Archive for November, 2009

The first song promo of Paa is out. The song is mudhi mudhi ittefaq se, in the voice of Shilpa Rao. Music is by Ilaiyaraaja and lyrics by Swanand Kirkire. Paa is directed by R Balki and stars Amitabh Bachchan, Abhishek Bachchan, Vidya Balan & Paresh Rawal. 

After all the focus on Amitabh’s new look in the first promo of the film, the song promo is all about Abhishek Bachchan-Vidya Balan. The names in the credit list are quite big but the first song sounds quite unimpressive. Check it out.

 

Aamir-KhanWe know that the header and the pic on the left corner is gross injustice to the director of the film Anusha Rizvi, but we also know that when the film will release it will be marketed as a film from Aamir Khan Productions. Because thats the name which sells the tickets! The film has been produced by Aamir Khan. Anusha used to work with english news channel NDTV 24X7 before turning filmmaker and is now ready with her debut film titled The Falling.

The film stars Raghuvir Yadav, Onkar Das , Nowazuddin , Naseeruddin Shah and Aamir Bashir.  Weekly film newspaper Screen has published the story/plot/synopsis of the film. To quote…

The Falling, is not just a take on farmer suicide but also on media’s obsession with ‘breaking news’ and publicity-hungry politicians. While Raghuvir Yadav plays the role of a farmer who announces his suicide days in advance, Nawaz (last seen in New York and Dev D ) essays the role of an aspiring hotshot reporter who decides to go town with Yadav’s announcement. His news catches the attention of news channels and politicians, which in turn results in Yadav’s character failing to commit suicide. The story’s irony lies in the fact that Nawaz’s character, which unknowingly acts as a catalyst in saving the farmer’s life, kills himself after he finds himself disagreeing with the ethical standards being practised by certain sections of the media. Interestingly, while shooting across homes, fields and roads at Badwai village near Bhopal, the unit managed to keep reporters, shutterbugs as well as locals at bay.

You can read the news item here also. The film’s shooting is complete but the release date has not been announced.

Ajab Prem Ki Ghazab KahaniIts that day of the week which we love the most! Filmy Friday! This week there are two new hindi releases – Ajab Prem Ki Ghajab Kahani (APKGK) and Jail. Or as they are saying, its Ranbir Kapoor VS Neil Nitin Mukesh, now that Imran Khan is miles and miles behind!

APKGK is directed by Raj Kumar Santoshi and stars Ranbir Kapoor and Katrina Kaif. And here are the early reviews…

Taran Adarsh(Indiafm) – On the whole, APKGK entertains majorly. At the box-office, the fantastic pre-release campaign coupled with the terrific chemistry between Ranbir and Katrina, excellent music by Pritam and tremendous appeal for youth should ensure a big start for the film at the ticket window – 4/5

Anupama Chopra (NDTV) – Ajab Prem Ki Gazab Kahani, a comedy set in a comic book universe, is a frustratingly uneven film. Some of it is genuinely funny and delightful and some of it is repetitive, and annoyingly tedious – 3/5

Raja Sen (Rediff) -Honestly, it’s just good to watch a film with memorable comedy again. Heaven knows its been a while. And one that takes us back to a different, more wholesome kind of cinema. Even as the climax drags into predictability, Santoshi ensures that even divine intervention — to pull it all back on track again — comes with laughs. Gotta love that – 3.5/5

Mayank Shekhar (HT) – You look through this hollowness, and sense there is not a comic bone at all. There is certainly no romance either. Good boy (Ranbir Kapoor) fumbles and chases good girl (Kaif) through multiply tiring sequences. Saawariya for a debut was a poor practical joke on young Kapoor. This humourlessness, if at all, is infinitely sappier.

Gaurav Malani(Indiatimes) – The one thing you can’t overlook noticing in Ajab Prem Ki Ghazab Kahani is how Rajkumar Santoshi takes liberal references from every popular prem kahani of Bollywood and ends up with an ajeeb (weird) jumbled screenplay – 2/5

Nikhat Kazmi(TOI) – Gazab comedy, this one. Really, Ranbir is a revelation, Katrina is full of beans and the newly formented Ranbir-Katrina chemistry sets the screen on fire in this mad hatter’s tea party that takes you on a roller-coaster ride as Raj Kumar Santoshi tries to retrack his way to his Andaz Apna Apna days – 4/5

