Archive for the ‘bollywood’ Category

acid-factory-cut2Its not Unknown anymore! In this era of social networking, how do you expect to steal and run away. Acid Factory is directed by Suparn Verma and produced by Sanjay Gupta. Earlier we wrote about the Acid-Factory-Unknown plagiarism issue here. They set a new benchmark by even copying the trailer of the film!

Dear Guptaji and Vermaji,

Havent you heard “kanoon ke haath bahut lambe hote hain”. Its time to shut the dvd shop! Cntrl C + Cntrl V is getting too risky. Learn the other commands soon!

According to reports in international press, Simon Brand, the director of Unknown has got to know about the film Acid Factory, has seen the trailer and now is planning to take the matter to court and sue the makers of the film. You can read the reports here and here.

The reports are in French/Spanish, and if you are too lazy to do the translation, we have done it. But since its google translation, you might have to jumble few words here and there.

Director desolate with the copy that Indian industry has its ‘Unknown’, ‘Acid Factory’ is bet of the year.

You can change the actors, the title – by Unknown (Hollywood, 2006) for Acid Factory (Bollywood, 2009) – are still shots and sequences and a slight film draws up another success. The director of Strangers (in Portugal) is inconsolado with a new episode of shameless plagiarism of the Indian industry.

I was in shock,” said the Colombian director Simon Brand. “It took me a while to assimilate it, especially after seeing the trailer on the Indian tape. I found a copy that is identical to the point of stealing plans and entire sequences,” he said, desolate, the filmmaker. In 2006, in a discreet, left the film that told the story of five men who are in a factory without knowing who they are. This thriller is starring, among others, James Caviezel, Joe Pantoliano and Greg Kinnear.

Three years later, the streets of major cities in India are filled with posters for a big Bollywood production – a budget five times that of Unkown. Five men are in a factory without knowing who they are … The movie is signed by Sanjay Gupta, who perhaps should think three times before going through Hollywood – accuse him of, among the 13 films he has done, have made plagiarism by 95%.

The story is not new and even classics (Godfather, etc. ..) have been “adopted” by Bollywood, who does not pay a penny for the rights. “After the initial run, it is difficult to prosecute them,” says Brand. Acid Factory debuted there 15 days.

The other report has more details, including the director’s plan to sue the makers of Acid Factory….

In the United States has struggled to get into theaters, but in India is the big bombshell of the season. The streets of large cities have been papered indas for weeks with the announcement of the release of the film, while Hollywood was just one more. The American version is called ‘Unknown’ (2006). The Indian, ‘Acid Factory’. But this is not the story of a comparison, nor a remake, but of a plagiarism by any measure.

Simon Brand, director of the Colombian original version released in Spain under the title ‘blank mind’ with James Caviezel, Joe Pantoliano and Greg Kinnear as protagonistas’-heard the case a few weeks ago in Los Angeles, where he lives five years. It was told by her producer or his agent, but an Indian journalist who called him to interview him about it.

‘I was shocked,’ admits Brand. ‘It took me a while to assimilate, especially after seeing the trailer for the film in India. I found that is an identical copy to the point that they have stolen entire flat and take ‘.

And do not lie. It is true that the plot is the same-five men wake up locked in a factory, and none of them remember how they got there or who they are-but with Indian actors, produced by one of the directors of the highest reputation in his country, Sanjay Gupta, and the title changed to make it more attractive.

Then, according to criticism from several local media, the thriller is a chain of sequences copied frame by frame, of the Colombian film director. Some go further, asserting that the 13 films directed, written or produced by Gupta, 95 percent are exact copies of Hollywood titles or Korean films.

It seems that not alone and that plagiarism in Bollywood is already part of the culture of the industry. Crushing machine by the intellectual property rights have come films like ‘The Godfather’, ‘Kramer vs. Kramer’, ‘My friend the ghost’, ‘Sabrina’, ‘The Hand That Rocks the Cradle’, ‘Seven Brides for Seven Brothers ‘,’ The Fugitive ‘and’ Sleeping with the enemy ‘, to name a few of an endless list of titles of current and classic cinema.

