Archive for the ‘film’ Category

Times of India’s film critic Srijana Mitra Das has given 4 stars to Sajid Khan’s Housefull2. Who is this enlightened soul? Someone please introduce us to him/her. Seems like a bong. And a bong with such unique taste in cinema must belong to some rare tribe. Anyway, if the 4 stars weren’t baffling eough, there’s more to the story. Take a look at this pic.

This is the Bangalore edition of TOI. Have taken a screengrab of the review page. Reviewer is the same Srijana Mitra Das and rating is 4 stars. Now take a look at this next pic.

This screengrab is from the Chennai edition of TOI. Again, reviewer is the same Srijana Mitra Das. But the rating is 2.5 stars. Who ate up my 1.5 stars?

Same film, same reviewer, same newspaper but two editions and two different ratings.

WTF!

Who writes the reviews? Who gives the ratings? Does Srijan Mitra Das really exist?

CAN SOMEONE PLEASE EXPLAIN THIS TO US?

Tip – Yashpal Singh/Dhanya Rajendran

The much anticipated trailer of Dibakar Banerjee’s Shanghai is finally out. Have a look.

So far Dibakar’s record has been cent percent – 3/3. Will he deliver once again? Going by the trailer, it surely seems so. But then, political films are a different beast.

SEZ, activism, murder, accident, conspiracy theories and the mess and madness kicks in. And then a ball drops in – yeh khelne ki jagah hai kya? Aha, that Dibakar touch. So refreshing to see Emraan Hashmi getting out of his comfort factor and doing it without anything remotely sufiyana. Wouldn’t be surprised if he overshadows Abhay Deol. And Kalki looks perfectly vulnerable.

Strangely, the text doesn’t mention Khosla Ka Ghosla. It says “from the director of Oye Lucky Lucky Oye and Love Sex Aur Dhoka”. Why would you not mention KKG?

Kasam khoon ki khayee hai….yeh shahar nahi Shanghai hai – Ok, am sold. Now bring it on.

Writing credits include Urmi Juvekar and Dibakar Banerjee and unlike others it mentions the book Z by Vassilis Vassilikos.

At the end of it the only thing that doesn’t sound convincing is the title – Shanghai.

Sunny Deol will soon be seen in a new film titled Bhaiyyaji Superhitt and will be essaying a double role for the first time in his career.

Bombay Times “Exclusively Unveiled” the first look of the film on Monday. Have a look at this picture.

All good, right? Well, now take a look at this picture of Johnny Depp. It’s from GQ cover.

If you are smart, then photoshop can do wonders. But you don’t commit blunders like this. Nobody expects any great journalism from Bombay Times but the least you can do is to verify the pics and the info. You just don’t put Deol’s head on Depp’s body. As the popular contest goes, now spot the 10 differences in the next picture.

Have fun.

Pics and info courtesy – The Daily Honey

If you have been a regular follower of this blog, you surely know about Subrat. If not, you can read some of his old posts here, here, here and here. So as we all discussed Kahaani, we realised there’s more to it. And who better than our favourite Prof. Saab to do the dissection. Was it just “if you can’t convince them, confuse them”? Or was there more?

Read on, scratch your head and do put your comments. And read only if you have seen the film. Otherwise it wouldn’t make sense. SPOILER ALERTDON’T GO AHEAD if you haven’t seen it yet. Go and watch the film and do come back. It will be fun!

It is a rare film that receives both critical acclaim and box office success. Kahaani seems to have managed that. The central cast and the editing have earned well deserved praise. Kolkata has been lovingly shot and, as many reviews have noted, is almost a character in the film. A lot of people have called it a taut thriller. This is where our paths diverge. For me, Kahaani is as much a taut thriller as Golmaal – 2 is a cerebral comedy. I admit it was nicely paced but a taut thriller has to satisfy a more fundamental criteria – the plot should make sense. It didn’t make the cut for me. I have watched it only once and I am ready to admit I might be wrong on this. I guess the best course of action is to put my reservations on the plot here and seek your responses. I have left out a couple of issues that have been discussed on other blogs which bothered me as well; namely, Vidya’s recollections of her husband had Milan Damji and the fact that Vidya was introduced as Vidya Venkatesan Bagchi at the start of the film. I can live with these as I did with such chicanery in that other ‘taut thriller’ A Wednesday.

