KAUFMAN - "Or cramming in sex, or car chases, or guns. Or characters learning profound life lessons. Or characters growing or characters changing or characters learning to like each other or characters overcoming obstacles to succeed in the end. Y'know ? Movie shit."
Kaufman is sweating like crazy now. Valerie is quiet for a moment - from "Adaptation".
We are all about CINEMA. That movie shit.
NOTHING is sacred.
NOBODY is spared.
Because we talk about films, dammit.
Not your sex life.
Films, fests, unsung, indies, undiscovered - all that and some fun. If you have dope on anything related to cinema or you would like to share something, do write to us at moifightclub@gmail.com.
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The film has been directed by debutant Anusha Rizvi and produced by UTV & Aamir Khan. The main cast includes Omkar Das Manikpuri, Nawazuddin Siddiqui, Raghubir Yadav, Shalini Vatsa, Malaika Shenoy and Farukh Jaffer. Screen Daily has published the first review of the film. You can click here or keep on reading here. The review follows..
Peepli Live is a film about land ownership and suicide that makes you laugh. Anusha Rizvi entertains with a bawdy take on the rural class struggle as she examines a serious injustice in India today.
Scripted with raunchy wit and superbly acted, Peepli Live is likely to play on the international festival circuit before reaching art houses. While its widest exposure outside India is likely to remain the Indian diaspora, critics can be expected to spread the word about this new director.
Rizvi’s first film has a huge cast, but its story focuses on everyman Natha (Omkar Das Manikpuri), a poor pot-smoking farmer in the village of Peepli who can’t pay back his government loan. Thousands of farmers in financial trouble commit suicide every year in India, and when Natha learns that the government will compensate suicide victims’ families with 100,000 rupees, he considers giving it a try.
When word gets out, the press and politicians turn his case into a frenzied spectacle, milking Natha’s dilemma for headlines and profit.
Rizvi, a television journalist, handles her subject like a veteran director. Her script comes to life in wise earthy dialogue among the most disadvantaged characters.
As Natha, Manikpuri offers the hopelessly honest observations of a bewildered man. Malaika Shenoy is shamelessly vain as a TV reporter who stumbles onto a career-making story. Production values are high. DP Shanker Raman’s camera takes the small village apart, much as the talented Ms. Rizvi has exposed the hypocrisy and humor of her society.
For trailer/promos/story/synopsis of the film, click here.
Because its Indian Ocean. Its their story. Its all about their music. And if you are not a fan of Indian Ocean, what are you listening ? Or what are you smoking, dude ?
From Kabir to Kashmir, Narmada to North-East, Indian Ocean’s music has the sound and soul of India. The roots that makes it an original and unique voice. And they just dont sing those songs, they believe in it, they live by it.
Jaideep Varma’s documentary Leaving Home starts with a really funny and smart line, the funniest I have ever read on a film’s opening credit. Actually even before the credit rolls. Am not going to spoil the fun by telling you the line.
The documentary unfolds in different chapters, based on their songs and tells the story of all the four band members, one by one. Susmit Sen, Rahul Ram, Amit Kilam & Asheem Chakravarty. How the band was formed, new members, entry, exit, girl in the band, girl gone, days of struggle, no money, first performance, first song, first album – many unknown and known stories are documented through family members and freinds.
Sometimes you cringe at the way the handheld shaky camera is used, you can spot the boom mike, its shadow, the lapel mike wires, the second camera in the frame while the first one is shooting and wonder why the makers could not cut it out at the edit or just be little more careful during the shoot. But if you are an Indian Ocean fan, you just sail through without wondering much about it. Because this is one untold story that needs to be told.
The tone is intentionally raw & rugged, the space has not been polished to make it look better, much like what the music of Indian Ocean is all about. Also, as a friend pointed out, there is enough drama in their story to convert it into a feature film but here everything has been kept subtle without hammering it down the throat with loud music and going extreme close up to record the tears rolling down, as the news channels intentionally do in their features.
At one tense moment, the camera remains on Asheem, when he is talking about his childhood and then he goes silent for few seconds and you wait and wait, not knowing what is he going to say next. But Jaideep holds it back without intruding his space for any kind of emotional manipulation.
The film was edited much before Asheem’s death but now it seems too uncanny. May be it was all written. The film opens with Asheem’s voice, it closes with his story and there is a clip of him singing “wahan kaun hai tera… musafir…jayega kahan…dum le le ghadi bhar…yeh chaiyaan payega kahaan! Gave me goosebumps all over. Still seems unbelievable that the man on the screen is not anymore with us.
