Archive for the ‘Xclusive’ Category

We have read the news, seen the pics and now, here is the video. The team of That Girl In Yellow Boots at the Venice Film Festival, 2010. From seating arrangement confusion to what time should they enter the venue to the introduction of  the cast and crew at the screening….its all here. Its inside out view, as the camera moves with the team and captures some candid moments.

Our favourites – Killer looks@1:36, Kalki’s filmy song@1.50, Once again@3:38 (but what ? ), facepalm@6:30 and show me your casting director expression@7:52…enjoy!

And to know more about the film, click here and here .

We struggled really hard to figure out what to write on this D-day, how to write a new post on the legend, and write something that has not been written or said before.  Or something that his fans haven’t seen before. Naah, everything has been discussed and dissected million times in trillion ways. 116 (chaand ki raatei) has turned into a magical number too, with everyone having their own theory about it.  From Bandini to Beera, Kinara to Kaminey, Dil Se to Dil toh baccha hai ji, he never fails to surprise. Will there ever be any Gulzar ? Well, we all know the answer.

Click on the play button to see if the video surprises you…if you have seen Gulzarsaab in this avatar before…

Got it ? If no, read on. The film is Jallianwala Bagh and was produced and directed by Balraj Tah. As the name suggests, its based on the historical Jallianwala Bagh incident. Gulzarsaab played an Indian student studying in England, and as a part of freedom movement, he delivered speeches in the campus. He played a friend to Parikshit Sahni, who was one of the main characters in the film. The music was by R D Burman.

As the story goes, most of the people were associated with this production because there were in good terms with the makers of the film. Hrishikesh Mukherjee was also involved with the film as a “friendly” director. In Gulzarsaab’s words..

Kyonki production mein bahut saari cast ki zaroorat thi, isliye jitne bhi log film mein backstage pe bhi involved the un sabko in front of camera khada kar diya..(except Pancham) aur sabse kaha ki ek ek role kar lo.. meine jo specific character kiya wo sirf isliye kiya ki film Thand ke dino mein shoot huyee thi.. aur film mein kewal mera character ki dress pullover (fully covered) mein thi :)… isliye wo character meine maang liya.”

And now its time to test your GQ – Gulzar Quotient. Guess the names of  the films in which he has made onscreen appearance.   Clueless like us ? Well, check out this song from Basu Bhattacharya’s Griha Pravesh starring Sanjeev Kumar, Sharmila Tagore, Sarika and Dinesh Thakur.

Can you remember any other film where he has made onscreen appearance ? Do let us know in the comment section.

PS – And as always, thanks to Pavan Jha for everything!

Finally here it is! The official trailer of Anurag Kashyap’s new film That Girl In Yellow Boots is out.

It stars Kalki Koechlin (as Ruth) alongwith Naseeruddin Shah, Prashant Prakash, Gulshan Devaiya, Shivkumar Subramaniam, Divya Jagdale, Kumud Mishra and Kartik Krishnan amongst others.

The film is going to have it world premiere at Venice Film Festival and then North American premiere at Toronto International Film Festival. Its written by  Anurag Kashyap and Kalki Koechlin. Music of the film is by Naren Chandavarkar and Benedict Taylor, and the cinematography is by Rajeev Ravi.  Check it out.

And here is the official synopsis of the film….

That Girl in Yellow Boots is a thriller tracing Ruth’s (Kalki Koechlin) search for her father – a man she hardly knew but cannot forget. Desperation drives her to work without a permit, at a massage parlour. Torn between several schisms, Mumbai becomes the alien but yet strangely familiar backdrop for Ruth’s quest. She struggles to find her independence and space even as she is sucked deeper into the labyrinthine politics of the city’s underbelly. A city that feeds on her misery, a love that eludes her and above all, a devastating truth that she must encounter. And everyone wants a piece of her.

Do let us know what do you think about it.

Its not exactly VOTD. But Audio Of The Day! Its a rare radio interview of Kishore Kumar where he talks to Ameen Sayani about his three friends – all in three different voices & style, his brother Ashok Kumar, his singing and acting debut and lot of other things…all in his inimitable style!

