KAUFMAN - "Or cramming in sex, or car chases, or guns. Or characters learning profound life lessons. Or characters growing or characters changing or characters learning to like each other or characters overcoming obstacles to succeed in the end. Y'know ? Movie shit."
Kaufman is sweating like crazy now. Valerie is quiet for a moment - from "Adaptation".
We are all about CINEMA. That movie shit.
NOTHING is sacred.
NOBODY is spared.
Because we talk about films, dammit.
Not your sex life.
Films, fests, unsung, indies, undiscovered - all that and some fun. If you have dope on anything related to cinema or you would like to share something, do write to us at moifightclub@gmail.com.
The views, opinions, reviews, articles, or positions, expressed by the authors and those providing comments are theirs alone, and do not necessarily reflect the views, opinions, positions or strategies of ANY OF THE EMPLOYERS, FRIENDS, RELATIVES, PR agencies, Production houses, Media group and such third parties associated with the authors. The latter make no representations as to accuracy, completeness, currentness, suitability, or validity of any information on this site and will not be liable for any errors, omissions, or delays in this information or any losses, injuries, or damages arising from its display or use.
In short, if you have an issue with us or any post we've written, write to us at moifightclub@gmail.com
Trishna and Michael, both the films will have its world premiere at the Toronto International Film Festival.
Michael Winterbottom’s latest film Trishna is not only set in India but it was more than one desi connect. The film’s trailer is out and according to official release, it’s an adaptation of Thomas Hardy’s Tess of the D’Urbervilles set against a contemporary Indian backdrop. Freida Pinto stars as the titular Trishna, a young woman who is seduced by the wealthy son(Riz Ahmed) of a property developer. As the romance develops, their relationship also becomes increasingly sordid and volatile.
Click on the play button to check out the trailer. what a smooth and soothing track! Wow, Amit Trivedi, scores again? Seems so, at least from the trailer.
Michael is the latest production of Anurag Kashyap films. Directed by debutant Ribhu Dasgupta, the film’s trailer or poster is not out yet. But you can check out some of the stills. It stars Naseeruddin Shah, Mahie Gill, Purav Bhandare, Sabyasachi Chakraborty and Irawati Harshe.
According to official release, it’s a character-driven psychological drama. Using intricate camerawork and intimate point of view shooting, Dasgupta tracks one man’s physical and psychological deterioration in the rainy, traffic-filled streets of Kolkata. Check out the stills.
Chillar Party is produced by UTV SpotBoy and directed by debutants Vikas Bahl and Nitesh Tiwari. Vikas used to head SpotBoy earlier. The film has a bunch of kids in the star cast and has music by Amit Trivedi.
And here’s the official synopsis …
Chillar Party is a fillam about a gang of innocent bachcha log who lead a carefree and fun filled life in Chandan Nagar Colony. Soon Fatka and Bheedu come into their lives and they become an inseparable part of Chillar Party.
The lives of these Bachcha log get difficult when Bheedu’s life is endangered, thanks to a mean politician. Saath me they fight the big bad world of politics and show that even chhote bachche can move mountains.
In a world where reason outweighs emotions, Chillar Party teaches everyone to feel rather than think. They prove that what seems to be right is not always right.
Yes, we were missing in action. The excuses are many and they are all so silly. Here we are back and with an exclusive! The first look of Vikramaditya Motwane’s debut film Udaan! Plus some more! The film is in the official selection list of Cannes Film Festival (Un Certain Regard Section) 2010. Have a look.
Also, here is the official synopsis of the film….
After being abandoned for eight straight years in boarding school, Rohan returns to the small industrial town of Jamshedpur and finds himself closeted with an authoritarian father and a younger half brother who he didn’t even know existed. Forced to work in his father’s steel factory and study engineering against his wishes, he tries to forge his own life out of his given circumstances and pursue his dream of being a writer.
The film is written by Vikramaditya Motwane & Anurag Kashyap. Its produced by Anurag Kashyap & Sanjay Singh. Strangely, UTV rejected the script twice earlier but came on board as soon as the film got the Cannes stamp! Not surprising that they produced “Chance Pe Dance”! It has music by Amit Trivedi and lyricist is Amitabh Bhattacharya. The main cast includes Rajat Barmecha, Ronit Roy, Aayan Boradia and Ram Kapoor.