Towards the end, at another point, the director even asks the band members about their future plans. What will they do when they grow old or are the worried about tomorrow ? what will happen next ? Then, they didnt. Now, we know something.
And thats why this documentary is important. We dont have the tradition of documenting our cultural history. Films, music, art, theatre…we never bothered. Lost it all. Its great that someone thought about Indian Ocean and documented their times and music because with one core member gone, it will never be the same again. I know that they got new members, they will continue with their music but somehow I already have a mental block. May be, am thinking too much. But there is some good news too. Have been told that there are many pending tracks that has Asheem’s contribution in many way.
So, three cheers to their music. And more cheers for documenting the tales of their music. Jaideep is trying to get a theatrical release for it. Hope it happens soon. And those of us who saw the film, were expected to talk about it, if we liked it, so that atleast twenty people would buy the ticket when it releases. I hope it goes much beyond twenty.
Do this favour to yourself. When it releases, buy the ticket. Its one ticket for lot of music. And if you know & love Indian Ocean, I know you will do it for sure.
PS – As always, Sudhir Mishra’s sound bites are priceless, with Che Guevara on the back wall and Hazaroon Khwashein Aisi on the side wall.
PS1 – Jaideep is also planning a four hour version of it with more music and more stories. May be for the dvd.
PS2 – A friend made a very relevant comment after the screening. If your kid is still feeling suicidal, forget Aamir Khan & 3 Idiots, go watch this film. Who said life is going to be easy. But see, there is way to do it. These guys did it, lived it, enjoyed it. And then you would not mind dying for it too. Just dont waste it.
Here is an excerpt from the documentary…Asheem and more…
Before you wonder which year’s National Awards, have a look at the list first. You will be tempted to say more after checking the list.
Best Film – Antaheen
Best Director – Bala ( Naan Kadavul )
Best Actor – Upendra Limaye ( Jogva)
Best Actress – Priyanka Chopra ( Fashion )
Best Actor in Supporting Role – Arjun Rampal (Rock On)
Best Actress in Supoorting Role – Kangana Ranaut (Fashion)
Best First Film of a Director – Neeraj Pandey (A Wednesday)
Best Film providing wholesome entertainment – Oye Lucky Lucky Oye
Best Childrens Film : Gubachigalu (Kannada)
Best Animation : Roadside Romeo
Best Playback Singer (male) : Hariharan (Jogva)
Best Playback Singer (female) : Shreya Ghoshal (Antaheen & Jogva)
Best Choreography : Chinni and Rekha Prakash (Jodha Akbar – azeem-o-shaan shenshah)
Best Costume Designer – Neeta Lulla (Jodha Akbar)
Best Cinematography – Aveek Mukherjee ( Antaheen)
Best Screenplay – Sachin Kundalkar (Gandha )
Best Music Direction – Atul & Ajay (Jogva)
Best Lyrics – Anindya Bannerjee & Chandranil Bhattacharya ( Antaheen)
Best Special Effects – Mumbai Meri Jaan
Best Make Up Artist – Moorthy V ( Naan Kadavul)
Best Audiography – Pramod J Thomas ( Gandha)
So, where are we headed ?
The JURY (read culprits) – Panel was headed by Shaji N. Karun (hmmm). Members – Roshan Taneja, H M Ramachandra, Nagma (really ?), Satyabrata Kalita, Neelakanta, Dilip Ghosh, Swapan Mullick, Sudesh Syal, S.K. Srivastava, Archana, B. Shashi Kumar, Subhash Sehgal, Santosh Desai and Sreelekha Mukherjee.
Who are all these people ? Can someone enlighten us ? Except few, not sure about others and their credentials.
Among the other awards are…
Best Film on National Integration – Aai Kot Nai ( Assamese)
Best Film on Social Issues – Jogva (Marathi)
Best Film on Environmental Conservation – Jianata Bhoota (Oriya)
Best Film on Family values – Little Zizou
Best Chilren’s Film Award – Gubbachigalu
Best Child Artist – Master Shams Patel ( Thanks Maa)
The Special Jury Award – Bioscope ( Malayalam)
Best Assamese Film – Mon Jai
Best Bengali Film – Shob Charitro Kalponik
Best Hindi Film – Rock On
Best Kannada Film- Vimukthi
Best Malayalam Film Thirakkada
Best Marathi Film – Harishchandrachi Factory
Best Tamil Film Veranam Airam
Best Telugu Film – 1940 Lookagramam.
