Archive for the ‘Thoughts’ Category

PrinceWhat else do you expect if its a Vivek Oberoi film. Its got to be the ROFLOL title of the year! WTF is ITS  SHOWTIME! And Prince!! Kahan ka bhai ? Kidhar hai mere laal ? And if thats not enough, check out what the producer of the film Tips have been upto!

Here’s a video uploaded by the makers of the film that gives us audience reaction to the trailer/promo/first look of the film, and if they are going to watch the film or not, based on what they saw!

We are ROFLOL watching this video. Why ? Read on.

1. Who edited the video ? Why do we need to hear the invisible man’s voice some 50 times asking the same question – what do you think of the trailer ? Just once and it would have been perfectly fine. Then put all the answers together.Its simple.

2. Do check out the way the invisible man asks the second question, in authoritative voice – So, you are going to watch the film, for sure ?

He doesnt look for options. He doesnt ask the question – Are you going to watch the film ? He already knows the answer. He is just re-confirming it. And he adds “for sure” too.

3. And where is the promo ? What trailer have they seen that has impressed them so much! Except one, there is no more bad, or even not-so-good reaction.

4. Why is the voice so concerned about asking who the producer of the film is ? Brand recall ? We seriously doubt. Or is it because Tauranijis would sign the cheques and they would love to hear their names. And from what we know about them, they surely love their name and face on every possible place!

5. If its about making the right buzz by getting audience’s reaction, then check out how the Paranormal Activity guys used the test screening for their promo. The film made on 15,000$ has made close to 100 million$! As the rulebook says, show it, dont say it!

Yes, we are waking up to Hollywood’s mantra of test screenings and all that jazz. But its still what we want to hear. The last film which got fantabulous response at test screenings was Imran Khan’s Luck. And we all know the result. Well, we said and wrote much more just by reading the script. And even put out an open bet, its all here. So, Dear Mr Filmmaker, do mail us the script if you really want some honest feedback ? We are not in any entourage party!

Also, the problem is we dont get the right feedback from the viewers always as there is a sense of gratitude for making you the chosen one to have a sneak peek. There is always sugar coating as nobody wants to say it as it is. Much like what happens at a premiere of any film. Nobody hates the film, everyone congratulates the director and every member of the film is made to feel that its the best that they have done. Once out of the theatre, the smses starts.

Anupama ChopraNow, Picture This! Is it technical goof-up or peer pressure ? Or some readers might dismiss it as our conspiracy theory! But whatever it is, its interesting for sure. Read on.

Every friday morning we religiously do one thing. Check out all the possible reviews of the recent releases. Generally Indiafm (Taran Adarsh), Rediff (Raja Sen/Sukanya Varma/Chandrima Pal) and NDTV (Anupama Chopra) come out with the early reviews. Anupama’s reviews are first published on the website www.ndtvmovies.com and are generally out by noon. She speaks out the same lines on her review show Picture This on NDTV 24 X 7 at 20:30.

This friday when we put out the early reviews of Sujoy Ghosh’s Aladin on this post , we read Anupama’s review and realised that she has rated Aladin – 3/5 stars. Here is the google cache of the same page. Have a look.

aladin_review1

After that, slowly one by one reviews started coming out. And most of the reviewers thrashed the film completely, rating it between 1 and 2 stars.

There are lot of reviewers who know that they are wrong guys at the wrong place and so before rating any film they make sure to call up few other fellow reviewers and check if they are judging the film right or wrong. Trust us, it does happen. Or they end up making fool of themselves who even give good ratings to Randeep Hooda’s Love Khichdi, search Buzz18 reviews! But no, Anupama Chopa doesnt belong to the club! She is infact one of the most sane and sorted out reviewers who knows her subject quite well. Though sometimes she looks misfit for TV.

And thats why its a big shock and surprise to see the rating of Aladin going down from three to two stars. Here is the link to the new review page with 2/5 stars. Putting here a snapshot of the same page. Its UNBELIEVABLE! Do they think we are blind and they can get away with anything ? Naah, those days are passe! 

So, will the holier-than-thou NDTV explain this to us ?

