Posts Tagged ‘India Today’

Ajab Prem Ki Ghazab KahaniIts that day of the week which we love the most! Filmy Friday! This week there are two new hindi releases – Ajab Prem Ki Ghajab Kahani (APKGK) and Jail. Or as they are saying, its Ranbir Kapoor VS Neil Nitin Mukesh, now that Imran Khan is miles and miles behind!

APKGK is directed by Raj Kumar Santoshi and stars Ranbir Kapoor and Katrina Kaif. And here are the early reviews…

Taran Adarsh(Indiafm) – On the whole, APKGK entertains majorly. At the box-office, the fantastic pre-release campaign coupled with the terrific chemistry between Ranbir and Katrina, excellent music by Pritam and tremendous appeal for youth should ensure a big start for the film at the ticket window – 4/5

Anupama Chopra (NDTV) – Ajab Prem Ki Gazab Kahani, a comedy set in a comic book universe, is a frustratingly uneven film. Some of it is genuinely funny and delightful and some of it is repetitive, and annoyingly tedious – 3/5

Raja Sen (Rediff) -Honestly, it’s just good to watch a film with memorable comedy again. Heaven knows its been a while. And one that takes us back to a different, more wholesome kind of cinema. Even as the climax drags into predictability, Santoshi ensures that even divine intervention — to pull it all back on track again — comes with laughs. Gotta love that – 3.5/5

Mayank Shekhar (HT) – You look through this hollowness, and sense there is not a comic bone at all. There is certainly no romance either. Good boy (Ranbir Kapoor) fumbles and chases good girl (Kaif) through multiply tiring sequences. Saawariya for a debut was a poor practical joke on young Kapoor. This humourlessness, if at all, is infinitely sappier.

Gaurav Malani(Indiatimes) – The one thing you can’t overlook noticing in Ajab Prem Ki Ghazab Kahani is how Rajkumar Santoshi takes liberal references from every popular prem kahani of Bollywood and ends up with an ajeeb (weird) jumbled screenplay – 2/5

Nikhat Kazmi(TOI) – Gazab comedy, this one. Really, Ranbir is a revelation, Katrina is full of beans and the newly formented Ranbir-Katrina chemistry sets the screen on fire in this mad hatter’s tea party that takes you on a roller-coaster ride as Raj Kumar Santoshi tries to retrack his way to his Andaz Apna Apna days – 4/5

Rajeev Masand (CNN IBN) – Despite its hiccups, Ajab Prem Ki Ghazab Kahani is not an entirely unwatchable film, and the credit for that goes squarely to its leads who invest sincerity and genuine enthusiasm while attacking their roles. Katrina Kaif breezes through her scenes, endearing you to the vulnerable Jenny; striking up a radiant chemistry with her co-star. As for Ranbir Kapoor, he is the brightest spot in this ordinary film, rising above the script’s many holes, occasionally even making the stupidity work – 2.5/5

Khalid Mohamed (PFC) – The kid’s brilliant. So watch it Hrithik Roshan, Shahid Kapoor and all the big and small Khans. At the rate he’s going – by sheer evidence of his screen charisma, technical felicity and youth power – Ranbir Kapoor is more than likely to be the Next Best Thing, if he isn’t one already. He’s RK Jr and he’s more than super A-Ok -2.5/5

Shubhra Gupta(Indian Express) – Once upon a time, Rajkumar Santoshi made a lovely little film which was all fun and games. ‘Andaz Apna Apna’ (1994), which came at a time when neither Aamir nor Salman were Superstars Inc., has traveled well—its unfettered joyousness delights at every fresh viewing. The same cannot be said for Ajab Prem Ki Ghazab Kahani – 1/5

Kaveree Bamzai (India Today) – The movie sails because of Kapoor’s effortless ease. He dances like a dream, looks good enough to take your eyes off Kaif, and raises a lot of laughs with his goofiness. And guess what, he looks pretty in pink too. Ad he has a memorable no sorry, no thank you dialogie as well: all he wants is to be Kaif’s friend, no complaints, no demands. This one, ladies and gentlemen, is a stayer. See you around, Ranbir – 3/5

Minty Tejpal (Mumbai Mirror) – For the most part of the film, you do drool, mostly over the totally delicious lead pair, and often enough over the ridiculous dialogue in this absurd, mad comedy being played out on screen. Ha ha and a hoot. In fact, the first half of the film just rocks all the way – 3.5/5

Anand Vaishanav (Buzz18) – With such a gorgeous pair, Ajab Prem Ki Ghazab Kahani, could have been a charming joyride. But instead it settles for a routine, time pass watch. Ranbir Kapoor and Katrina Kaif’s chemistry shines long after the curtains fall down – 2.5/5

Jail is directed by Madhur Bhandarkar and stars Neil Nitin Mukesh,  Mugdha Godse and Manoj Bajpai.

