. Your sucking up will help you for sure.  . 

Gossip – they serve old thakela goss. Read Mid-day and Mumbai Mirror instead and you get the best gossip every morning. Why wait for 2 weeks and pay more! Just for the gloss. Naah, doesnt make sense

Cover Story – Their covers are only A-list stars. There are hardly 20 A-list stars. And Filmfare has to do 24 covers in a year. They repeat, its d same shitty cycle – SRK, Aamir, Kareena, Saif, Bachchan and the same set of boring oooh-di-la-lah questions with equally boring answers! What are you eating, have you lost or gained weight, what are you shooting, nothing beyond that.

Interviews – They got the worst team of writers. Its a serious competition out there, who can write the worst piece. Since last few issues they are trying to have a more personal approach but nothing adds up to the drab copy. Do they even have copy editors ?

Sneak Peek – Here they still score some points, sometimes. May be, once in two months. Because they have one thing for sure. Access to the stars.

Features – Not a single damn bright idea! You wonder if the smooth glossy paper will make your arse feel better if you can use it for toilet paper!

Trend stories – They are the last one to spot the trends, after its been done to death in newspapers,magazine and tv channels.

Photo feature – Yes, they get the biggies here and some great pics too. But whoever writes the text with those pics, needs to be fired! Now!

Shatrughan Sinha’s Q n A – Is there anything new there ? Ramu’s blogs and his answers are more entertaining. And you dont have to pay for reading blogs.

Last piece – Jitesh, you dont have to do it again! Front and back. Just do it once dude. Or you like it both ways ? Its anyway fuckall, we can do without the bad aftertaste of the concluding piece.

And if you dont agree, just pick up the recent fashion special issue of Filmfare and tell us if you think there is any bright idea there. We will surrender. One page pic, one page of shitty writing, the magazine is full of it. There is nothing that you dont know or havent read. They havent tried anything new. New feature, new way of presenting, new text, nothing!

empireFor all you Filmfare fuckall fellas, here is something tht you must die. Go and check out the latest issue of Empire Magazine, the 20th anniversay special. Its a cover to die for! And you will get what we mean by the “big idea”! Magazine ho to waisa ho, warna na ho!

And oh yeh, we got money from Cineblitz and Stardust to write this nasty piece on Filmfare! Atleast they are honest, they dont suck upto anyone!

99 - film99 Film Review

There are films where you dont feel like entering the theatre post-interval. Not even with the caramel flavoured popcorn and coke. And this week’s release 99, directed by Krishna D K & Raj Nidimoru, is one such film. But in this case, the reverse is true. Its all about the second half.

After sitting through the boring first half, where actually nothing happens, its difficult to enter the theatre again for the 2nd half. (NOTHING means absolutely nothing ) Its all about set up in the first half.  Setting up the characters, their traits, locations and the back stories.  Its almost a never-ending loop. The same events again and again.

If you manage to sit through the 1st half, please make sure that you enter the theatre for the second half. Because the story moves in this half.

The year is 19-99. Two guys ( Kunal Khemu & Cyrus Broacha) with bad luck, who always get stuck at the crucial point before hitting the century, get into the messy business of cricket, betting and mobile rings. Its a con job with loads of fun, atleast for them.

And thats why the year ( 19-99) is significant. The year when mobile rings and betting scandals made the headlines. There is a great story idea there but the execution is so bad that everything seems dry and half-baked. Kunal and Cyrus, who end up working for the local don ( Mahesh Manjrekar) because of their bad luck, lands up in Delhi for some paisa vasooli. But its not what it seems, things go wrong, they meet the wrong guys and desperately look out for ways to get it all right. Enters Boman Irani and Vinod Khanna, the cricket maniac and the betting king!

Kunal-Khemu’s interaction with  Soha Ali(as hotel executive) is so amateurish that you will cringe at their every interaction. Its the same story with Boman Irani and his wife, who are trying to sort out their marriage issues, it again goes in circles, scene after scene, they talk the same shit.

Mahesh Manjrekar as the local don, Cyrus Broacha as Khemu’s partner in crime, and Amit Mistry as Kuber steal the show. 

Watch it, because there is nothing else in the theatres. And dont worry even if you enter post-interval. Infact, you should pay half the ticket price and enter post-interval only. And yah, the delhi destiny song is the best thing about the film.

Rating – 2/5.

 Btw, Rediff’s film critic Raja Sen makes his filmy debut with this one. He is credited with the dialogues alongwith two other writers. We wonder what happened to Raja’s great cinematic insights on film writing. And here is Raja Sen trying his best to sell 99. And Here is how he came onboard. Sencity is sin city now!