Aladin new review1

On her show Picture This  she rated the film 2/5. So, did she change her rating after reading other reviews ? Or was it someone else’s mistake who added one extra star to Aladin ? If anyone can enlighten us on this issue, we will be much relieved! Do let us know. We are eagerly waiting to know why and how!

Once he was a mathematics genius. Atleast thats what he claims. Kartik Krishnan is techie turned writer-actor-director. Busy ADing these days. He enjoys eating (overeating…as you will find in the post), hates people who try to guess his age, is a Mani Ratnam bhakt (oops, make that Mani SIR bhakt ) and has googled & memorized every possible information available on Christopher Nolan. Over to KK, on his three-scene cop role in Anurag Kashyap’s That Girl In Yellow Boots (TGIYB)!

Three weeks ago.

The casting guy and Kashyap’s AD cum co-writer cum my roommate cum dear friend Vasan asked me to come to audition for a role- A cop with 2-3 scenes with Ruth (Ruth i.e. the girl in yellow boots – Kalki Koechlin) in the film. I had been pestering Vasan for quite some time and seeing that other of actors-ADs were making cameos in the film (apparently Piyush Mishra and Naseeruddin Shah have a cameo, Vasan himself playing a blink-and-miss, Thani the other writer plays a character named after him and so on and so forth) it was but natural for me to pester him for an audition. Luckily, it went well and I was cast. (For those who don’t know one of the Patna key Presley’s is Nitin – the then chief on Dev D, the fat dark goggles brass band wala guy is Vasan, the guy who makes the MMS of Kalki is Shlok Sharma – all ADs) Being acquainted with Anurag’s penchant to cast crew members and friends in his film, I felt I had an Ok-to-decent chance.

Two weeks later – Evening

I was in an auto reaching the place – Santacruz W, Hemant bungalow (close to the famous Chinese restaurant Fat Wong or something) for my role. Had been growing a moustache and rehearsing my few lines for the past few days.

The usual – one vanity van for Kalki, Prashant (the ‘male protagonist’ of the film) and Anurag himself. ADs running around with cue sheets, props, costumes, and walkie talkies (a must for any shoot), script copies, scenes to be shot, the camera crew etc etc. Anurag looked usually pleased with the ongoings except every once in a while he would appear angry whenever someone messed up.

EXT.  RUTH’s HOUSE  NIGHT

My first shot – the first time I meet Ruth ….

“Ready Sir”

“Tu yahaan se aana …nahin nahin …yahaan baithe raina…cigg peete rehna …woh udhar se aayegi tu khade ho ke ussey boliyo, end mein tu zor se hansiyo!!!” (Come here. No no be seated there. Smoke your ciggs. When she comes you stand up and say your lines. In the end you do an LOL)

“I do an LOL???”

“Yes. You have been CAST for your LOL!”

“Ok sir.”

The funny thing is me and Vasan were trying/thinking before how else to do it. Variations – straight faced, angry, sleazy, verbose. Eventually it was the sleazy/funny which Anurag chose.

“Ready Sir”

Rajiv Ravi (the wonderfully chilled out DOP) gave me my marks. Kunal the sound guy (uber cool-too young for his experience-shares his cigg with me when I run out) tells me I have been miked well (it’s a sync sound film). I’m bloody nervous. Seeing it on screen and criticizing the actor, feeling that the director could have got better performance from the secondary cast is one thing, being there in those shoes (or boots if you are missing my horrible puns) is another.

“Ready ready”

I woke up.

ACTION –

I have always wanted to know how Kashyap directs his actors. And today I got a taste of it. No puppet-movement, no sticking verbatim to the lines, no referencing the script again and again. Giving them complete freedom but guiding them in case they go wrong. Almost as a friend, mentor and NOT as an angry old/young man who would yell, abuse, slap his actors if needed. Completely different from the ‘common perception’ of a director.

Of what I have been told, in this film Kashyap is taking more takes than usual. DevD was 2-3, in this one it’s 4-5, sometimes 8.

Sometimes it’s also maybe because it’s all handheld camera, No tripods, No film. All digital (HD). Indie & Cheap.

Cut Print Wrap.

“Sir achcha tha na ?” (Was it good ?)

“Haan haan mere paas 4 good takes hain na!” (Yeah yeah don’t worry)

Spoke to ADs and asked them if it was ok. All were thankfully kind and forgiving.