But nobody could stop them. Even 20th Century Fox, which in May this year filed a lawsuit against the film by BR Films ‘Banda Yeh Bindaas Hai’, arguing that it is an exact copy of ‘My Cousin Vinny’, starring Danny de Vito and Marisa Tomei.

‘Hari Puttar: A Comedy of Terrors’
Even Harry Potter has been victim of Indian intellectual property theft. ‘Hari Puttar: A Comedy of Terrors’ is the Indian version of the character of JK Rowling, but so far have escaped any sanction despite the demand for Warner.

Now, two weeks after the release in India of ‘Acid Factory’, Simon Brand is expecting that the lawyers for the distributor of ‘Unknown’ in Asia to take action on the matter, while acknowledging that it will be difficult.

‘I talked to industry insiders familiar with the matter and tell me that when the film has already opened in the United States sue for plagiarism is complicated because it is a common practice in India’, says Brand, who claims to feel a ‘huge powerlessness and frustration “to see how he copied their work without receiving any reward for it. And that the Indian film was shot with four or five times more than his budget.

It has a director with his second film, ‘Paraiso Travel’, managed to beat all box office brands in Colombia last year and be compared with ‘Amores Perros’ and ‘City of God’. “The problem is that piracy was and is unstoppable, has Brand, who, despite everything, he dreams of making films of high power in India someday.

 As Dhoni says in the Aircel tvc “Aur bolo” !

After making many headlines, Dulha Mil Gaya is finally ready for release. The film is directed by Mudassar Aziz, produced by Viveck Vaswani and stars Fardeen Khan, Sushmita Sen & Shah Rukh Khan has a guest appearance.

Guest appearance ? Well, Shah Rukh is on screen for 45 minutes in the second half of the film, but he hasnt charged anything for it. Its all for good ol’ Dostana! When Shah Rukh came to Mumbai and had no place to stay, it was Vaswani who opened his doors for SRK! No pun intended, if you have heard different version of the story!

ET reports that the film has finally found a buyer in Rajat Jhunjhunwala, a finance professional with an investment and restructuring background who is making his foray into bollywood. Click on the video to check out the trailer of the film. The quality is not good but its easy to figure out that they are trying to sell it as a Shah Rukh Khan film.

Lil late on reviews this week. Only because we were not interested in any of the two hindi releases of the week. Tum Mile is from Bhaat Factory, directed by Kunal Deshmukh and stars Emraan Hashmi and Soha Ali Khan. And here is the report card.

Taran Adarsh (Indiafm) – On the whole, TUM MILE caters to the youth mainly. At the box-office, the Vishesh Films – Emraan Hashmi combo has cultivated a strong fan-base over the years and coupled with good music, which is also very popular, the film should find itself in the comfortable zone – 3/5

Rajeev Masand (CNN IBN) – You may survive the floods, but Emraan and Soha’s bak-bak will most certainly kill you! – 1.5/5

Gaurav Malani (ET) – Tum Mile might be dilute on the deluge but concentrates on having its heart in the right place. Watch it as a disaster flick and you will find it disastrous. Watch it as a love story and you will love it – 3/5

Khalid Mohamed (PFC) – To the immense credit of director Kunal Deshmukh, he shoots it with such sensitivity and grace, that you’re convinced that he’s an underrated director. Both Deshmukh and Mohit Suri (Woh Lamhe) from the Mahesh-Mukesh Bhatt factory are excellent technicians, and deserve to be in the A-list of mainstream directors – 3/5

Rediff (Sukanya Varma ) – Ultimately, though, Tum Mile’s true strength lies in the combined appeal and compelling performances of Emraan and Soha. Awe-inspiring it is not but engaging? By all means – 3/5

Mayank Shekhar (HT) – Alongside posters and promos of 2012, this reel or two was meant to be cinema about a shaking catastrophe. You realise, while the romance and its conflicts are short-lived, this is not a disaster film at all. I mean this as much for its genre as hopefully its fate among the public – 2/5