Bit late on this one. But if you havent seen it, do check out. So, is this test drive for Anurag Kashyap’s Bombay Velvet ? Kashyap has been talking to Aamir Khan for the film and then suddenly this tvc comes on air. Or are they testing each other and their working style ? Its shot by Anurag Kashyap, has music by Amit Trivedi, lyrics by Gulzar and sung by singer Mohan. After Dil toh baccha hai ji, Gulzarsaab now puts the dil in jeb! Wah Wah!
This is the first tvc of the series. Three more 20 seconder films will be released in the coming weeks.
Lil late to discover it but as they say, better late than never. Atleast for the record!
Remember the popular Iktara song from last year’s Wake Up Sid ? We discovered Kavita Seth and realised that Amit Trivedi can kill Shankar-Ehsaan-Loy with just one song. The trio had the rest of the album. But nobody played anything beyond Ikatara. And many are still playing it in non-stop loop.
Had lot of doubts since the song came out. It sounded so different from rest of the album. And then got to know that there is a male version too. And the male version is not in the CD ? It was released much much later. Was it a official release ? Not sure. A good friend mailed it to us as we were desperatley looking for it. So, whats the story ?
Intially Amitabh Bhattacharya wrote the male version of the Iktara song. Everyone liked it. But Javed Akhtar doesnt like sharing credit on music albums. Its should be only him or let anyone else write all the songs! But it was too good a song to let it go.
To solve the problem Javed Akhtar rewrote a new version of the same Iktara song. It was recorded in a female voice and was put in the album. The male version of the song remained in the system and was released much later after the release of the film.
For better comparison, here is the lyrics of the male version and click here for the lyrics of the female version. Thanks for it Goonda, the only person who doesnt like the song! Or better click on the play buttons of the video attched and decide for yourself. First the female version and the next is male version.
Yes, here he is! One of the musketeers. And his partner in crime is none other than lyricist Amitabh Bhattacharya. We googled a lot but could not get any pic of his. So, had to settle with only Amit Trivedi’s pic.
After the music and the film released, everyone wondered about Band Master Rangeela and Rasila’s identity, the duo who have been credited for the vocals of Emosanal Atyachaar in Dev D. But there was no straight answer. Click here to read an interesting report published in DNA on the same. It seems it was all fake or as they say, great cheap thrill! Aha, we are not the only ones who live by the mantra that life is all about cheap thrills!
Recently a friend was making his year end music list and was talking to the musicians involved to figure out more about their songs. When it came to Emosanal Attyachaar, he got to know everything except the identity of Master Rangeela & Rasila, the guys who delivered the anthem of the year. That got us more curious and see what what we finally discovered.
BTW, seems like even dozen good songs in an album are not good enough for the Screen Awards nominations. Check out their nomination list here. Can anyone enlighten us about the morons who made the list. They deserve special mention.
PS – Amit & Amitabh, sorry to burst the bubble. This one is cheaper thrill!
2009 – The Master of Feel Bad started the year delivering his career’s first hit and the Master of Feel Good Cinema ended the year with a recording breaking monster hit! Aha, not that bad if we count only the boundaries. After the musical notes of the year, we sat down to discuss the filmy notes of the year. Here it is – the good, the bad and the fuglies!
1. Best Credit Roll – If ever a credit roll said something so simply and superbly, this is it. Luck By Chance. Also great debut by Zoya Akhtar.
2. Anurag Kashyap turned musical and how! More than a dozen songs and we discovered Amit Trivedi.
3. Anurag Kashyap – 2009 belongs to only one director. Dev D, Gulaal and even Paanch finally got a release, you know where. Whats more, he finished shooting his next film That Girl In Yellow Boots in just 13 days. Aur bolo ?
PS : The same Anurag Kashyap wrote the dialogues for Kurbaan ! Strange bedfellows remained strange.
4. Nobody, we repeat nobody, can save Harman/Hurrman/Harmann/Harrman/Whatever it is Baweja.
5. Wooden Film of the Year– New York. Three good looking woods with zero expression.
6. Ranbir Kapoor – Dude of the year! He is not only working with best directors of bollywood but delivering his best too. Cool & confused, fool & romantic, middle class & lost – he did it all.
7.Imran Luck Khan – The poster boy of 2008 is light years behind Ranbir. He only talks cool and acts still uncool. Competition, whats that ?