 1. Please help me explain the motive of Bhaskaran (Dhritimaan), the IB Chief. He was complicit with Milan Damji or may have even been the kingpin. Why did he then send Khan (Nawaz) immediately to Kolkata the moment he heard someone enquiring about Milan Damji? Nawaz is portrayed as a competent officer and wasn’t complicit. So, why was he digging his own grave by sending him over there? Instead, he should have been trying to provide as little help to anyone trying to enquire about Milan Damji.

2. Why did Bhaskaran approach Darshan Zariwala (the retired IB officer who had trained Milan) and ask him to come back to IB to nab Milan? Not satisfied with #1, he wants another of his good officers back to get hold of Milan Damji. Don’t tell me he was keeping up the appearances so that no one suspects him. This man seems to be suicidal.

3. What kind of investigation had Nawaz done the first time around? He hadn’t even spoken to Agnes (the HR lady of National Data Centre). Had he done so, he would have found the dusty file of Milan in that old, abandoned office and his address long ago. Didn’t Darshan Zariwala know anything about Milan while training him to help Nawaz in his investigations? I mean before Milan turned against the system, the IB should have had a good idea of where in Kolkata was he staying etc.  Also, why was Milan Damji working in National Data Centre under his real name?

4. After hacking Shridhar’s computer and copying all the files, the only file that seemed odd was the file that Bhaskaran’s number stored (ha ha) cryptically. This file had Bhaskaran’s number in an alphabet code. Shridhar could have stored Bhaskaran’s number in his own phone and named it ‘chimpu’ for all I care. And, what’s wrong with Shridhar having Bhaskaran’s number. After all, the IB seemed to have been sending their officers to NDC quite frequently and it’s normal for Shridhar to have known Bhaskaran. So, how did Nawaz conclude only the basis of that stupid cryptic code that his boss is the brains behind it all? And, that moment when Nawaz dials that number and find ‘Bhaskaran Old’ flashing on the mobile screen was classic. It was that ‘Sirjee’ moment of Kaho Na Pyaar Hai (another ‘taut thriller’?)

5. Didn’t Nawaz keep his boss in the loop during his stay in Kolkata? Then, Bhaskaran would have known that Nawaz is now using a pregnant woman to get to Milan Damji and eventually to him.

6. Why was that HR lady who replaced Agnes so happy to help Vidya and Rana in sneaking into Shridhar’s cabin? She knew the previous incumbent (Agnes) was shot dead after trying to help Vidya. Another suicidal character? And, what kind of a IB haunt is the NDC where there is a lone guard at the entrance while there’s a rear exit unguarded?

7. Why did Vidya kill Shridhar? It was made to appear she did it deliberately so that he wouldn’t be interrogated by the IB directly. But, Vidya and Rana were originally planning to hack into the computer, steal the data and scoot. In which case Shridhar would have lived and Rana (who was working for Nawaz) who would have asked Nawaz to pick him up for interrogation. It was Shridhar who had made sure he would get a message in case someone hacked into his system. This led him back to his office and then to chase Vidya and Rana. It was a convenient thing to show that Vidya planned on killing him when she had no control on Shridhar chasing them after they had hacked into the system.

8. How was Bhaskaran convinced that Vidya had gotten some files from Shridhar’s computer that would lead her to Milan and eventually to him? Why would then Milan come for collecting those files?

9. Why did Bob Biswas kill Agnes? She knew nothing and all she would have gotten is an old file of Milan Damji that would have shown to Vidya that Milan looked like Arnab Bagchi (which she knew) or Milan’s address in Kolkata. In any case, if Bhaskaran was the one ordering the hit (through Shridhar) they should have known there’s hardly anything more Agnes would know about Milan (after all, Shridhar worked in NDC) so what was the point in shooting her. Also, didn’t Shridhar know that there were old employee records that might have Milan’s document in them? It seemed silly not to get hold of it when they were covering Milan’s tracks

I can go on with a few more. May be you have the answers. May be we should all make leaps of imagination to bring credibility to the plot. May be I should watch Kahaani again. May be, one day, we will make a genuine taut thriller.

The theatrical trailer of Habib Faisal’s new film Ishaqzaade is out. It stars debutant Arjun Kapoor (Boney and Mona Kapoor’s son) and Parineeti Chopra. The credits include Hemant Chaturvedi (DoP), Amit Trivedi (Music), Kausar Munir (lyrics) and Aarti Bajaj (editor).