Anupama Chopra(NDTV) – The film strains for poignancy as the lovers realise that life is too short but their epiphany is more tedious than moving – 2/5

Nikhat Kazmi (TOI) – What really stands out in the film is the acting. Emraan and Soha create a chemistry that is brimming over with warmth and remains quite unpredictable till the very end. Their conversations — and concerns — are straight out of real life – 3.5 / 5

Minty Tejpal(Mumbai Mirror) – Emraan is fairly intense in his performance, while Soha is quite spunky, but together they are a bit flat. The music is fairly melodious, though there are no tracks that really jump out. However, the film is worth watching on a rainy day. Just don’t expect to be swept away – 2/5

Shubhra Gupta (Indian Express) – Hashmi and Khan have a good fit, though, and their lovers’ tiffs feel real: Deshmukh has an ear for dialogue and gets his leads to spar in believable ways, especially when Hashmi behaves like a spoilt brat artist, and she an unrelenting career girl. Pity about the lax climax – 2/5

Kaveree Bamzai (India Today) – All the drama is in the breaking up and making up between Emraan and Soha and though both have put in likeable performances-Soha even foregoing make-up for it-it is too much water, too late and too limp – 2.5/5

Anand Vaishanv ( Buzz18) – While the disaster angle is clearly a gimmick. And the lovers could very well have sorted out their differences on a station or an airport lounge, the film is engagingly shot. Tum Mile is eventually just another love story punctuated with some 26/7 sequences. Watch it only if you are a die hard Emraan Hashmi fan – 2/5

The other release of the week is Aao Wish Karein stars Aftab Shivdasani and Aamna Shariff. Its directed by Glenn Baretto and is Aftab’s home production. And did we tell its written also by Aftab! Aur bolo!

Anupama Chopra (NDTV) – Week after week, critics lament the lack of original work in Bollywood. But after watching Aao Wish Karein, an agonizingly boring rework of Tom Hanks’ Big, I wished that the makers had been less original and copied more diligently – 0.5/5

Taran Adarsh (Indiafm) – On the whole, AAO WISH KAREIN is engaging in parts, but how one wishes the film would grab your attention in entirety. The wish of striking a chord and hence, succeeding at the box-office won’t come true for this reason – 1.5/5

Rajeev Masand (CNN IBN) – Far from achieving the fairytale feel it was going for, Aao Wish Karein is a colossally boring film that packs clunky dialogue, a predictable narrative and a muddled message in the end. Barring a few superb songs, this film is a miscalculation on all counts – 1/5

Minty Tejpal (Mumbai Mirror) – Yup, the same Big story, only Aftab is no Tom Hanks, and the less said about the direction the better. However, in good old Bollywood style, it’s the ending that’s the real double whammy. Go watch it if you wish – 1.5/5

Shubhra Gupta (Indian Express) – Good proposition for kids, and adults, to buy in. But `Aao Wish Karein’ falls in between two stools, and becomes a film which appeals strongly to neither – 1/5

Nikhat Kazmi (TOI) – Obviously inspired by Tom Hanks 1988 classic (Big) that was nominated for two Oscars, the film lacks all the masala that made Penny Marshal’s film such a winsome experience. Also, the romance between Aftab and Aamna is quite thanda. Thoda aur wish karein? – 2/5

 

Om Puri Nandita PuriFirst lesson : Don’t marry a journalist if you are famous and have lots of bones in closet. Because once a journalist is always a journalist.

Second lesson : And if you marry a journalist, never ask him/her to write your biography!

Jokes apart, three cheers to Nandita Puri for the tell-all biography of her husband Om Puri. Not everyone can dare to do so. And its almost impossible when you are related to your subject. The book (Unlikely Hero : Om Puri) is not yet out, and we are not sure if its really going to reveal all, but if the film is going to be anything close to what the teaser is promising, we are looking forward.