Rajeev Masand (CNN IBN) – Despite its hiccups, Ajab Prem Ki Ghazab Kahani is not an entirely unwatchable film, and the credit for that goes squarely to its leads who invest sincerity and genuine enthusiasm while attacking their roles. Katrina Kaif breezes through her scenes, endearing you to the vulnerable Jenny; striking up a radiant chemistry with her co-star. As for Ranbir Kapoor, he is the brightest spot in this ordinary film, rising above the script’s many holes, occasionally even making the stupidity work – 2.5/5

Khalid Mohamed (PFC) – The kid’s brilliant. So watch it Hrithik Roshan, Shahid Kapoor and all the big and small Khans. At the rate he’s going – by sheer evidence of his screen charisma, technical felicity and youth power – Ranbir Kapoor is more than likely to be the Next Best Thing, if he isn’t one already. He’s RK Jr and he’s more than super A-Ok -2.5/5

Shubhra Gupta(Indian Express) – Once upon a time, Rajkumar Santoshi made a lovely little film which was all fun and games. ‘Andaz Apna Apna’ (1994), which came at a time when neither Aamir nor Salman were Superstars Inc., has traveled well—its unfettered joyousness delights at every fresh viewing. The same cannot be said for Ajab Prem Ki Ghazab Kahani – 1/5

Kaveree Bamzai (India Today) – The movie sails because of Kapoor’s effortless ease. He dances like a dream, looks good enough to take your eyes off Kaif, and raises a lot of laughs with his goofiness. And guess what, he looks pretty in pink too. Ad he has a memorable no sorry, no thank you dialogie as well: all he wants is to be Kaif’s friend, no complaints, no demands. This one, ladies and gentlemen, is a stayer. See you around, Ranbir – 3/5

Minty Tejpal (Mumbai Mirror) – For the most part of the film, you do drool, mostly over the totally delicious lead pair, and often enough over the ridiculous dialogue in this absurd, mad comedy being played out on screen. Ha ha and a hoot. In fact, the first half of the film just rocks all the way – 3.5/5

Anand Vaishanav (Buzz18) – With such a gorgeous pair, Ajab Prem Ki Ghazab Kahani, could have been a charming joyride. But instead it settles for a routine, time pass watch. Ranbir Kapoor and Katrina Kaif’s chemistry shines long after the curtains fall down – 2.5/5

Jail is directed by Madhur Bhandarkar and stars Neil Nitin Mukesh,  Mugdha Godse and Manoj Bajpai.

Rajeev Masand (CNN IBN) – Because it’s well-intentioned and settles for a hopeful message, you stay with the film despite the fact that it’s never quite compelling. It’s got its heart in the right place, but sometimes that’s not enough – 2.5 /5

Anupama Chopra (NDTV) – Bhandarkar’s cinema has often been called hard-hitting but the trouble with Jail is that it simply doesn’t hit hard enough. See it if you must – 2.5/5

Taran Adarsh(Indiafm) – On the whole, JAIL is a well-made film from an expert storyteller. At the box-office, the film will appeal to those with an appetite for hard-hitting, realistic fares, but its clash with APKGK will affect its business to an extent – 3/5 

Khalid Mohamed (PFC) – Okay, okay, for heaven’s sake this is a Bhandarkar, Madhur Bhandarkar movie. Get real, appreciate Jail for being as rough, real and dammit, outspoken. Sorry guys, want to..however it’s anything but. It’s just not in the league of the eye-opening Fashion, Traffic Signal, Page 3 and Chandni Bar, which have their loyal admirers including the National Film Award juries. Yeah – 2/5 (there’s nothing here that you don’t know or haven’t seen already)

Raja Sen(Rediff) – The detailing is shoddy, the characters cardboard and the dialogue plain laughable. Jail is a formulaic, below average Bollywood headache, slowed down to lugubrious dullness. Groan. Leave it be, this prison of cardboard and cliche. We all deserve better – 1/5

Mayank Shekhar (HT) – What we may have liked to know, like with any story, is something more about the hero himself — his past, his conflicts, his shattered dreams. It could’ve greatly helped with the sorely missed empathy. But that’s not to be. I guess, only in a film-culture as less evolved as ours, would a movie with merely a setting, pride itself so much on realism alone – 2/5

Kaveree Bamzai (India Today) – There’s a sense that we’re sitting in on a reality show, that it’s Bigg Boss Season 4 set inside a jail. You find yourself wishing Mukesh’s ordeal ends, not so much for him as for you. Hey Mr Bhandarkar, it’s time to think of a new formula, or choose a subject that thrills like Fashion- 2/5

