Archive for the ‘reviews’ Category

Wake Up SidTwo big hindi releases this week. Wake Up Sid is directed by 26 year old Ayan Mukherjee and stars Ranbir Kapoor and Konkona Sen Sharma. The film is produced by Karan Johar. So, will Sid wake up this friday ? As I tweeted on wednesday evening, think it will score between 3-3.5/5.  Some of the reviews so far…

Anupama Chopra ( NDTV) – Finally then, Wake Up Sid can’t match Dil Chahta Hai, which even eight years later remains Bollywood’s gold standard for coming-of-age movies. I’m going with a generous three stars and recommending Wake Up Sid with reservations – 3/5

Taran Adarsh (Indiafm) – On the whole, WAKE UP SID is a well-made film that should strike a chord with the youth mainly. A metro-centric film, the film should attract its target audience and should also prove to be the first choice of the elite/urban audience this Friday – 4/5

Rajeev Masand (CNN IBN) – It has its heart in the right place and it marks the breakout of a bright, shining star who has come into his own so early in his acting career. Watch it, and be awestruck by Ranbir – 3/5

Sukanya Verma (Rediff) – Wake Up Sid has its heart in place, but it still doesn’t have much of a plot or novelty to rely upon. That’s why the dialogues could have done with a little more quirk and nifty humour. Having said that, a superlative Ranbir makes it too darn hard to notice – 3/5

Gaurav Malani (ET) – It’s pleasing to see Bollywood warming up to fresh talents like Ayan Mukerji and waking up to compelling narratives like Wake Up Sid – 3/5

Anand Vaishnav (Buzz18) – When the veterans are royally messing up screenplays, Ayan Mukerji deserves full marks for his maiden effort. His conviction shows in every department. Wake Up Sid is easily the freshest film in the marquee – 4/5

Avijit Ghosh (TOI) – In the end, Wake Up Sid becomes a sort of template of how GenNow navigate their lives: deal with their own little rebellions, find meaning to their own definitions of independence and handle their own set of mistakes. It feels good when the two friends finally meet in driving rain under the grey skies by the sea. Refreshing and heart-warming, Wake Up Sid really puts you in the mood for love – 4/5

Kaveere Bamzai (India Today) – So wake up, and go watch Sid and Aisha’s sweet little prem kahani. It’s not as perfect as the decor in Sid and Aisha’s home but it’s pretty. Ad yes, the boy gets the girl, a career and his parents too (with their credit card) in the perfect little summation of our consumerist-driven lives – 3.5/5

Mayank Shekhar (HT) – If anything, this film is just as real if not more. Given the clichéd subject, most importantly, the coolness isn’t fake: something most films pretending to be for or about ‘youth’ don’t quite manage to grasp. You can immediately tell the writer-director (Ayan Mukherjee, a heart-felt debut) has lived though the material. So have the actors. I may not mind living through this again – 3.5/5

Minty Tejpal (Mumbai Mirror) – Ranbir has a charming vulnerability coupled with a cheeky insouciance that makes him superstar material, the kind of boy who is adored both by the dadi and her granddaughter. And thank the cinema gods for Konkona Sen Sharma. The talented actress once again puts in a nuanced performance, as we have come to expect from her. Well done, Sid – 3/5

Shubhra Gupta (Indian Express) – Despite the obvious passages, Mukherjee shows he has a way of adding nuance to a scene. `Wake Up Sid’ is a promising first effort – 3/5

Do Knot DisturbThe other release of the week is Do Knot Disturb starring Govinda, Ritesh Deshmukh, Lara Dutta and Sushmita Sen. The film is directed by David Dhawan.

Anupama Chopra (NDTV) – This is cinema as punishment. Steer clear – 1/5

Taran Adarsh (Indiafm) – On the whole, DO KNOT DISTURB is a mass entertainer that keeps you entertained and smiling/laughing in most parts. At the box-office, this one lives up to the hype and expectations and that in turn should reflect very strongly in its business – 3.5/5

Gaurav Malani (ET) – Fun lies behind closed doors’ reads the tagline of the film. One would rather close doors to such farcical fun. It’s time directors DO NOT take the viewer for granted. Take the cue from the title. Do not bother to disturb yourself for this deafening drama – 1.5/5

Rajeev Masand (CNN IBN) – It’s hard to believe this film was actually directed by someone. Was David Dhawan ever on the set at all? Perhaps Sushmita Sen ate him! That answers two important questions – 1/5

Anand Vaishnav (Buzz18) – Govinda and David Dhawan have made us laugh a lot more in the past. And this is certainly below par for them. Watch it if you are looking for handful a of chuckles. Do not expect more – 1.5/5

Minty Tejpal (Mumbai Mirror) – I think the real reason that Govinda is a much loved star is because of his looks or lack of thereof. To see a round, middle aged goofy looking man with clumsy hair and a huge smile flirt and hug former Miss Worlds is pure value for money, especially for all the fat men in the audience. If Govinda can, so can they – 3/5

As expected, Wake Up Sid is clear winner this week! And lets knot disturb the other.

