Archive for the ‘Thoughts’ Category

Ek-do-teen-chaar-cheh! The missing number from Anurag Kashyap’s Dev D has finally been found! Not officially! But you know where. And if you are smart enough to follow us on twitter, am sure you have already seen it by now. Its out since last two days. And those who dont follow us, its your loss! Ok, enough of cheesy self-promotion!

In the last few years, have met many die-hard fans of Anurag Kashyap who were willing to do anything to watch Paanch. The debut film of one of the most interesting filmmakers of our times. So, run! Google! Kill! Get it soon and bless the soul who did the good deed!

Few of us had the privilege of watching it on the big screem. The on-off talks of its big screen release is still going on. We doubt if it will ever get a theatrical release but even if you catch it through the Pirates of the Caribbean, make sure you pay the price when it releases.

For the kiddos who thought Rock On was all rock with a cool quotient, check out the grungy look and rawness of Paanch. Add to that Abbas Tyrewala of pre-Aditi days with his ankhiyaan chipki chipke ankhiyaan and the mindblowing main khuda…khuda hoon main! Enjoy!

BTW, here is what Sudhish Kamat, film critic of The Hindu, tweeted after watching the film…

Paanch: Raw genius!! Loved it. Near flawless except the end! KK’s fantastic! Music Rocks! What a debut, Anurag Kashyap! 

PS – if you are still clueless, look for our old tweets! We believe piracy is pro-socialism when you cant afford the film but still want to catch it. Or when there is no other option. No burgers@Rs99 and no #chetanblocks!

Beat this! This is called guts! Even when his recent release Radio has proved to be a big dud at the box office and has been killed by every possible sane reviewer, Himesh Reshammiya is again threatening us with a new film. Bhaag Bhola, Run Lola, Himesh Bhai is back!

The film is Kajraare, directed by Pooja Bhatt! T-Series is producing the film and its written by Mahesh Bhatt. A man trying to run away from his past….A woman trying to escape her future! Sounds like they are going to meet on the sets of new tv show “Raaz Picchle Janam Ka“.

Out of 12 pages of today’s Bombay Times, three full pages have Himesh on it. The first page, second page and one more. The morning chai rarely taste so better! Mr Pinky-dinky-lips! Take a look and enjoy!

And here is the third page. The list of critics you should never trust! Our favourite is Juginder Chuteja, oops, Tuteja!

 

Finally managed to catch Paa. The film which is touching every heart, making everyone cry, the “very rare” story. The “moving” film of the year.

Not sure what “very rare” exactly means. Beacuse we always felt that the word “rare” has “very” attached to it. May be Balki can explain it better. But here is the list of “very rare” things that we discovered in “Paa”.

1. The film moves in montages. Some 15-20 montages. No scenes, no dialogues. Everytime you are stuck, the answer is simple. So how does it happen ? Just play the background music and put the visuals. It doesnt matter, just increase the volume, it will flow. Father-Mother meet. Check montage. Father-son meet. Check montage. Politician goes for the act. Check montage. Kingfisher Airlines. Check Montage. The list is long and its boring!

2. Paa is the official theatrical trailer of Ramu’s next release Rann. Big B does it religiously, almost everyday, before going to bed. He blogs about it. The Small D has done it on the big screen. He suddenly goes for the big expose, which has no relation, no meaning to the main story. Media-bashing! And the way its done, we thought it looked like an internship project of  B-handarkar Woods International. Has B-alki done a short-term course from there ?

3. Paresh Rawal has one dialogue after every 12 minutes 52 seconds. And interestingly, it doesnt matter what he says, why he says and where he says. He is there to make you smile.

4. Balki is obsessesd with two things. Age – over age, under age, age difference. And over-smart kids who will mouth over-smart lines and will tickle your funny bones.

5. It breaks every rule of screenwriting. Even the eternal ones. Remember “dont say, show it”. Jaya Bachchan makes a special appearance to “say” the entire credit roll. Why ? Because its “very rare”.

6. Progeria ? Whats that ? Its a “very rare” disease. And ? And thats it. Synonym – Prosthetics.

7. The most important relationship in the film – Paa & Progeria. What do you feel when you see the bond ? Nothing. Because its cut to one more song. Check montage. There is nothing more to it. Where is the bond ? The relationship ? The “very rare” father-son-son-father-whatever-it-is ? Remember Masoom and that killer line – Kya main aapko Daddy bula sakta hoon ? The ever reliable Naseeruddin Shah & Jugal Hansraj at his career’s best. The montage works only when there is a pre-roll and post-roll to it. Otherwise, its nothing. 