8. Imtiaz Ali has only one story to tell. The journey of cool and confused lovers on the verge of marriage. First time, they were about to mary. Second time, they were close to marriage. This time, they finally married and then solved their problem. More here and here.
9. Samir Karnik got money to make one more movie. Who ? Where ? Why ? How ?
10. Rani Mukherjee’s career is over. Hadippa!
11. Multiplex cinema & hits are not everything. Its a big myth. Ask the makers of Wanted. Or is it only Salman Khan ?
12. And if its Salman Khan, why Main Aur Mrs Khanna packed up in just two days ? As they say, nobody knows anything. And what was UTV smoking ?
13. Overrated Gimmicky shit of the year – Paa. More ramblings here.
14. R Balki should stick to making tv commercials. One idea and thats it. He also told the same story again. Smart & dying child bring lovers back together. Age gap somewhere. Check.
15. Akshay Kumar’s bubble busted and how!. He failed everywhere. Chandni Chowk, China, Hollywood, under water, inside or outside Tasveer.
16. The Invisible Director – Who is Anurag Singh ? Does anyone knows him ? The man who put the last nail in the coffin of Rani’s acting career. Hadippa!
17. Sanjay Gupta and gang (read Suparn) are still copying. Even the promos! Now the Unknown ones! More here.
18. Suresh Nair – the only writer to have two big films releases on the same friday. Aladin & London Dreams and both flopped.
19. Underrated Film – Sooni Tarporevala’s delightful Little Zizou, where all the possible parsis united to turn bollywood into pollywood! ( Missed Barah Aana, Mohandas)
20. Ripley’s Believe It Or Not – Sunil Shetty got an award for acting in Anant Mahadevan’s Red Alert – the War Within. Believe it, nobody has seen the film yet.
21.Most Subtle Expression of the year – In Rakeysh Omprakash Mehra’s Delhi 6, a man lands up with a mirror to show your andar ka kala bandar! Beat this!
22. Nagesh Kuknoor – Dont give him big budgests and big stars. He will go cuckoo-noor!
23. Vishal Bhardwaj delivered again. Five films in a row. And showed us Amole Gupte – the actor. More here.
24. Ajab Prem ki Gazab Kahani tried too hard to be Andaz Apna Apna. Insanity happens! You cant plan and design it.
25. ENG Filmmaker -Madhur Bhandarkar continued his expose and it finally flopped.
26. Smirk & Smug of the Year – Vivek Oberoi in Kurbaan. It was the ROFLOL film of the year where terrorism was wrapped in chiffon saree.
27. RajKumar Hirani lied to all of us and made the same film again. As a friend said, its Munnabhai B Tech. More here.
28. Couple Of The Year – Jaideep Sahni & Shimit Amin who delivered Rocket Singh – Sales Man of the Year! More here.
29. The only U-25 who proved us wrong – Ayan Mukherjee. Wake up Sid. Confident debut. More here.
30. Only 12 scenes, not 12 roles – Ask Priyanka Chopra. Easily the best performance of the year. Length doesnt matter, performanace counts. Vishal did it. Gowariker failed.
Bravery Awards – Aftab Shivdasani turned writer and producer with Aao Wish Karein.
Someone directed a film titled Jai-Veeru!
Abhijeet Sawant turned actor.
LOL Titles Of The Year – They said it all. No explanations required.
Its that time of the year when we love making those lists. The best, the worst and the top ten. We sat down with some of our favourite music in non-stop loop and made our list of the good, the bad and fuglies. Whatever caught our attention, from every possible extreme.
1. Ripley’s Believe It Or Not – We had Himesh Reshammiya in non-stop loop! He had Rekha Bhardwaj for company, but this Himesh is all new. Check it out, if you still havent!
2. Cuss Word Converter – Give a cuss word to him and it will never be the same again. The reason why Gul-still-Czar! Add Vishal’s vocals and you have the best title song of the year! Meri aarzoo kamini, mere khwab bhi kaminey, ek dil se dosti thi, yeh huzoor bhi kaminey!
3. Whats In a Name Song – Earlier they had no names. It was kabootar ja ja ja and atriya pe lotan kabutar re! Rahman and Prasoon Joshi made sure that we all googled Masakalli. And you are still wondering whats in a name, that too of a dove!