Gaurav Malani(Indiatimes) – Compare Jail to Madhur Bhandarkar’s earlier works and you would be disappointed to a degree. Nevertheless, compare it to many other mediocre movies of today and Jail is still a step ahead. Jail is captivating but not consistently – 2.5/5

Minty Tejpal (Mumbai Mirror) – The movie itself is more like a well-researched documentary that teaches you a few new things about life in jail, so it’s pretty instructive for anyone planning on landing up there. The promos of Jail read, ‘sentenced on November 6’. Yes, ‘sentenced’ is right – 2/5

Shweta Parande(Buzz18) – If the film works, it will only be because of Madhur’s execution. Otherwise, Jail has nothing new to offer – 2/5

Whats wrong with Rajkumar Hirani ? Or is it only us ? Why is he hellbent on proving that he got David Dhawan DNA in abundance ? The first promo looked so tacky and now even the first song looks the same! Have a look.

Music is by Shantanu Moitra and lyrics by Swanand Kirkire. The film stars Aamir Khan, Kareena Kapoor, R Madhavan, Sharman Joshi & Boman Irani and is produced by Vidhu Vinod Chopra. And for the synopsis of the film click here.

ek tho chanceLike us, if you are a fan of Saaed Akhtar Mirza and his cinema, there is some good news! His new film Ek Tho Chance is ready for release. And its been more than a decade since we saw his name on the big screen!

The film is produced by Pritish Nandy Communications (PNC) and stars Purab Kohli, Amrita Arora (what n why!!), Rajat Kapoor, Zafar Karachiwala, Vijay Raaz, Pawan Malhotra,  Ashwini Kalsekar, Sadia Siddiqui, Saurabh Shukla and Vinay Pathak. Set in Mumbai, the film deals with various stories of migrant population.  And here is the official trailer of the film.

Santosh Sivan is the new one to join the club after Farhan Akhtar, Rituparno Ghosh, Anurag Kashyap and Hansal Mehta. Cinematographer turned director Sivan is now in front of the camera for a Malyalam film titled Makaramanju. The film is directed by Lenin Rajendran.

Sivan plays the role of renowned painter Raja Ravi Varma in the film and Karthika, yesteryear actress Radha’s daughter is the lead actress in the film. And we can bet for one thing. Sivan will be much better than Randeep Hooda in Ketan Mehta’s Rang Rasiya because atleast he knows how to hold the paint brush as he comes from a painting background. Rest we are not so sure! Take a look!

raat_gayi_baat_gayiThe Gang is back! Dhen tedaaan! Rajat Kapoor, Vinay Pathak, Ranvir Shorey, Neha Dhupia & Saurabh Shukla! Plus Irawati Harshe (we luv her!), Anu Menon (Miss Lolakutty), Navneet Nishan & Dalip Tahil! The film is produced by Pritish Nandy Communications and directed by Saurabh Shukla. The films that he directed earlier like Chehra & Mudda are forgettable to say the least! But this time it looks different.

The film recently bagged the Best Film Award at HBO’s New York South Asian International Film Festival (SAIFF) , 2009.

Take a look at the first official trailer of Raat Gayi Baat Gayi.

And here is the story/plot/synopsis of the film….

3 couples. An 8 year old marriage and a 1 night stand to end all others. Raat Gayi Baat Gayi catches Rahul (Rajat Kapoor) waking up on a very heavily hung-over morning with his wife Mitali’s (Iravati Harshe) constant cribbing. Whilst her voice crashes through his head he remembers snatches of a conversation he had the previous night, at a party, with a stunning young woman, Sophia (Neha Dhupia). As he blinks through his thoughts he stumbles on the fact that one thing led to another and Sophia and he got drunk, talked a lot and finally ended up in bed making crazy love to each other—or did they?

The end of the night remains hazy. What’s worse is that Mitali just can’t seem to keep it together around him—she’s livid, she’s upset, she’s not telling him why—all rolled into one and Rahul keeps thinking back to the previous night and wondering if she caught a whiff of what happened the previous night with Sophia.

As Rahul chases his night for answers, his friends Saxena (Dalip Tahil) and Amit (Vinay Pathak) are suffering through their own marital crises! Driven to his wits end Rahul realizes he must seek Sophia out to restore his sanity!

PaaOk, make that “almost” here! Because someone decided to have some fun by editing out just the last few seconds. Though the audio is very much there. Anyway, if you have been following Amitabh Bachchan’s blog and the wah-wahs that everyone is saying after watching the trailer, then you know why we are so curious! We might have to wait for one more day till we get to see the full trailer, till then have a look.