In an industry where everything is in closet and where we are all holier-than-thou you can only expect some fakeographies! And so this is going to be refrshing change.

Tehelka has published excerpts from the book. Scroll down to read or you can click here. And yes,  Shiney Ahuja is not the only bai-sexual! Ask Mahesh Bhatt, he can give you few more names.

Of a pump and a bed

Om grew up in an environment almost devoid of women. His mother, Tara Devi was the only woman he knew for years until he reached his Mamaji’s place in Sanaur. [T]here were no girls of his age and the only women he knew were his maternal aunts and the maids. So it was but natural for Om to take a liking to older women. He must have been around fourteen when he was ‘deflowered’. A fifty-five-year-old woman, Santi, used to provide general help in his maternal uncle’s house. Twice a day, water was drawn into the house with a hand pump and Om was asked to assist Santi in the job. Days went by and Om kept pressing the pump backwards and forwards, till one day he realized that Santi would first touch, then caress and finally fondle him during the task. The young boy began to get turned on without knowing what was happening to him.

One day there was a power failure and in the dark, Santi grabbed Om, who was by then totally aroused. They slept together and the fourteen-yearold felt really great having ‘come of age’. Dark, greying, with a toothless grin, always dressed in half-torn salwars, Santi was Om’s first lover.

The fourteen-year-old’s lust for Santi spilled over into a kind of attraction towards another older woman. This was his badi maami or older maternal aunt, Gomti Devi. It was perhaps this infatuation that led Om to caress the exposed navel of his other aunt, Satya Devi, one summer night on the family terrace under a moonlit sky. Though it was the younger aunt he was physically caressing, it was actually the aura of his older aunt that had overwhelmed him…

Whatever the reason, his naïve act led to his shame and expulsion from the Kapoor household and Om was left to fend for himself.

The maid he almost married

[In 1986, when his girlfriend Mala left him, Om was living in an apartment in a complex called Trishul where his] staff consisted of a mother and daughter duo from Andhra Pradesh, Amma and her daughter Lakshmi. When they first came to Trishul, they stank a lot as they used to work in the local Versova fish market. It took a lot of coaxing on Om’s part and several rounds of scrubbing with soap on their part to get rid of the stink.

Initially, Lakshmi and Amma used to serve part-time but seeing Om’s hapless predicament with his nephews after Mala’s departure, they stayed on to work full-time. Between them, they did all the housework and Lakshmi took pains to manage things well. Also, whenever Om was at home, she made an extra effort to cook special food for him and walked around the house coyly. She even flirted with him playfully. Om did not fail to notice all this.

Lakshmi had a dark and voluptuous matronly appearance and Om found her suitably attractive. Thus, their short-term physical relationship began. A few months later, Om realized that Lakshmi was getting quite attached to him. And since he was feeling grateful to her, on the spur of the moment, he decided to marry her… Om thought he too could set an example for society. Or maybe he felt his reel life, where he acted out socially meaningful roles, should spill over into his real life.

‘Thank God I woke up quickly from my idealistic stupor and did not commit to Lakshmi. We had nothing, absolutely nothing in common,’ Om says. Lakshmi soon began to get very possessive about him… Om did not like this and decided to terminate their short affair. Lakshmi, however, was not one to take it lying down. [She] tried to climb onto the terrace rail and announced she was going to jump seven storeys down. When Om pulled her back, she yelled hysterically, ‘Nahin, mujhe marne do! (No, let me die!)’ Om could not have asked for a more melodramatic scene of a break-up than this!

First smell of money

On a holiday to Delhi, Naseer prodded him to go to Pune, but funds were the main hindrance that kept Om away. He applied for a Punjab government scholarship which did not come immediately. In the meantime, a friend from NSD, Neelam Mansingh asked her friend, a businessman, Jugnu Singh to sponsor Om. Jugnu agreed and on that assurance Om joined FTII. But Jugnu’sfunds never materialized…

Om got in and was able to manage the two years’ acting course in Pune due to the kindness of some friends and teachers. One such person was Girish Karnad. During the interview, students were asked to recite two passages, one of their choice and one that had been sent by the institute. Om’s passage was Mark Anthony’s speech from Shakespeare’s play Julius Caesar. Om was good. But the interview board wondered why they should take Om as a student. ‘He doesn’t look like a hero, nor like a villain, nor a comedian. What use will he be of to the industry?’ they chorused.