Whats Your Raashee ?Mr. Tapan, where are you ? You saw the film ? BTW, if you are wondering who is Tapan, click here and check the comments section. (People try too hard but going by our record, we can say that we rarely go wrong. Hope its not sounding too pompous)

And now back to the topic. Call it the Titanic or Ashutosh Gowariker’s Aag, What’s Your Raashee is finally out. Am wondering if  Gowariker has checked his raashee predictions for the day! Because its going to be a long day of only bad news, or reviews!

Yesterday we put out a post on the film and placed our bets. Lets see if we got it right or not. 

The film is directed by Ashutosh Gowariker, produced by UTV, stars Harman Baweja, Priyanka Chopra and has music by Sohail Sen.

Anupama Chopra (NDTV) – Ashutosh Gowarikar is a fine filmmaker who has consistently strived to stretch the boundaries of mainstream Hindi cinema – recall the Oscar nominated Lagaan or the less successful but thought-provoking Swades. What’s Your Rashee is a gargantuan misstep. See it if you must – 1.5/5

Taran Adarsh (Indiafm) – On the whole, What’s Your Raashee ? is a king-sized disappointment – 1.5/5

Sukanya Varma (Rediff) – And boy, what a lady! Priyanka Chopra transforms into 12 new skins with astonishing distinction, voice and spirit. The actress reinvents herself into this unique individual every single time ranging from batty, bashful and boisterous. This is simply her show. If only it weren’t three and a half hours long – 2/5

Rajeev Masand (CNN IBN) – There is no easy way to say this. Ashutosh Gowariker’s What’s Your Raashee? is an excruciatingly painful film to watch. For the most part humorless and misguided, the film lumbers along for an unforgivable three-hours-and-thirty minutes, during which even the most patient viewers might contemplate suicide – 1.5/5

Gaurav Malani (Indiatimes)The mystery on who will Yogesh marry in the end doesn’t hold much thrill as he himself isn’t certain of his choice. He is confused with most options open till the end. The viewer is exhausted for the exit door is still closed – 2/5

Avijit Ghosh (TOI) – Size matters. A less-than-ruthless editor could have easily trimmed What’s Your Raashee by 45 minutes without compromising on its soul. Gowariker seems to have fallen in love with his own work. Too bad, his indulgence prevents the audience from doing the same – 3/5

Suranjana Nandy (Buzz18) – It’s too long. Too inane. And at times, very boring. Buy the DVD, in parts if possible but there’s no way you can sit through it in the theatre – 2/5

Kaveree Bamzai (India Today) – What we have is a boring long epic, with 12 Priyankas, 14 songs and a host of minor characters whom no one particularly cares about – 2/5

Khalid Mohamed (Aslibaat) – it’s too darn lengthy at three hours-24-minutes which actually seem like 300 hours-240 minutes. Or an eternity which called for two intermissions. Mera Naam Boredom anyone? – 1/5

Minty Tejpal (Mumbai Mirror) – Alarmingly, there is no depiction or debate about the crucial in between act – sex, and this in the land of Kamasutra. Now that our divorce rates are spiralling, sexual crime is getting more regular and perverse, isn’t it time we grew up and addressed that little point also? After all, we are a hundred billion strong, so we must have done something to get there – 1/5

On an average, its 1.5-2 for Whats Your Raashee. Its a mixed feeling at the end of the day. Happy that we predicted the direction in which it was going and we are spot on. Sad because we are yet not sure what is Gowariker smoking these days! Can anyone enlighten us ?

Whats Your Raashee ?The first review of Whats Your Raashee is out! This one is from Toronto International Film Festival (TIFF) where the film had its premiere. And as we told you in this post, Whats Your Raashee is indeed 3hrs 20mins long. Variety confirms it. So get ready with your pillows and bean bags if you plan to catch the film!

Back to the review or mini-review. Though the review doesnt say much but click here or scroll down to read the full review. 

For an hour, “What’s Your Raashee?” — the first romantic comedy from director Ashutosh Gowariker (“Jodhaa Akbar”) — zips along on a silly premise: Returning home to Mumbai, a young and handsome Chicagoan (Harman Baweja) has 10 days to find a wife and earn Grandpa’s inheritance, lest his brother’s gambling debt bring the family down.

But as Baweja’s sweet Yogesh proceeds to “interview” each of a dozen ladies (all played by Priyanka Chopra), and the film stretches to a whopping 211 minutes, even Bollywood aficionados will consider breaking the engagement. Likable leads can’t guarantee a sizable dowry upon the pic’s Sept. 25 release.