8. A very-rare mutant creature on top of a clock. Is it a fish, a cockroach, a bird, a plane or a super-insect ? Every 15 minutes, there is a shot of it. Why ? Because its “very rare”. The most repetitive visual. Time’s running out!

9. Is Vidya Balan the new brand ambassador for FabIndia or some such brands. Every scene, she is in a new saree that reminds you of the previous one. Sometimes, even in one scene there are few saree changes. (Courtesy – my friend Deepak confirmed it). The film can be alternately titled Saree-spotting!

10.  Balki = Pure Gimmick = “Very Rare” talent. Give him 15 seconds and he will rock. His advertising background explains that. The promos of Cheeni Kum and Paa re-confirms it. Like Cheeni Kum, Paa is just 15 seconds idea with some smart one-liners. All that you need in advertising.

Everything else is a mess. A big mess, which is boring and is desperately begging for sympathy. Not sure if any kind of glycerine will also help in that cheesy death scene.

OR are we the only members left in the Club ICB ? Not actually, if you read the Guardian and The New York Times reviews. Click here and here to read the reviews.

And one thats not rare….

Arundhati Nag. She is still the same. Such natural presence. In every scene, whenever she is there, the keyword is effortless acting. Can we please see her more often!

PS : ICB – Inglourious Cynical Basterds. 

Quentin Tarantino’s script of Inglorious Basterds was out on the net much before the film released. Nobody was bothered about the twists and the turns. Call it confidence, great promotional tool or the maverick’s way in movieland. But for us, it was a great treat.

Its easy to locate the script of many hollywood/world cinema titles on the net. But when it comes to desi films, we are miserable at documenting our cinema. Forget the script, we dont know how to take care of the print also. For fans of Lage Raho Munnabhai, there is some great news. And if you are writer, look no further. According to Sunday Mid-day, the screenplay of Lage Raho Munnabhai will be out soon. To quote….

Om Books International is releasing the 350-page screenplay (priced at Rs 395) on December 7, at a function that is expected to have Lage Raho Munna Bhai’s producer-writer Vidhu Vinod Chopra, director Rajkumar Hirani, actor Sanjay Dutt and 3 Idiots star Aamir Khan in attendance.

The book will be in Roman script, with the Hindi dialogues as they appeared in the film. Says Om Books International head, Ajay Mago, “When I met Vinod (Chopra), we thought it would be a great idea to publish all his films in screenplay form, starting with Lage Raho Munna Bhai. In August 2009, we began it all.

You can read the full report here. And excited by the idea, Vidhu Vinod Chopra is now planning to release the script of all his feature films, starting from Parinda to Eklavya. And even the ones that he produced (Parineeta, 3 Idiots). To read Vidhu Vinod Chopra’s interview on the same issue click here. (BTW, do notice the way in which he is still dropping names…David Lean, Pual Schrader. Aur bolo ?)

Its always nice to bump into someone whose work you are familiar with and about whom you have heard some good stories. Met Sukant Panigrahy at Film Bazaar (IFFI Goa) today. Though I had never met him but we had some movie connection too. A box of dvds (from USA) sent to me by a common freind of ours landed up at his place because I was too lazy/busy to collect. And Sukant knew that the second box of dvds sent by the same freind reached my place.  Ok, time to barter then.

Sukant started out as a production designer and has worked on some big budget films (Gangajal, Tashan, Chak De India, Jhoom Barabar Jhoom among others. Click here for the IMDB list). He candidly admits that its all bullshit for Bread & butter. His last release which got noticed was Anurag Kashyap’s Dev D. And now he has turned director with a film titled Atlas.

Atlas is the story of a waiter in a beach side bar, who has a fragmented isolated existance. His lonely life is alieviated by an obsession with Laila, a free spirited woman of the night. Satish Kaushik &  Helen Jones are in lead roles. With whatever funds he could manage, Sukant has shot some portion of the film and has cut a trailer out of it. He is now looking for a producer who can help him complete the film. Do check out the trailer and if you like it, do spread the word.