Rajeev Masand (CNN IBN) – Because it’s well-intentioned and settles for a hopeful message, you stay with the film despite the fact that it’s never quite compelling. It’s got its heart in the right place, but sometimes that’s not enough – 2.5 /5

Anupama Chopra (NDTV) – Bhandarkar’s cinema has often been called hard-hitting but the trouble with Jail is that it simply doesn’t hit hard enough. See it if you must – 2.5/5

Taran Adarsh(Indiafm) – On the whole, JAIL is a well-made film from an expert storyteller. At the box-office, the film will appeal to those with an appetite for hard-hitting, realistic fares, but its clash with APKGK will affect its business to an extent – 3/5 

Khalid Mohamed (PFC) – Okay, okay, for heaven’s sake this is a Bhandarkar, Madhur Bhandarkar movie. Get real, appreciate Jail for being as rough, real and dammit, outspoken. Sorry guys, want to..however it’s anything but. It’s just not in the league of the eye-opening Fashion, Traffic Signal, Page 3 and Chandni Bar, which have their loyal admirers including the National Film Award juries. Yeah – 2/5 (there’s nothing here that you don’t know or haven’t seen already)

Raja Sen(Rediff) – The detailing is shoddy, the characters cardboard and the dialogue plain laughable. Jail is a formulaic, below average Bollywood headache, slowed down to lugubrious dullness. Groan. Leave it be, this prison of cardboard and cliche. We all deserve better – 1/5

Mayank Shekhar (HT) – What we may have liked to know, like with any story, is something more about the hero himself — his past, his conflicts, his shattered dreams. It could’ve greatly helped with the sorely missed empathy. But that’s not to be. I guess, only in a film-culture as less evolved as ours, would a movie with merely a setting, pride itself so much on realism alone – 2/5

Kaveree Bamzai (India Today) – There’s a sense that we’re sitting in on a reality show, that it’s Bigg Boss Season 4 set inside a jail. You find yourself wishing Mukesh’s ordeal ends, not so much for him as for you. Hey Mr Bhandarkar, it’s time to think of a new formula, or choose a subject that thrills like Fashion- 2/5

Gaurav Malani(Indiatimes) – Compare Jail to Madhur Bhandarkar’s earlier works and you would be disappointed to a degree. Nevertheless, compare it to many other mediocre movies of today and Jail is still a step ahead. Jail is captivating but not consistently – 2.5/5

Minty Tejpal (Mumbai Mirror) – The movie itself is more like a well-researched documentary that teaches you a few new things about life in jail, so it’s pretty instructive for anyone planning on landing up there. The promos of Jail read, ‘sentenced on November 6’. Yes, ‘sentenced’ is right – 2/5

Shweta Parande(Buzz18) – If the film works, it will only be because of Madhur’s execution. Otherwise, Jail has nothing new to offer – 2/5

aladin webpageIts filmy friday and two big releases this week. Aladin & London Dreams. Aladin is directed by Sujoy Ghosh, produced by Eros Entertainment, and stars Amitabh Bachchan, Sanjay Dutt, Ritesh Deshmukh and Jacqueline Fernandez. Some early reviews are out and it looks like a mixed one.

Taran Adarsh(Indiafm) – On the whole, ALADIN is a terrible waste of a terrific opportunity. Hugely disappointing! – 1 / 5

Anupama Chopra (NDTV) – But all their enthusiasm and special effects wizardry is let down by the half-baked story. Aladin never soars. See it if you must – 3/5

Chandrima Pal (Rediff) – What Ghosh dishes out in its place is some half-hearted hocus-pocus, a clumsy mix of old world lore with contemporary indifference, sloppy trips to the flashback and awkward bursts of forced sentimentality. Make a wish, Genius insists. Too late for that, isn’t it? – 2/5

Gaurav Malani (Indiatimes) – Just in case a Genie ever emerges out from your lamp, wish for once that our filmmakers come up with better ‘bound scripts’ and more enthralling adaptations. Till then all flights of fantasy should go on strike – 2/5

Udita Jhunjhunwala (DNA) – You are left wondering who films like this will appeal to. They are not amazing enough for adults or fun enough for kids. If I had a magic lamp, I would use one wish to ask for some decent, sincere films, the kind Ghosh made once upon a time (Jhankaar Beats) – 2/5

Rajeev Masand (CNN IBN) – Few films encourage you to free your mind and unleash your imagination. Say what you will about the Amitabh Bachchan-Ritesh Deshmukh starrer Aladin, but you cannot complain that you’ve seen this kind of Hindi film before – 3/5