Each with a different astrological sign (or rashee), Chopra’s prospective brides run the gamut. Girl No. 1 is ditzy; No. 2 is a hot microbiologist with, alas, a boyfriend; the gum-snapping third girl occasions a big dance number; the fourth is painfully shy, a victim of past heartbreak; the fifth is a fussy businesswoman who brings along a prenup agreement; and after the sixth, who believes in reincarnation, there are still six more to go. Two or three peppy songs prove woefully insufficient to sustain a 3½-hour trifle, however good-looking.

The film is an adaptation of the novel Kimball Ravenswood. We hated the music (Sohail Sen), the promos, and now it seems the film will complete the full circle! Should Harman Baweja look for a new career option? Think so. Its high time! And Priyanka Chopra might get her name in some record book for potraying 12 roles in a film but all she needs is just 12 scenes! Watch Kaminey, ask Vishal Bharadwaj!

The film will release in India on September 25th. Am in no hurry to book my tickets! Who knows, might have to watch it in 12 installments!

Dil Bole HadippaTwo big releases this friday. Though neither my Dil Bole Hadippa nor my dimaag WANTs anything. Few early reviews are out. Check out!

Dil Bole Hadippa is directed by debutant Anurag Singh, produced by Yashraj Films and stars Rani Mukherjee and Shahid Kapoor.

Anupama Chopra (NDTV)Dil Bole… is worth seeing for the sweetness and charm that Rani and Shahid conjure up. Catch it if you have nothing else going on this weekend – 2.5/5

Sukanya Verma (Rediff) – If you can discount some of the Veer-Zaara inspired cheesiness to follow along with terrible exercises of humour – namely broken Hinglish exchanges (You Kaala bhainslo, yadda yadda) and gems like, ‘Yeh Indian dil hai. Cello tape se nahi Judta and a reaa-llll-yy long climax, your ‘Dil’ might just find enough strength to mutter ‘Hadippa’. Ha, like that’s ever going to happen – 2.5/5

Anand Vaishnav (Buzz18) – It’s a long weekend ahead. And Dil Bole Hadippa is just the kind of movie you will enjoy with your family. This one is an easy watch – 2.5/5

Gaurav Malani (Indiatimes) Dil Bole Hadippa comes as another feel ‘good’ film from the Yash Raj banner but off late audiences have upgraded to ‘better’ narratives – 2.5/5

Taran Adarsh (Indiafm) – On the whole, DIL BOLE HADIPPA is an ordinary fare. At the box-office, the film has some chances in North mainly thanks to the Punjabi flavour. The holidays ahead may help its prospects at plexes essentially, but the single screens will be dull – 2/5 

Rajeev Masand (CNN IBN) – it’s a crushing bore of a film that’s neither thrilling in its cricket scenes, nor entertaining in its humour. What’s it going to take to expect some originality and inventiveness from one of the biggest players in Bollywood? To be honest, dil bole sudharjaa! – 1.5/5

Minty Tejpal (Mumbai Mirror) – For Rani fans, it’s a must watch, the rest can go see Wanted instead – 2/5

Kaveree Bamzai (India Today) – What do you say to a movie which is a cross between Veer Zaara and Chak De! India? With large dollops of Dilwale Dulhaniya Le Jayenge thrown in? YRF has developed a niche niche now-Punjabi films about sports and involving Pakistan -2/5

Khalid Mohamed (Aslibaat) – Next time around, you do wish the Chopras would show more of Punjab than its mustard fields, dupatta-cholis, trucks and tractors. Till then, this cricket balle balle makes for a fairly engrossing matinee – 3/5

Mayank Shekhar (Hindustan Times) – As an idea, this remains still a full-on film festival designed around the female lead. She is decent. She usually is. But, what is this film? – 1/5


WantedWANTED is directed by Prabhu Deva and stars Salman Khan, Ayesha Takia and Prakash Raj.

Taran Adarsh (Indiafm) – On the whole, WANTED rides on Salman, Salman and only Salman Khan’s star power. A masala film that’s aimed at the masses, WANTED is backed by tremendous hype and hoopla, which will result in the film taking an earth-shattering start at the ticket window – 4/5

Anupama Chopra (NDTV) – Yes, there is plenty here for action buffs, including a ripped, shirtless Salman going on a killing spree in the climax. The rest of us should just steer clear – 1.5/5

Raja Sen (Rediff) – Khan might be having fun, but the fact a film like Wanted underscores is how badly Bollywood needs a breed of younger leading men. And how the existing lot need roles that fit – 2/5 

