Archive for the ‘bollywood’ Category

First things first. In Sriram Raghavan we trust.

So?

So far only two posters and a trailer has released. Isn’t it bit early to dissect the film? Well, not really when it’s one of the most anticipated films of the year. We have been reading, hearing, discussing, tweeting and have been waiting patiently for this one to release. Long shooting schedules. Saif even completed shooting another two films in between. Production fck ups. Lead actor is the producer. Girlfriend is the co-star. Release dates postponed again and again. But that’s nothing new. Such things happen. Shit happens.

So?

But the intial publicity stuff of Agent Vinod has seriously got us worried. Have a look at these two posters.  Rewind. Look at the posters of Sriram’s previous two films – Ek Haseena Thi and Johnny Gaddar. All in the slideshow.

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Isn’t there a big difference between these two and those three? Where is the quotient “cool”? Where is that rare thing called aesthetics? Bollywood rulebook says the bigger you go, the dumber you have to be. Is AV on that track? Hope not. But looks so. And now the trailer.

Let’s go one by one.

Text : The last thing. he will reveal is. his identity.

And the film’s title is Agent Vinod. That’s a masterstroke.

As everyone tries to find out his identity, Saif does the 70’s swing. Doffing the hat to the original Agent Vinod – Mahendra Sandhu, to Anthony Gonsalves to Vinod Khanna, he says it all. That’s wickedly funny. Much like another 70’s popular line – Tumhara naam kya hai, Basanti?

The music keeps up the momentum through out the trailer. If it’s Pritam, we sincerely hope that he is not back to his old trick. Because this one is too good to be Pritam’s. Can anyone confirm?

The problem. The rest (in order of appearance) – B and W, caught, gagged, jumps, taps, turns, glance, kick, punch, another punch, hide, Kareena in red light, Saif in red too, Illuminati Films, turn, chase – some Arab country, inside car, flight, Saif walking, Kareena walking, tram – London, Saif – Europe (?), Saif & Kareena in a party, a glance here/a look there – in slo-mo, RB 13, another chase, pulls out, Saif jumps and fires, Eros, car, train, gun, car, dhoom, dhaam, turn, bike, boom, flying kick, stunt, roll, Kareena, gun, cover the spycam, Sunil Lulla, cards, jump, gun, blast, dhickiyaaon, title, on floor, smile, captured, Sriram Raghavan, release date, credit plate.

Now, where have we seen it? Well, in any other spy/action films. And it’s as good or bad as Priyadarshan’s Tezz or Abbas-Mustan’s Players trailer. No stunt/action/chase stays with you after you have seen the trailer. It lowers down the bar of expectations drastically. And, may be,  that’s a good thing in a way. But if we can’t expect from Sriram Raghavan, who else?

These are difficult and demanding times. Bourne has forced Bond and MI franchise to have a relook and change drastically. Style is Out. Stunt is In. Grab me by my balls. Give me that breathtaking high. Show me the thrill pill. And when the films release in India on the same day as in any other country, and sometimes even before them, the stakes are quite high. We have tasted blood. Being good in India is not the parameter any more.

When Bond and Bourne are here, the question is, where is Vinod heading to?

23rd March, 2012. We will not fade in. We will plunge in.

(PS – Click here to check out the trailer launch video of AV. Sriram at 00:38 – It’s fun, action film. And at the same time real film)

(PS1 – A friend who has read the script assured us that it’s all good. Spread all over, quite ambitious and quite a thrilling ride.)

Without expecting anything, we attended last year’s Ghanta Awards’ final event at Tian, Juhu. And it was a laugh riot.  We were there to cheer for a friend who was doing a stand-up act at the event but by the end, we almost had a heart attack. Nobody was spared, nothing was sacred and they didn’t crack any potty/farty jokes. So we have been eagerly looking forward to this year’s Ghanta Awards. Read on to know more about the Awards and the nominations of this year. From the press release…

The Ghantas celebrates and rewards the worst of Bollywood every year. The 2nd Annual Ghanta Awards will reward the Worst of Bollywood for 2011.

Every year, Bollywood takes our hard earned money and countless hours of life only to leave us feeling older, poorer and supremely frustrated. The Ghanta Award was created as a means to give back to these films, to give back to these film makers – to make them understand that they needed to try harder…

Such films and film makers deserve an award, and the Ghanta is that award.

The public vote for the Ghantas 2012 is now open. The ceremony will be in Mumbai in February 2012.

Why Ghantas?

The Ghantas were started by Prashant Rajkhowa and Karan Anshuman in 2011.