‘‘That is not our problem,’ Karnad, who was then the director of FTII, insisted… During his first summer vacation, Karnad recommended Om to B.V. Karanth to play the lead in his hour-long children’s film, Chor Chor Chhup Jaaye. That was Om Puri’s first film and he played a vagabond. His first co-actor was a monkey called Ramu. He made friends with Ramu and sported an unkempt look to go with his character in the film. When the payment was handed to him, Om did not know how to react. He had never seen so much money together – all of three thousand rupees! But he ensured that the money saw him through the entire FTII course.

Tehelka has also done an interview with Nandita, and when asked if she had to hold back anything, she said “Yes, I guess so. I’m used to profiling people, but it’s different as a wife. Even though I did reveal a lot, I did have to hold a little back. At first, he was very apprehensive. He was not very keen that I do the biography. He had asked me to do it in the beginning when I was a young journalist interviewing him. He was just conspiring to spend more time with me. Once I became his wife, he didn’t need such ploys. Later on, it was my decision. Om is constantly talking, so in a way it is more like an autobiography than a biography. I’m saying all the things Om has been meaning to say all these years.

You can read the full interview here.

In today’s Mumbai Mirror, Om Puri has given an interview to SKJha and reacted to his wife’s book and all the stories of his sexual adventures. But since its by SKJha, we take everything with a pinch bowl of salt. To quote Om Puri…

I don’t care  if she’s my wife. I won’t let her get away with it. My wife has reduced a very important and sacred part of my life to cheap and lurid gossip. I had shared these dark secrets with my wife as all husbands do. If she chose to make them public at least she should’ve made sure to maintain a dignity about experiences that are a valuable part of my life. Has she forgotten that I have a standing in society and I’ve worked hard to achieve all that I have today? I won’t allow her to throw it all away for the sake of sensationalism.

You can read the full interview here. This all seems like great publicity and buzz for the book just before its release. We are booking our copy for sure. Because Om Puri still remains one of our all time favourite actors!

Aamir Khan and Kareena Kapoor. Mani Ratnam wanted them together, Vishal Bharadwaj also wanted them, but for some or other reason the films never happened. The two actors are working together for the first time in RajKumar Hirani’s 3 Idiots. A new song from 3 Idiots, featuring both the actors is just out. Those of you who love dissecting the chemistry (or physics/biology) check out the video and let us know what do you think. 

The music of the film is by Shantanu Moitra and lyrics by Swanand Kirkire. The song zoobi doobi has retro sixties  club number feel to it and the intial hook sounds a lot like Main Hoon Na’s gori gori, which we love. There are few things which nobody does better than Farah Khan!

And if this rewind to bollywood’s sexy sixties club number is a genrae, then our favourite is Woh ladki hai kahan from Dil Chahta Hai. This song is also choreographed by Farah Khan. Bollywood is in her blood! Enjoy!

After Kaminey, this one got to be the title song of the year…Kurbaaan hua! We have it in non-stop loop! What powerful lines….Poori huyee har arzoo, har dastaan meri…..yeh tum shuru huye jahan…main khatam hua…kurbaan hua! And Vishal Dadlani does a terrific job with this song after he bored us to death with his Aladin nursery rhymes!

The film stars Saif Ali Khan, Kareena Kapoor, Vivek Oberoi and is directed by Rensil D’Silva. The promotional music video of the film is out. Have a look.

Trust Mid-day to spot what others dont! Here is the Pic Of The Day (POTD), Aamir Khan with his butt chair and his fingers doing the tricks. One up in the nose, the other down the base. Clicked during one of the promotional events of 3 Idiots.