Rajeev Masand (CNN IBN) – For die-hard fans of the star who don’t have a problem with extreme violence and juvenile comedy, this might be a treat. For others though, it’s strictly average entertainment. Carry cotton for your ears and a Crocin for the headache – 2/5

Minty Tejpal (Mumbai Mirror) – In a nation where crooks sit in Parliament and mammoth corruption scandals are made to disappear conveniently, Salman Khan is the real poster bad boy, an Indian icon far truer than most other created ‘brands’ around. So let us celebrate the self-man, instead of constantly denigrating him – 4/5

Kaveree Bamzai (India Today) – The question why occurs to you several times during the movie. Why was it remade in Hindi? Why did Salman work so hard for a film that was so obviously coming after Ghajini had been there and done that? And why did Boney Kapoor spend so much money on making this? – 1/5

Khalid Mohamed (Aslibaat) – Sure, Salman Khan strives to be uber cool;  it’s only because of his star presence that you watch this potty pourri. Otherwise, for most of those seeking three hours of a chill-out at the multiplex, Wanted is about as desirable as bullets-‘n’-guns in your boudoir – 2/5

Mayank Shekhar (Hindustan Times) – The hinterlands will be happy. But what’s the story? Well. That’s what producer Kapoor paid up Rs 12 crore in copyrights for, by the way. Such s**t, better be hit! – 1.5/5

Jaya Biswas (Buzz18) – An out-and-out entertainer, Salman is sure to enthrall you not only with his action but his brilliant dance steps – 3/5

Gaurav Malani (Indiatimes) – There are times when you care a damn for nutrition and want to indulge in some lip-smacking junk food. Wanted is just that recipe. Never mind some extra calories! Try watching it in a single screen – the cheese melts faster there – 3/5

So, its 2.5 for Dil Bole Hadippa and Wanted has scored on both the extremes! 

Dil Bole Hadippa – Not sure how many of you are interested in knowing more about the film, but if you are, do read on.

In short, DBH = Chak De India + Rab Ne Bana Di Jodi! Thats what it looks like from this post. Produced by Aditya Chopra (Yashraj Films), its directed by Anurag Singh and stars Rani Mukherjee and Shahid Kapoor.

The film had its premiere at the ongoing Toronto International Film Festival. And a blogger Wasabigirl, who saw the film at TIFF has given out all the details about the film on her blog. Every small twist and every plot point of the story. Am sure Yashraj guys will not be too happy to read it. You can read the full post here (including premiere details) or scroll down, after the pics.

Complete story of Dil Bole Hadippa

The film starts out with Veera Kaur (Rani Mukherjee), a hardcore typical Punjabi kudi who is completely obsessed with cricket. She’s so confident of her abilities that she boldly claims that she can hit six sixers in a row, even when a pro pitcher takes her up on the bet. Not only does she succeed in putting the big strong man in his place by hitting all six sixers in a row, she even does so while switching from right-handed batting to left-handed batting! Clearly she is skilled, and as the first song montage Dil Bole Hadippa shows, she is a carefree spirit with very big dreams.

Veera also works alongside Shanno (Rakhi Sawant) and others in a dance troupe that performs regularly. Of course, while they perform, she’s backstage playing cricket with the kids, which is extremely endearing. Most of the time her elders tell her she’s dreaming way too big, but she doesn’t seem to care. She knows that dreams can come true, and for her, they will!

Enter into the story Rohan Kapoor (Shahid Kapoor) and his father Vikram Kapoor (Anupam Kher). Rohan is an accomplished cricket player in England who has lived there for many many years. His mother (Rati Agnihotri) stayed in England while Rohan’s father chose to stay in India and they have remained estranged for all of these years. In this way, Rohan has not returned to India. To get his son back to the land of Punjab, Vikram pretends he’s had a heart attack. Rohan rushes to India, but realizes that his father just wants to spend time with him, since they have been apart for so long. And besides spending quality time, Vikram also has other plans…

You see, Vikram’s close childhood friend, Liyaqat Ali Khan (Dilip Tahil) is from Lahore, Pakistan. To foster peace between the two nations, the friends have set up an annual Peace Cup where a team from Amritsar plays a team from Lahore in a cricket match. It’s all in the spirit of camaraderie, but Vikram and Amritsar have lost 9 times in a row! And now Vikram’s dream is to finally see the Indian team beat the Pakistani team, once and for all. He wants to feel proud again. That’s where Rohan comes in. Vikram asks Rohan to captain the Amritsar team and lead them to victory.