 

acid-factory-cut2Its not Unknown anymore! In this era of social networking, how do you expect to steal and run away. Acid Factory is directed by Suparn Verma and produced by Sanjay Gupta. Earlier we wrote about the Acid-Factory-Unknown plagiarism issue here. They set a new benchmark by even copying the trailer of the film!

Dear Guptaji and Vermaji,

Havent you heard “kanoon ke haath bahut lambe hote hain”. Its time to shut the dvd shop! Cntrl C + Cntrl V is getting too risky. Learn the other commands soon!

According to reports in international press, Simon Brand, the director of Unknown has got to know about the film Acid Factory, has seen the trailer and now is planning to take the matter to court and sue the makers of the film. You can read the reports here and here.

The reports are in French/Spanish, and if you are too lazy to do the translation, we have done it. But since its google translation, you might have to jumble few words here and there.

Director desolate with the copy that Indian industry has its ‘Unknown’, ‘Acid Factory’ is bet of the year.

You can change the actors, the title – by Unknown (Hollywood, 2006) for Acid Factory (Bollywood, 2009) – are still shots and sequences and a slight film draws up another success. The director of Strangers (in Portugal) is inconsolado with a new episode of shameless plagiarism of the Indian industry.

I was in shock,” said the Colombian director Simon Brand. “It took me a while to assimilate it, especially after seeing the trailer on the Indian tape. I found a copy that is identical to the point of stealing plans and entire sequences,” he said, desolate, the filmmaker. In 2006, in a discreet, left the film that told the story of five men who are in a factory without knowing who they are. This thriller is starring, among others, James Caviezel, Joe Pantoliano and Greg Kinnear.

Three years later, the streets of major cities in India are filled with posters for a big Bollywood production – a budget five times that of Unkown. Five men are in a factory without knowing who they are … The movie is signed by Sanjay Gupta, who perhaps should think three times before going through Hollywood – accuse him of, among the 13 films he has done, have made plagiarism by 95%.

The story is not new and even classics (Godfather, etc. ..) have been “adopted” by Bollywood, who does not pay a penny for the rights. “After the initial run, it is difficult to prosecute them,” says Brand. Acid Factory debuted there 15 days.

The other report has more details, including the director’s plan to sue the makers of Acid Factory….

In the United States has struggled to get into theaters, but in India is the big bombshell of the season. The streets of large cities have been papered indas for weeks with the announcement of the release of the film, while Hollywood was just one more. The American version is called ‘Unknown’ (2006). The Indian, ‘Acid Factory’. But this is not the story of a comparison, nor a remake, but of a plagiarism by any measure.

Simon Brand, director of the Colombian original version released in Spain under the title ‘blank mind’ with James Caviezel, Joe Pantoliano and Greg Kinnear as protagonistas’-heard the case a few weeks ago in Los Angeles, where he lives five years. It was told by her producer or his agent, but an Indian journalist who called him to interview him about it.

‘I was shocked,’ admits Brand. ‘It took me a while to assimilate, especially after seeing the trailer for the film in India. I found that is an identical copy to the point that they have stolen entire flat and take ‘.

And do not lie. It is true that the plot is the same-five men wake up locked in a factory, and none of them remember how they got there or who they are-but with Indian actors, produced by one of the directors of the highest reputation in his country, Sanjay Gupta, and the title changed to make it more attractive.

Then, according to criticism from several local media, the thriller is a chain of sequences copied frame by frame, of the Colombian film director. Some go further, asserting that the 13 films directed, written or produced by Gupta, 95 percent are exact copies of Hollywood titles or Korean films.

It seems that not alone and that plagiarism in Bollywood is already part of the culture of the industry. Crushing machine by the intellectual property rights have come films like ‘The Godfather’, ‘Kramer vs. Kramer’, ‘My friend the ghost’, ‘Sabrina’, ‘The Hand That Rocks the Cradle’, ‘Seven Brides for Seven Brothers ‘,’ The Fugitive ‘and’ Sleeping with the enemy ‘, to name a few of an endless list of titles of current and classic cinema.

But nobody could stop them. Even 20th Century Fox, which in May this year filed a lawsuit against the film by BR Films ‘Banda Yeh Bindaas Hai’, arguing that it is an exact copy of ‘My Cousin Vinny’, starring Danny de Vito and Marisa Tomei.

‘Hari Puttar: A Comedy of Terrors’
Even Harry Potter has been victim of Indian intellectual property theft. ‘Hari Puttar: A Comedy of Terrors’ is the Indian version of the character of JK Rowling, but so far have escaped any sanction despite the demand for Warner.