Best English Film – Land Gold Women
Best Kokborok Film – Yarwng
Best Tulu Film – Gaggara
In the Non-Feature film category…
Best Short Fiction Film – Stations (Emmanuel Palo. Producer – FTII)
Best Direction – Umesh Kulkarni (Three of Us)
And the award for the Best Book on Cinema is for Bollywood Melodies (Ganesh Anantharaman). Also Special Mention to The Director’s Mind (Ujjal Chakraborty).
Best Film Critic – Altaf Mazid and R K Bidur Singh.
This friday, its the attack of the Pindharis! Anil Gadar Sharma returns with Veer starring Salman Khan, Zarine Khan, Mithun Chakraborty, Sohail Khan and Jackie Shroff. The story is by Salman Khan. Beat this!
Here are some early reviews which suggests that Veer belongs to that rare dud tribe who die on their birthday! Born to die friday Species.
Anupama Chopra (NDTV) – The best thing about Veer is that it is comic book cinema no pretensions. Without a trace of embarrassment or apology, Sharma goes full throttle on speeches to the motherland, honour, mardangi. And as Manmohan Desai told us decades ago: Mard ko dard nahin hota, so Veer snarls and slices through men without pausing for breath – 2.5/5
Raja Sen (Rediff) – The son of a legendary hero grows up and attempts to follow in his father’s footsteps, however bloodthirsty this road may be. It is standard Bollywood cliche, but Salim Khan, one of our most iconic screenwriters, deserves a better tribute than son Salman, credited for the film’s story, churning out this unbelievably hackneyed period disaster – 1/5
Gaurav Malani (ET) – Salman Khan gives a powerful performance in real sense. He is so prominent in the film that not even his brother Sohail Khan gets one consolation scene. Mithun Chakravarthy is the only one who stands on his own other than Salman Khan. Zarine Khan is a replica of Katrina Kaif and using the same dubbing artist adds to the analogy. Lisa Lazarus is absolutely wasted in a 2 scene role. Jackie Shroff is repetitive in his villainous act. You have to be a braveheart to watch Veer – 2/5
Shubhra Gupta (India Express) – Salman is the last Khan standing. It makes not a whit of difference to him and his directors that the space for retrofitted 70s packages has shrunk to nothing : Salman, In and As Veer, defiantly dances, romances, and bests his enemies in combat— hand-to-bare hand, and because `Veer’ is allegedly a period film, sword-to-clanging sword – 2/5
Taran Adarsh (Indiafm) – VEER drives home a few hard facts…No amount of gloss can substitute for an engaging story. Not all directors are capable of pulling off a period film. No star – howsoever strong his rankings are – can infuse life in a comatose script – 1/5
Khalid Mohamed (PFC) – A battle’s on, followed by much prattle. How they rattle on about the British Raj and a desert-principality presided over by a king, mostly garbed in outfits which are crow-black. Quite tack. In effect, then, Veer is a waste or resources, talent and of course, our time..and ticket money – 2/5
Rajeev Masand (CNN IBN) – Even if you’re willing to forgive all the historical inaccuracies and the complete disregard for detail, Veer starring Salman Khan, is still an impossible film to appreciate.Unacceptable in these times. From Cameron’s Pandora to Anil Sharma’s Pindhari, we’ve come a long way baby – 2/5
Nikhat Kazmi (TOI) – Now no one’s doubting the fact that Salman Khan’s a thoroughbred veer. For, it does take a whole lot of bravado to pick up a blast from the buried past and present it an age when everyone is determined to tell a brand new story in Bollywood. Of course, films like Lagaan and Jodhaa Akbar did manage to strike a chord with the newbie viewers too, but they were more like exceptions to the rule. By and large, the scheming Brits and their grab-India story has been confined to the creative bin when it comes to modern Indian cinema, song and literature – 2.5/5
Mayank Shekhar (HT) – It belongs more to Bollywood of back in the day: a song designated for smokers every few minutes; crispness, hardly a narrative virtue; three hours, the accepted clock-time. And yet in trying so hard to win acclaim and scale, the film goes all over the place – *Gladiator, Troy, Braveheart* – complicating matters for its easy viewers – 1.5/5
Minty Tejpal ( Mumbai Mirror) – Veer is a very, very terrible film, which has lots of thudding hoofs, bloodstained swords, chopped-off heads plus brawny men hooting and fighting. What Veer doesn’t have is any kind of a script or a director, forget about any other related sense or sensibility. The film is a brutal assault on all your senses, with lousy direction constantly competing with mediocre acting struggling with a garbled period story, and one has to indeed be very ‘veer’ not to cry and run away in sheer fright – 1/5
Time to pat our back! Do it guys. Its a hattrick! We were the first to tell you about Tera Kya Hoga Johnny’s internet leak (thnx to our good friend Puneet), about Harischandrachi Factory’s Oscar disappointment and now this one. Those who follow us on twitter, know it well. Ok, enough of being loudmouth brag like Sajid Khan!