Lack of a refund mechanism in place in Bollywood. While there are good movies produced every year, there are several just want us to tear our hair out and dance naked at the Producer’s house demanding refunds. There are more than a dozen film awards to reward the good films but how many to reward the worst of Bollywood? Also, The Razzies are a glorious institution but unfortunately, even after 30 years, they don’t look at Bollywood at all. I think it is very unfair that the world’s most prolific film industry doesn’t get the recognition it deserves. So we decided to rectify the situation.

On what basis were the nominations decided?

Movies that made you want to kill yourself will obviously walk into the list. Also movies that made you want to gouge your eyeballs, slit your wrists, stab a puppy, shoot a dolphin. Movies that made you want to jump off a terrace – not so much, that’s not dramatic enough.

In order that there is a difference between “a bad movie” and simply “a movie I did not like,” we have a jury of film critics (newspaper writers, TV hosts and bloggers) to decide the nominees in each category. The final winners are then decided by a public vote.

Do you really think that these awards will teach Bollywood a lesson and they would make good movies in the future?

Wouldn’t that be counter-productive? If there are no movies to give a Ghanta to, what would we do? All we’re ensuring with these awards is that the film makers know that people do care – if you make a bad film, we’re going to call it a bad film and we’re going to award you for making bad films!

The 2nd Annual Ghanta Awards Procedure

1. Bollywood films released between January 2011 and December 2011 are eligible

2. The nominees in each category will be decided by our jury.

3. The final winners will be decided by a public online vote.

4. People will be able to vote using their Facebook or Twitter accounts.

5. And it all comes down to one night in February 2012 where we present the Ghanta Awards to the deserving winners.

And we plan to broadcast the entire ceremony live online – after all ollywood has touched lives around the world and it’s only fair that the whole world is involved in the show.

The 2nd Annual Ghanta Awards Nominees

Worst Film  –  1. Ra.One  2. Bodyguard  3. Ready  4. Mausam

Worst Holier-Than-Thou Movie –  1. Dhobi Ghat  2. No One Killed Jessica 3. That Girl in Yellow Boots  4. Memories in March  5. Shaitan

Worst Actor1. Salman Khan – Bodyguard, Ready

2. Shah Rukh Khan – Ra.One, Don 2

3. Ajay Devgn – Rascals, Singham, Dil Toh Baccha Hai Ji

4. Sanjay Dutt – Ra.One, Rascals, Chatur Singh 2 Star, Double Dhamaal, Desi Boyz

5. Vinay Pathak – Utt Patang, Tere Mere Phere, Chalo Dilli, Bheja Fry 2

Worst Actress – 1. Kangna Ranaut – Game, Miley Na Miley Hum, Double Dhamaal, Tanu Weds Manu, Ready, Rascals

2. Nargis Fakhri – Rockstar

3. Jacqueline Fernandez – Murder 2

4. Gul Panag – Turning 30

5. Bipasha Basu – Dum Maaro Dum

Worst Supporting Actor

1. Tusshar Kapoor – The Dirty Picture, Hum Tum Shabana, Shor in the City

2. Prateik Babbar – Dhobi Ghat, Aarakshan, Dum Maaro Dum, My Friend Pinto

3. Anupam Kher – Every other film

4. Om Puri – Don 2, Khap, Teen Thay Bhai, Bin Bulaye Baarati

5. Shreyas Talpade – Hum Tum Shabana, Teen Thay Bhai

Worst Supporting Actress

1. Hazel Keech in Bodyguard

2. Giselli Monteiro in Always Kabhi Kabhie

3. Mallika Sherawat in Double Dhamaal

4. Charmy Kaur in Bbuddah Hoga Tera Baap

5. Raveena Tandon in Bbuddah Hoga Tera Baap

Worst Breakthrough1. Chirag Paswan  2. Rana Daggubati 3. Zoa Morani  4. Sarah Jane-Dias 5. Nargis Fakhri

Worst Director1. Anubhav Sinha – Ra.One  2. Anees Bazmee – Thank You, Ready  3. Pankaj Kapur – Mausam  4. David Dhawan – Rascals  5. Rohit Dhawan – Desi Boyz

Worst Rip-Off – 1. Don 2 – every Hollywood action film 2. Murder 2 – The Chaser  3. Desi Boyz – Full Monty + all Adam Sandler films  4. FALTU – Accepted 5. Ragini MMS – Paranormal Activity

Worst Couple

1. Kangna Ranaut and Ajay Devgn in Rascals

2. Kangna Ranaut and Sanjay Dutt in Rascals

3. Kangna Ranaut and Chirag Paswan in Miley Naa Miley Hum

4. Ranbir Kapoor and Nargis Fakhri in Rockstar

5. Shahid Kapur and Sonam Kapoor in Mausam

Worst Song 1. Dhinka Chika 2. Jalebi Bai 3. Bodyguard title track 4. Dum Maaro Dum 5. Chammak Challo