Now, two weeks after the release in India of ‘Acid Factory’, Simon Brand is expecting that the lawyers for the distributor of ‘Unknown’ in Asia to take action on the matter, while acknowledging that it will be difficult.

‘I talked to industry insiders familiar with the matter and tell me that when the film has already opened in the United States sue for plagiarism is complicated because it is a common practice in India’, says Brand, who claims to feel a ‘huge powerlessness and frustration “to see how he copied their work without receiving any reward for it. And that the Indian film was shot with four or five times more than his budget.

It has a director with his second film, ‘Paraiso Travel’, managed to beat all box office brands in Colombia last year and be compared with ‘Amores Perros’ and ‘City of God’. “The problem is that piracy was and is unstoppable, has Brand, who, despite everything, he dreams of making films of high power in India someday.

 As Dhoni says in the Aircel tvc “Aur bolo” !

Om Puri Nandita PuriFirst lesson : Don’t marry a journalist if you are famous and have lots of bones in closet. Because once a journalist is always a journalist.

Second lesson : And if you marry a journalist, never ask him/her to write your biography!

Jokes apart, three cheers to Nandita Puri for the tell-all biography of her husband Om Puri. Not everyone can dare to do so. And its almost impossible when you are related to your subject. The book (Unlikely Hero : Om Puri) is not yet out, and we are not sure if its really going to reveal all, but if the film is going to be anything close to what the teaser is promising, we are looking forward.

In an industry where everything is in closet and where we are all holier-than-thou you can only expect some fakeographies! And so this is going to be refrshing change.

Tehelka has published excerpts from the book. Scroll down to read or you can click here. And yes,  Shiney Ahuja is not the only bai-sexual! Ask Mahesh Bhatt, he can give you few more names.

Of a pump and a bed

Om grew up in an environment almost devoid of women. His mother, Tara Devi was the only woman he knew for years until he reached his Mamaji’s place in Sanaur. [T]here were no girls of his age and the only women he knew were his maternal aunts and the maids. So it was but natural for Om to take a liking to older women. He must have been around fourteen when he was ‘deflowered’. A fifty-five-year-old woman, Santi, used to provide general help in his maternal uncle’s house. Twice a day, water was drawn into the house with a hand pump and Om was asked to assist Santi in the job. Days went by and Om kept pressing the pump backwards and forwards, till one day he realized that Santi would first touch, then caress and finally fondle him during the task. The young boy began to get turned on without knowing what was happening to him.

One day there was a power failure and in the dark, Santi grabbed Om, who was by then totally aroused. They slept together and the fourteen-yearold felt really great having ‘come of age’. Dark, greying, with a toothless grin, always dressed in half-torn salwars, Santi was Om’s first lover.

The fourteen-year-old’s lust for Santi spilled over into a kind of attraction towards another older woman. This was his badi maami or older maternal aunt, Gomti Devi. It was perhaps this infatuation that led Om to caress the exposed navel of his other aunt, Satya Devi, one summer night on the family terrace under a moonlit sky. Though it was the younger aunt he was physically caressing, it was actually the aura of his older aunt that had overwhelmed him…

Whatever the reason, his naïve act led to his shame and expulsion from the Kapoor household and Om was left to fend for himself.

The maid he almost married

[In 1986, when his girlfriend Mala left him, Om was living in an apartment in a complex called Trishul where his] staff consisted of a mother and daughter duo from Andhra Pradesh, Amma and her daughter Lakshmi. When they first came to Trishul, they stank a lot as they used to work in the local Versova fish market. It took a lot of coaxing on Om’s part and several rounds of scrubbing with soap on their part to get rid of the stink.

Initially, Lakshmi and Amma used to serve part-time but seeing Om’s hapless predicament with his nephews after Mala’s departure, they stayed on to work full-time. Between them, they did all the housework and Lakshmi took pains to manage things well. Also, whenever Om was at home, she made an extra effort to cook special food for him and walked around the house coyly. She even flirted with him playfully. Om did not fail to notice all this.

Lakshmi had a dark and voluptuous matronly appearance and Om found her suitably attractive. Thus, their short-term physical relationship began. A few months later, Om realized that Lakshmi was getting quite attached to him. And since he was feeling grateful to her, on the spur of the moment, he decided to marry her… Om thought he too could set an example for society. Or maybe he felt his reel life, where he acted out socially meaningful roles, should spill over into his real life.