Since the news is out now, we can happily reveal it all. We told you about this news in this post but didnt reveal the name. And that was alsmot 10 days ago. The hint we gave was in the form of an anagram – I see you, Luly! Read it as I C U, LULY. Jumble the letters and you will get the answer – its Lucy Liu.
Yes, Lucy Liu is coming to India soon to make her directorial debut and shoot a feature film. Its tentatively titled Half The Sky. The story is set in Bihar and it deals with human trafficking. The buzz is that Tannishtha Chatterjee has been signed for the film. Watch out this space for more updates soon.
Yes, its official. And it was expected. Indian’s official entry to this year’s Oscar Award in the Foreign Language Film Category was Marathi film Harishchandrachi Factory. Sixty five films had originally qualified in the category.
The nine films which have been shortlisted for the next round are…
Argentina – El Secreto de Sus Ojos (Director – Juan Jose Campanella)
Australia – Samson & Delilah (Warwick Thornton )
Bulgaria – The World Is Big and Salvation Lurks around the Corner (Stephan Komandarev )
France – Un Prophète – (Jacques Audiard )
Germany – The White Ribbon – ( Michael Haneke )
Israel – Ajami – ( Scandar Copti and Yaron Shani )
Kazakhstan – Kelin – (Ermek Tursunov )
The Netherlands – Winter in Wartime – ( Martin Koolhoven )
Peru – The Milk of Sorrow – ( Claudia Llosa )
Out of the nine films, five will make the final cut for the nomination which will be announced on February 2nd, 2010. And the Academy Awards will be presented on March 7th, 2010.
BTW, Harishchandrachi Factory is releasing on 29th January. And do watch the film. The early reviews and the buzz from the festivals has been quite positive so far. The film is directed by Paresh Mokashi who has been doing theatre since last twenty years. Harishchandrachi Factory is Mokashi’s debut film.
The film traces the obstacles and hurdles faced by Dhundiraj Phalke (Dada Saheb Phalke), also known as the father of Indian cinema,while he was making the first Indian film Raja Harishchandra in 1913. And here is the theatrical trailer of the film…
And you know where! If not, ask the pirates. If you still cant find it, then also its fine. Dont worry, wait for its theatrical release. But the news is shocking for sure.
If the big boys could not save Wolverine, whats the big deal about Johnny. Recently it happened the same with Anurag Kashyap’s Paanch also which was rumoured to be leaked out by the director himself because Anurag was tired of waiting for its theatrical release. Ashutosh Gowariker’s Whats Your Raashee was also leaked out before its theatrical release. Its another matter that nobody wanted to watch it for free also.
Tera Kya Hoga Johnny is directed by Sudhir Mishra and stars Neil Nitin Mukesh, Kay Kay Menon, Soha Ali, Shahana Goswami, Karan Nath and Sikandar who plays the lead role of Johnny.
But it seems both the director and producer are clueless about it. Or is it Sudhir Mishra who was frustrated waiting for its release, got inspired by his good freind Kashyap and leaked it out himself ? Or it got leaked out through a festival screener ? The film was doing the festival round. Aha, conspiracy theories and more! Whatever it is, but now Johnny seriously needs to worry ki ab kya hoga!
Update (29-07-2010) – The international trailer of Peepli Live is out. Pause at 1:06 and please let us know who is the culprit for such superb subtitling.
Update (26-01-2010) – The first review of Peepli Live is out. Click here to read the review.
Update (18-01-2010) – UTV Motion Pictures has blocked all the trailers/promos of the film. And this is not the first time. It happened recently with UTV’s other film Raajneeti also. There is something surely wrong with UTV! But praise the soul who did the good deed and uploaded it again. Click here to see the official Peepli Live channel on Youtube. Or scroll down here. The last three dialogue promos are working.
If 2009 belonged to actor Aamir Khan, then get ready to see him in producer’s avataar in 2010. Not one or two, but Aamir Khan Productions has three films up for release. And the first one is Peepli Live directed by debutant Anusha Rizvi. Here is the new trailer.
And the first few dialogue promos of the film are out too. Have a look.
The film has been selected for the Sundance Film Festival and will compete with 13 other films in the World Cinema Narrative Competition. The main cast includes Omkar Das Manikpuri, Nawazuddin Siddiqui, Raghubir Yadav, Shalini Vatsa, Malaika Shenoy and Farukh Jaffer.