WTF Was That

1. Akshay Kumar going to Oxford University in Desi Boyz

2. Ghost Rape in Haunted 3D

3. The unexplained science behind the science fiction part of Ra.One

4. Colourful holi song in the middle of a movie about Hitler & the holocaust in ‘Gandhi to Hitler’

5. How Sonam Kapoor & Shahid Kapoor don’t manage to exchange a measly phone number over 10 years in Mausam

Thats Anything But Sexy

1. 3 girls conned by Ranveer Singh’s looks and acting abilities

2. Ram Gopal Verma’s camera angles in Not A Love Story

3. Anything involving Kangana Ranaut in Rascals

4. Akshay Kumar as London’s most in-demand male escort in Desi Boyz

5. Any time Shahrukh Khan says “Junglee Billi” in Don 2

Click here, log in with your Facebook or Twitter and vote for The Ghantas. 

(Disclaimer – One of us was on the jury of the Ghanta this year and he honestly voted for all the worst things without watching single one of them. You might ask, what’s the point? Well, if Vishal Dadlani can get two nominations without even singing the song, why can’t we?

 

The trailer of Ali Zafar and Aditi Rao Hydari’s film London Paris New York is just out. Have a look.

The film is written and directed by debutant Anu Menon and produced by Shrishti Arya and Goldie Behl along with Fox Star Studios.

A new couple, shot well and looks fresh. Just wish that they had paused a bit on those sketches that appear and disappear even before you can blink. More so when the film’s title is on the names of the cities. Who doesn’t like cities as characters in films? Ali Zafar and Aditi Rao are pleasing to eyes, and as a couple, there’s some kind of charming and cool comfort onscreen. Only issue – her babytalk in the last shot.

And here’s the official synopsis…

London Paris New York is a film that captures the angst of the twenties, the most dramatic period of one’s life – when you have to find a career, you have your first significant relationship and most importantly form your identity in this world.

This is story about Lalitha, a middle class south Indian girl from Chembur(an eastern suburb in Mumbai) who is on her way to New York to study politics with full scholarship, and Nikhil, a Punjabi, rich kid from Bandra (a posh western suburb of Mumbai )who is going to study Film Making in London on 100% dad’s money. They decide to hangout together one evening in London and find that they are completely drawn to each other even as their future lies on separate continents.The film follows their personal journey and their love story as they meet in London, Paris and New York for a night each over eight years. The film is in three chapters and each chapter is shot in a manner that mirrors the mental state of Nikhil and Lalitha.

 

Speaking Of Films – Part 1

Posted: January 10, 2012 by moifightclub in bollywood, cinema, film, Hollywood, Movie Recco
Tags: ,

Unlike journalism, which thrives on 5 Ws and 1H, we think blogging is all about the distinct blogger’s voice. And so three questions should define you – 1. Who you are 2. What crimes you commit? 3. Define your kink. This is Manish Gaekward‘s first post here. And before you read this interesting post, here’s his reply to those three important questions – 1.  someone who tries to speak less and less within the ambit of alcohol, otherwise, even lesser. Love films for what they are – they say more and more of what i feel i cannot express. 2.  Content writing for a website, will remain unnamed till i make it as a screenplay writer (will mention it in my struggling period). 3.  Chorus girls, love them – for instance – when Lata tai sings dilbar dil se pyaare (caravan) – i wait for the chorus girls to join in – so here is how it goes – Lata – dilbar dil se pyaare. Chorus girls – dilbar. Lata – dil ki sunta ja re. Chorus girls – haan haan dilbar – i tend to accentuate on ‘haan-haan‘ – the part that i get pat. In other kinks – pause and help myself whenever the girls yelp ‘oui maa‘ on the oh la la track from The Dirty Picture.

Like his blogging bio, the post is bit long but quite exhaustive and interesting recco post. Read on.

What have film critics Andre Bazin, Pauline Kael, Satyajit Ray and Francois Truffaut taught me about films?

Bhai, let the films do the talking.

Here’s a list of some that spoke to me.

1. When women walk

Malena – The whole town comes to a standstill when Monica Belluci walks. Hell, why not? Everyone wanted to know when those legs open for business

Volver – Almodovar pours into petite Penelope Cruz the voluptuousness of Sophia Loren

Pakeezah – Meena Kumari does the gajgamini

Gajagamini – Madhuri Dixit becomes the gamine gamini

Daud – Urmila Matondkar runs, walks, struts, halts, gyrates, even lifts her legs up in the air..er..she kicks butt – it is from Daud that Ramu learnt to fix the camera in Jiah Khan’s crotch and shoot the whole of Nishabd through the vaginal eye

2. Where men strut like they have more meat in their balls

Pulp Fiction – John Travolta did not resurrect his career with disco moves, he had to show he could do more than swish his butt

Reservoir Dogs – Tarantino guides this pack of 14 talking testicles

The Good, The Bad, And The Ugly – Tarantino’s favourite film

Kagemusha – Japanese people have balls too!