Anand Vaishnav(Buzz18) – Ghosh’s setting is neither magical enough for a fantasy nor identifiable enough to be real. It’s too confusing for kids and adults alike. Except for a few laugh early on and Bachchan’s stand out act, Aladin is another addition to Bollywood’s failed attempts at fantasy – 1.5/5

Nikhat Kazmi (TOI) – To sum up with the refrain (Aladin, Aladin, kahan hai tera jinn) of the film: Aladin, Aladin, kahan hai tera sheen? Truly, a big let down from director Sujoy Ghosh who lost both his jhankar and his beats after ‘Home Delivery’ and ‘Aladin’, his films following a scintillating debut with ‘Jhankar Beats’ – 2/5

Shubhra Gupta (Indian Express) – Aladdin’ proves just one thing: Indian filmmakers should stay strictly away from the fantasy genre. The magical mystery tour that this film is meant to be falls way short of its target – 1/ 5

Minty Tejpal (Mumbai Mirror) – Aladin is a good example of how to take a beautiful fairy tale, and proceed to fairly destroy it. Since we all know the timeless story, director Sujoy Ghosh decides to give us his own special updated version, starting from the revamped genie – 1/ 5

Mayank Shekhar (Hindustan Times) – At 65, his(Bachchan) on-screen presence is likely to get scarcer with age. Audiences are still interested in his work. If only he wouldn’t green-light unbelievable, hollow, expensive rubbish that’d be pelted on us merely because, he said yes – 1/5

Kaveree Bamzai (India Today) – Why has the Genie chosen Aladin to save the world from the hands of Sanjay Dutt, the Ringmaster? What will happen when the comet crashes into Khwaish? And will Genie get his wish and head off to retirement, to wear his blingy jackets and do the disco? Yes, all is revealed in the end, but by then we’ve had too much of Mr Muscular (Sahil Khan) and Ms Great Legs (Fernandez) – 2/5

So, why are critics giving bad reviews to Aladin ? Our theory – Because they took Sanjay Dutt too seriously who said…Buri aadat badal daalo, Aladin ko maar dalo!

London DreamsThe other big release is London Dreams directed by Vipul Shah, and stars Salman Khan, Ajay Devgan & Music. And from the early reviews it looks & feels like Gujju Rock On!

Taran Adarsh(Indiafm) – On the whole, LONDON DREAMS has superb performances from its principal cast and several emotionally-charged sequences as its two trump cards. But its biggest drawback is its climax and also the music, which is the weakest link of the movie – 3 / 5

Anupama Chopra (NDTV) – Most of us don’t watch Hindi films for their verisimilitude but honestly, how much disbelief can a viewer suspend. There are a few nice songs here and occasional moments of charm provided by Salman Khan, who once again, plays a variation of Salman Khan. Otherwise London Dreams is as much fun as a stuck record. See if it you must – 2/5

Anand Vaishnav (Buzz18) – Eventually London Dreams is all about the joy of watching Salman and Ajay’s chemistry. Their star power makes up for all the flaws. Both have put their heart and soul into the film, delivering powerhouse, career defining performances – 3.5 / 5

Chandrima Pal (Rediff) – You may like London Dreams for its beautiful frames, some paisa-vasool moments between Salman and Devgn, a good background score and catchy songs. For the rest, you need willing suspension of disbelief. And large doses of it – 2.5/5

Rajeev Masand (CNN IBN) – London Dreams, directed by Vipul Shah, is a frustratingly foolish film about foolish people. It’s the kind of film whose central conflict could be instantly resolved if the characters concerned simply sat down and had a chat – 2 / 5

Khalid Mohamed(Khalidsspot) – With all its mad flaws and inadequacies, Shah’s enterprise still sees him going beyond the klutzy rishtas and pishtas. If you think that’s sufficient reason to buy a ticket , check out this London Whippy Whippy Shake – 2 / 5

Shubhra Gupta (Indian Express) – With his latest film, Vipul Amrutlal Shah goes back to familiar territory : Punjabi ‘munda’ in London town, all set to conquer the world. Akshay Kumar did it wonderfully in ‘Namaste London’. This time around, it is Ajay Devgn’s turn, accompanied by partner-in-crime Salman Khan, but the two-for-the-price-of-one isn’t as much of a success – 2/5

Minty Tejpal (Mumbai Miror) – At the end, London Dreams is worth a watch, though it could have been far better – 2 /5

Mayank Shekhar (Hindustan Times) – This is how hinterland ticket-holders would like to see both.Don’t worry about the story-line. There is no writing, merely good locations and great lighting; wouldn’t shock me if it sort of lit up the producer’s balance sheet as well. Well – 1.5 / 5

Kaveree Bamzai (India Today) – Imagine Rock On!! in Punjabi with stereophonic emotional drama? Can’t? Well that’s London Dreams, where two best friends fall apart over a girl and their music. Now where have we seen this before? Yes, yes, everywhere. But Vipul Shah’s forte has never been originality. It has been energy and joie de vivre, which the film has in plenty. Almost enough to save it. Almost – 2.5/5

Our take – We think if they had gone to the stage with dandiya sticks instead of drum sticks it would have been good fun!