Aamir Khan pic

Pic courtesy : Mid-day!

Remember the good old Surbhi days! The ever smiling faces of Renuka Shahane and Siddharth Kak. The one show which made postcards so popular that Postal Department had to introduce high priced competetition postcard for the same. Recently a freind mailed us a link to one of the Surbhi videos and we were smiling all over again!

In Video Of The Day (VOTD), its a feature on Abdul Rahman – the Saptah Ka Kalakaar! There is also a sound bite of H Sridhar, his super talented sound recordist whose recent death was a big loss for Rahman. The video is by team director Suhail Tatari. Our guess is he is the same guy who turned director with Summer of 2007 starring Sikander Kher and Gul Panag. Lets us know if we are wrong. And check out the video. The music of Roja still sounds so fresh…ahh magic!

 

Aamir KhanIs it intentional because it makes headlines and grabs eyeballs ? Or its all because of the concept! Since last few years Aamir Khan’s tv comercials have been discussed and dissected more for his looks than anything else. Product, brand, acting, shooting – everything takes a backseat. Here is the latest Tata Sky tvc in which Aamir plays a ventriloquist and has a puppet in his hand.

Aamir’s look and character is based on Ramadas Padhye, India’s well know ventriloquist. If you are interested to know more about the tvc, here’s a video on the making of the commercial.

And sometimes it seems like Aamir is obsessed about his looks. In a Tata Innova tv commercial, he appeared in six different looks, enacting six popular characters from his six different films. Rang De Basanti, Ghulam, Dil Chahta Hai, Rangeela, Lagaan and Sarforash. If you havent seen it yet, click the play button.

PrinceWhat else do you expect if its a Vivek Oberoi film. Its got to be the ROFLOL title of the year! WTF is ITS  SHOWTIME! And Prince!! Kahan ka bhai ? Kidhar hai mere laal ? And if thats not enough, check out what the producer of the film Tips have been upto!

Here’s a video uploaded by the makers of the film that gives us audience reaction to the trailer/promo/first look of the film, and if they are going to watch the film or not, based on what they saw!

We are ROFLOL watching this video. Why ? Read on.

1. Who edited the video ? Why do we need to hear the invisible man’s voice some 50 times asking the same question – what do you think of the trailer ? Just once and it would have been perfectly fine. Then put all the answers together.Its simple.

2. Do check out the way the invisible man asks the second question, in authoritative voice – So, you are going to watch the film, for sure ?

He doesnt look for options. He doesnt ask the question – Are you going to watch the film ? He already knows the answer. He is just re-confirming it. And he adds “for sure” too.

3. And where is the promo ? What trailer have they seen that has impressed them so much! Except one, there is no more bad, or even not-so-good reaction.

4. Why is the voice so concerned about asking who the producer of the film is ? Brand recall ? We seriously doubt. Or is it because Tauranijis would sign the cheques and they would love to hear their names. And from what we know about them, they surely love their name and face on every possible place!

5. If its about making the right buzz by getting audience’s reaction, then check out how the Paranormal Activity guys used the test screening for their promo. The film made on 15,000$ has made close to 100 million$! As the rulebook says, show it, dont say it!

Yes, we are waking up to Hollywood’s mantra of test screenings and all that jazz. But its still what we want to hear. The last film which got fantabulous response at test screenings was Imran Khan’s Luck. And we all know the result. Well, we said and wrote much more just by reading the script. And even put out an open bet, its all here. So, Dear Mr Filmmaker, do mail us the script if you really want some honest feedback ? We are not in any entourage party!

Also, the problem is we dont get the right feedback from the viewers always as there is a sense of gratitude for making you the chosen one to have a sneak peek. There is always sugar coating as nobody wants to say it as it is. Much like what happens at a premiere of any film. Nobody hates the film, everyone congratulates the director and every member of the film is made to feel that its the best that they have done. Once out of the theatre, the smses starts.