The Battle of Algeirs – behind every agitated man is a woman cupping his cojones, ‘I’m with you’

Taxidriver – Puny man De Niro, but what gigantic gonads

The Godfather Trilogy – less said, better viewed

The Hurt Locker – defusing bombs, dude you need more than balls!

3. Five Meryl Streep movies that you should be embarrassed to recommend

Lemony Snicket’s A Series of Unfortunate Events – Meryl and Jim Carrey in the same film? No!

The River Wild – Meryl and Kevin Bacon in the same film? Worse!

Death Becomes Her – Meryl and Bruce Willis in the same film? When her boobs ‘magically’ swelled in her shirt, my mother gasped it was unreal…uhh yeah!

Mama Mia – she’s having fun, but Meryl singing and dancing – some other day please

Dark Matter – Meryl and who? Fuh-get it!

4. Five Meryl Streep movies even the blind would recommend:

Angels In America – 4 Meryl for the price of one ticket!

She-Devil – she’s funny funny funny when she is furious, pure trash fun

Kramer Vs Kramer – spot on

Silkwood – never seen her this resilient

Sophie’s Choice – queen of accents

5. Five Meryl Streep high octane performances:

Doubt

Adaptation

The Hours

The Devil Wears Prada – though you must watch the real Anna Wintour in The September Issue

Out Of Africa – the Oscars seem to think she hit a note

6. Films that Shabana Azmi was smug in (inadequate script could be the reason):

Loins of Punjab – she seemed to be powdering her nose throughout for the next shot

Honeymoon Travels – there was promise of Goa, she did need a vacation, didn’t she?

Umrao Jaan – Allah tauba, did she really think she could be her mother Shaukat?

The Immaculate Conception – Shabana Azmi as Samira…is that even a name worthy of her persona?

Rakhwala – isn’t this the film where she is Anil Kapoor’s schizo sista? She drove the filmmaker up the wall asking what method to madness he wanted!

7. Shabana Azmi’s rage as we know:

Ankur

Arth – the confrontation scene with Smita Patil where her pallu slips and she wants to cover her modesty while she’s fuming but ab kya faiyda? She gives all

In Custody‘Main shayara hoon‘ she rebels, and damn you know whose daughter she is

Mandi – she can be loved when she is pissed

Paar or Godmother – the former is a helpless rage, the latter high-strung – which is the better?

8. Jungle mein Mangal films

Aguirre, The Wrath of God – Herzog’s mercurial venture into the Middle ages

Apocalypto – again, Tarantino hefts for Gibson’s vision

Apocalypse Now – Marlon Brando is the human stain on your soul no detergent powder can erase

9. Karaoke out loud musicals

Cabaret – can Liza Minelli ever keep a straight face? She cracks me up when she wants to be earnest

Chicago – Catherine Zeta Jones

West Side Story

Carmen – hell hot in here, both the Rosi and Saura version – robust, feisty, and passionate – I hope Shyam Benegal makes Chamki Chameli as pulsating

Grease – ridiculous and fun

10. Comic as it should be (Buster Keaton, Monty Python, Groucho Marx – too broad for me, mea culpa)

Dr. Strangelove or How I Learned to Stop Worrying and Love the Bomb – I’ve no stomach for any other Peter Sellers comedy

Some Like It Hot – Monroe in the middle, perfect tuna sandwich, and ukulele

Andaz Apna Apna

Jaane Bhi Do Yaaron

The Birdcage – prefer it over the french original

As Good As It Gets – Jack Nicholson makes me want to be a better man

City Lights – Chaplin makes us laugh, but in the end he makes you cry in the final scene

Alice Doesn’t Live Here Anymore – it might not look funny in the beginning, but once the actors get in the car, it’s a fun ride – who could have thought Scorsese could give this?

11. Gay characters humanised by straight filmmakers

Happy Together – Wong Kar Wai – lyrical work

The Talented Mr Ripley – Anthony Minghella is deeply missed for more than this

Infamous – this version of Truman Capote over In Cold Blood any day, it’s warmer

Gods and Monsters – Ian McKellen is a monster, albeit, a human one

Before Night Falls – Javier Bardem in this – then tell me he’s married to Penelope Cruz

My Beautiful Laundrette – Daniel Day-Lewis is gay, enough said

Basic Instinct – Sharon Stone could be gay, she could be straight, who cares as long as she uncrosses her legs, she’s humanised!