Rohan’s return to India leaves him mostly amused. When he comes across Veera for the first time, her adorably bad English and her defensive patriotism catch him completely off guard. She’s most definitely like no one he’s met before. The scenes between Rani and Shahid are amazing. These two have GREAT chemistry together. I could go ahead and describe their first meeting in more detail, but it’s something you have to see to really appreciate. 🙂

So, as time goes on, Veera finds out that the Amritsar cricket team is holding tryouts for selection. She gets EXTREMELY EXCITED and runs off to become the town’s new batting star. Unfortunately, when she goes to the tryout the security guards and the rest of the men in line scoff at the notion that a woman could play cricket with them. Rani is heartbroken and chastises them for their hypocrisy of revering Goddess Durga yet being unable to respect the women around them.

Veera returns to the dance troupe and is forced to replace the main male dancer in the show, because he’s drunk. In doing so she not only has a spiffy dance number, Bhangra Bistar, with Rakhi Sawant, but she also realizes that she can dress up as a man and possibly fool the cricketers into letting her onto the team! It’s worth a shot, na?

Rani freaks out when she sees that the same foreign jerk who annoyed her, Rohan, is the captain. He’ll figure out it’s her, won’t he?! She stumbles and lies and tells him her name is Veer Pratap Singh. She makes all sorts of bold claims and states that she has never been bowled out in her life. There’s not a man alive who can bowl her out! Vikram doesn’t like her attitude, so he challenges her, ends up bowling her out, and tells Veer to leave. She begs and pleads for a second chance, and Rohan’s father convinces him to give Veer another shot. Veer succeeds in impressing Rohan and is accepted into the team.

Meanwhile, we are introduced to Rohan’s friend from England who has a serious crush on him, Soniya (Sherlyn Chopra). She’s basically there to show off her body in short-shorts and make passes at Shahid’s character, most of which he ignores. 😛

Veer trains with the cricket team and isn’t all that great. Can you blame her? Veer aka Veera is really a girl, so of course she can’t always keep up physically. But Rohan pushes her hard. This pretty much increases Veera’s dislike for Rohan. She sees him as a bossy know-it-all. Anyway, throughout the initial training, we get to see lots of Veer-related hijinks to the song Gym Shim. Rani is pretty adorable as the bizarre Punjabi guy. You just have to see her crazy facial expressions to know what I mean. 🙂

We also get to see some cute flirting and dancing from Rani and Shahid in the song Discowale Khisko. They both can dance so well, yay! And it’s the typical fun Yash Raj number with the gorgeous outfits and tons of background dancers. Oh! And we get to see that Rohan has a thing for Veera. Veera still seems annoyed with him, but Rohan is quite fond of her.

During cricket team practice, Soniya shows up, hoping to ogle Rohan while he’s hard at work (lol, it’s what we were all doing XD). Unfortunately, due to some happenings on the field, Veer ends up tumbling over Soniya and falling on top of her. Soniya thinks that Veer’s trying to get fresh with her, but Veer scoffs at the notion that she would ever want to touch Soniya. Soniya gets pissed and throws her drink on Veer’s face. Veer runs away and Soniya complains about him to Rohan, who runs off to find Veer and talk to him.

Rohan heads off into the change room, calling for Veer. He opens the change room door only to find…a naked Veera?!! O_O (Lol, this part was SO HILARIOUS!!!) Rohan and Veera try desperately and awkwardly to salvage the situation. When Rohan asks what the hell Veera is doing there, she lies and says that Veer is her brother. More insanity and arguing ensues; Rani and Shahid perform brilliantly in a great comedic scene. Seriously, the change room scene is amazing. It’s another one that I can’t really describe, because you have to see it for yourself.

Veera quickly changes back into her Veer avatar, and when Rohan finally finds her, he is all forgiving and sweet. Of course, his reason for suddenly being so nice to Veer is because he just found out that Veera is Veer’s sister, and he wants to make amends. Naughty boy! 😉 Veer lies and says that Veera is probably back at the dance troupe, so they head off together. Veer tries to do whatever she can to get away from Rohan and change back into her regular Veera clothes. She uses the dance troupe show as a diversion and changes back into Veera.

Rohan wants badly to apologize for the things he said to Veera in the change room. She is not willing to relent. But Rohan is not one to give up! As Veera gets on stage and starts performing the show, she gets a big surprise. I don’t really think I can give it away, but suffice it to say that if you’re a fan of filmi references in movies, you’ll love this bit. Shahid and Rani are too cute together! 🙂 So, Veera finally forgives him and all is well in the world again.

The next day during cricket training, Rohan asks Veer if Veera said anything about him the night before (aww!). Veer is confused and asks why Veera would talk about Rohan. Veer then realizes that Rohan is interested in her. It doesn’t sit well with her, so she goes over to talk to Soniya and convinces her to try harder with Rohan. Veer tells Soniya to be more desi and traditional to get her man.