Forget the biggies, we are going to MAMI Film Festival this weekend!

We understand shit about fashion! But we can surely spot the shit too. We rarely follow any fashion week but this one got us ROFL! At the ongoing Wills Lifestyle India Fashion Week in Delhi, Jaya Prada walked the ramp for designers Ashima & Leena. Check it out!

jaya prada

We are still confused about it. What the fuck is it ? Its her Junglee queen or  flower vase or fruit basket avatar ? Or is it Lajpat Nagar effect ? To quote India Today – the showstopper for designers Ashima and Leena had the audience in splits with her (Jaya Prada) disastrous diva act on the ramp. You can read the full report here.

And you have to see her walking ? Click on the play button.

In the second video, she describes her experience about walking the ramp. She thought she was the QUEEN! Ok, so its confirmed. Its The Jungle Queen avatar. Enjoy!

Fruit&Nut-1Funny man Kunal Vijayakar turns director with this week’s release Fruit and Nut. The film has Cyrus Broacha, Boman Irani, Mahesh Manjrekar and Dia Mirza in the lead and is produced by Studio 18. Some early reviews…

Taran Adarsh (Indiafm)– Director Kunal Vijaykar tries hard to keep you entertained, but the writing is just not captivating. Sure, you do laugh at a few jokes/situations, but there are times when the jokes aren’t too funny and also tend to get repetitive. On the whole, FRUIT & NUT has some funny moments, that’s it! A film like this holds very limited appeal – 1.5 / 5

Anupama Chopra (NDTV) – Vijaykar and his actors are straining too hard to make you laugh at jokes that are simply too flimsy for film. It’s exhausting more than entertaining. See it if you must – 1.5 / 5

Sukanya Verma (Rediff) -My advice, skip the movie, buy the chocolate. It’s good. It’s fun – 1/ 5

Anand Vaishnav (Buzz 18) – Fruit & Nut would have been a brilliant two minute spoof on TV. But when stretched into a two hour film, it runs out of steam. This chocolate doesn’t have a sweet enough aftertaste – 2/ 5

Gaurav Malani (Indiatimes)Kunal Vijaykar’s 5-minute Fully Faltoo series on MTV was funnier than this entire excuse for a film. Teaming up with Cyrus, he makes a bakra (scapegoat) of the audience. Fruit and Nut is cheesy filmmaking. In a nutshell, this is fruitless entertainment – 1.5 / 5

Nikhat Azmi (TOI) – Neither fruity nor nutty, this film ends up as a total squish. After an unfruitful watch, you feel completely let down since the film boasts of a Still from Fruit and star cast that includes most of the contemporary funsters of the entertainment industry – 1.5 / 5

Kaveree Bamzai (India Today) – Unfortunately, the writers seem to have exhausted themselves thinking of the funny names and the interesting premise. There is nothing beyond it, except for two senseless item songs, one each for Irani and Mirza to stretch their legs – 1 / 5

Rajeev Masand (CNN IBN) – Despite juvenile jokes like peeing on open electric wires, Fruit & Nut is mercifully not the sort of vulgar comedy we’ve got used to seeing at the cinemas these days. It’s best suited for those who don’t have a problem with silly, childish humour – 1.5 / 5

Well, this friday Cyrus & Kunal dont have to look out for bakras. They need to look in  the mirror!  

acid-factory-cut2Just a few days back, we wrote this post on Suparn Verma’s Acid Factory and how its original is not Unknown any more. Acid Factory is the only hindi release this friday. The film is produced by Sanjay Gupta and stars Irrfan Khan, Manoj Bajpai, Fardeen Khan, Aftab Shivdasani, Dino Morea, Diya Mirza, and Danny Denzongpa.

Lets see if we jumped the gun or the critics feel the same.

Khalid Mohamed (Khalidsspot) – At some point, someone asks, “What are we doing here?” If you make the mistake of visiting the factory, so will you. For sure – 1.5/5

Anupama Chopra (NDTV) – You could forgive the sheer silliness of the enterprise if the film delivered enough bang for the buck but Acid Factory can’t even manage that. See it if you must – 2/5

Rajeev Masand (CNN IBN) – Acid Factory, directed by Suparn Verma, looks like it’s been assembled from the footage that was edited out of Sanjay Gupta’s Kaante. Shot in the same grainy moss-green colour tone; its characters speak in a similar hyper-active overlapping style; and two big action set-pieces notwithstanding, it’s a suffocating psychological thriller at its core. You’ll come out wishing you had inhaled some of that amnesia-inducing gas too – 2/5