‘Thank God I woke up quickly from my idealistic stupor and did not commit to Lakshmi. We had nothing, absolutely nothing in common,’ Om says. Lakshmi soon began to get very possessive about him… Om did not like this and decided to terminate their short affair. Lakshmi, however, was not one to take it lying down. [She] tried to climb onto the terrace rail and announced she was going to jump seven storeys down. When Om pulled her back, she yelled hysterically, ‘Nahin, mujhe marne do! (No, let me die!)’ Om could not have asked for a more melodramatic scene of a break-up than this!

First smell of money

On a holiday to Delhi, Naseer prodded him to go to Pune, but funds were the main hindrance that kept Om away. He applied for a Punjab government scholarship which did not come immediately. In the meantime, a friend from NSD, Neelam Mansingh asked her friend, a businessman, Jugnu Singh to sponsor Om. Jugnu agreed and on that assurance Om joined FTII. But Jugnu’sfunds never materialized…

Om got in and was able to manage the two years’ acting course in Pune due to the kindness of some friends and teachers. One such person was Girish Karnad. During the interview, students were asked to recite two passages, one of their choice and one that had been sent by the institute. Om’s passage was Mark Anthony’s speech from Shakespeare’s play Julius Caesar. Om was good. But the interview board wondered why they should take Om as a student. ‘He doesn’t look like a hero, nor like a villain, nor a comedian. What use will he be of to the industry?’ they chorused.

‘‘That is not our problem,’ Karnad, who was then the director of FTII, insisted… During his first summer vacation, Karnad recommended Om to B.V. Karanth to play the lead in his hour-long children’s film, Chor Chor Chhup Jaaye. That was Om Puri’s first film and he played a vagabond. His first co-actor was a monkey called Ramu. He made friends with Ramu and sported an unkempt look to go with his character in the film. When the payment was handed to him, Om did not know how to react. He had never seen so much money together – all of three thousand rupees! But he ensured that the money saw him through the entire FTII course.

Tehelka has also done an interview with Nandita, and when asked if she had to hold back anything, she said “Yes, I guess so. I’m used to profiling people, but it’s different as a wife. Even though I did reveal a lot, I did have to hold a little back. At first, he was very apprehensive. He was not very keen that I do the biography. He had asked me to do it in the beginning when I was a young journalist interviewing him. He was just conspiring to spend more time with me. Once I became his wife, he didn’t need such ploys. Later on, it was my decision. Om is constantly talking, so in a way it is more like an autobiography than a biography. I’m saying all the things Om has been meaning to say all these years.

You can read the full interview here.

In today’s Mumbai Mirror, Om Puri has given an interview to SKJha and reacted to his wife’s book and all the stories of his sexual adventures. But since its by SKJha, we take everything with a pinch bowl of salt. To quote Om Puri…

I don’t care  if she’s my wife. I won’t let her get away with it. My wife has reduced a very important and sacred part of my life to cheap and lurid gossip. I had shared these dark secrets with my wife as all husbands do. If she chose to make them public at least she should’ve made sure to maintain a dignity about experiences that are a valuable part of my life. Has she forgotten that I have a standing in society and I’ve worked hard to achieve all that I have today? I won’t allow her to throw it all away for the sake of sensationalism.

You can read the full interview here. This all seems like great publicity and buzz for the book just before its release. We are booking our copy for sure. Because Om Puri still remains one of our all time favourite actors!

taxiFrom Lower Parel station, my office is at walking distance. But most of us prefer to take cabs. And with ever growing number of offices in this area, its becoming more difficult to get a cab. The shorter the distance, the bigger is the problem. During morning hours, its almost impossible. And if you manage one, you should know that its your lucky day. 

I felt lucky yesterday. Came out of the station, a taxi stopped closed by. I asked, he noded. The man must be in his early 50’s. On the way to office, I saw him staring at me twice, through the mirror, as I was on the phone. Five minutes travel and I was near my office entrance. As I handed the minimum fare of fourteen rupees to the cabbie, he immediately asked me “Saab yeah part-time aur full-time MBA me bahut fark hai kya ?”

I took a moment to realise what was he talking. Having done lot of unwanted career counselling I wasnt new to it but it was all of a sudden. 