Soniya tries to do just that, wearing a sari and taking Rohan and his father around Punjab for a tour. She kinda fails at being desi, though. 😛 Along the way they run across Veera and the dance troupe truck. Rohan’s father takes a liking to Veera and tells her that if she shows Rohan around Punjab that he might see just how great it really is. Veera is completely fine with showing off the nation that she loves and we are given the very sweet song Ishq Hi Hai Rab. Veera and Rohan spend a lot more time with each other and Rohan becomes more and more comfortable in India.

Veer goes back the next day and tells Soniya to find someone besides Rohan, because, obviously, Veera kinda likes Rohan now. Rohan asks to speak with Veer and says that he wants permission from Veera’s brother to ask her out on a date (double aww!). In another ridiculously hilarious and adorable scene, Veer accepts the proposition and says that Rohan is allowed to ask Veera out.

Time for a cute date with Rani Mukherjee and Shahid Kapoor! Veera shows up looking hip, modern and GORGEOUS, which Rohan loves, but he also tells her that she should just be herself. They share an Indian dinner together and they laugh and generally have a good time. Rohan even goes so far to say that he wants a girlfriend just like Veera and that he has fallen in love with her. After I melted at how freaking GUUUUHHH Shahid is and re-solidified with hearts in my eyes, I got to see Rani’s sweet expression to his confession. Rohan leans in to kiss Veera and although she’s shocked at first, she leans in too…only to be interrupted by the honking horn of the dance troupe truck. Her ride is there to pick her up and the date is over. Their romancing will have to wait until the cricket match is over!!

Now, describing the cricket match is hard for me. I understood exactly what was happening while I watched it, but I’m not so well-versed in cricket that I could explain it in retrospect. So you’re going to have to bear with my vagueness.

Rohan’s mother comes down from England to see the match. This also allows her and Vikram to reconcile a bit. You know, it’s a Yash Raj Film, tied up loose ends and all that. The game starts off with India fielding and Pakistan bowling. Rohan is an excellent bowler and the Indian team is hitting wickets left right and centre. Not to mention that Veer catches a ball before it can reach the outer field. The rest of the cricket team is rejoicing at the auspicious start that they have and the boys dog pile Veer. In the process, Rohan ends up with one of Veer’s contacts in his hand and realizes that Veer was actually Veera all along. He hands her back the contact, but the look in his eyes says it all. He’s furious.

After this point, the Indian team falls apart. They had been doing excellently, but suddenly Rohan can’t bowl at ALL anymore. He’s completely distracted and the batsmen take full advantage. Even Veer is unable to catch the balls while fielding. After 10 overs Pakistan ends with a score of 213, which is pretty un-freaking-believable. The announcers admit that, once again, India is pretty much screwed.

Back in the change room, Veer attempts to explain to Rohan why she lied, but Rohan will have none of it. He’s angry and hurt and honestly thinks that Veera used him, in the romantic sense, so that she would stay in his good graces and on the team. Veera is shocked and upset but Rohan just won’t listen. Rohan dismisses her from the team and India starts off batting without their star batsman.

The first few overs of batting are a complete mess. Rohan is basically keeping the team alive, because the rest of his team are pretty terrible at batting. The whole game seems hopeless and Veera sits solemnly, neither watching the game nor leaving the stadium. Rohan’s father, who walked in on the argument Veer and Rohan had in the change rooms, knows that Veera was actually Veer. He convinces Rohan to let her back onto the team, as she is the only hope.

Veer gets back on the field and the duo of Rohan and Veer get into the groove. Rohan claims that he only called Veer back for his father’s sake, and not for her sake. Veera understands and admits to herself that she is not batting for herself, but for Rohan’s sake. They continue on triumphantly, closing the impossible gap between India and Pakistan.

One of the Pakistan players accidentally trips Veer during a run and she ends up injuring her arm badly. Rohan rushes to her side and quickly calls the medical team. They say that her arm is broken and that she cannot bat, but Veer is adamant that she will keep going, regardless. Rohan gives her an appreciative nod.

The Pakistani bowlers are shocked when Veer switches over from right-handed batting to left-handed batting and is still able to bat reasonably well. We are given many a dramatic moment after that (seriously how am I supposed to explain this? ;)) and finally the Indian team wins! Not that any of us was surprised.

They are all freaking ecstatic and Rohan is about to be awarded Man of the Match. He’s happy too, but he knows there’s still something left for him to do. He grabs Veer’s hand and brings her to the stage with him. Rohan announces that he was not the Man of the Match and that, really, the man of the match wasn’t a man at all! He takes off Veer’s turban, facial hair and contacts to reveal that Veer is actually Veera. People are pretty pissed off.