Taran Adarsh (Indiafm) – On the whole, ACID FACTORY is a slick thriller that has an interesting premise and also super stunts and chase sequences as its trump cards. The film is targeted at the urban youth, especially those who relish thrillers – 3/5

Chandrima Pal (Rediff) – If you’ve never heard of a Columbian film called Unknown, you haven’t really missed much. If you give this 95-minute copy of the poorly-received film a miss, you’ll do yourself a favour – 2/5

Gaurav Malani (ET) – Sanjay Gupta enters familiar territory with remaking Unknown (another Hollywood action-thriller) and caustically credits half a dozen writers for assembling this Acid Factory.  Its a masala movie in the fast-food mode but could leave you with acidity pangs – 2/5 

Anand Vaishnav (Buzz18) – For its action and some of Irrfan’s well-improvised scenes, Acid Factory makes it to the watchable category. It’s a wannabe action packed Hollywood B-movie. It gets the stupidity right, but falls short in attitude – 2/5

Kaveree Bamzai (India Today) – Suparn Verma is one of those directors who confuses style with substance. Just because you have a budget, I believe it was Rs 21 crore, it doesn’t mean it has to be spent blowing up every available car in South Africa – 1/5

Shubhra Gupta (Indian Express) – Equally expectedly, everyone whips out their weapons, and lots of gunfire is exchanged, but overall, you don’t get too much bang for your buck – 2/5

What else can you expect from Sanjay Gupta’s factory ? 

Wake Up SidTwo big hindi releases this week. Wake Up Sid is directed by 26 year old Ayan Mukherjee and stars Ranbir Kapoor and Konkona Sen Sharma. The film is produced by Karan Johar. So, will Sid wake up this friday ? As I tweeted on wednesday evening, think it will score between 3-3.5/5.  Some of the reviews so far…

Anupama Chopra ( NDTV) – Finally then, Wake Up Sid can’t match Dil Chahta Hai, which even eight years later remains Bollywood’s gold standard for coming-of-age movies. I’m going with a generous three stars and recommending Wake Up Sid with reservations – 3/5

Taran Adarsh (Indiafm) – On the whole, WAKE UP SID is a well-made film that should strike a chord with the youth mainly. A metro-centric film, the film should attract its target audience and should also prove to be the first choice of the elite/urban audience this Friday – 4/5

Rajeev Masand (CNN IBN) – It has its heart in the right place and it marks the breakout of a bright, shining star who has come into his own so early in his acting career. Watch it, and be awestruck by Ranbir – 3/5

Sukanya Verma (Rediff) – Wake Up Sid has its heart in place, but it still doesn’t have much of a plot or novelty to rely upon. That’s why the dialogues could have done with a little more quirk and nifty humour. Having said that, a superlative Ranbir makes it too darn hard to notice – 3/5

Gaurav Malani (ET) – It’s pleasing to see Bollywood warming up to fresh talents like Ayan Mukerji and waking up to compelling narratives like Wake Up Sid – 3/5

Anand Vaishnav (Buzz18) – When the veterans are royally messing up screenplays, Ayan Mukerji deserves full marks for his maiden effort. His conviction shows in every department. Wake Up Sid is easily the freshest film in the marquee – 4/5

Avijit Ghosh (TOI) – In the end, Wake Up Sid becomes a sort of template of how GenNow navigate their lives: deal with their own little rebellions, find meaning to their own definitions of independence and handle their own set of mistakes. It feels good when the two friends finally meet in driving rain under the grey skies by the sea. Refreshing and heart-warming, Wake Up Sid really puts you in the mood for love – 4/5

Kaveere Bamzai (India Today) – So wake up, and go watch Sid and Aisha’s sweet little prem kahani. It’s not as perfect as the decor in Sid and Aisha’s home but it’s pretty. Ad yes, the boy gets the girl, a career and his parents too (with their credit card) in the perfect little summation of our consumerist-driven lives – 3.5/5

Mayank Shekhar (HT) – If anything, this film is just as real if not more. Given the clichéd subject, most importantly, the coolness isn’t fake: something most films pretending to be for or about ‘youth’ don’t quite manage to grasp. You can immediately tell the writer-director (Ayan Mukherjee, a heart-felt debut) has lived though the material. So have the actors. I may not mind living through this again – 3.5/5

Minty Tejpal (Mumbai Mirror) – Ranbir has a charming vulnerability coupled with a cheeky insouciance that makes him superstar material, the kind of boy who is adored both by the dadi and her granddaughter. And thank the cinema gods for Konkona Sen Sharma. The talented actress once again puts in a nuanced performance, as we have come to expect from her. Well done, Sid – 3/5

Shubhra Gupta (Indian Express) – Despite the obvious passages, Mukherjee shows he has a way of adding nuance to a scene. `Wake Up Sid’ is a promising first effort – 3/5

Do Knot DisturbThe other release of the week is Do Knot Disturb starring Govinda, Ritesh Deshmukh, Lara Dutta and Sushmita Sen. The film is directed by David Dhawan.