Dog Day Afternoon – Gun toting gay, Al Pacino can hold-up a bank yo bitches!

12. Straight actors immortalised by gay filmmakers:

Bad Education – Gael Garcia Bernal was the man in his Natalie Portman affair? Gosh! Pedro does it again, pours Penelope Cruz’s pout into Bernal’s blowfish lips

Milk – Sean Penn – of the Madonna ex-husband fame, could not have been any gayer

Priscilla Queen of the Desert – Guy Pearce in drag! Holy mother of Memento, rewind will ya…

Gia – Angelina Jolie can switch from straight to gay like a chameleon, who cares as long as she puckers her lips, she’s everyone in one!

The History Boys – brilliant ensemble cast, from the filmmaker who gave us Jennifer Aniston’s arguably only watchable film, The Object of My Affection

13. Movies not meant to be understood, yet marveled:

Last Year At Marienbad – critics agree

Rules Of The Game – the sort of comedy of manners film made less french in flavour by Gosford Park’s tribute years later

Memento – Ghajini was difficult made easy pudding

Mullholland Drive – as New York Times pointed out, the less sense it makes, the more you want to see it

14. 5 films Kareena Kapoor should watch to reclaim her skill

Erin Brockovich – this is the Julia Roberts she should be emulating

The Piano Teacher – Isabelle Huppert to the masterly training

Under The Sand – Charlotte Rampling towers like a lighthouse over it

A Woman Under The Influence – Gena Rowlands mad as can be

Monster – Charlize Theron – Bebo should balk at having to look ugly, gain weight, act no!

15. Horror as it should be

The Others – Nicole Kidman is terrified, and so are we

Let The Right One In – twelve year old vampire kid in love, uhh, pretty scary love story

The Shining – Jack Nicholson in anything is damn shit creepy

Rosemary’s Baby – just for the last scene, that look on Mia Farrow’s face, ever-lasting horror

Psycho – What would the genre be without you?

Carnival of Souls – low on budget, high on atmosphere

16. Romance is in this odd coupling:

The Kids Are All Right – Julianne Moore and Annette Bening make the perfect dysfunctional lesbian couple

Venus – A seventy plus Peter O Toole attracted to a girl his granddaughter’s age. Toole’s most endearing act

Brokeback Mountain – Jake wishes he knew how to quit Heath. How inconsolable we were when Heath passed away

The Graduate – Mrs Robinson has eyes only for a plucky Dustin Hoffman

Elegy – Penelope in bed with Kingsley – er Gandhi with an appetite for sex, watch

Moonstruck – Cher doing Nicohlas Cage – you got to be kidding

Vicky Cristina Barcelona – Cruz, Bardem, Johansson tripling, oh yeah, even when there is no sex in the room its one hell of a hot place to be

17. Must watch Iranian New Wave films

The Cow – Possibly one of the best films in the world, ever

Where Is The Friend’s Home? – Abbas Kairostami’s deceptively simple tale

Children of Heaven – The Majidi film Priyadarshan should not have copied, shame shame

A Time For Drunken Horses – where horses are more prized than human beings

The Circle – Jafar Panahi should be released from the circle that has presently engulfed him

The Day I Became A Woman – Makhmalbaf’s wife outshines his debut for sure in this stunning film. He has Kandahar, and daughter Samira has The Apple to bring the house down

Tip –  Afghani film, Osama from this region, is magnificent

18. What’s the best in world cinema?

Federico Fellini’s La Dolce Vita – Raj Kapoor’s predecessor

Rene Clair’s A Nous La Liberte –– Pankaj Advani would have agreed

Sergei Paranajov’s The Colour Of Pomegranates – Kiran Rao, Madonna and yours truly are the only people who might have seen this

Michelangelo Antonioni’s Blow Up – Kundan Shah knows

Ingmar Bergman’s Autumn Sonata – the film Rituparno Ghosh, Pedro Almodovar, Khalid Mohammed would perhaps fork and knife over lunch.