I explained him the difference and opened the door to get down. He took the money, looked at it  and again turned back towards me.

Yeh MBA accha hai ya MCA ?

I was just about to get down. Stopped. The man sounded genuinely interested. Tried to tell him that both courses are good, it all depends on the person who is doing it, and from the institute where you are pursuing it. He informed me that “beta toh chalak hi hai…..tez hai……IT me BSc kiya hai….pehle bol raha tha MCA karega. Phir kuch din se bol raha hai ki Papa MBA hi accha hoga”.  

Rewind.

College days. Career choice. Confusions. Now I have realised that most of us always make the right career choice at second take. Some make it happen, some wait for it to happen and others die with the first one. First career choice depends on lot of external factors, and most importantly the environment you are in. Second career choice – you have seen the world, you know the world. You know what you like. And what you really like.

CUT TO

I tried to pass on my maha-gyaan to him, though am struggling to move to my second career choice these days. Oops its third. Or fourth. Not sure, may be fifth. Once I wanted to be a mason because it feels superb to see the way cement settles down and becomes so strong.

Aapke bete ka dil jisme lage, wahi karne ko boliye. Force mat kiziye. 

Yeh Khalsa College accha hai ?

I plead ignorance as am not sure about the college and the course. Told him that I havent studied here. He smiled.

Aap kahan se hain ?

Jharkhand.

Main bhi Benaras se hoon. Accha shukriya.

CUT TO

Office room. Lot of people glued to tv sets. Swearing in ceremony. Raj Thackeray’s goondas (and one of them is Golden Goonda. He always wears 2.5kg gold) wants Abu Azmi to speak Marathi. And the rest we all know.

Today Shiv Sena tried to reclaim lost ground by attacking Abu Azmi and warned him against making any remarks on Bal Thackeray.

Thats the difference between the real and the fake issue. Its as simple. Not sure whom they are making idiots and will continue this for how long. As for the game, well we all know the tricks. Real issues. Politics. Real estate. Money. The ruling party will not do anything concrete. Because as long as MNS is there, votes will get divided and they will be in power. They are even funding MNS to some extent. Its the kind of politics what they call “fake right, go left”. Though here there is no left or right. Its the so called marathi pride of the marathi manoos. Aha..the word “manoos” has such a human face, calming effect to it. But with a “marathi” prefix, all I can see is colour violent!

And in this situation, where is the solution ? Its better to think about your MBA or MCA, leave the marathi pride and everything marathi to the people with myopic view of the world. They have even given a marathi spin to the national anthem. If you go to any of the Cinemax theatres, you will notice that the national anthem video that they play before the film starts, has only marathi actors. All in white starched kurtas and sarees. Quite ironic to the concept of “national”.

Whats next ? Only Maharashtrian dogs who can bark in marathi ? 

Aamir Khan and Kareena Kapoor. Mani Ratnam wanted them together, Vishal Bharadwaj also wanted them, but for some or other reason the films never happened. The two actors are working together for the first time in RajKumar Hirani’s 3 Idiots. A new song from 3 Idiots, featuring both the actors is just out. Those of you who love dissecting the chemistry (or physics/biology) check out the video and let us know what do you think. 

The music of the film is by Shantanu Moitra and lyrics by Swanand Kirkire. The song zoobi doobi has retro sixties  club number feel to it and the intial hook sounds a lot like Main Hoon Na’s gori gori, which we love. There are few things which nobody does better than Farah Khan!

And if this rewind to bollywood’s sexy sixties club number is a genrae, then our favourite is Woh ladki hai kahan from Dil Chahta Hai. This song is also choreographed by Farah Khan. Bollywood is in her blood! Enjoy!

Remember the good old Surbhi days! The ever smiling faces of Renuka Shahane and Siddharth Kak. The one show which made postcards so popular that Postal Department had to introduce high priced competetition postcard for the same. Recently a freind mailed us a link to one of the Surbhi videos and we were smiling all over again!

In Video Of The Day (VOTD), its a feature on Abdul Rahman – the Saptah Ka Kalakaar! There is also a sound bite of H Sridhar, his super talented sound recordist whose recent death was a big loss for Rahman. The video is by team director Suhail Tatari. Our guess is he is the same guy who turned director with Summer of 2007 starring Sikander Kher and Gul Panag. Lets us know if we are wrong. And check out the video. The music of Roja still sounds so fresh…ahh magic!