Anupama Chopra (NDTV) – This is cinema as punishment. Steer clear – 1/5

Taran Adarsh (Indiafm) – On the whole, DO KNOT DISTURB is a mass entertainer that keeps you entertained and smiling/laughing in most parts. At the box-office, this one lives up to the hype and expectations and that in turn should reflect very strongly in its business – 3.5/5

Gaurav Malani (ET) – Fun lies behind closed doors’ reads the tagline of the film. One would rather close doors to such farcical fun. It’s time directors DO NOT take the viewer for granted. Take the cue from the title. Do not bother to disturb yourself for this deafening drama – 1.5/5

Rajeev Masand (CNN IBN) – It’s hard to believe this film was actually directed by someone. Was David Dhawan ever on the set at all? Perhaps Sushmita Sen ate him! That answers two important questions – 1/5

Anand Vaishnav (Buzz18) – Govinda and David Dhawan have made us laugh a lot more in the past. And this is certainly below par for them. Watch it if you are looking for handful a of chuckles. Do not expect more – 1.5/5

Minty Tejpal (Mumbai Mirror) – I think the real reason that Govinda is a much loved star is because of his looks or lack of thereof. To see a round, middle aged goofy looking man with clumsy hair and a huge smile flirt and hug former Miss Worlds is pure value for money, especially for all the fat men in the audience. If Govinda can, so can they – 3/5

As expected, Wake Up Sid is clear winner this week! And lets knot disturb the other.

Whats Your Raashee ?Mr. Tapan, where are you ? You saw the film ? BTW, if you are wondering who is Tapan, click here and check the comments section. (People try too hard but going by our record, we can say that we rarely go wrong. Hope its not sounding too pompous)

And now back to the topic. Call it the Titanic or Ashutosh Gowariker’s Aag, What’s Your Raashee is finally out. Am wondering if  Gowariker has checked his raashee predictions for the day! Because its going to be a long day of only bad news, or reviews!

Yesterday we put out a post on the film and placed our bets. Lets see if we got it right or not. 

The film is directed by Ashutosh Gowariker, produced by UTV, stars Harman Baweja, Priyanka Chopra and has music by Sohail Sen.

Anupama Chopra (NDTV) – Ashutosh Gowarikar is a fine filmmaker who has consistently strived to stretch the boundaries of mainstream Hindi cinema – recall the Oscar nominated Lagaan or the less successful but thought-provoking Swades. What’s Your Rashee is a gargantuan misstep. See it if you must – 1.5/5

Taran Adarsh (Indiafm) – On the whole, What’s Your Raashee ? is a king-sized disappointment – 1.5/5

Sukanya Varma (Rediff) – And boy, what a lady! Priyanka Chopra transforms into 12 new skins with astonishing distinction, voice and spirit. The actress reinvents herself into this unique individual every single time ranging from batty, bashful and boisterous. This is simply her show. If only it weren’t three and a half hours long – 2/5

Rajeev Masand (CNN IBN) – There is no easy way to say this. Ashutosh Gowariker’s What’s Your Raashee? is an excruciatingly painful film to watch. For the most part humorless and misguided, the film lumbers along for an unforgivable three-hours-and-thirty minutes, during which even the most patient viewers might contemplate suicide – 1.5/5

Gaurav Malani (Indiatimes)The mystery on who will Yogesh marry in the end doesn’t hold much thrill as he himself isn’t certain of his choice. He is confused with most options open till the end. The viewer is exhausted for the exit door is still closed – 2/5

Avijit Ghosh (TOI) – Size matters. A less-than-ruthless editor could have easily trimmed What’s Your Raashee by 45 minutes without compromising on its soul. Gowariker seems to have fallen in love with his own work. Too bad, his indulgence prevents the audience from doing the same – 3/5

Suranjana Nandy (Buzz18) – It’s too long. Too inane. And at times, very boring. Buy the DVD, in parts if possible but there’s no way you can sit through it in the theatre – 2/5

Kaveree Bamzai (India Today) – What we have is a boring long epic, with 12 Priyankas, 14 songs and a host of minor characters whom no one particularly cares about – 2/5

Khalid Mohamed (Aslibaat) – it’s too darn lengthy at three hours-24-minutes which actually seem like 300 hours-240 minutes. Or an eternity which called for two intermissions. Mera Naam Boredom anyone? – 1/5

Minty Tejpal (Mumbai Mirror) – Alarmingly, there is no depiction or debate about the crucial in between act – sex, and this in the land of Kamasutra. Now that our divorce rates are spiralling, sexual crime is getting more regular and perverse, isn’t it time we grew up and addressed that little point also? After all, we are a hundred billion strong, so we must have done something to get there – 1/5

On an average, its 1.5-2 for Whats Your Raashee. Its a mixed feeling at the end of the day. Happy that we predicted the direction in which it was going and we are spot on. Sad because we are yet not sure what is Gowariker smoking these days! Can anyone enlighten us ?