Was told they will shoot the next scene there too. Costume change, props, camera setups.

20 mins later Anurag decides against it and wants to shoot the scene the next day, in the daylight. EP Scheduling & Movie magic ki maa ki aankh!

PACKUP – next day reporting time 11 am.

I reached on time to see ADs relaxed. Kalki arrives at 11.30, Rajeev sir at 12 and Anurag at 12.30.

“Mujhe bhook lagi hai. Main kuch kha ke aata hoon. Chalega ? “

“Am always up for a free lunch”

We went in to the Chinese restaurant and ordered some food. I was in my Cop costume (with the heavy fake gun safely but uncomfortably tucked into my trousers) and talking about the film. In between calls from frantic ADs (Shlok Sharma- 4 missed calls), we were arguing whether the film TGIYB was a drama film or a thriller.

“4 months 3 weeks 2 days is a thriller”

“It’s not a thriller in the conventional sense. It’s a drama film.”

“It’s a film which keeps you on the edge. Most of the new Scandinavian films/books are such crime thrillers.” He went on to name a few which I have completely forgotten. “Don’t be limited by the boundaries of the genre”

“Hmmmmm”

The conversation then went onto writers, old & new struggling etc.

“Passion, enthusiasm, talent, cinema knowledge & discussion is fine but show it on paper/film. The script/film should reflect it. Cinema is not made over cups of coffee”. A statement I completely agreed with.

“Sir shot is ready”

“Aa raha hoon na !!!”

The BIG scene – almost 3 mins of screen time …Scene entry-exit combined. And of course the laughter. 2 min looong take. Shot from one, two and then three angles.

My brief interaction with Prashant(the co writer and actor in the skeleton woman) – he comes across as a fairly capable actor with complete submission to the hands of the director. The scene required us to be awkward and awkward we were.

Another take – me in foreground. Some logistic issues. Why is the cop behaving in such fashion? Why is he like this ?

“Yahaan Tu actor hai acting kar na …jab tu critic banega tab poochiyo” Anurag pulls my leg.

“Yes sir” I complied feeling embarrassed.

CUT PRINT.

I felt I could have been better. Was sulking around when the lunch was being served.

“Kya hua ???” Rajiv Sir asked.

“Kuch nahi, lag raha hai thoda better kar sakta tha” Vasan spoke for me

“Aisa sochega, life mein hamesha sad rahega” Rajiv sir quipped.

“Hmmmmmmmm”

Big break after set ka khana (chicken, veg, prawns, dal, rice, roti, curd and gulaabjamun,pepsi included).

Had almost gone off to sleep. My first tryst with the vanity van was quite warm 🙂

“Shot ready sir”

Ruth comes with me waiting in the background. I meet her and coax favours. Small scene, again a single take with no cut aways.

2 min before the shot is being taken Anurag yells and improvises. Asks for the makeup man to come into the frame as a featured extra, stand there, and then leave. On the spur of the moment, with no pre-conceived planning whatsoever.

Take 1 – CUT

I had gone ahead and improvised the line in clever connivance with Kunal and Neil (the chief AD). We felt we were adding more colour to the character. Our faces fell when after cut Anurag said “Bahut over kar raha hai !!!”

Oops.

Retake with underplay, then retake with more sleaze & laughter.

CUT  PRINT  NEXT SCENE

“Sir, ek aur lete hai na. Thoda aur better karte hain” (Another take please)

“Nahi re editing ke liye toh kuch chod de. Editing pe banate hai na. Editing pe bhi toh banegi na picture”

I shut my trap, feeling unsatisfied. Thought could have done better but …let’s see.

I was done for the day and finally could look at the camera display/TV monitor to see how it is looking. This scene Kalki wakes up and gets a call. Was looking colorful and more interesting. Whatever I saw, I wasn’t disappointed to see the results/shot. Digital surely seems the way to go for Indie.

Satisfied, I left the sets with a polite thank you to Anurag.

Let’s wait for the first rough cut.

PS. – KK claims that the role is important to the script. So chances are it will not get edited out and you will be able to see him on big screen soon! Yipee!