Francois Truffaut’s 400 Blows – the film Vikramaditya Motwane will accept and Aamir Khan deny – freeze frame anyone? – Satyajit Ray admitted his last shot in Charulata

Vittorio Di Sica’s Umberto D –  if you can get over The Bicycle Thief

Luis Bunuel’s Un Chien Andalou – Dali’s surrealist vision; razor slicing an eye, who can forget this indelible, hair-raising horror sequence

Jean Luc Godard’s Breathless – the ever so loveable rake Belmondo

Alain Resnais’ Hiroshima Mon Amour – I should not be surprised if Ondaatje likes this

19. Films that have been successful with ‘potato eaters’

Fried Green Tomatoes – Chop, chop, chop girls, this is it, meat-pie in the oven

Babette’s Feast – where gluttony is sin, there devout small portions is all you will need to thank the lord for

Woman On Top – f*ck the food, Penelope Cruz with a chopper headed for you meatballs, dare you move

Ratatouille – it’s animated, and yet so wonderfully glazed, you want to nosh, and the food critic in the film, is certainly Proustian in hauteur

Julie & Julia – has food ever been filmed this lovingly, Nigella Lawson, you have competition

Chocolat – Juliette Binoche grinding cocoa with her creamy hands, won’t you lick her fingers off when she is all messed up whipping a chocolate meringue?

20. Sex scenes you may have missed

Last Tango In Paris – Marlon Brando using butter – I thought butter was meant only for spreading, how naïve I was

Anatomy of Hell – A stone dildo? Only in a French film will you see a woman getting lucky with it

Sex And Lucia – Beautiful locales, gorgeous women, great music, and loads of sex – plus some festival awards. Perfect

The Ages of Lulu – Javier Bardem’s very early film, graphic sex scenes, very risqué

The Postman Always Rings Twice – not a great film but if you want to see Jack Nicholson kneading Jessica Lange covered in flour on a kitchen table, go for it

In The Realm Of The Senses – The Japanese use egg in foreplay, find out, yep

Shortbus – After Caligula, if anyone has dared to film another orgy, pop your eyes here

21. Sweet n Sour Bengali films

Meghe Dhaka TaraDada, ami baachte chai (Brother, I want to live) – isn’t that what Bhansali keeps trying to convey to us through his films

Charulata – My favourite Ray film, what I would do to get hold of that pair of binoculars

Antarmahal – Where Rituparno dares, and Rupa Ganguly seductively bares

36 Chowringhee Lane – The one time Aparna Sen was spot on with her casting of Jennifer Kendal

22. The Khans should stop wiggling their butts and watch these actors do full frontal (performance included)

Vladimir Mashkov – The Thief – passionate, volatile, hard-knuckled, a seasoned man

Klaus Maria Brandauer – Mephisto – such incredible drama off-stage, especially with his mullato

Vincent Casell – Irreversible – crazy as a nut, this man

Edgar Ramirez – Carlos – that scene where he’s feeling himself in a mirror, he’s loving it!

Alain Delon – Le Samourai – dude, this guy cools you with his point-blank shot

Birol Unel – Head-On – Drunk, uncouth, bedraggled, he gave to the role more than its demands

John Hurt – The Naked Civil Servant – hahahahaha, truly one of a kind

23. Banned films I should not be recommending

Salo – please do not watch this film, its puerile

The Last Temptation of Christ – what was the fuss about, it’s hardly spectacular

Brief Encounter – considered adulterous entertainment then, classic now, ask Anurag Basu where he borrowed Life In A Metro from

Caligula – terrible, terrible film, who wants to see Helen Mirren naked? God no!

A Dirty Shame – so gross, you don’t know whether to laugh or to wince

Zack & Miri Make A Porno – Thailand banned it because teens might learn how to make a porno, hello world!

24. Cult films you will never watch

The Holy Mountain – Director saab was on LSD while filming, and actors were fed ‘magic mushroom’ to experience their characters, roles, skin, whatever

Plan 9 From Outer Space – considered the worst film ever, but please watch Ed Wood before you watch this, you will die laughing at its incongruity

Blue Velvet, Wild At Heart, Lost Highway – strange David Lynch films that hypnotize

Man Bites Dog – biting cruel humour, this is not for the faint hearted

Showgirls – so camp, you’ll reach out for cheesecake and pour honey over it

The Rocky Horror Picture Show – the mai-baap of camp and cult, thoroughly entertaining

25. Where are the Hindi films in this list?

Apart from a gazillion films I have not spoken of (will come back with Part 2), there’s about only a handful of hindi films I love. It’s so bourgeoise to repeatedly discuss them.

Dilwale Dulhaniya Le Jayenge

Maqbool

Hazaaron Khwaishen Aisi

Boot Polish

Jaagte Raho

Awaara

Kagaz Ke Phool

Devdas

Pyaasa

Sahib Biwi Aur Ghulam

Sardari Begum

Pakeezah

Rangeela

Lamhe

And a film that will always top my best list, my heart belongs to Mughal-E-Azam (coloured version please).

It’s raining trailers and how! The theatrical trailer of Sujoy Ghosh’s Kahaani is finally out. Have a look.

Balan seems to be on Bull run and in this one she doesn’t even have a hero opposite her.

