Long long ago, when Shah Rukh Khan wasnt King Khan, one day he called up Anil Kapoor and asked him about brand endorsement and tv commercials. Anil Kapoor said soch bhi mat…paise ke liye yeh sab nahi karne ka…usme izzat nahi hai! But then, only few understand money like SRK does, and the rest, as they say, is history. Many followed his footsteps soon. But Anil Kapoor never changed his stand. All this years, no tv commercials, no brand endorsement. We are sure he must hav refused plenty of offers, if not plenty, atleast the 40 plus tablet offer must have come his way!
Post Slumdog Millionaire and his jumping jack act at Golden Globes, he is a different man. And here is Anil Kapoor in his first tvc avatar, with daughter Sonam Kapoor, for Mont Blanc pens. Though the commercial is terrible and its even shot in the most boring way.
BTW, do check out Anil “the power to write your own destiny” Kapoor’s dialogue delivery between 00:47-00:50 seconds. What attitude! We are ROFL! And what an irony, at a time when he is busy producing a film (Ayesha) starring his daughter Sonam Kapoor, he delivers the dialogue…Dont expect any help from me! The timing could not have been better!
Mr. Tapan, where are you ? You saw the film ? BTW, if you are wondering who is Tapan, click 
Blame it on Raashee! The film or his sun sign, we are yet not sure. But one thing is for sure – the film Whats Your Raashee (starring Priyanka Chopra and Harman Baweja) is UNBEARABLE! We might be jumping the gun here but heard that those who saw the film were pleading desperately for a gun! And some of them were even dead by the time it got over.
Have you heard of a film called Couples Retreat ? If you havent, you should. This film marks A R Rahman’s entry into mainstream Hollywood post-Oscar!
Who says National Awards don’t matter! It does, atleast to few. And things do change accordingly.
If yes, read on.
The jury citation for Shetgaonkar’s film read: “Far from the sensory overload of India’s big cities, this film explores smaller but enduring dilemmas, drawing together keen environmental sensitivity with a nuanced view of village dynamics.”
The Man Beyond the Bridge is a story about Vinayak, a forest guard, who lives a lonely life, with just the memories of his dead wife in a Government house in the dense forests of Goa-Karnataka border. His repeatedly rejected pleas for a transfer by his superiors in the Department of Forests have left him bitter. One night, he comes across a filthy, unkempt mentally challenged woman lying in the compound outside his house. He drives her away but she keeps returning. From his initial irritation with her filthy appearance and irate behavior, he slowly gets used to her daily visits looking for food and sleeping in the courtyard. With time, he begins to derive comfort from her presence.
F.i.g.h.t C.l.u.b 