Amitabh Bachchan starrer new film Paa is ready for release on Dec 4th. Its directed by R Balki and also stars Abhishek Bachchan, Vidya Balan & Paresh Rawal. Music is by Ilaiyaraaja and lyrics by Swanand Kirkire. The first trailer of the film will be out on 6th November 2009. Till then its all covered up! Here is the first official poster of Paa!

Paa

Btw, click here for the official website address of the film. So far not much there but just a bit of Ilaiyaraaja’s music.

And if you are too curious to remove the carton from the pic and see how Bachchan looks as a 13 year old in 39 years body, click here.

In the film Paa, Amitabh Bachchan (Auro) suffers from a disease called Progeria, a rare genetic disorder in which a person ages three times faster than a normal person. Its a family drama in which Abhishek Bachchan and Vidya Balan are parents to Amitabh Bachchan, their 13 year old son who looks 39, and its all about how they try to deal with it. The look has been designed after much research and the make up used to take almost 4-5 hours everyday.

Strangely, the basic premise of Paa sounds similar to Francis Ford Coppola’s film Jack starring Robin Williams. To quote from IMDB….

JackThe movie is about a boy with a unique aging disorder: one that makes him age 4 times faster than normal. Movie picks up when Jack (Robin Williams) is 10 years old, but looks 40. He tries to go to public school for the first time, and tries to become friends with kids his own age. His physical appearance causes him lots of problems, however.

So, is Paa really Jack ? Inspiration, plagiarism or just coincidence ? Few more days and we will have the answer.

filmwriting

All you writers, here is an announcement for a new Script Development Lab. And after attending two script labs, we can surely bet for one thing. If nothing else, the experience matters. Writing is a damn lonely & painful job but at a script lab its good fun to share, listen, speak and then write! Try out!

Who : The Lab is jointly designed and organised by Eleeanora Images (India) and Performing Arts Labs (PAL London) and is supported by the Media Mundus programme of the European Union, the British Council, Children’s film society of India, EON Productions and the Goethe Institute.

What : The aim of the programme is to initiate the production of a slate of high quality Indian Films for children. It will focus on stories with a potential for co-production and distribution in national and international markets, at the same time developing the creative and practical skills and knowledge needed to make productions for the child and family audience specifically.

LAB : The programme consists of a 10 day residential Lab for 6 selected writers. Confirmation of venue and session dates and information on Lab mentors and resource team will be posted shortly on the websites of Eleeanora Images (www.eimagesindia.com) and PAL (www.pallabs.org). Participants will receive a fixed amount for travel costs and accommodation and subsistence is provided.

Who Can Apply : Applicants for the Indian Children’s Film Lab may be screenwriters and also people accomplished in an allied field, including theatre or fiction, wishing to write for the screen for the first time.

How To Apply :   Applications should be sent to indiascriptworkshop@gmail.com and include:

 1. A one-page synopsis of the project they wish to develop   2. A project treatment (Max 3-5 pages)

3. A full CV  4. A sample screenplay of 2-3 scenes

Hard copy of completed application form, 1-page synopsis, 3-5 pages project treatment, a full CV and sample screenplay of 2-3 scenes should be sent to the following address:

Eleeanora Images. 216-B/3, First Floor. Gautam Nagar. New Delhi- 110049.  Phone +91 11 41645938/ 41645940

Important Dates : Deadline for receipt of applications – November 10th, 2009. The list of selected applicants announced –  November 20th 2009.

If shortlisted, you may be asked to send a sample of past work: this may be a film on DVD or sample of writing as a script, play or published book.

Application Form : You can download the application form from here and here.

Address :  Eleeanora Images. 216-B/3, First Floor. Gautam Nagar. New Delhi- 110049.  Phone +91 11 41645938/ 41645940

Contact  : For further information contact: indiascriptworkshop@gmail.com

Happy writing & more rewriting!

aladin webpageIts filmy friday and two big releases this week. Aladin & London Dreams. Aladin is directed by Sujoy Ghosh, produced by Eros Entertainment, and stars Amitabh Bachchan, Sanjay Dutt, Ritesh Deshmukh and Jacqueline Fernandez. Some early reviews are out and it looks like a mixed one.