The magic, the madness, the maverick and the mimicry! Play on!

Not sure if we can call it POTD but since we dont have something called Letter Of The Day, so here it goes. And like million times before, thanks to our bolly-pedia Pavan Jha again for the tip. made our day!

It’s a letter from Sai Paranjpye to Ravi Baswani. And though it mentions the title of the film as Dhuan Dhuan, seems it was re-named later as Chashme Buddoor. Can anyone confirm? Read on.

Will Udaan survive ? Will it manage to fly ? Cannes is great, and that too after so many years, but,  can We, The (Dumb) People, give the film its due ?  Will the bitch called box office be on our side for a change ? And how many bums does it require to get that elusive “hit” tag ?  Do we count ? And if we do, how much ? Since the time we saw the film, all of us had the same questions and doubts but nobody knew the answers. Only one thing was common – we all LOVED the film.

By now, am sure lot many have seen Udaan.  Its easily one of the best rated films of the year so far. So, it seems some people out there are writing good scripts, making uncompromised films too, though far and few in between, but have we been able to crack the “budget” ? And  even after doing so, how will the film reach the theatre ? And if it does so, will it manage to get those valuable bums who turn “shit” into “hit” ? Aah life. Ooh cinema! So, here it is all……after the art & craft of cinema…the arithematics of Udaan….. by someone who has been there, done that and seen it all.  Anurag Kashyap. Am sure, he doesnt need any introduction. And if he does, you are on the wrong page. Read on….

Udaan has finally been declared a success. It was the only film amongst others in the week which garnered the same box-office on Monday to Thursday, as it did on the first weekend.

Faith, in the end, has won.

There was no-way a film like Udaan could have got this kind of a release. Amidst the speculations and accusations on Twitter and Facebook that the marketing of Udaan was bad, it has survived.

Well, Udaan was not an easy film to sell. We racked our brains on it, Shikha and her team at UTV, Vikram, all of us tried coming up with every idea we could to sell it. Most of them had nothing to do with the film, so were rejected. The pressure on the team was so much, because of what they did with Dev.D. But the idea was not to do anything that would give the wrong perception of Udaan.

We also wanted to release the film the way it was cut. For once we had a film that everyone thought was poetic and had its own pace. All those decisions became a big no no for exhibitors. No one wanted to give many shows to Udaan, because the film smelled strange.

Hard negotiations followed. Gaurav from UTV armed with biggies like “Thank You” and “Tees Maar Khan” negotiated with theatre owners, got us two to three shows.

UTV similarily negotiated the TV rights. Who knew the fate of Udaan, but we had faith on good old word of mouth. In the second week, our number of shows have reduced to one or two shows but on Friday night in some theatres, it  was packed yesterday.

Here is hoping it continues its silent march through the theatres. For all the people screaming bad marketing, the truth is we just did’nt have the budget, we had to make do with what we had.

The fact is Udaan could very well have been “Firaaq“. A good film that got lost. But it isn’t. Today we sold our TV rights for 3.5 crores, film is released on Warner’s VOD , which has access to 20 million homes in the US. The same site where most of the indies and international arthouse films are releasing in the US today. Disney has got the homevideo rights for around 75lakhs (Plus T-Series has the music rights). And our first week net is 2.5 cr. It makes us profitable by around 25% of the investment and makes a film like Udaan a viability in the future.

If the film continues like this and just the box office starts to show us that so far elusive ‘Profit Margin”.. we are here to stay.

Today, I can say, after seeing him struggle with the industry, the market, himself and fate.. that Vikramaditya Motwane has truly arrived, and thank you Sanjay Singh and UTV for that.

Pic Courtesy – Making Of Udaan

PS – If you can read hindi, click here and read the post by Mihir Pandya…a different perspective and one of the best pieces on Udaan.

A few days back, Cameron Bailey, the Co-director of Toronto International Film Festival was in Mumbai scouting for films. And we have been trying desperately to read between his tweets, for any possible hint about any Indian film which gets selected for the fest. And our eyes popped out when he tweeted….