Aha, who would have thought that one day even Yashraj Films would step into such dusty terrain. And not chiffon-ed too like they did with Bunty Aur Babli. That’s a refreshing change. Plus the distinct sights and sounds of the land. The guy looks confident and the girl scored big in a small role in Ladies Vs Ricky Bahl. Now bring it on!

There’s no official synopsis yet but here’s what the official release says…

Rising from the ashes of hooliganism and small town clan wars, comes the love story of a passion ignited by hatred.

Of two people. Born to hate. Destined to love.

One kingdom. One throne. Two wild animals… unpredictable Parma… ferocious Zoya. A battle… deafened by sounds of hate, revenge, bullets and deceit.

A story… about two fiery bloods played by Arjun Kapoor and Parineeti Chopra, and their fight for power and supremacy.

A story about love brewing in a small town burning with hatred.

A story called ISHAQZAADE.

Govind Nihalani and animation film? Why not? And so there’s a film called Kamlu. We had read about it but had no clue that it’s already complete. It’s about a baby camel called Kamlu who wants to fly. The first theatrical trailer is out.

This looks like any other desi animation film – as good or bad. Will our animation films ever look like theirs? And at a time when we are used to Pixar, is there a space for anything substandard? I doubt. What do you think?

Tip – Gazal Dhaliwal

Sometime back we had a put a post on Kabir Chowdhary’s indie film Good Morning. The entire film is online now. Click on the play button and enjoy!

Synopsis: Good morning is a psychological drama that explores the obsessions and insecurities of a married man who is completely dedicated to his wife.
His world is shattered one day when he discovers his wife in Bed with another man.
What happens next is diabolical, cold and shocking.

Starring: Manish Kumar, Sukhmani, Emannuel Singh, Dolly Ahluwalia, Happy Vij, Gick Grewal, Payal, Daanish Singh, Raagini Ghai.

Director:  Kabir Singh Chowdhry
Cinematography: Rahat Mahajan
Editor/Costumes/Art: Sakshi Bhatia
Music: Hari Singh
Screenplay : Kabir Chowdhry and Sakshi Bhatia
Story: Can Themba
Producer : Pate Picture Company(2011)

Awarded The Grand Jury Prize for Best Narrative short at South Asian International Film Festival, New York 2011.
Genre: Psychological Drama
Studio: PATE Picture Company 2011 in association with Mahamudra Film Company
Description :  Good Morning
Fiction(Short)
Running time: 42 Mins
Budget: Rs.30,000 ($600)
Location: Chandigarh
Camera: Canon 5d

Early reviews in bollywood are unlike anything in the rest of the world – you can never trust them. And at a time of social networking, everything spreads like wild fire. So when i heard good things about Ek Main Aur Ekk Tu, the first person who was skeptical about it was film buff and screenwriter Navjot Gulati and rightly so. Big banner, big stars, screening for friends and family and early review by so called trade analysts – why would anyone trust it? And then he saw the film and ran in other direction. Why and how? Read on. Has SPOILER.

The heading is a popular line from a popular tv campaign. However, the Pappu in question here is director Shakun Batra, who did an Aamir Khan impersonation in the song Pappu can’t dance saala (from 2:46 ).

Now, before I start talking about the film, let me tell you that this post is about the film and also about the director. How a rank outsider was able to make such a big debut?  And to top it all, he was able to make a “perfectly average” film with the same banner that made great films (NOT) like Agneepath, Kurbaan, We are Family ( I call it We all Act Hammily) and I Hate Luv Stories. You may wonder what is so common between all these five films including Ek Main Aur Ekk Tu. Interestingly, all of them have been directed by debutant directors.

What sets Shakun Batra apart is the fact that he made a big budget romcom with an indie feel, and, with a banner which is known for making candyfloss films set in unreal world. Shakun is also the one who started the Assistant Director’s community on Facebook which has helped thousands of people since its inception around five years back. One would think it has to be good karma as he was able to make his debut after assisting in just four films. I know people who have been working with top production houses and have assisted in more than eight films and still can’t even write a story, forget about making a film. The point being if you are talented and smart, you will always be able to make a film. Shakun’s smartness was in striking friendship with Imran Khan, who, let’s face it, may not be a great actor but he certainly has an eye for “good” scripts. Yes, if you are an outsider wanting to make big films, this is one way which can work.

Now coming to the film.