4. Religion Converter Song – It seems that A R Rahman is hell bent on making sure that we go for religion conversion soon. First it was Piya haaji ali, then Khwaja mere khwaja and this year he gave us Arziyaan. If I ever convert, blame it on Rahman, only Rahman. For cheap thrills, we still try to count the number of times “maula” is there in the song. Whats your count ?
5. Killer One Song – Shankar Ehsaan Loy had the complete album, Amit Trivedi killed them with just ek gaana called ek taara!
6. New Genrae – Piyush Mishra invented a new genrae of mujra, polticial mujra! Jaise door desh ke tower me ghus jaye re aeroplane. Gulaal. Now our only worry is if he can be denied USA visa for putting 9/11 in a mujra.
7. Legends Should Retire – Dont attack us! But if this is what we get, legends should remain as legends. Illayaraja’s music did little for Cheeni Kum and it was the same for Paa. Except the theme tune nothing worked in Paa. The udi mudi judi or whatever it is, doesnt stay even for few seconds! or May be legends should never work with their fanboys!
8. Song ONLY for the Big Screen – It proved us wrong. Dhan tedan! Its only for the big screen, in a dark theatre. We saw it once. We went again. Watching it on tv, we were wondering why has Vishal shot a song inside a nightclub in such unimaginative way. We saw it on the big screen and ate all our words, twice!
9. Musical Aag of The Year – Is Ashutosh Gowariker’s music sense complete zero ? Was it all Rahman ? Like his film, the music CD was quite a fat one packed with 13 forgettable songs! And shot in similar way! Is this the same man who shot yeh jo desh hai tera & khwaja mere khwaja ?
10. Music That Was Hit in Fantasyland – The album was hit in twittosphere but shit otherwise. Aladin. The cast and the crew went on overdrive with their tweets but as Time Out’s Nandini Ramnathan wrote, it was all gone in sixty seconds!
11. Vishal Dadlani must be the only rock-star who writes nursery rhymes. Have you heard the “hey baby, you may be” whatever shit it is! But he can put his vocals to great use. Kurbaan hua had our Rocky in full throttle!
12. No Pun Intended Song – Pocket me rocket hai, pocket me. As a friend said, it sounds like a great jingle for sex toys.
13. Cheap-est Thrill-est Song – Only for Adults! Bold and bitchy! Dev D. Courtesy lyricist Amitabh Bhattacharya. Pyaar, emosanal atyachaar, bitch and (w)hooooore – all at one go!
14. Best Installation Art in a song – Chandni chowk came close to New York, Gau Mata was near Gucci and we had our eyes wide open because Dil gira daftan.
15. Mohit Chauhan can do a masakalli and melancholy with equal ease! Can we now spare him! Why only rona dhona senti menti songs?
16. Best of 2009 – Bunch of kids got together in an “Audio Garage” and delivered the album of the year and the love anthem of our generation. Dev D. Music director, lyricist, singers – all new. Amit Trivedi, Amitabh Bhattacharya and the gang! ( If Rahman and Bhardwaj dont deliver, who will. So, would not put them here).
17. A R Rahman gave us a musical note for boo boo. Its called Buuloooo.
18. Best Closing Notes of the Year – Check out the last 2 mins of Rehna tu! Pure bliss. Can someone enlighten us what instrument it is.
19. Underrated Songs of the Year – Pankho ko from Rocket Singh – Salesman Of The Year and Delhi Destiny from 99. Everything else gets so much overplay that the joy of discovering a good song is almost dead. Jaideep delivers one of the best lines of the year…..uljhe nahi to kaise suljhoge….bikhre nahi to kaise nikhroge.
20. Imtiaz Ali is going for formula in his music too. One punjabi bhangra for closing credit, one peppy number with english words, one sad song in Mohit or Raahat’s voice and blah blah! Partner in crime – Pritam.
21. Weirdest Words of the Year – Bhangra bistar! Courtesy – Jaideep Sahni.
22. Wannabe BPL Rock Album of the Year – London Dreams.
23. Worst Musical Import of the Year – Kylie Minogue with chiggy wiggie! whatever that means.
24. Worst Musical Export of the Year – Rahman with Couples Retreat. Why, O Dear Lord, why ?
25. Self-Flagellation Song of the Year – Bebo main bebo!
26. Musical Sucess Party of the Year – Dulha Mil Gaya! Yes, they threw a party to celebrate its musical success. Who is listening ?