Found a film in Bombay. If it hits you like it hit me, it will leave you drenched with emotions you can’t quite name.

Woohoo! Quite strong words to describe a film! Which film it could be ? We started the “Aao Guess Karein” game on twitter soon. Many of us thought it might be some Marathi film, because of the way the industry is currently producing some of the best films. And what can you expect from Bollylalalalnd of Jackasses! Seems like the hint was in his previous tweet….

Rains, cows, spit, donkeys, gold, silk, oil, mustaches and lunch with a supremely gracious superstar: Day 2 in Bombay.

Hmmm. Gracious superstar, who would be interested in Film Festival! It cant be any Jackass Superstar! We knew that Aamir and Kiran have been trying to push Dhobi Ghat into the fest circuit for quite sometime. They have been meeting all those who can lead to the right contacts at the right places. Even getting the Academy Award winning music director Gustavo Santaolalla on board to compose the music of the film was a move in perfectly right direction. Cameron’s third tweet made our life lil’ simpler. He tweeted…

Also met a talented new filmmaker you’ll be seeing at #TIFF10

We just had to join the dots. But before we could guess it, a friend (Aseem Chhabra) confirmed that its indeed Dhobi Ghat. And later on, we also confirmed it through our sources. So, big congrats to Kiran Rao! Making a mark with your debut feature is any filmmaker’s dream come true!

Though we dont have much clue about the film’s plot yet but it seems the film is set in Mumbai and revolves around the lives of four characters, whose paths criss-cross at Dhobi Ghat and Aamir plays a painter in the film. Prateik Babbar plays the other lead. Its shot in real locations, with Mohammed Ali Road, Marine Drive and Dhobi Ghat being its famous backdrops.

And this year clearly seems to belong to debutants. First Anusha Rizvi went to Sundance Festival with Peepli Live, then Vikramaditya Motwane’s Udaan got selected for Cannes Film Festival and now Kiran Rao. Welcome the new kids on the block. Cheers!

And the irony is veteran filmmaker Mani Ratnam  is also getting honoured at the Venice Film Festival this year, the year when he made the worst film of his career. Post-Raavan, the joke is “woh kaun sa muh lekar Venice jaayega ? Arre, dus saar hai na. He can pick any one”. Sad indeed, but so true!

Yes, we were missing in action. The excuses are many and they are all so silly. Here we are back and with an exclusive! The first look of Vikramaditya Motwane’s debut film Udaan! Plus some more! The film is in the official selection list  of Cannes Film Festival (Un Certain Regard Section) 2010. Have a look.

Also, here is the official synopsis of the film….

After being abandoned for eight straight years in boarding school, Rohan returns to the small industrial town of Jamshedpur and finds himself closeted with an authoritarian father and a younger half brother who he didn’t even know existed. Forced to work in his father’s steel factory and study engineering against his wishes, he tries to forge his own life out of his given circumstances and pursue his dream of being a writer.

The film is written by Vikramaditya Motwane & Anurag Kashyap. Its produced by Anurag Kashyap & Sanjay Singh. Strangely, UTV rejected the script twice earlier but came on board as soon as the film got the Cannes stamp! Not surprising that they produced “Chance Pe Dance”!  It has music by Amit Trivedi and lyricist is Amitabh Bhattacharya. The main cast includes Rajat Barmecha, Ronit Roy, Aayan Boradia and Ram Kapoor.

And here are some more stills from the film…

Ah, they have done it again! One more and its a hattrick. Last time it was the IPL Karmayudh video which was copied from the Yankees Ad. If you dont remember click here to see the original, the copied and filmmaker Prasoon Pandey’s reaction to plagiarism allegations.

And here is the new one from Indian Plagiarised League! Those who are following all the IPL buzz must have already seen the “red carpet” launch video of IPL 2010 on SetMax. If you havent, click on the play button.

And here is the original one. The Coke TV commercial for China Olympics.