Paa is directed by R Balki and stars Amitabh Bachchan, Abhishek Bachchan, Vidya Balan & Paresh Rawal. Music is by Ilaiyaraaja and lyrics by Swanand Kirkire. 

UPADTED – The full trailer of PAA is out today. Have a look.

Here’s one more tariler. Slightly different version of the first one.

And when Amitabh said Paa!

And as a friend said, Balki’s fascination with age factor continues. In Cheeni Kum, it was father-daughter-son-in-law mess with age. Here its father-son-son! Paresh Rawal is back again as the father!

In the film Paa, Amitabh Bachchan (Auro) suffers from a disease called Progeria, a rare genetic disorder in which a person ages three times faster than a normal person. Its a family drama in which Abhishek Bachchan and Vidya Balan are parents to Amitabh Bachchan, their 13 year old son who looks 39, and its all about how they try to deal with it. The look has been designed after much research and the make up used to take almost 4-5 hours everyday. Strangely, the basic premise of Paa sounds similar to Francis Ford Coppola’s film Jack starring Robin Williams. Inspiration, plagiarism or just coincidence ?

Anupama ChopraNow, Picture This! Is it technical goof-up or peer pressure ? Or some readers might dismiss it as our conspiracy theory! But whatever it is, its interesting for sure. Read on.

Every friday morning we religiously do one thing. Check out all the possible reviews of the recent releases. Generally Indiafm (Taran Adarsh), Rediff (Raja Sen/Sukanya Varma/Chandrima Pal) and NDTV (Anupama Chopra) come out with the early reviews. Anupama’s reviews are first published on the website www.ndtvmovies.com and are generally out by noon. She speaks out the same lines on her review show Picture This on NDTV 24 X 7 at 20:30.

This friday when we put out the early reviews of Sujoy Ghosh’s Aladin on this post , we read Anupama’s review and realised that she has rated Aladin – 3/5 stars. Here is the google cache of the same page. Have a look.

aladin_review1

After that, slowly one by one reviews started coming out. And most of the reviewers thrashed the film completely, rating it between 1 and 2 stars.

There are lot of reviewers who know that they are wrong guys at the wrong place and so before rating any film they make sure to call up few other fellow reviewers and check if they are judging the film right or wrong. Trust us, it does happen. Or they end up making fool of themselves who even give good ratings to Randeep Hooda’s Love Khichdi, search Buzz18 reviews! But no, Anupama Chopa doesnt belong to the club! She is infact one of the most sane and sorted out reviewers who knows her subject quite well. Though sometimes she looks misfit for TV.

And thats why its a big shock and surprise to see the rating of Aladin going down from three to two stars. Here is the link to the new review page with 2/5 stars. Putting here a snapshot of the same page. Its UNBELIEVABLE! Do they think we are blind and they can get away with anything ? Naah, those days are passe! 

So, will the holier-than-thou NDTV explain this to us ?

Aladin new review1

On her show Picture This  she rated the film 2/5. So, did she change her rating after reading other reviews ? Or was it someone else’s mistake who added one extra star to Aladin ? If anyone can enlighten us on this issue, we will be much relieved! Do let us know. We are eagerly waiting to know why and how!

Fired Remember Sajit Warrier ? The writer who claimed  Agyaat was his script and even FWA (Film Writers Association) gave their verdict in his favour. Ramu dismissed it completely and you can read his response  here . What we didnt get is why ask for claims on such disaster and awful film! We wrote about the Agyaat plagiarism news here (point no. 2) but lost track of it. Anyone got any updates ?

Now Sajit is ready with his directorial debut Fired starring Rahul Bose and produced by IDream Productions. And yes, it looks better than Ramu’s Agyaat! Finally recession gets a horror face! Take a look.

And here is the official synopsis of the film….

Joy Mittal, the arrogant CEO of H.W.L.S, in a hardnosed decision to repair his scandal ridden work record and prove his ability to emerge as a pioneering leader in times of financial crisis, fires all the employees from his London office to cope with the global economic slowdown.

Amongst the sacked employees is Ruby Herminson, 29, an alluring, sophisticated, career-driven woman, with whom a married Joy is having a long affair. Joy fires Ruby along with the rest of the people he considers expendable. After a trying day, Joy decides to finish off some paperwork before heading home, but soon realizes that the only possible means of leaving is the one he least bargained for.

Cornered in a deserted office, Joy soon realizes that there is a gruesome super-natural force in the building, which is hell-bent on extracting revenge for his ruthless actions. FIRED is the shocking tale of a man who pays a steep price for his cold-blooded actions.