And here is the official synopsis of the film…
Natha a poor farmer from Peepli village in the heart of rural India is about to lose his plot of land due to an unpaid government loan. A quick fix to the problem is the very same government’s program that aids the families of indebted farmers who have committed suicide. As a means of survival Farmer Natha can choose to die!!! His brother is happy to push him towards this unique ‘honor’ but Natha is reluctant. Local elections are around the corner and what might’ve been another unnoticed event turns into a ‘cause celebré’ with everyone wanting a piece of the action. Political bigwigs, high-ranking bureaucrats, local henchmen and the ever-zealous media descend upon sleepy Peepli to stake their claim. The question on everyone’s lips – “Will he or Won’t he?” As the mania escalates what will be the fate of Farmer Natha; nobody seems to care how he really feels?
The official website of the film is also up and running. Click here to go the homepage.
Will the so called marketing monster Aamir Khan turn these small films big too ? If he can, then everyone else can shut up forever. If he cant, then we know that only mainstream formulas (Fanaa, Ghajini, 3 Idiots) can become big, and you dont need any genius to deliver that! For confirmation, ask Akshay Kumar.
This friday there are two hindi releases. One is the biggie Chance Pe Dance directed by Ken Ghosh (Ishq Vishq, Fida) starring Shahid Kapoor and Genelia De Souza.
The other film is the indie The Waiting Room, produced by Sunil Doshi, directed by Maneej Premnath and starring Raj Singh Chaudhary (Gulaal). Lets see if Chance Pe Dance got any chance.
Anupama Chopra (NDTV) – It seems like both Genelia and Shahid are squeezing in as many expressions as they can into each scene to compensate for the lack of a coherent script. But all their energy cannot fire up this inherently dull film. Chance Pe Dance isn’t the hot weekend ticket you were waiting for – 2/5
Shubhra Gupta (Indian Express) – You also wish there was more energy in the sequences that fill in the spaces between the work-outs on the dance floor : the film gets lax too often. And the choreography could have been much more exciting to match an actor who is such a fleet-footed mover and shaker : the only one who’s perhaps a tad better is Hrithik Roshan. Kapoor needs a story with more depth, and direction – 2/5
Raja Sen (Rediff) – There are a few warm touches and Kapoor occasionally manages to sparkle. But there are far better places for a showreel than in a movie theatre. It’s mostly harmless, and certainly harebrained. Leave it to the Shahid-obsessed – 1.5/5
Rajeev Masand (CNN IBN) – Ken Ghosh borrows liberally from such Hollywood films as School of Rock and the Jessica Alba-starrer Honey. But with it’s theme of a struggling actor’s ultimate vindication, in the end I suppose Chance Pe Dance could be described as “Luck By Chance-For-Dummies”. Although it would be a crime to mention the two films in the same breath – 1/5
Gaurav Malani (ET) – Sadly, scripts are written for reality shows today but there is no real good scripting involved in feature films. So in times when dance talent-hunt shows on television promise more drama and entertainment, you find no good reason why to give this dance a chance – 2/5
Nikhat Kazmi (TOI) – The film may not have the emotional quotient of Ishq Vishq, Shahid and Ken’s first film that set the box office on fire, yet it does have its moments. A better scripted, less cliched second half would have surely given the film a better chance to dazzle and shake – 3/5
Taran Adarsh(Indiafm) – Shahid makes a sincere effort and the honesty shows in a number of scenes. But let’s not forget that the best of actors cannot rise beyond a pitiable script. On the whole, this dance stands no chance – 1.5/5
Abhijit Mhamunkar (Buzz18) – There was much buzz in the media about the film being rewritten and re-shot after changing the original heroine, Jiah Khan – replaced by Genelia D’Souza. Also, Oye Lucky! Lucky Oye! writer Manu Rishi was roped in for additional dialogues and scriptwriting. But you wonder what changes the makers have made, because neither is the film entertaining nor presenting anything new – 1.5/5
Mayank Shekhar (HT) – Between those patchy, over-decorated music television tracks, the banal hero fails a courier boy’s job; sleeps in a car (when he could’ve moved in with his girl); joins a school to teach dance; enlists kids to win a competition; enlists himself to win a talent hunt… The show goes on, and so on, and so forth. As does the refrain: “Tu star ban sakta hai. Tu star ban gaya. Mein star banaunga….” (Whatever that means) – 1.5/5
It seems Ken Ghosh can go back to making music videos. Next is Chance Impossible! Will update with more reviews as soon as they are out.
And not a single review of The Waiting Room so far ? What happened to the indie supporters ?