In the desi one, they have just added saare jahan se accha, hindustan hamara. And believe it or not, but try this. Freeze the first video (IPL) at 01:03 and the second one (coke) at 01:37. Looks like they went out on recce looking for similar locations and shot in the same way. And how can they let go the great visual of snow-capped mountain? As Dhoni says, toh aur bolo ?

And can any enlightened soul tell us who is the culprit this time ? Is it Pandeyji again ?

Because its not Agyaat!

And look at the irony! The man who went out to expose the media, got himself exposed! Courtesy writer Sonal Mehta.

First, lets kill the rumours. Sonal Mehta is no journalist. Was never a journalist. All you journos get you facts right! She comes from advertising background and has experience of more than ten years. She met Ramu and assisted him on James.

What we know – Here is the way Ram Gopal Varma works. He gets an idea and tells the same idea to 3-4-5-6 writers and ask them to write story/treatment. None of the two writers get to know that they are writing the same. It doesnt happen at one go. First one writer, then second, third and so on. Sometimes they get paid, sometimes they dont. Nobody knows the reason. May be he gets bored soon. He changes writers faster than his girlfriends!

Based on the treatment notes, Ramu decides which way to go. And he would suddenly call up the 7th writer and tell him the same one line and some more ideas from one of the treatments without telling the 7th writer about other six and their notes. This is not new.

We have been following Sonal Mehta’s case quite closely and here is all the dope that we got from our journalist and writer friends.

– After James, Ramu asked Sonal to work on his one line idea of media expose and all that holier than thou gyaan. She wrote the script. Ramu liked it.

– Sonal was told that she will direct it as well.

– Sonal’s script/film was titled Break ke Baad.

– She was even working from Ramu’s office.

– When she got to know about Rann, Ramu denied it first saying that its a completely new script. She was kept in the dark.

– When she confronted him again, he offered her to direct a new film. And that was the end.

Sonal Mehta went to FWA ( Film Writers’ Association). When the matter wasn’t solved there, she went to the court. And click here to know how the case was settled. Though our sources confirm that its not 55 Lakhs but the case was settled for 20 lakhs. Thats not bad too! And coming from Ramu, who is known to pay peanuts to his writers.

But Ramu is not happy with the way the producers have settled the matter. According to the official press release, Ramu states….

I hereby want to state that the Producers – Sheetal Talwar and Madhu Mantena have taken a decision to settle the dispute with that Mehta girl without my consent. The Honorable High Court has not passed any judgement or granted any injunction in the said dispute in any parties favour. As delaying the matter could cause irreparable loss to them they have taken this step to end the matter so that they can concentrate on release issues.

This settlement should not amount to any misconception that I was involved in the discussion regarding the same. I hereby by want to make it clear that Absolutely NO Credit will be given to her with regard to the story, screenplay or whatever of RANN.

I am hereby stating that I am just the Director of the film and the script has been written solely and wholly by Rohit G. Banawlikar and that Mehta girl is nothing but a fraud and a scamster and an opportunist. I will proceed with action on her to teach her and the likes of her a strong lesson as soon as I get free from my work.

Ramu ki dhamki!! Hmm. So why did the producers went ahead and settled the case out of court ? Well, simply because her case was stronger. Here is what she had with her…

– All documents proving every kind of official communication. Sms and mail exchanges between her and Ramu/his secretary/company.

– Comparative notes showing similarities between Rann & Break ke Baad.

– Letters from actors stating that she had narrated her Break Ke Baad script to them.

– No, she had NOT signed any contract and it worked her in favor. Beacuse mostly all the contracts state that in case of any conflict, all rights belong to the producer/director. So, even without the contract, she had much stronger evidences to prove her claim.

This is surely a landmark case. And when the other party is so strong. Not everyone manages to get their dues. Any knows what happened to Sajit Warrier’s case ? That was again Ramu!

So, all you writers, make sure that you don’t fool yourself. And if you are working with Ramu, make sure that save all possible evidences. Hope it never happens to you, but you never know! And if it happens, pray that you manage to get 20 lakhs!