The film stars Vidya Balan, Parambrata Chattopadhyay and Nawazuddin Siddiqui.  And the writing credits include Sujoy Ghosh (story/screenplay/dialogues), Advaita Kala (story), Suresh Nair/Nikhil Vyas (Additional screenplay), Ritesh Shah (Dialogues) and Sutapa Sikdar (Dialogues) . The film has music by Vishal-Shekhar.

Here’s the official synopsis..

Vidya Bagchi arrives in Kolkata from London to find her missing husband. Seven month pregnant and alone in a festive city, she begins a relentless search for her husband. With nothing to rely on except fragment from her memories about him, all clues seem to reach a dead end when everyone tries to convince Vidya that her husband does not exist. She slowly realizes that nothing is what it seems. In a city soaked in lies, Vidya is determined to unravel the truth about her husband – for herself and her unborn child even at the cost her own life.

 

If you still haven’t heard why this kolaveri di, am guessing you belong to a completely different planet. If you search for the song on youtube, there are some hundred versions of it – male, female, cat, mouse, chipmunks, bong, punjabi and so on. And since everyone was baffled by its instant success and nobody could explain the reason for it, now it’s the time for the bad copycats to try their luck. If only someone could explain to them that you can’t plan a viral success, it just happens because it’s so good. And if you plan a campaign, at least don’t be a copycat.

The first one is a song called Boka Chor – a desperate attempt by Bappi Lahiri and SaReGaMa. The entire video has been shot like the Kolaveri di video with some bad acting thrown in here and there. What’s worse is this info attached to the video – Bappi Lahiri is combining the Indian languages in the song Boka Chor. Enjoy this slang song in different Languages with Bappi Daa.

Combining Indian languages? Aha, where have i heard that before? Forget the video, even the idea of the song is not new. Lets’ go to the second one.

This one is by T-Series and for the promotion of Players.  With Abhishek Bachchan behind the mic, it’s again the same style, same shots, same almost everything. If you want to copy the idea, that’s fine. But why can’t you add something new to it? Why it has to be a brain-dead one? Control + C —> Control +V. Done.

And the latest one is from a film called Jodi Breakers. Strangely, the makers haven’t released a teaser or a trailer of the film but are hoping for a viral magic with this one.

Am i the only who can’t see anything magical in these three videos? If no, i hope we don’t get any more of such tacky stuff.

From the producers of Pyaar Ka Punchnama – That’s enough to make me curious. Because i have been in a weird position with regard to PKP. Have tried to defend its misogynist point of view in endless discussions about the film and on the other hand, was against the director, and was on the side of the writers when the writing credits were almost invisible on various publicity materials and they were accused of writing just few pages. Anyway, Bittoo Boss is the new film from the same producers. Have a look.

New director (Supavitra Babul), new subject, new faces (Pulkit Sharma), and a young producer (Abhishek Pathak). Great! It looks interesting for sure but what’s the point of wasting 90seconds to tell the same joke again and again and again and again. It doesn’t say anything more than that. As they say, you never get a second chance to make the first impression. And that’s gone. Hopefully the second trailer will tell us more.

And the “2011 Rewind” series continues. You can read our previous posts here (honest movie posters), here (Bollywood songs we looped), here (Non-bollywood hits of the year), here (exciting moments at the movies),  and here (films which dared to bend the rules). Also, we are scooping some of the best year-end lists here.

Like last year, in this post we have tried to dissect what we learnt at the movies  this year – the good, the bad, the ugly, and the questions that baffled us through out the year.

20 Things We Learnt At The Movies

1. Zoya Akhtar is a better filmmaker than Farhan Akhtar. 2/2 > 1.5/4. LBC + ZNMD > DCH + 1/2Lakshya

2. Nikhil Advani scored a dud hattrick and proved again that KHNH was indeed directed by Karan Johar. Patiala House.

3. Big B can’t sell tickets anymore. He is hit on the small screen but is a flop on the big screen.  KBC. BHTB. Even when he was in his best commercial avatar,  the excuses given were many – low budget, recovery before release, satellite rights.

4. Creative collaboration with spouses and family is not a bright idea. Dhobi Ghat. TGIYB. Mausam. Tere Mere Phere. Love Breakups Zindagi.

5. B for Bachchan. B for Bhagnani. B for Box Office. But you never know which way the last B will swing. Even Jackie B’s film can score better than Abhishek B’s film. Faltu. Game.

6. Tusshar Kapoor still can’t act. He was the odd man out even when the films scored – either critically acclaimed Shor In The City or commercial hit The Dirty Picture. His pillow dance in TDP can give nightmare to anyone.

Dear Ekta Kapoor, let him go. Even Aditya Chopra has given up on Uday Chopra.