Veera sees that everyone is angry with her and that they can’t believe a *gasp* WOMAN has beaten them. Or played with them. Deceived them! So she steps up to the microphone to knock some sense into everyone. In the usual dramatic flair of Bollywood movies, we get an emotional speech about equality, ambitions, perseverance and dreams. The women watch with a knowing look on their faces while the men look on in shock. But Veera’s words are strong and true. By the end, they are left standing silently until the captain of the Pakistani team starts to clap. One by one the crowd begins to cheer for Veera Kaur and her amazing achievement. She not only kept up with the men, she surpassed them!

We are left with a very happy ending with the team lifting the trophy and Veera and Rohan reuniting. Your typical Yash Raj film, but just as satisfying as you would expect. To top it all off, we get to see an extremely hot Shahid and Rani in the video Hadippa The Remix as the credits roll by.

Who said monologues are boring ? May be not, when its George Clooney! The first look of George Clooney’s new film Up In The Air is out. Check it out!

Also posting a clip from the film and an early review by popular blogging site slashfilm. The film is directed by Jason Reitman ( Juno & Thank You For Smoking).

And click here for review.

ChintujiIts filmy friday! And this week again there are some half dozen releases. Aage Se Right, Fox, Bachelor Party, Mohandas, Three – Love Lies Betrayal and some more. Our pick of the week is Rishi Kapoor starrer Chintu ji, directed by Ranjit Kapoor. We earlier wrote a post on Chintuji here (A riddle called Chintuji and bollywood’s oldest debutant). And here are some early reviews.

Anupama Chopra (NDTV) – Chintu ji is an unassuming and delightful film that will keep you smiling long after you’ve left the theatre – 3.5/5

Taran Adarsh (Indiafm) – Here’s a request to all cine lovers and also multiplexes, from this writer. Give this film a chance. Let’s nurture it well, so that genuine efforts like CHINTUJI don’t go unnoticed – 3.5/5

Anand Vaishnav (Buzz18) – Despite some inconsistencies, Chintuji brings a huge smile on your face. It’s a heart warming, feel good film – 3/5

Avijit Ghosh (TOI) – Hats off to Rishi Kapoor, though, for agreeing to play Chintuji, a self-seeking, egoistic and unscrupulous character with his own pet name. The star may have faded away but the actor is blooming in early autumn – 2/5

Rajeev Masand (CNN IBN) – Despite its flaws however, it’s warm and engaging in the end, and far superior to the similarly themed Billu Barber. Watch it because good films are hard to come by – 3/5

Shubhra Gupta ( Indian Express) – Keeping Rishi company are co-stars Priyanshu and the bright-eyed Kulraj, and Sophiya, shaking her stuff in one of the most hilariously inventive item numbers we’ve seen : worth, on its own, the price of an admission ticket – 3/5 

Will update when more reviews are out.

Still havent managed to catch Shashank Ghosh’s madness called Quick Gun Murugun. A friend Vasan Bala saw it and recommends it strongly. Read on.

quickgun murugan2A man is supervising the MENU for the day being listed on the black board.

“Bullet Chicken……B..U…L…L…I….T”

The man writing on the board with a chalk auto-corrects.

“B…U…..L…L….E…T”

The man who was dictating gets angry. Puts a gun to the other man’s head and growls at him, How dare he ask for a correction?

Even I agree with BULLIT CHICKEN. What’s an urban cowboy movie without an ode to the greatest URBAN COWBOY ever “Steve McQueen”

Shashanka Gosh and team have brought back that crazy brainwave from back in 1994 to it’s 2009 full blow AVTAAR (can’t escape Avtaar, it has become the last name in film-making, so I hear)

And this time around he means business and is bloody serious. There is no goofing around.

The moment we get into the Coconut Climbing Training School scene we know we are in for a serious treat. Not an half heartedly made or backed crazy idea. Such treatment to such films are so so so so rare in Indian Cinema.

Usually a great wacky idea is good enough for either the small screen (MTV, Channel V, Nick) or maybe a 30 second slot as a TVC not a full blown FEATURE. Shashanka Gosh and hopefully the success of this venture paves the way for many many more wacky minds. Take a Bow TEAM QGM.

Being a TamBram and that to born and brought up in Matunga there could not have been a more personal experience.

“You made my day, Machchan”

The plot is quit ideological and spiritual. The age old debate on FOOD, whether it has to be plants and herbs or the ones that move, crawl, jump or fly.

Murugun believes in eating grass, Rice Plate Reddy believes in the latter. He wants beef to be stuffed in all Dosas around the world.

He loves to alter his own destiny and cuts his hands for better palmistry. He dictates resignation letter and kills people to the tune of HAPPY BIRTHDAY to you.

The lone cowboy on the dusty roads is bumped off pretty soon in his crusade only to be sent back with a special VISA granted by Chitragupt himself. He is teleported back to earth, specifically to Mumbai.

