Thats what the buzz is. We would like to believe its NOT. Plagiarism ? Not again! Because we have never heard of Imtiaz Ali as dvd director. But then, you never know. May be only the basic idea, story, plot or synopsis. Or it can be coincidence. Lets check out.
Zui Hao De Shi Guang ( Three Times)
To quote from Imdb.com –
The film wisely opens with the most successful of the three ‘Times’ – 1966 A Time for Love – – tracing the emergence of timid passion between a lad headed for the military and a young girl who works in a pool hall. They communicate by letters after their first brief introductory encounter and circumstances interfere with the progress of their relationship in 1966 Taiwan.
The middle section 1911 A Time for Freedom is gorgeous visually and conceptually the director has elected to use the cinematic form of the period (silent movie) to tell his story about the freeing of a young girl from the grip of a brothel madam and surveys the political tensions between Japan and China as the quietly lighted story of love and yearning unfolds.
The film ends with 2005 A Time for Youth and here our lovers are caught up in the pollution of smog, cellphones, emails, nightclubs, and infidelities for same sex affairs that speak loudly about the tenor of the times.
Two actors play the lead roles in three stories set in three different years.
And here is a promo of the film
Love Aaj Kal
Love Aaj Kal is the story of Jai ( Saif Ali Khan) and Meera (Deepika Padukone). It starts at a cafe in London which is run by Veer Singh ( Rishi Kapoor). The duo meet, jump into bed first and then they fall in love. With Jai-Meera’s love story, there is parallel track of Veer Singh, his love story with Harleen, which happens in flashback and is set in Delhi. One is today’s love story and the other is of yesteryears. Saif Ali also plays the younger Veer Singh (Rishi Kapoor).
Veer does not understand how Jai can treat matters of the heart without passion, like a financial transaction. Jai does not understand how Veer Singh could have been so naïve and silly about Harleen in the days of his youth. But as both stories unfold, we realize that the process of relationship might be different in different eras, but the experience of being in love remains the same.
So there is the frolic and despair of modern living, the liberation and confusion. And there is the past – the times of innocence and compulsion. And there is distance, and the fondness that increases with distance. Gaps widen between two people, but bridges keep growing too.
Conclusion
The basic idea suspiciously sounds similar. One is Love Aaj Kal and the other is Love Aaj Kal Parsoon. One is Two Times, other is Three Times. But since its Imtiaz Ali, we would like to reserve our comments till its release. Lets see.
Yes, Seven fucking crore! For Love Aaj Kal. And we are happy to know and share the info. Because this is one director who made it all by himself. From nobody to saat-lakhiya director as people in Jamshedpur must be calling him.
She has come out in public in support of her husband Shiney Ahuja. On television channels. Anupam Ahuja or Anu Ahuja, even organised a press conference today. She got her freinds and neighbours together and tried to made it look like a false case. The rape of her maid by Shiney Ahuja. She says that Shiney is completely innocent and he has been framed!
According to reports in today’s Mid-day, director Ashutosh Gowariker was damn pissed off at the IIFA Awards (Macau) because Boman Irani and Ritesh Deshmukh took dig at many actors and films while hosting the awards. On stage, he also questioned how Priyanka Chopra can win the Best Actress Award for Fashion. The links to the stories are
Accused of plagiarism! And according to news reports, the music composer has hit the half century mark on plagiarism charts with this song. After West, the current trend is to look east for inspiration and Pritam does the same. The song in question is Hai Junoon from Kabir Khan’s New York. Its plagiarised from a song called Naluri Lelaki by an Indonesian band Samsons. Check out the two songs and see if you think the same.
Kal Kisne Dekha ? Going by the initial box office reports and reviews, it seems NOBODY. Not even the film’s director Vivek Sharma, because he had a fight with producer Vashu Bhagnani over non payment of fees. Vivek also claims that Vashu has re-edited the film and he hasn’t seen the new version