7. You can’t calculate the target audience and then make films according to it. Otherwise Y Films’ Luv Ka The End and Mujhse Fraaandship Karoge would have been blockbusters. Pre-release claim – 60% (?) of theatre going audience is youth. Post-release – we recovered our costs.

8. Every filmmaker has one great film in him/her. Some people make their debut with that one. Tigmanshu Dhulia is done with it. Stop expecting. Shagird. Sahid Biwi Aur Gangster.

9. When it comes to Ramu, camera and dildo have the same purpose, interest and area of specialisation. NALS.

10. Prakash Jha creates political events but has no clue about political films now. Raajneeti was a joke,  and we are not sure how to describe the awful Aarakshan.

11. Imtiaz Ali will keep churning out films based on his single template of romance. He knows it but doesn’t  know what to do about it. Rockstar.

12. Himesh Reshammiya is not going to give up so soon. Let’s all pray. Damadamm! In 2012 he has more.

13. Dad + Sons > Mom + Daughter. Deols. Yamla Pagla Deewana. Tell Me O Kkhuda.

14. Remake is NOT a hit formula. Soundtrack was a mess.

15. We don’t need superheroes. Our heroes can do everything. Ra One. Zokkomon.

16. Bhai-porn is here to stay. We are still not bored. Ready. Bodyguard.

17. Indian Mens Are Hot. Courtesy Anil Kapoor. Mission Impossible : Ghost Protocol.

18. Sex and Shah Rukh Khan still sells. Ra One. Murder 2. Don 2. The Dirty Picture.

19. When an actress gets into film production, it means her career is officially over. Lara Dutta. Dia Mirza, Ameesha Patel. Shilpa Shetty. 

20. We still haven’t lost A R Rahman to the west. When he delivers, he is the best. Rockstar.

10 Unanswered Questions

1. Will the real Abhinay Deo please stand up? Which one to trust – Game or Delhi Belly?

2. Who read the script of Game and approved it?

3. Who thought about changing Mimoh’s name to Mahakshay?

4. In which camera do you have the option of in-built subtitles? And for ghosts? Ragini MMS.

5. Who added extra ‘B’ in Bbuddah, extra ‘K’ In Tell Me O Kkhuda, extra ‘A’s in Mujhse Fraaandship Karoge and what purpose they served?

6. Is his name Bumpy? Just Bumpy? Really? Luv Ka The End.

7. In how many more films will we see Vinay Pathak in lead role and doing the same bumbling fool act? This year he had five releases. Yes, five!

8. Can G. One fly? If so, why does he need to travel in a plane? Ra One.

9. Always Kabhi Kabhi – Who is the brain behind the weirdest title of the year?

10. Who is Nagesh Kukunoor?

And what’s your list? What all you discovered or learnt at the movies this year? And what all remains unanswered? Do let us know in comments.

This is in continuation to our “2011 Rewind” posts. You can read our previous posts here (Bollywood songs we looped), here (Non-bollywood hits of the year), here (exciting moments at the movies) and here (films which dared to bend the rules). Also, we are scooping some of the best year-end lists here.

So what is a film poster suppose to do? With so much hype around the release of first look of any film, it’s your first pitch for the audience. It might not make or break your film but it surely starts setting the mood for the film. But do they always tell what the film is all about? A good film poster is a rare thing. And recycling is the funda of the game. Click here to read an interesting piece – thirteen movie poster trends that are here to stay and what they say about their movies. And if you heart posters like we do, here‘s another interesting site for minimal movie posters.

Ok, back to honest movie posters of the year. So here are ten honest movie posters done by Jahan Bakshi, Varun Grover and Rakhi.

And for all the love that Michael Fassbender’s dingdong is getting, here’s a bon(er)us one. This one is a mashup.

A new trailer of debutant Karan Malhotra’s Agneepath has just released. Produced by Karan Johar, this film is an official remake of Mukul Anand’s Agneepath and stars Hrithik Roshan, Sanjay Dutt, Priyanka Chopra and Rishi Kapoor. Take a look.

And here are few observations…

1. This doesn’t look like the usual KJo film. And that’s a a good start. Dongri? I am not sure if any of the characters from any KJo production ever knew that a place called Dongri exist. Good to see that Dharma Productions is exploring beyond SoBo.

2. Dialogues by Piyush Mishra. Great.

3. Music by Ajay-Atul. The music director duo started with Marathi films and quickly made their mark. Again, good decision to go with Ajay-Atul instead of the usual suspects – Shankar,Ehsaan, Loy or Vishal-Shekhar.

4. More roles for actors like Brijendra Kala and Pankaj Tripathi (is that him in the opening scene?) makes me feel that we are going in right direction.