Taran Adarsh(Indiafm) – On the whole, ALADIN is a terrible waste of a terrific opportunity. Hugely disappointing! – 1 / 5

Anupama Chopra (NDTV) – But all their enthusiasm and special effects wizardry is let down by the half-baked story. Aladin never soars. See it if you must – 3/5

Chandrima Pal (Rediff) – What Ghosh dishes out in its place is some half-hearted hocus-pocus, a clumsy mix of old world lore with contemporary indifference, sloppy trips to the flashback and awkward bursts of forced sentimentality. Make a wish, Genius insists. Too late for that, isn’t it? – 2/5

Gaurav Malani (Indiatimes) – Just in case a Genie ever emerges out from your lamp, wish for once that our filmmakers come up with better ‘bound scripts’ and more enthralling adaptations. Till then all flights of fantasy should go on strike – 2/5

Udita Jhunjhunwala (DNA) – You are left wondering who films like this will appeal to. They are not amazing enough for adults or fun enough for kids. If I had a magic lamp, I would use one wish to ask for some decent, sincere films, the kind Ghosh made once upon a time (Jhankaar Beats) – 2/5

Rajeev Masand (CNN IBN) – Few films encourage you to free your mind and unleash your imagination. Say what you will about the Amitabh Bachchan-Ritesh Deshmukh starrer Aladin, but you cannot complain that you’ve seen this kind of Hindi film before – 3/5

Anand Vaishnav(Buzz18) – Ghosh’s setting is neither magical enough for a fantasy nor identifiable enough to be real. It’s too confusing for kids and adults alike. Except for a few laugh early on and Bachchan’s stand out act, Aladin is another addition to Bollywood’s failed attempts at fantasy – 1.5/5

Nikhat Kazmi (TOI) – To sum up with the refrain (Aladin, Aladin, kahan hai tera jinn) of the film: Aladin, Aladin, kahan hai tera sheen? Truly, a big let down from director Sujoy Ghosh who lost both his jhankar and his beats after ‘Home Delivery’ and ‘Aladin’, his films following a scintillating debut with ‘Jhankar Beats’ – 2/5

Shubhra Gupta (Indian Express) – Aladdin’ proves just one thing: Indian filmmakers should stay strictly away from the fantasy genre. The magical mystery tour that this film is meant to be falls way short of its target – 1/ 5

Minty Tejpal (Mumbai Mirror) – Aladin is a good example of how to take a beautiful fairy tale, and proceed to fairly destroy it. Since we all know the timeless story, director Sujoy Ghosh decides to give us his own special updated version, starting from the revamped genie – 1/ 5

Mayank Shekhar (Hindustan Times) – At 65, his(Bachchan) on-screen presence is likely to get scarcer with age. Audiences are still interested in his work. If only he wouldn’t green-light unbelievable, hollow, expensive rubbish that’d be pelted on us merely because, he said yes – 1/5

Kaveree Bamzai (India Today) – Why has the Genie chosen Aladin to save the world from the hands of Sanjay Dutt, the Ringmaster? What will happen when the comet crashes into Khwaish? And will Genie get his wish and head off to retirement, to wear his blingy jackets and do the disco? Yes, all is revealed in the end, but by then we’ve had too much of Mr Muscular (Sahil Khan) and Ms Great Legs (Fernandez) – 2/5

So, why are critics giving bad reviews to Aladin ? Our theory – Because they took Sanjay Dutt too seriously who said…Buri aadat badal daalo, Aladin ko maar dalo!

London DreamsThe other big release is London Dreams directed by Vipul Shah, and stars Salman Khan, Ajay Devgan & Music. And from the early reviews it looks & feels like Gujju Rock On!

Taran Adarsh(Indiafm) – On the whole, LONDON DREAMS has superb performances from its principal cast and several emotionally-charged sequences as its two trump cards. But its biggest drawback is its climax and also the music, which is the weakest link of the movie – 3 / 5

Anupama Chopra (NDTV) – Most of us don’t watch Hindi films for their verisimilitude but honestly, how much disbelief can a viewer suspend. There are a few nice songs here and occasional moments of charm provided by Salman Khan, who once again, plays a variation of Salman Khan. Otherwise London Dreams is as much fun as a stuck record. See if it you must – 2/5

Anand Vaishnav (Buzz18) – Eventually London Dreams is all about the joy of watching Salman and Ajay’s chemistry. Their star power makes up for all the flaws. Both have put their heart and soul into the film, delivering powerhouse, career defining performances – 3.5 / 5