Dil Bole HadippaTwo big releases this friday. Though neither my Dil Bole Hadippa nor my dimaag WANTs anything. Few early reviews are out. Check out!

Dil Bole Hadippa is directed by debutant Anurag Singh, produced by Yashraj Films and stars Rani Mukherjee and Shahid Kapoor.

Anupama Chopra (NDTV)Dil Bole… is worth seeing for the sweetness and charm that Rani and Shahid conjure up. Catch it if you have nothing else going on this weekend – 2.5/5

Sukanya Verma (Rediff) – If you can discount some of the Veer-Zaara inspired cheesiness to follow along with terrible exercises of humour – namely broken Hinglish exchanges (You Kaala bhainslo, yadda yadda) and gems like, ‘Yeh Indian dil hai. Cello tape se nahi Judta and a reaa-llll-yy long climax, your ‘Dil’ might just find enough strength to mutter ‘Hadippa’. Ha, like that’s ever going to happen – 2.5/5

Anand Vaishnav (Buzz18) – It’s a long weekend ahead. And Dil Bole Hadippa is just the kind of movie you will enjoy with your family. This one is an easy watch – 2.5/5

Gaurav Malani (Indiatimes) Dil Bole Hadippa comes as another feel ‘good’ film from the Yash Raj banner but off late audiences have upgraded to ‘better’ narratives – 2.5/5

Taran Adarsh (Indiafm) – On the whole, DIL BOLE HADIPPA is an ordinary fare. At the box-office, the film has some chances in North mainly thanks to the Punjabi flavour. The holidays ahead may help its prospects at plexes essentially, but the single screens will be dull – 2/5 

Rajeev Masand (CNN IBN) – it’s a crushing bore of a film that’s neither thrilling in its cricket scenes, nor entertaining in its humour. What’s it going to take to expect some originality and inventiveness from one of the biggest players in Bollywood? To be honest, dil bole sudharjaa! – 1.5/5

Minty Tejpal (Mumbai Mirror) – For Rani fans, it’s a must watch, the rest can go see Wanted instead – 2/5

Kaveree Bamzai (India Today) – What do you say to a movie which is a cross between Veer Zaara and Chak De! India? With large dollops of Dilwale Dulhaniya Le Jayenge thrown in? YRF has developed a niche niche now-Punjabi films about sports and involving Pakistan -2/5

Khalid Mohamed (Aslibaat) – Next time around, you do wish the Chopras would show more of Punjab than its mustard fields, dupatta-cholis, trucks and tractors. Till then, this cricket balle balle makes for a fairly engrossing matinee – 3/5

Mayank Shekhar (Hindustan Times) – As an idea, this remains still a full-on film festival designed around the female lead. She is decent. She usually is. But, what is this film? – 1/5


WantedWANTED is directed by Prabhu Deva and stars Salman Khan, Ayesha Takia and Prakash Raj.

Taran Adarsh (Indiafm) – On the whole, WANTED rides on Salman, Salman and only Salman Khan’s star power. A masala film that’s aimed at the masses, WANTED is backed by tremendous hype and hoopla, which will result in the film taking an earth-shattering start at the ticket window – 4/5

Anupama Chopra (NDTV) – Yes, there is plenty here for action buffs, including a ripped, shirtless Salman going on a killing spree in the climax. The rest of us should just steer clear – 1.5/5

Raja Sen (Rediff) – Khan might be having fun, but the fact a film like Wanted underscores is how badly Bollywood needs a breed of younger leading men. And how the existing lot need roles that fit – 2/5 

Rajeev Masand (CNN IBN) – For die-hard fans of the star who don’t have a problem with extreme violence and juvenile comedy, this might be a treat. For others though, it’s strictly average entertainment. Carry cotton for your ears and a Crocin for the headache – 2/5

Minty Tejpal (Mumbai Mirror) – In a nation where crooks sit in Parliament and mammoth corruption scandals are made to disappear conveniently, Salman Khan is the real poster bad boy, an Indian icon far truer than most other created ‘brands’ around. So let us celebrate the self-man, instead of constantly denigrating him – 4/5

Kaveree Bamzai (India Today) – The question why occurs to you several times during the movie. Why was it remade in Hindi? Why did Salman work so hard for a film that was so obviously coming after Ghajini had been there and done that? And why did Boney Kapoor spend so much money on making this? – 1/5