EMAET is a film which almost 80 percent of the population of Indian will be able to connect to because every character in the film is relatable. The Goofball dad Philip, sexed up Boolani,  demanding Kapoors, not-in-a-zone-to-get-in-a-relationship Riana, highly-under-the-influence-of-family Rahul and my favorite, the Granny. We all have seen such people around us and that is what makes you believe that this is “your” story.

It starts off as little over the top but it was refreshing to see the detailing in the film and the body language of Imran Khan, an actor known for NOT knowing what acting is. Imran’s family was bit over the top too but then came Kareena, almost like a breath of fresh air and the film was never the same again. She reminded me of Summer Fin from 500 days of Summer – a girl every boy wants to fall in love with. As the film progresses, you know that this is going to end up in only one way but you still want the guy to get the girl and so the movie works.

The movie does not go over the top even in any of the dramatic sequences, like the dinner table chopstick scene and the one in the school corridor. Kareena is so good that I fell in love with her all over again. Last time it was in 2007 with Jab We Met. The character she plays is the girl every guy wants to end up with for the rest of his life. Sweet, sexy, adventurous and caring.

But the one who steals the show is Imran Khan. Finally, the boy becomes man and learns to act and changes his hairstyle too. Watch him in the scene where he goes on a date with Anusha. He is damn funny! This is the first romcom to not have a kiss in the end, or the Indian equivalent to kiss – “hug” or better “marriage”. The film breaks all the clichés of Hindi romcoms and does it in style by having an ambiguous end. Although it is very clear that she does not love him but what the director leaves us with is that lil’ hope, that she may come back to him sometime in the future.

The photography along with the background music sets the mood perfectly and lets you flow with the story smoothly. Just listen to the way Clinton Cerejo jazzes up aaja aaja main hoon pyaar tera. Music by Amit Trivedi is of timeless variety – a rarity in today’s times when music is forgotten a week after the film releases. To sum it up, this is one of those rare films where I could not find a single thing that would put me off, everything was “Perfectly Average”, just like the 90 percent of the world’s population.

(P.S – I know the film has been inspired from various romcoms like What Happens in Vegas, 500 days of Summer, and desi flicks like Jab We Met and Wake Up Sid. But i did not mind the inspiration because the writers made something of their own from the inspired material.)

Jameson Empire had announced a contest for shorts – remake any cult film in just 1 minute. It’s called DISS (Done In Sixty Seconds) and Anurag Kashyap was on the jury.  They have just announced the two films which will compete with films from across the world at the the Jameson Empire Award in London.

The two winners are Mayank Shethiya’s Fight Club and Eternal Sunshine Of The Spotless Mind by the team of Zain Matcheswalla, Vidyut Singh Jaiswal, Arati Kadav and Zenish Mehta. Click on the play button and have a look.

Tigmanshu Dhulia’s Paan Singh Tomar has been ready for quite sometime. And UTV has been sitting on it with no clue what to do with it. All kinds of reports were floating since a year or so. They sent it to few festivals abroad, intial reviews weren’t good, there was a plan to shelve it and then a direct-to-tv telecast. But with Saheb Biwi Ghulam’s success, it seems the film has got a new lease of life.

The problem is Tigmanshu Dhulia seems to be a completely unreliable filmmaker who can go any extreme – from a brilliant Haasil to a crapfest called Shagird and a SBG which is somewhere in between. If PST gets him back in the groove, we will be happy to be proved wrong.

The first look of Paan Singh Tomar is finally out. It stars Irrfan Khan and Mahie Gill. Have a look.

What’s wrong with the background music? There seems to be no sync between the visuals and the sound. What you don’t have in the visuals, you can’t compensate it with dhoom-dhaam-dhadaap. It looks tacky and nothing stays with you. Once over, you don’t feel like watching it again. Quite a disappointing trailer. If we still want to watch it, there’s only one reason – Irrfan Khan.

And here’s the official synopsis

Paan Singh Tomar is an untold true story of a simple farmer, a loyal soldier and a champion athlete who became one of India’s most dreaded dacoits!

Paan Singh was a small town lad who went on to win the steeplechase at the Indian National Games for 7 consecutive years! He broke the national record, a feat that was unsurpassed for 10 years! A series of life changing events however forced Paan Singh to give up athletics, pick up the gun and become the scourge of the infamous Chambal valley in central India. Filled with deep emotions and fateful twists, Paan Singh Tomar is a gritty, no holds barred action adventure set in the heart of India’s gangland, Chambal.