The rest of the journey is a simple tale of bloody revenge by a vegetarian cowboy with questionable choice in color and material of clothing.

He loves his Lover locked in his Locket but can’t resist the nice girl who works in not so nice places, Mango Dolly.

Her massive cleavage is no give away to the heart of gold she carries, but Murugun is not ‘just another cowboy’, he immediately, looks deep, and just about in a flash realizes, MANGO DOLLY IS A GOOD GIRL.

Together they team up, he guns down the bad guys she ties up his wounds with every ounce of clothing that’s left on her body. A love striptease for a bloody gun-slinging lover. Ah!

QGM has been a ride. What a ride. Just one month and I have seen 2 films being worthy of permanent COLLECTIONS.

Kaminey and QGM.

Have still not got over the carnatic spiced GOOD, BAD and UGLY signature tune.

KALAKITAI  MACCHI  KALAKITAI!!!!!

quickgun muruganYenna Rascala, whats the score ? Seven films this friday! We say, phunk it. We are interested in only one, Shashanka Ghosh! Dont mind it!

The film stars Dr Rajendra Prasad in lead role alongwith Naseer and Rambha. Few early reviews are out.

Taran Adarsh (Indiafm) – On the whole, Quickgun Murugan is an innovative experience. The adventures should appeal to the youth mainly – 3/5

Anupama Chopra (NDTV) – Quick Gun Murugun isn’t the roller coaster ride it could have been but I still recommend you make time for it. Because it’s wacky, original and inventive – 2.5/5

Chandrima Pal (Rediff) – QMG is as delicious as Mrs Murugan’s dosas. As Rice Plate would have said, “A1, Tip Top! – 3.5/5

Khalid Mohamed (Aslibaat) – The film’s chief quality is that it is wildly different, madcap and keeps you in a bright mood. Now that’s saying helluva lot in these days of kambakts and kamineys – 3/5

Rajeev Masand (CNN IBN) – If all you’re looking for is a relaxed time at the movies, then believe me, this is Good Fun Murugun – 3/5

Avijit Ghosh (TOI) – You cannot blame director Shashanka Ghosh and writer Rajesh Devraj for not trying something different. They are bang on with the movie’s looks. Too bad, the team fails to create its soul – 2.5/5

Shubhra Gupta (Indian Express) – We like. The rest doesn’t really make our day, `machaa’ – 3/5

Minty Tejpal (Mumbai Mirror) – I hear there’s talk of a sequel in the offing. Well, knowing Shashanka and Devi all too well, if the two talented but stubborn eccentrics do manage to collaborate again, it should be well worth it. Take that I say, Austin Powers – 3/5

Baradwaj Rangan ( New Indian Express) – A kitschy spoof of Tamil Westerns has big laughs and one small problem: even at an hour-and-a-half, it overstays its welcome.

Sanjukta Sharma (Livemint) – You either get Quick Gun or you don’t. But just watch the film for the experiment it is. There aren’t so many out there.

Kaveree Bamzai (India Today) – I would rather watch a Rajnikant movie in Tamil with no subtitles for entertainment – 1/5

Gaurav Malani (Indiatimes)The 2-minute parody of Shah Rukh Khan in Om Shanti Om (from where the character of Quick Gun Murugun was derived) is much more entertaining than this entire excuse for a movie. So much of noise on the pretext of parody! We do mind it  – 1.5/5

Except few reviews, it seems the score is between 2.5/3 for QGM!

Whats Your Raashee ?Because he seriously needs to check his daily horoscope reports. If the teaser, music and promos of Whats Your Raashee is any indication of things to come, we are running far far away from it. The song Jao na (dont go) sounds “please please run away” to us! Just check out the song promo. Its the first song promo that have been released.

What the fuck is this ? Who would release such a bad first song promo of the film ? Is it the same Ashutosh Gowariker who shot Yeh jo desh hai tera (Swadees), O re chori (Lagaan) and Khwaja mere khwaja (Jodhoa Akbar)! Unfuckingbelievable!  This is horrible. And it seems, its shot on chroma. You can easily make that out. Mumbai roads….late night…why would you go for chroma!

First Harman Baweja, then the fuckall teaser, then this song promo and now the music of Whats Your Raashee…..nothing seems to be going right. The album has 13 songs. I heard it thrice, none of the song stays with you. Zero repeat value. The arrangement make it sound like we are going back to Nadeem-Shravan days! I would even vote it for Javed Akhtar’s worst work.  Sample this….pyaar pyaari nayi nayi nyaari nyaari….aisi hai baatein teri saari….dil maine khoya jaan vari….kyunki pyaari pyaari…tukbandi was never so dull!

Music is by debutant Sohail Sen. Am all for new talent but yes, talent is the key word! Or was i searching for Rahman in the album ? Naah, am not going back to it again!