27. Jingles of the Year – dil titli…dil titli….kabhi yaadon ka…kabhi sapno ka and Yeh kis pyaari hifazat me ho befikri ki haalat hai..yaara o yaara. First one is by Swanand Kirkire and second by Gulzar.
28. Few things that never change – Atif still singing out of tune, here, there, everywhere. But its still working…tu jaane na ( Ajab Prem ki Ghajab Kahani )…nobody knows why and how! Confession – we also love it!
29. Cinematic Homage Song of the Year – Akira Kurosawa from Chintuji. Its a riot…Kapola kapola! Listen carefully and see how many filmmakers you can spot!
1. I dont discuss cinema with U-25! Because i believe you dont understand cinema well if you havent lived and experienced enough. Except few, not many of us make sense of our life and the world around us by 25. Forget cinema! BTW, by U-25 i mean Under 25!
2. After reading all the reviews of Wake Up Sid (WUS), I thought it must be of, for and byU-25! And coming from Karan Johar production, where the director’s access to producer had nepotism at the core, I was more reluctant!
3. With K Jo’s films, I had love-hate relationsip! I loved Kuch Kuch Hota Hai. Blame it on college days. I HATED Kabhi Khushi Kabhi Gham. I loved Kal Ho Na Ho. I hated Kabhi Alvida Na Kehna. Dostana – Had not much to react. And now its Wake Up Sid!
There are some million reviews already out. And I thought Baradwaj Rangan nailed it beautifully! Here is his full review if you havent read yet. But if this film is any indication of things to come from Karan Johar’s Dharma Productions, it seems K Jo is willing to wake up. Is it the koffee ? And so am willing to cheer and wait for him to wake up completely, get out of the bed and run like Lola one day!
Like YRF and their brand of cinema which still believes in doing Hadippa, K Jo also has his brand of cinema. The airbrushed designer cinema. But look at Wake Up Sid and what it offers!
SPOILER ALERT (minor)
– OMFG, the heroine and the hero sleeps on floor. And have one room kitchen to live.
– For the first time, the character actors look like characters. And they talk and behave like characters. Neither airbrushed nor designer! Is Lakshmi (Sid’s friend) Tiku Talsania’s daughter ? What a natural performance!
– There is no artificial rain. It rains because the season changes according to the flow of the story or the hero pours a bottle of water on heroine’s face!
– There is no melodrama. Its all subtle. Amit Trivedi’s background music and iktara track fills the gap beautifully! No heavily loaded music like the one which still plays when the Dharma Productions logo come on screen.
– In the club scene, is that Agnee’s shaam tanha ? Yeah yeah, one of the best bands in recent times that I have heard!
– The hero doesnt sing a song. The heroine also doesnt sing a sog! They dont even have a dream sequence in song! Its all in montages.
– And finally we have the hindi film hero not only falling for an older woman and that too, not so good looking one! And its Karan Johar production! Wooohoo!
There is more. Felt that its a beautiful postcard for the Mumbai Bombay city too. It starts with the city and ends with it. And so, there is Mumbai Beat magazine! And am I the only one who felt this is more of Alish’s (Konkona Sen) story. Sid’s (Ranbir Kapoor) slate was clean, its easy to scribble there. But Konkona’s slate had lot of stuff, it goes through change, she learns, she re-writes, she gets confused and finally she is the one who wraps it up.
Also, Alisha was much more difficult character to potray. Think of the situations she faces, like that scene when she comes back home after the not-so-good jazz experience and she finds the house all clean! And there are so many scenes like that. Its a predictable story and has a simplistic view of the world. But the director Ayaan Mukherjee knows his world really well! Damn confident debut!
After WUS, I hope K Jo doesnt go back to good ol’ naach gaana like his good friend Aditya Chopra. He is willing to wake up. And am willing to cheer for him. And I know, I am not the only one!
Finally have just one question for K Jo – Will he now join Hansal Mehta on his Gandhigiri protest against Raj Thackeray ?
But why is the video so unimganitively done! And those words on screen, kabhi hai kabhi nahi!
And here is the best thing about the album. The music is by Shankar Ehsaan Loy but the song Iktara is composed by Amit Trivedi ( Aamir and Dev D). And with just one song, Amit kills it! If you havent heard the song, click the play button. Sung by Kavita Seth and Amitabh Bhattacharya. The second video has the full song.