Chandrima Pal (Rediff) – You may like London Dreams for its beautiful frames, some paisa-vasool moments between Salman and Devgn, a good background score and catchy songs. For the rest, you need willing suspension of disbelief. And large doses of it – 2.5/5

Rajeev Masand (CNN IBN) – London Dreams, directed by Vipul Shah, is a frustratingly foolish film about foolish people. It’s the kind of film whose central conflict could be instantly resolved if the characters concerned simply sat down and had a chat – 2 / 5

Khalid Mohamed(Khalidsspot) – With all its mad flaws and inadequacies, Shah’s enterprise still sees him going beyond the klutzy rishtas and pishtas. If you think that’s sufficient reason to buy a ticket , check out this London Whippy Whippy Shake – 2 / 5

Shubhra Gupta (Indian Express) – With his latest film, Vipul Amrutlal Shah goes back to familiar territory : Punjabi ‘munda’ in London town, all set to conquer the world. Akshay Kumar did it wonderfully in ‘Namaste London’. This time around, it is Ajay Devgn’s turn, accompanied by partner-in-crime Salman Khan, but the two-for-the-price-of-one isn’t as much of a success – 2/5

Minty Tejpal (Mumbai Miror) – At the end, London Dreams is worth a watch, though it could have been far better – 2 /5

Mayank Shekhar (Hindustan Times) – This is how hinterland ticket-holders would like to see both.Don’t worry about the story-line. There is no writing, merely good locations and great lighting; wouldn’t shock me if it sort of lit up the producer’s balance sheet as well. Well – 1.5 / 5

Kaveree Bamzai (India Today) – Imagine Rock On!! in Punjabi with stereophonic emotional drama? Can’t? Well that’s London Dreams, where two best friends fall apart over a girl and their music. Now where have we seen this before? Yes, yes, everywhere. But Vipul Shah’s forte has never been originality. It has been energy and joie de vivre, which the film has in plenty. Almost enough to save it. Almost – 2.5/5

Our take – We think if they had gone to the stage with dandiya sticks instead of drum sticks it would have been good fun!

Forget the biggies, we are going to MAMI Film Festival this weekend!

We understand shit about fashion! But we can surely spot the shit too. We rarely follow any fashion week but this one got us ROFL! At the ongoing Wills Lifestyle India Fashion Week in Delhi, Jaya Prada walked the ramp for designers Ashima & Leena. Check it out!

jaya prada

We are still confused about it. What the fuck is it ? Its her Junglee queen or  flower vase or fruit basket avatar ? Or is it Lajpat Nagar effect ? To quote India Today – the showstopper for designers Ashima and Leena had the audience in splits with her (Jaya Prada) disastrous diva act on the ramp. You can read the full report here.

And you have to see her walking ? Click on the play button.

In the second video, she describes her experience about walking the ramp. She thought she was the QUEEN! Ok, so its confirmed. Its The Jungle Queen avatar. Enjoy!

Aladin - Ritesh Deshmukh, Jacqueline Fernandez & Amitabh BachchanFor the first hundred people!! Yes, thats what he tweeted on monday late night after watching Aladin! And like us, if you are following his tweets, its difficult to say how many times he has already seen the film. He saw the film during edit – alone, with Sujoy, with Shekhar, on big screen – with Ritesh, with Sujoy and again and again! Have lost the count. To quote his tweet …

you know what? after tonight, i’ll stick my neck out. i’ve rarely seen a film as big as ALADIN, yet so complete as an emotional journey. 

And the ticket refund one….

 loved ALADIN so much tonight, that if you go, and don’t like it, i’ll refund your ticket-price, for the first hundred people! there!

Woohoo! So, BIG is the key word here. The film is directed by Sujoy Ghosh and stars Amitabh Bachchan, Sanjay Dutt, Ritesh Deshmukh and Jacqeline Fernandez. The cast and the crew have been tweeting non-stop about the film since last few weeks forming a mutual admiration club. Here’s what Ritesh tweeted after the screening last night….

saw Aladin @sujoy_g extremely proud of you and the film. You delivered more than u promised me. BIG THANK U for my BIGGEST FILM

“Big” is again the key word. It becomes bigger to BIGGEST! Big B also blogged about it. To quote from his blog….