Khalid Mohamed (Aslibaat) – Sure, Salman Khan strives to be uber cool;  it’s only because of his star presence that you watch this potty pourri. Otherwise, for most of those seeking three hours of a chill-out at the multiplex, Wanted is about as desirable as bullets-‘n’-guns in your boudoir – 2/5

Mayank Shekhar (Hindustan Times) – The hinterlands will be happy. But what’s the story? Well. That’s what producer Kapoor paid up Rs 12 crore in copyrights for, by the way. Such s**t, better be hit! – 1.5/5

Jaya Biswas (Buzz18) – An out-and-out entertainer, Salman is sure to enthrall you not only with his action but his brilliant dance steps – 3/5

Gaurav Malani (Indiatimes) – There are times when you care a damn for nutrition and want to indulge in some lip-smacking junk food. Wanted is just that recipe. Never mind some extra calories! Try watching it in a single screen – the cheese melts faster there – 3/5

So, its 2.5 for Dil Bole Hadippa and Wanted has scored on both the extremes! 

quickgun muruganYenna Rascala, whats the score ? Seven films this friday! We say, phunk it. We are interested in only one, Shashanka Ghosh! Dont mind it!

The film stars Dr Rajendra Prasad in lead role alongwith Naseer and Rambha. Few early reviews are out.

Taran Adarsh (Indiafm) – On the whole, Quickgun Murugan is an innovative experience. The adventures should appeal to the youth mainly – 3/5

Anupama Chopra (NDTV) – Quick Gun Murugun isn’t the roller coaster ride it could have been but I still recommend you make time for it. Because it’s wacky, original and inventive – 2.5/5

Chandrima Pal (Rediff) – QMG is as delicious as Mrs Murugan’s dosas. As Rice Plate would have said, “A1, Tip Top! – 3.5/5

Khalid Mohamed (Aslibaat) – The film’s chief quality is that it is wildly different, madcap and keeps you in a bright mood. Now that’s saying helluva lot in these days of kambakts and kamineys – 3/5

Rajeev Masand (CNN IBN) – If all you’re looking for is a relaxed time at the movies, then believe me, this is Good Fun Murugun – 3/5

Avijit Ghosh (TOI) – You cannot blame director Shashanka Ghosh and writer Rajesh Devraj for not trying something different. They are bang on with the movie’s looks. Too bad, the team fails to create its soul – 2.5/5

Shubhra Gupta (Indian Express) – We like. The rest doesn’t really make our day, `machaa’ – 3/5

Minty Tejpal (Mumbai Mirror) – I hear there’s talk of a sequel in the offing. Well, knowing Shashanka and Devi all too well, if the two talented but stubborn eccentrics do manage to collaborate again, it should be well worth it. Take that I say, Austin Powers – 3/5

Baradwaj Rangan ( New Indian Express) – A kitschy spoof of Tamil Westerns has big laughs and one small problem: even at an hour-and-a-half, it overstays its welcome.

Sanjukta Sharma (Livemint) – You either get Quick Gun or you don’t. But just watch the film for the experiment it is. There aren’t so many out there.

Kaveree Bamzai (India Today) – I would rather watch a Rajnikant movie in Tamil with no subtitles for entertainment – 1/5

Gaurav Malani (Indiatimes)The 2-minute parody of Shah Rukh Khan in Om Shanti Om (from where the character of Quick Gun Murugun was derived) is much more entertaining than this entire excuse for a movie. So much of noise on the pretext of parody! We do mind it  – 1.5/5

Except few reviews, it seems the score is between 2.5/3 for QGM!

Its bit early but its a big one and so the reviews have already started trickling in.

Taran Adarsh (Indiafm) – Earth shattering opening weekend & historic week 1 – 3.5 stars

Gaurav Malani ( Indiatimes) – This one is dumb-akkht ishq! – 1 star

Raja Sen ( Rediff) – The pursuit of akkiness – 1.5 star

Mayank Shekhar (NDTV) – I dare you to watch it – 1 star

Mayank Shekhar (Hindustan Times ) – Surgeon genereal’s warning – 1 star (Is Mayank writing two reviews of the same film ?)

NYTimes – The bollywood sign.

Rajeev Masand ( CNN IBN) – Kambakkht Ishq is vulgar & offensive – 1 star (poor)

Kaveree Bamzai (India Today) – Punjabi family porn – 2 stars

Shubhra Gupta ( Indian Express) – Perfect for the undemanding-whats-new-at-the-plexes crowd. 

Minty Tejpl (Mumbai Mirror) – Crass N risque – 2 stars

Baradwaj Rangan (New Indian Express) – Old is cold.

As expected, its Taran Adarsh on one side and rest of them in other. That’s the differnce between a trade analyst and a  film critic.