I live with the images that last night’s trial of ‘Aladin’ have impressed upon me. I am proud to have been a part of this venture, that has certainly created a finesse and grandeur in fantasy film making much much more than what I had expected from it. It is smooth and vibrant and not in your face yet effective enough to know that it is. The characters , the settings, the music and the situations all have been blended in a most ingenious manner. For the first time in my entire career of film trial history, the audience that habitually consists of trade people, applauded after a song sequence came to an end. We in the business have become accustomed to watching films with the patent ingredients that help us assess the potential of a film. It was and is difficult for me to state whether I found those ingredients last night in ‘Aladin’ and therefore a prediction is difficult to come by. But then some of the last few releases had drummed up sufficient passion in their patent ingredients, but did not come up winners. The unpredictability of this business is the only predictability.

Well, unlike Vishal, Bachchna is not willing to stick his neck out but wraps it up on a slightly skeptical note. So, what do we know ? Here is what our spies told us.

OK. Its BIG in scale. Big is surely the key word! And better. Much better than anything you have seen in a hindi film. Unlike other hindi films, the special effects are damn smooth. But its a children’s film, as in, its a complete masala entertainer for family. With a hero, heroine, villain, love story and a Genie – what else can you deliver!

So, you going for Aladin or London Dreams this friday ?

Aishwarya-AbhishekAishwarya Rai & Abhishek Bachchan have been paired together on the big screen (Guru, Sarkar Raj) but so far no joint endorsement. Now for the first time the couple has come together for Lux soap. The first tv commercial featuring them is out today.

Its conceptualized by JWT Mumbai, shot by Stephen Meads (of London-based production house Short Films) and has music by Shankar Ehsaan Loy. Also the voice sounds like Shankar’s. Not sure. Check it out.

WTF! Nothing impressive! We didnt get whats the big deal is all about!

The rumour is they have been paid Rs 25 crore for the deal. Huh! Our bet, somebody must have heard it wrong. Going by their endorsement fees, it cant be more than Rs 2 & 5 cr for Abhishek & Aishwarya respectively. And here is the video of them talking about the commercial…

Talking of TVC’s, the two commercials which is making us smile these days are of Vodafone Diwali offer and Max New York Life Insurance. One has the killer Dadduji with “meri rai mein” quote and the other has Mummyji with “gande underwear alag rakhna” dialogue. Nothing extraordinary but they get the ordinary life pitch perfect! Two scenes which are very common in Indian middle class families. Click on the video to play.

And if you go by Rotten Tomatoes score card, its a new low in Mira Nair’s career!

Amelia1

For Top Critics, the score is at 12%, lowest rating for any film by Mira Nair so far! Her last film The Namesake scored 87% on the same scale.

And if you have not been following the film and wondering whats Amelia, then read on. 

Amelia posterAmelia is a biopic on the life of legendary American pilot Amelia Earhart, who disappeared while flying over the Pacific Ocean in 1937 in an attempt to finish a record breaking flight around the world. It stars Hilary Swank, Richard Gere and Ewan McGregor. When it comes to biopics, Hollywood has delivered some great ones on screen and with the big ones, they rarely go wrong,  and manage to pick up few Oscars too.

So what went wrong with Amelia ?

To quote from the review of Rolling Stone’s Peter Travers…

“Who wants a life imprisoned in safety?” Amelia asks in a voice-over. And you want to shout, “This movie does, honey.” There’s not a real or spontaneous minute in it.

Click on the Rotten Tomatoes link at the top of the page to read other reviews. Though Roger Ebert seems to be in minority this time as he has rated it 3/5. To quote from his review….

I’m not suggesting that Mira Nair and her writers, Ronald Bass and Anna Hamilton Phelan, should have invented anything for “Amelia.” It is right that they resisted any temptation. It’s just that there’s a certain lack of drama in a generally happy life. 

Amelia” is a perfectly sound biopic, well directed and acted, about an admirable woman. It confirmed for me Earhart’s courage — not only in flying, but in insisting on living her life outside the conventions of her time for well-behaved females.

BTW, if you havent seen the trailer of the film yet, click on the play button.